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India is a treasure trove of architectural marvels, and among the most iconic are the <keyword id="2327756" type="General" weightage="20" keywordseo="Mughal-monuments" source="Orion">Mughal monuments</keyword> that dot the landscape. The Mughal Empire, which spanned from the early 16th to the mid-19th century, left an indelible mark on the country's history and culture. The Mughal rulers were not only great administrators but also patrons of art and architecture. Here are 7 <keyword id="19815261" type="General" weightage="100" keywordseo="Famous-Mughal-monuments" source="Orion">famous Mughal monuments</keyword> that stand as a testament to the grandeur and splendor of the Mughal era. <cmsannotation type="cmsannotation" annotationid="Taj Mahal, Agra" comment="subhead" text="Taj Mahal, Agra"><keyword id="6355354" type="General" weightage="20" keywordseo="Taj-Mahal" source="Orion">Taj Mahal</keyword>, Agra</cmsannotation> The epitome of Mughal architecture, the Taj Mahal is perhaps India's most famous monument. Built by Emperor Shah Jahan in memory of his beloved wife Mumtaz Mahal, the Taj Mahal is a UNESCO World Heritage Site and a symbol of eternal love. Its intricate white marble facade, stunning gardens, and precise symmetry make it a must-visit destination. <cmsannotation type="cmsannotation" annotationid="Humayun's Tomb, Delhi" comment="subhead" text="Humayun's Tomb, Delhi">Humayun's Tomb, Delhi</cmsannotation> Commissioned by Humayun's widow, Empress Bega Begum, Humayun's Tomb is a splendid example of Persian-inspired Mughal architecture. Surrounded by lush gardens, the tomb's red sandstone structure with white marble embellishments is a precursor to the Taj Mahal and holds the tomb of the second Mughal Emperor, Humayun. <cmsannotation type="cmsannotation" annotationid="Red Fort, Delhi" