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<ul><li><keyword id="8127061" type="UNKNOWN" weightage="20" keywordseo="Anupama-Banerji">Anupama Banerji</keyword> is the daughter of Shakuntala Devi, the world-renowned mathematician, writer, and professor </li><li>Anupama now resides in London with her family </li><li>She contributed a lot of information to the upcoming biographical movie based on her mother, Shakuntala Devi </li><li>Anu Menon has directed this movie, and Sanya Malhotra portrays Anupama's role in the film </li></ul> Birth and early life Anupama Banerji was born to Shakuntala Devi and Paritosh Banerji in Bangalore, Karnataka. Paritosh Banerji was an IAS Officer from Kolkata. Shakuntala divorced him in 1979 and settled in Bangalore in the early 1980s. Anupama was brought up by Shakuntala Devi as a single-parent Anupama's relationship with her mother Anupama shared a close and special relationship with her mother. Shakuntala Devi died on April 21, 2013, and this event left a significant impact on Anupama. Following her mother’s death, Anupama left for London. Marriage, family, and kids Anupama is married to Ajay Abhaya Kumar, a businessman by profession. The couple has a daughter named Naina Banerji. She also runs a small business in the UK. Anupama plays a big role in the creation of the biopic movie on Shakuntala Devi Director Anu Menon described the process of working on this biopic as a ' delightful and exhilarating experience'. The movie based on the mathematical genius - Shakuntala Devi took three years in the making with many discussions with Anupama. Unique insights from Anupama helped the team showcase a deep look into the life of the world-renowned personality. The conversations helped the producers of the movie discover several new layers of Shakuntala Devi’s personality and accomplishments. Anupama contributed a great deal to the storyline and development of the movie. Anupama shared an extraordinary relationship with her mother Commenting on Anupama’s relationship with her mother, Anu Menon, the director of the biopic movie said, "We spent almost three years talking to Anupama Banerji -- unwrapping the many, many layers of her mother's story! Anupama and her husband, Ajay Abhaya Kumar were so open and honest. We got to understand Shakuntala in a really special, intimate way - through the eyes of a daughter! We not only found the story of an amazing genius but also a beautiful love story between a mother and a daughter." Anupama is excited about the release of a biopic based on her mother For more than three years, Anupama has been closely associated with the development of the movie on Shakuntala Devi. Commenting on the upcoming release, Anupama said, “I had the opportunity to significantly give input into the development of the script - because while my mother's love and passion for maths is well-known, she was also multifaceted - always wanting to do new things, travel to new places, live life to the fullest! There was never a dull moment around my mother, she was always the life of a party, loved cinema, singing, and dancing, enjoyed dressing up, had the largest group of friends - across the world. In short, I'm happy that the film has managed to capture her energy, laughter, and zest for life! I am looking forward to the film's release and I am certain that viewers will enjoy learning so much more about my mother."

Anupama Banerji is the daughter of Shakuntala Devi (Human Computer)

An upcoming biographical movie to be released on May 8, 2020 made by Anu Menon entitled ‘<keyword id="652906" type="PERSON" weightage="100" keywordseo="Shakuntala-Devi" source="Orion">Shakuntala Devi</keyword>’ has triggered the interests of people in this gifted personality who has been credited with the title ‘human computer’. A genius who could impress people right from the age of three is also a multi-faceted personality good at motivational speeches and authoring books of different genres. A writer and mathematician bundled in one, Shakuntala Devi’s life and accomplishments have inspired millions around the world. Here are a few interesting facts about Shakuntala Devi that will feed your curiosity to know her. <cmsannotation type="cmsannotation" annotationid="Birth and early life of Shakuntala Devi" comment="subhead" text="Birth and early life of Shakuntala Devi">Birth and early life of Shakuntala Devi</cmsannotation> She was born in a Hindu Brahmin family in Bangalore on November 4, 1929. When she was just three years old, her father discovered that she had an amazing ability to memorize numbers. He quit the circus company where he was working and gave road shows projecting the talent of his daughter in calculating. Right at the age of six, Shakuntala Devi proved her arithmetic capabilities in the University of Mysore. She moved to London with her father in 1944. <cmsannotation type="cmsannotation" annotationid="Her mathematical talents recognized" comment="subhead" text="Her mathematical talents recognized">Her mathematical talents recognized</cmsannotation> As early as five years of her age, the world could realize that she was a child prodigy. She was found to be an expert in highly complex mental arithmetic. Her passion to expand the human capacity made her develop the concept known as ‘Mind Dynamics’. <cmsannotation type="cmsannotation" annotationid="A place in the Guinness Book of World Records" comment="subhead" text="A place in the Guinness Book of World Records">A place in the Guinness Book of World Records</cmsannotation> Her talents earned her a place in the Guinness Book of World Records in the year 1982. She was praised as the authentic heroine of her times and she could command the headlines in newspapers and magazines. It was said she could outperformed the fastest computers of her times. <cmsannotation type="cmsannotation" annotationid="The most unique book she authored" comment="subhead" text="The most unique book she authored">The most unique book she authored</cmsannotation> She had a soft heart towards homosexuals. She treated homosexuality in a positive vein and wrote a book titled The World of Homosexuals, which is the first ever book on homosexuality in India. She argued that all people exhibit different sexual tendencies and orientations at different times and there is nothing called homosexuality or hetero sexuality in the world. She has also authored a number of books on astrology and cooking. <cmsannotation type="cmsannotation" annotationid="She never liked the title ‘Human Computer’" comment="subhead" text="She never liked the title ‘Human Computer’">She never liked the title ‘Human Computer’</cmsannotation> In acknowledgement of her talents, she was heralded as ‘Human Computer’ after she projected her talents in the BBC channel hosted by Leslie Mitchell on October 5, 1950. However, she never liked this title. She said, human mind has incomparably much capabilities than the computer and it is not appropriate to compare human mind with computers. <cmsannotation type="cmsannotation" annotationid="Shakuntala Devi Number" comment="subhead" text="Shakuntala Devi Number">Shakuntala Devi Number</cmsannotation> Shakuntala Devi attained universal fame when she demonstrated her ability to multiply two random numbers of 13 digits. She could mentally multiple 7,686,369,774,870 × 2,465,099,745,779 on 18 June 1980 and gave the correct answer as 18,947,668,177,995,426,462,773,730 within just 28 seconds. <cmsannotation type="cmsannotation" annotationid="Shakuntala Devi death reason" comment="subhead" text="Shakuntala Devi death reason">Shakuntala Devi death reason</cmsannotation> Notably, the first woman mathematician in India, Shakuntala Devi died in Bangalore on 21 April 2013 at the age of 83 due to cardiac and respiratory problems. Sources: https://vedicmathsindia.org/shakuntala-devi/ https://en.wikipedia.org/wiki/Shakuntala_Devi_(film) https://en.wikipedia.org/wiki/Shakuntala_Devi https://www.indiatoday.in/education-today/gk-current-affairs/story/shakuntala-devi-the-human-computer-and-author-of-india-s-first-study-on-homosexuality-1600045-2019-09-17

Shakuntala Devi - Contribution of Shakuntala Devi in Mathematics

Mumbai, Jul 15 () Actor Vidya Balan on Wednesday said she had a great time portraying the titular role in the upcoming "Shakuntala Devi", adding that the film celebrates the inspiring journey of the well-known mathematician. Shakuntala Devi, the mathematical wizard, was known for her ability to make incredibly swift calculations. Her genius was first discovered at the age of five, when she solved a math problem for 18-year-old students. "Stepping into the world of Shakuntala Devi was as intimidating as it was exhilarating. Her story is inspirational and makes you see how if we believe in ourselves, the world is our oyster," Balan said in a statement. Directed by Anu Menon, the film is slated to start streaming on Amazon Prime Video from July 31. It was among the first major movies to head to a digital platform owing to the coronavirus-induced lockdown, which has led to the closing of cinema screens across the country. Balan, 41, said a digital release will ensure that the film reaches a global audience. "A direct release on Prime Video will bring Shakuntala Devi one step closer to audiences across the globe where they can watch the movie at their convenience," she said. The film's trailer, unveiled on Wednesday, gave a sneak peek into the adventures of the protagonist and her love for numbers that she valued above everything else in her life. "Shakuntala Devi" also stars Sanya Malhotra, Amit Sadh, and Jisshu Sengupta. The dramedy is produced by Sony Pictures Networks Productions and Vikram Malhotra. JUR RDS RDS

Playing Shakuntala Devi was as intimidating as it was exhilarating: Vidya Balan

<ul><li>The six films, available in five different languages, include <keyword id="652906" type="PERSON" weightage="20" keywordseo="Shakuntala-Devi">Shakuntala Devi</keyword> featuring <keyword id="3844" type="PERSON" weightage="20" keywordseo="Vidya-Balan">Vidya Balan</keyword>, and <keyword id="6267413" type="UNKNOWN" weightage="20" keywordseo="Ponmagal-Vandhal">Ponmagal Vandhal</keyword> starring Jyotika. </li><li>These films will be released on Amazon Prime Videos in the next three months. </li><li>Previously, Amitabh Bachchan, in a twitter post, announced the digital release of Gulabo Sitabo on June 12.</li></ul>Amazon Prime Videos is hitting the theatres it hurt the most. After announcing the digital release of Gulabo Sitabo, the OTT giant confirmed digital release of six other much awaited films on its platforms. The six films, available in five different languages, include Shakuntala Devi featuring Vidya Balan, Ponmagal Vandhal starring Jyotika, Penguin starring Keerthy Suresh (Tamil and Telugu), Sufiyum Sujatayum (Malayalam) starring Aditi Rao Hydari, Law (Kannada) featuring Ragini Chandran and Siri Prahlad, and French Biryani (Kannada). Previously, Amitabh Bachchan, <a href="https://twitter.com/SrBachchan/status/1260936221259423749">in a twitter post,</a> announced the digital release of Gulabo Sitabo on June 12. These films will be released on Amazon Prime Videos in the next three months. Release schedule on Amazon Prime Videos <table style="border-width: initial; border-style: none; width: 468pt; table-layout: fixed;"></colgroup></colgroup><tbody><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Ponmagal Vandhal </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">May 29 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Penguin </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">June 19 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Law </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">June 26 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Sufiyum Sujatayum </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Not yet announced </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">French Biryani </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">July 24 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Shakuntala Devi </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Not yet announced </td></tr></tbody></table> This is bad news for theatre owners including multiplex operators like PVR and Inox. “Expect occupancy in multiplexes to remain low in initial weeks and envisage recovery to begin from the festive season (September-October 2020), which is likely to coincide with the release of big-budget movies,” an Edelweiss report said last week. In the meantime, they will lose precious business. While fans must be cheering for the digital release<a href="https://indianexpress.com/article/entertainment/bollywood/theater-owners-disappointed-call-gulabo-sitabo-direct-ott-release-a-mistake-6410255/">, theatre owners are disappointed and angry</a>. Coronavirus has forced around 9000 screens in India to shut down for an unknown time period — making cinema halls lose ₹150 crore a week. And now with producers opting for digital release, these cinema halls might struggle to survive.INOX had <a href="https://indianexpress.com/article/entertainment/bollywood/theater-owners-disappointed-call-gulabo-sitabo-direct-ott-release-a-mistake-6410255/">earlier expressed “displeasure” on digital release of Gulabo Sitabo. </a> <div type="image" title="snapshot-1589527786675" msid="75753821" hostid="261"></div> “Indian audiences have been eagerly awaiting the release of these 7 highly anticipated films and we are delighted that Amazon Prime Video will now be premiering these movies for our customers - who can enjoy watching these from the safety &amp; comfort of their homes and on a screen of their choice,” said Gaurav Gandhi, Director and Country General Manager, Amazon Prime Video India. Gandhi believes digital release will allow these films to reach its viewers 4000 cities and towns across 200 countries. However, it is yet not clear whether these films will be available in the existing prime membership plan. Moreover, India still doesn’t have the pay per view on Amazon prime videos yet. Apart from Amazon Prime Videos, other OTT platforms like Zee5 and Netflix are also chasing producers for digital release of films that have finished production. See also: <a href="https://www.businessinsider.in/entertainment/news/bollywood-gives-in-amitabh-bachchan-and-ayushmann-khurrana-starrer-gulabo-sitabo-wont-wait-for-theatres-will-release-on-amazon-prime/articleshow/75735845.cms">Bollywood gives in -- Amitabh Bachchan and Ayushmann Khurrana starrer Gulabo Sitabo won't wait for theatres, will release on Amazon Prime </a>

From Shakuntala Devi to Ponmagal Vandhal ⁠— 7 movies across languages will release first on Amazon Prime and that’s making PVR and INOX anxious

<ul><li>There were rumours about the film going for a digital release and now the movie officially joins a list of other Bollywood titles, including Amitabh Bachchan-Ayushmann Khurrana starrer "Gulabo Sitabo" and Vidya Balan's "Shakuntala Devi" biopic which are slated to debut on Amazon Prime Video, to directly head to a streamer during the coronavirus pandemic. </li><li>Johar took to Twitter to post a one minute-long clip, chronicling the life of Saxena. </li><li>Presented by Zee Studios and <keyword id="62161" type="COMPANY" weightage="20" keywordseo="Dharma-Productions">Dharma Productions</keyword>, the film, also featuring Pankaj Tripathi and <keyword id="7652544" type="PERSON" weightage="20" keywordseo="Viineet-Kumar">Viineet Kumar</keyword>, was earlier slated to be released on April 24. </li></ul> <keyword id="158887" type="PERSON" weightage="20" keywordseo="Filmmaker-Karan-Johar">Filmmaker Karan Johar</keyword> on Tuesday announced that his upcoming production, "Gunjan Saxena- The Kargil Girl", starring actor Janhvi Kapoor, is all set to bypass a theatrical release and stream directly on Netflix. The film is based on the life of Gunjan Saxena, then a flying officer, who became the first woman combat aviator to fly into a war zone during the 1999 Kargil War. Johar took to Twitter to post a one minute-long clip, chronicling the life of Saxena. "Her inspirational journey made history. This is her story. Gunjan Saxena - #TheKargilGirl, coming soon on Netflix. #GunjanSaxenaOnNetflix," he captioned the video. The release date of the film is yet to be announced. Presented by Zee Studios and Dharma Productions, the film, also featuring Pankaj Tripathi and Viineet Kumar, was earlier slated to be released on April 24. There were rumours about the film going for a digital release and now the movie officially joins a list of other Bollywood titles, including Amitabh Bachchan-Ayushmann Khurrana starrer "Gulabo Sitabo" and Vidya Balan's "Shakuntala Devi" biopic which are slated to debut on Amazon Prime Video, to directly head to a streamer during the coronavirus pandemic. Streaming platform Netflix also took to Twitter to make the announcement quoting a dialogue from the film. "Plane ladka udaye ya ladki, usse pilot hi kehte hain"- <keyword id="8037834" type="PERSON" weightage="20" keywordseo="Gunjan-Saxena-The-Kargil-Girl">Gunjan Saxena - The Kargil Girl</keyword>, arriving soon. #GunjanSaxenaOnNetflix," the tweet read. Kapoor, who plays the titular role in the movie, said "Gunjan Saxena" was much more than a film for her. "This isn't just a film for me - it's a journey that's taught me to believe in myself. A journey I can't wait to share with you all. About a girl who set out to do something simple, follow her dreams," she wrote on Instagram. The actor made her Bollywood debut in 2018 with Johar's production "Dhadak", the Hindi remake of Marathi blockbuster "Sairat". "Gunjan Saxena" is directed by Sharan Sharma, who shares writing credits with Nikhil Mehrotra. Hussain Dalal has been credited with additional dialogue writing

Karan Johar's 'Gunjan Saxena - The Kargil Girl' to directly release on Netflix

By Justin Rao and Komal Panchamatia Mumbai, May 12 () Big ticket releases such as Amitabh Bachchan's "Gulabo Sitabo" may bypass theatres and premiere directly on digital platforms, being seen as a potential saviour for the film industry in a year marred by the COVID-19 pandemic and uncertainty over when cinemas will open.Faced with the question of going "direct to digital" or waiting for theatres to open after the situation improves, many filmmakers and production houses are exploring the option of heading to streaming platforms, industry insiders said.Shoojit Sircar's Amitabh-Ayushman Khurrana starrer "Gulabo Sitabo", Anu Menon's eponymous biopic on math genius Shakuntala Devi, with Vidya Balan in the title role, as well as "Chehre", another Amitabh film, are among the films likely to be released soon on a streaming platform."The deal of releasing 'Gulabo Sitabo', a quirky comedy set in Lucknow, and 'Shakuntala Devi' on Amazon Prime Video has been locked. The official announcement for both the films is most likely to be made this week," a source close to the streamer told .Ronnie Lahiri, producer on "Gulabo Sitabo", neither confirmed nor denied reports when reached out to him but asked journalists to wait for an official statement.An insider on the team of "Shakuntala Devi" also did not comment about the film's digital release."Chehre" producer Anand Pandit said a digital release was under consideration."Given how the lockdown is panning out, a digital release for 'Chehre' is being mulled," Pandit said, adding they would wait till the first week of June to take a final call.India has been under lockdown since March 25 to curb the spread of the novel coronavirus.The one official announcement was the release of Nawazuddin Siddiqui's film "Ghoomketu", which streamed on ZEE5 last week. Most other plans are shrouded in secrecy with officials reluctant to come on record. But the list of 2020 films which will be released on streaming platforms is long, said insiders. Top on the list is "Laxmmi Bomb", featuring Akshay Kumar and backed by Fox Star Studios, which has reportedly been picked up by the recently launched service Disney+Hotstar. However, Hotstar representatives maintained a "no comment" stance as did producer Tusshar Kapoor.The movie, directed by Raghava Lawrence, was scheduled to be released on May 22 in theatres. That is unlikely to happen with no signs of cinema theatres opening even if the lockdown ends.The other 2020 releases -- Varun Dhawan-starrer "Coolie No 1", "Jhund" with Bachchan and Jahnvi Kapoor's "Gunjan Saxena" -- are also likely to head to different OTT platforms.Kiara Advani-starrer "Indoo Ki Jawani", co-produced by Nikkhil Advani and Bhushan Kumar, is also reportedly looking for a digital release.However, Advani said the film is currently being edited "despite physical constraints" and the team is optimistic it will be ready "very soon"."We are exploring all possible avenues. Nothing stands confirmed or committed. As soon as we are clear about the way ahead, we will make a statement," he said.Bhushan's T-Series' has two other films, "Ludo" and "Jhund".While questions sent to Bhushan on the slate of his films were left unanswered, a source from the production house confirmed that T-Series is planning to release its films digitally and talks are currently on.There are also some producers who want to wait it out.Producer Jackky Bhagnani, who was looking forward to the theatrical release of "Coolie No 1" on May 1, said he is not thinking about films right now. "Let us overcome this crisis and we will announce in happier times," Bhagnani said when asked about whether he was looking at releasing the film digitally.Reliance Entertainment said it will wait to release two of this year's most awaited films – Akshay starrer "Sooryavanshi" with "83", fronted by Ranveer Singh. The team will wait for the lockdown to be lifted and release these movies in theatres."We will first complete the film then we will wait. If six or nine months down the line the situation becomes much worse we will take a call at that time. There is no hurry. Same is the case with 'Sooryavanshi' and our other films," Reliance Entertainment Group CEO Shibashish Sarkar told last month.Irrfan Khan's last film "Angrezi Medium" headed to OTT platforms soon after its theatrical release as the lockdown led to cinema halls being closed. "There is a lot of big money involved. Also, if you release on OTT you cannot release it in theatres… If you release a film in theatre it will come on satellite as well as digital later," said trade analyst Taran Adarsh.Last week, the Multiplex Association of India (MAI) appealed to studio partners, producers, artistes and content creators to support the cinema exhibition sector by holding their films and releasing them in theatres once they reopen.The statement followed reports that several films were looking at a direct to digital release amid the lockdown.The combination of "pent-up demand" and the promise of new movies would boost film business and contribute massively in reviving the industry, the association said."The collective, social experience of watching films on the big screen needs to be preserved and it can be done so only with the collective support of all stakeholders," the statement from the body read."One can't say the film will lose or gain from a digital release, because when you release a good film in theatres, sky is the limit," Adarsh added KKP/JUR RDS MINMIN

Lockdown impact: Big ticket films likely to skip theatres and go 'direct to digital'

(Eds: Adding details) New Delhi, Nov 25 () Malayalam feature "<keyword id="86993" type="ENTERTAINMENT" weightage="20" keywordseo="jallikattu">Jallikattu</keyword>", directed by Lijo Jose Pellissery, has been selected as India's <keyword id="2158723" type="POSITION" weightage="20" keywordseo="official-entry">official entry</keyword> for the <keyword id="10331246" type="UNKNOWN" weightage="20" keywordseo="international-feature-film-category">International Feature Film category</keyword> at the 93rd Academy Awards, the Film Federation of India (FFI) announced on Thursday. "Jallikattu", which was unanimously chosen from 27 entries across Hindi, Marathi and other languages, is about a tribe of men coming together to stop a bull that has run amok in their village. "There were a total of 27 films that had entered the race from Hindi, Malayalam and Marathi. The film which has been nominated by the jury to represent India at <keyword id="6376611" type="LOCATION" weightage="20" keywordseo="oscars">Oscars</keyword> is Malayalam film 'Jallikattu'. "It is a film that really brings out the raw problems which are there in human beings, that is we are worse than animals," filmmaker Rahul Rawail, Chairman, Jury Board, Film Federation of India, told reporters in an online press conference. The film, which derives its name from the popular-yet-controversial bull-taming event from the South, is based on a short story by Hareesh. It features actors Antony Varghese, Chemban Vinod Jose, Sabumon Abdusamad and Santhy Balachandran. Among the films that were considered by the jury included titles such as "Chhapaak", "Shakuntala Devi", "Chhalaang", "Gulabo Sitabo", "Eeb Allay Ooo!", "The Sky is Pink", "Bulbbul and internationally-celebrated feature "The Disciple". Calling Pellissery a "very competent director", known for several critically acclaimed films like "Angamaly Diaries" and "Ea Ma Yau", Rawail said "Jallikattu" is a production that country should be proud of. "The whole film talks about an animal that has run amok in a butcher's shop... The film has been depicted wonderfully and it has been shot very well. The emotion that comes out really moved all of us to have it selected," the chairman said. "Jallikattu" had its premiere on September 2019 at the Toronto International Film Festival and received widespread critical acclaim. The movie was particularly praised for Pellissery's spectacular directing effort, ably supported by Girish Gangadharan's cinematography and Renganaath Ravee's wild sound design work. Pellissery also won the best director trophy at the 50th International Film Festival of India last year. In 2019, Zoya Akhtar's "Gully Boy", starring Ranveer Singh and Alia Bhatt, was India's entry to the Oscars. RDS RB RB

Malayalam film 'Jallikattu' is India's official Oscar entry in international feature film category

<ul><li>Superstar <keyword id="2823" type="PERSON" weightage="20" keywordseo="Akshay-Kumar">Akshay Kumar</keyword>'s much-awaited cop drama "<keyword id="7188379" type="UNKNOWN" weightage="20" keywordseo="Sooryavanshi">Sooryavanshi</keyword>" will hit the theatres on Diwali, while Ranveer Singh-starrer " 83" will release on Christmas this year, <keyword id="96306" type="CITY" weightage="20" keywordseo="Reliance-Entertainment">Reliance Entertainment</keyword> has announced. </li><li>"Sooryavanshi", directed by Rohit Shetty, was originally scheduled to release on March 24 and Kabir Khan-helmed "'83" was set to hit the cinema houses on April 10. </li><li>Both the movies were indefinitely postponed due to the coronavirus pandemic, which led to theatres shutdown across the country and in other parts of the world.</li></ul>Superstar Akshay Kumar's much-awaited cop drama "Sooryavanshi" will hit the theatres on Diwali, while Ranveer Singh-starrer " 83" will release on Christmas this year, Reliance Entertainment has announced. "Sooryavanshi", directed by Rohit Shetty, was originally scheduled to release on March 24 and Kabir Khan-helmed "'83" was set to hit the cinema houses on April 10. But both the movies were indefinitely postponed due to the coronavirus pandemic, which led to theatres shutdown across the country and in other parts of the world. "We have decided to release 'Sooryavanshi' during Diwali and '83' will come out during Christmas this year. We are committed to release these two films in theatres first. As and when the government and exhibitors open cinema halls and the environment is safe and secure for audience to come, these things will have to happen," Shibasish Sarkar, Group CEO Reliance Entertainment, told PTI. "We are optimistic people and we have another five to six months to go from now and hopefully situation will be normal (by then). That's the expectation. Usually, these films are slated for a date when festival is around and we thought it will be prudent to work towards that date," he added. "Sooryavanshi" is the third film in Shetty's cop universe after Ajay Devgn's "Singham" and Ranveer-starrer "Simmba". The film is presented by Reliance Entertainment and produced by Rohit Shetty Picturez in association with Dharma Productions and Cape of Good Films. "'83", which chronicles India's first World Cup win under the captaincy of Kapil Dev in 1983, also stars Hardy Sandhu, Tahir Raj Bhasin, Jiva, Saqib Saleem, Pankaj Tripathi and Deepika Padukone. The film is produced by Khan, Madhu Mantena, Vishnu Induri and presented by Reliance Entertainment. "Sooryavanshi" and ''83" are the first two big films two have officially announce the theatrical release date as the country recovers from the pandemic, which has led to many star-studded projects opting for a direct-to-digital release. Shoojit Sircar's "Gulabo Sitabo", featuring megastar Amitabh Bachchan and Ayushmann Khurrana, was the first big Hindi movie to release on a streaming platform. Vidya Balan-led "Shakuntala Devi", Janhvi Kapoor's "Gunjan Saxena - The Kargil Girl", and actor Sushant Singh Rajput's last film "Dil Bechara" are all headed for direct-to-digital release. On Monday it was announced that Akshay's "Laxmmi Bomb", "Sadak 2", featuring Alia Bhatt, Devgn and Sanjay Dutt-starrer "Bhuj: The Pride of India", Abhishek Bachchan's "The Big Bull", Vidyut Jammwal's "Khuda Haafiz" and "Lootcase", featuring Kunal Kemmu and Rasika Dugal, are all set to premiere on streaming platform Disney+ Hotstar. During a virtual press conference, Akshay had said though he is "excited" about releasing "Laxmmi Bomb" on the OTT platform, he feels "sad" that people won't be able to watch the movie in theatres. "To be honest, today I am excited for this platform. But yes, I'll say that I am also sad for theatres. After all, movies are theatres first birth right. But in the current situation, everyone's safety is of utmost priority. "Today with theatres being shut and people watching movies on OTT platforms, if I can make my fans happy by releasing film on Disney+ Hotstar, which is a big platform with a massive reach, then I am glad," Akshay told reporters. The decision to put out the films on streaming services was not welcomed by many cinema chain owners, but the announcement of theatrical release of "Sooryavanshi" and "'83" has come as a relief. "Exciting times ahead... Gearing up to release Rohit Shetty's 'Sooryavanshi' on Diwali and Kabir Khan's ''83' on Christmas this 2020," PVR Cinemas, the largest theatre chain in the country, posted on its Twitter page. SEE ALSO: <a href="https://www.businessinsider.in/" data-type="tilCustomLink">Check latest news on Business Insider India</a>

Akshay Kumar's Sooryavanshi and Ranveer Singh's 83 won't go for digital release, will head for theatres end of the year

<ul><li>Amid the nationwide lockdown, production houses are releasing their movies directly on <keyword id="5293670" type="UNKNOWN" weightage="20" keywordseo="OTT-platforms">OTT platforms</keyword> and have skipped the theatrical window run. </li><li>Multiplexes are expressing their disapproval of this trend on social media and requesting content creators to not skip the traditional windowing pattern.</li><li>We reached out to industry experts to find out what this means for the industry and if this could be a long-term trend. </li></ul>The on-going COVID-19 crisis has forced the multiplexes to shut down. As per Ormax Media’s Shailesh Kapoor, the pandemic has led to a whopping loss of Rs 2500 crore, which might accumulate upto Rs 5000 crore by the time theatres reopen. As a result, for the first time in its history, production houses have skipped the theatrical window run for a few Indian movies and are now releasing them directly onto OTT platforms. To be specific, Amazon Prime Video announced that it has acquired global streaming rights for seven upcoming Indian movies in Hindi, Tamil, Telugu, Malayalam, Kannada, on its platform between May and August. It includes Gulabo Sitabo, Shakuntala Devi, Ponmagal Vandhaal, Penguin, Sufiyum Sujathayum, Law and French Biryani. Amazon’s announcement evoked mixed reactions from the multiplexes. They expressed their dismay with the production house’s decision to go directly for streaming services. <div type="twitter" handle="INOXMovies" handlename="INOX Leisure Ltd." image="http://pbs.twimg.com/profile_images/1253021908179628032/D9TO3szK_normal.jpg" favoritecount="2724" retweetcount="526" status="STATEMENT BY INOX ON A PRODUCTION HOUSE’S ANNOUNCEMENT TO RELEASE THEIR MOVIE ON AN OTT PLATFORM BY SKIPPING THE TH… https://t.co/iPSHMHvNbD" createdat="1589465718000" id="1260936729617260544"></div> <div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="4198" retweetcount="265" status="IMPORTANT... Release of films on #OTT platforms... #PVR has its say... OFFICIAL STATEMENT... https://t.co/7ow7zMpzjB" createdat="1589610704000" id="1261544847623643136"></div> The Producers Guild of India responded to the multiplexes ensuring that it ‘would work extensively to get audiences back to theatres once the cinemas reopen.’ <div type="twitter" handle="producers_guild" handlename="producersguildindia" image="http://pbs.twimg.com/profile_images/962298169521528832/j-f_hRx9_normal.jpg" favoritecount="1584" retweetcount="348" status="Statement from Producers Guild of India https://t.co/WCeX3zMlsh" createdat="1589517078000" id="1261152148890415106"></div> INOX and PVR, both, issued a public statement reacting to the same development. However, both of them had a different approach. Karthik Srinivasan, Social Media and Brand Expert, uploaded a <a href="http://beastoftraal.com/2020/05/18/inoxs-outburst-and-a-lesson-on-framing-in-corporate-communication/">blog </a>highlighting how INOX’s outburst teaches us a lesson on framing in corporate communications. He compared both the letters and said, “In principle, INOX’s argument has merit. But the way it frames the argument demonstrates arrogance and holier-than-thou stand. When someone or a corporate entity showcases that, it becomes a natural sign for the reader to mentally bring down that arrogance.” We further spoke to experts to find out if this could be a long term trend and how it might affect the stakeholders, here is what they said: Jehil Thakkar, Partner, Deloitte India: This is a solution to a short-term need of the film industry which is getting by financial difficulties. It is a win-win situation for the OTT players who are looking for content as consumption has gone up and filmmakers who have ready products which are due for use. In the longer term, assuming things return to normal, I don’t see this being a paradigm shift. More deals will happen now than earlier but given that India’s 65-70% of revenue depends on box office collections, I don’t see this becoming a long-term trend. There may be a few odd films that go directly to OTT. They have commissioned movies before and it’s no different right now. It is just that the windowing is changed from going to theatre-first or OTT second, vice-versa. Shailesh Kapoor, Founder and CEO, Ormax Media: I don't see this as a long-term trend but a short-term one, created because of the indefinite closure of theatres. Once theatres re-open, we can expect old business models to take over. Though some small films may be tempted to take the digital route, most films with a medium or big scale will go for theatrical releases. Even the OTT platforms are currently paying a premium for direct OTT releases because the lockdown gets them more captive audience. This will not be the case when life begins to get back to normal. Harikrishnan Pillai, CEO and Co-founder, TheSmallBigIdea: OTT-first release will depend on the status of social distancing. If it continues even at half the current intensity, then this is the new norm. If this continues, the theatre/multiplex business will definitely be affected quite badly. But you can’t attribute this to only the film deals. The film deals are a result of the current situation which anyway renders malls and places of mass gathering redundant for a while. Disclaimer: TheSmallBigIdea is a party to some of these film deals/rollouts. The opinion might be biased. Karan Taurani, Vice President - Research Analyst, Elara Capital: I think it is a continued phenomenon. These are primarily small-budget movies which have been released directly on digital. None of the large films have announced any sort of digital release. This was an expected move -- nothing surprising on that. More announcements will follow as many films that were shot before the lockdown are going through the post-production work, these will be small-budget in nature. Usually OTT don’t pay a mark-up for more than 15-20% over the cost of production. However, now that they don’t have content right now, it is more of a desperate measure. They have given a very hefty premium to these movies to release directly on digital. So it is a win-win situation for the OTT platform and producers. But I think this trend is not sustainable once the cinema opens up. It will take a lot of time to come on-track after opening up but if it at all cinema occupancy comes back in place, I don’t think movies will go directly on digital.

Will movies releasing directly on OTT platforms become a norm post-Covid? Experts think otherwise

<ul><li>The deadly second wave of Covid-19 has wreaked havoc on the <keyword id="37465" type="ORGANIZATION" weightage="20" keywordseo="film-industry">film industry</keyword> with many films releasing on <keyword id="1245953" type="ORGANIZATION" weightage="20" keywordseo="OTT">OTT</keyword>. Hindi filmmakers have been waiting for the situation on ground, especially in the metros of Mumbai and Delhi, to get better.</li><li>While many analysts have concluded that the damage to the theatrical business in India will be irrevocable, <keyword id="161338" type="COMPANY" weightage="20" keywordseo="Shailesh-Kapoor">Shailesh Kapoor</keyword>, Founder &amp; CEO, <keyword id="809814" type="COMPANY" weightage="20" keywordseo="Ormax-Media">Ormax Media</keyword> cites some compelling reasons to support his prediction that 2022 will be biggest year ever at the Indian box office.</li></ul>It’s been a turbulent period of about 14 months for the Hindi film industry. While film industries across the world have suffered heavily on account of the COVID-19 pandemic, most have managed to get at least a few big releases out since the outbreak in early 2020. Even in India, the South industries, especially Tamil and Telugu, have seen a few releases, including successes like Master, Vakeel Saab, Uppena and Jathi Ratnalu. But when it comes to <keyword id="27461" type="PERSON" weightage="20" keywordseo="Hindi-cinema">Hindi cinema</keyword>, the theatrical business has been a no-show. Even as films started releasing in the South, Hindi filmmakers stayed away, waiting for the situation on ground, especially in the metros of Mumbai and Delhi, to get better. A few mid-level films like Roohi and Mumbai Saga released, and some bigger ones were expected to follow, but the deadly second wave has wreaked havoc since then. But the period from April 2020 till now has not been uneventful at all for Hindi cinema. With theatres closed, OTT platforms have become the port of call for many Indian film producers. Gulabo Sitabo, Shakuntala Devi, Dil Bechara, Laxmii, Coolie No. 1 and now Radhe… the list of Hindi films opting for a direct-to-OTT release (though Radhe had a simultaneous theatrical release overseas) is long and growing. Some of these films have gone on to do very well. Dil Bechara, which was released free (AVOD) by Disney+ Hotstar as a tribute to its lead actor who passed away June last year, clocked an estimated 75+ Million views in India, a record for any OTT property in the country thus far. Laxmii (25 Mn) benefited from Disney+ Hotstar’s huge reach too, though it was behind the paywall, unlike Dil Bechara. Coolie No. 1 amassed good numbers (14 Mn) for Amazon Prime Video, and Radhe has given Zee’s attempt pay-per-view (PPV) model a boost, with 10 Mn+ views so far. Radhe, Coolie No. 1 and Laxmii had to face severely negative reviews from most critics. But a sizeable section of the audience still watched them, especially over the first week. Many analysts have concluded that the damage to the theatrical business in India will be irrevocable, and that the future of Indian cinema (or Hindi cinema at least) will be entwined with the OTT category. This, however, is a case of an opportunistic tendency to comment on trends in a way that suits the optics of the day. Many commentators, and even journalists, are guilty of this this tendency. Over the last year, I have often been asked my views on this topic as a part of a story a business publication is doing. In a majority of cases, the story has already been positioned as ‘pro-OTT, anti-theatres’. I should explain why I vehemently disagree with this misleading and over-simplistic narrative being peddled around. The reasons are plenty, but I’d focus on only three of them here. To begin with, cinema is a social, outdoor medium. In all our research around theatrical consumption, the experience of going to a theatre with friends or family is often the primary motivation, rather than the specific film being watched. OTT is a more intimate medium, still led largely by personal consumption on the smartphone, where the viewing is anything but 'social' in nature. The social need fulfilled by movie theatres can only be compensated by other such modes of entertainment, say sporting events or plays. The second reason is related to another unique need that movie theatre viewing satisfies: that of providing larger-than-life entertainment on the big screen. Films like those in the Bahubali and the Avengers franchise are watched on the big screen because of the magical experience that viewing provides. Much before the pandemic came in, audiences across the world were already segregating films in their heads as those for theatres and those for streaming. It was strikingly evident that with the growing penetration of streaming platforms, more intimate, emotional stories may not get a sizeable interest in the theatres, which will increasingly become the medium for big-screen, make-believe event films. The pandemic has only accelerated this trend that was decisively shaping up, even in India, since 2018. The third reason is economic in nature. The typical business model of a big-ticket starcast film requires sizeable recoveries from three sources to ensure a minimum profit level: theatrical, satellite and digital. If we skip the theatrical component, the onus is on the other two to ‘fund’ the film. The contribution of theatrical revenue for an average Indian film was 65% in 2019. If the 35% had to fund the remaining 65%, several films will become commercially unviable at the onset. OTT platforms in India may be currently shelling out a premium for some of these big films, but that’s a short-term marketing investment to attract new subscribers, and not a plan sustainable in the long run. Cinema is safe. Let me stick my neck out and predict that 2022 will be biggest year ever at the Indian box office. There’s only one thing that can stop that from happening. And that one thing is a botched-up vaccination strategy, not the OTT category.

Immune to OTT: The future of Indian cinema

<ul><li>In our latest series, we look at different industries to understand what was 2020 like for them and to crystal gaze into the upcoming year, and identify some of the trends that will set the tone for 2021.</li><li>During the past few months of the global pandemic, people staying at home around the world have turned to various streaming services for entertainment. </li><li>With the coronavirus still around, we speak to OTT players to find out what would 2021 look like for the industry. </li></ul>Better connectivity, cheaper devices and even cheaper data plans have been aiding the growth of India’s over-the-top (OTT) industry over the past few years. However, 2020 became a year when more and more people came onto the digital ecosystem, thanks to being stuck at home during the lockdown. With people barely moving out of their houses, they turned to the digital world for their daily fix of entertainment. Also, people were more open with experimenting with different platforms. If an IBEF report is to be believed, the OTT sector in India saw a 30% rise in the number of paid subscribers, from 22.2 million to 29.0 million between March and July 2020. There was a visible increase in the time people were spending on most platforms. It therefore became important for platforms to come up with differentiated, fresh content that would help them stand apart. Owing to the fact that multiplexes were shut for months, many platforms also started launching movies directly on digital. Consumers have been happy for the most part. As we enter 2021, expectations from the sector are high. With the coronavirus still around, many people will continue staying in. So what will this mean for the OTT sector in 2021? Will more and more people continue coming onto platforms, and prefer to pay for the content that they like? How will OTT platforms be able to ensure consumer stickiness? What are a few trends that will stand out in 2021? We reached out to a few experts from the industry and here’s what they had to say. Archana Anand, Chief Business Officer, ZEE5 Global: <div type="image" title="Archana Anand zee5" msid="79998579" hostid="261"></div> I see two key themes that swung into prominence in 2020 emerging as key drivers of the <keyword id="9056838" type="UNKNOWN" weightage="20" keywordseo="ott-industry">OTT industry</keyword>’s skyrocketing growth in 2021. With the lockdown, we’ve seen a trend of people across the globe warming up to the idea of paying for quality content, and also being willing to commit to annual subscription packs where they see value. I see this trend only accelerating in 2021, leading to strong SVOD growth. This has also been a year where international content has gained massive traction across markets. With ZEE5 and other OTT platforms offering dubbed and subtitled content, enabling people in one geography to seamlessly access stories from any other, content is now truly democratized. Storytelling is increasingly blurring boundaries and storytellers are finding newer audiences beyond their own borders. I think 2021 is going to be the year that international content comes into even greater prominence as online audiences literally discover a world of new content via their OTT platforms. Hiren Gada, CEO, Shemaroo Entertainment Limited: <div type="image" title="Hiren Gada, CEO, Shemaroo Entertainment Limited" msid="79995505" hostid="261"></div> 2021 is going to be an exciting year as OTT is already riding the wave of increased data consumption and internet penetration in the small towns and rural India. The year gone by also saw some great innovations and developments in the OTT space. From direct-to-digital releases to the increasing growth in the regional content, this year has bolstered the growing popularity of OTT to an all-time high. One trend that is expected to take centre stage is highly localised and regional content. The key to ace the trend is to have an in-depth understanding of the traditions and culture of the viewers. Understanding the deep-rooted connections our viewers have with their mother tongue, we have developed a strong regional strategy for Shemaroo across all our platforms. We have a huge content bank that ranges from Bollywood, Gujarati, Marathi, Punjabi, Kids, Devotional, and various specialised trays. Content companies saw a huge change and spike in the content viewing pattern of the audiences during the lockdown. Our regional offerings saw an impressive surge in viewership especially in the Gujarati category with viewership as high as 102% in the peak months of the lockdown. While Bollywood is our mainstay, our teams have been constantly acquiring and upgrading our regional offerings, so our audiences have something new every time they tune in. We aim to make it a more robust and comprehensive pick for any consumer who wishes to enjoy varied regional content. Ferzad Palia, Head, Voot Select, Youth, Music and English Entertainment, Viacom18: <div type="image" title="Ferzad Palia." msid="79995514" hostid="261"></div> Year 2020 saw the OTT category driven by groundbreaking storytelling and macro factors resulting in significant growth for SVOD services. Viewers’ willingness to pay for quality content is now well established. However, around 65% of subscribers are still from Top 10 metros. 2021 will buck this trend and see the Premium OTT Category in India expand its footprint outside of the top 10 metros, heralding the next phase of growth for the category. Karan Bedi, CEO - MX Player: <div type="image" title="Karan Bedia Mx player" msid="79998628" hostid="261"></div> Video streaming has become the primary mode of entertainment for most digital consumers across India this year. With this backdrop, India is set to become a key market for growth in OTT video in 2021. This will lead to an avalanche of new unique original content for these audiences as they have very little to watch on TV. In this situation, marketers are also increasingly aware of where their money works best, and would like to focus on those mediums, namely digital and OTT. Divya Dixit, SVP, Marketing, Analytics and Direct Revenue, ALTBalaji <div type="image" title="Divya, altbalaji" msid="79995519" hostid="261"></div> Digital is an ever-evolving medium and when it comes to OTT players, competition across the industry is soaring high with everyone at their toes trying to secure their places in the minds of consumers. While the pandemic of 2020 redefined content consumption, the year 2021 will chart new business alliances and revenue models for platforms to acquire direct subscriptions. The report from FICCI and E&amp;Y predicted 30-35 million paying subscribers on OTT platforms alone in the year 2021, and we are excited about carving a substantial pie out of the same. Our objective has always been content massification and with the next billion internet users set to hail from the Hindi heartlands, India’s digital industry promises a host of fresh avenues to explore and expand. The soon-to-arrive 5G networks will only work as an important factor for OTT platforms to scale further heights. Prime Video India spokesperson: “2020 has been a very exciting year for us at Prime Video India – at a time when a large section of customers, looking for high quality entertainment, are turning to streaming video - we launched 18 direct-to-digital movies (across 5 Indian languages) and 8 Indian Amazon Original Series, in addition to several Global Originals and hundreds of licensed and exclusive titles. One of the most consistent trends we observed in 2020 is that great content transcends geographical barriers. Indian stories are traveling across the globe - 1 out of 5 viewers of Indian Originals are from outside India. Both Four More Shots Please! and Made in Heaven were nominated for the International Emmy Awards, a testimony to local, authentic stories finding a global audience. Our first slate of DTS movies received close to 50% (and sometimes more) viewership for titles in Indian languages from customers outside the home states. Our Bollywood direct-to-service movies were block-buster hits - Gulabo Sitabo and Shakuntala Devi have been our most-watched movies on Prime Video in India as well as the most-watched Hindi/ Bollywood Movie outside India. Localized content not only helps us remain relevant, relatable but eventually also helps in widening audience reach - we also see global shows going deeper in India. We released Parasite with Hindi subs in India and that opened viewership to a whole new audience. We also dubbed some of our popular Global Amazon Originals like Tom Clancy’s Jack Ryan and more recently, the second season of the The Boys in Indian languages, leading to more people discovering and watching these titles. This gives us an insight that customers are ready to watch content that has originated from any part of the world, if the story and the characters resonate with them.”

You Searched For "shakuntala devi movie" and got 11 results

Anupama Banerji is the daughter of Shakuntala Devi (Human Computer)

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From Shakuntala Devi to Ponmagal Vandhal ⁠— 7 movies across languages will release first on Amazon Prime and that’s making PVR and INOX anxious

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Will movies releasing directly on OTT platforms become a norm post-Covid? Experts think otherwise

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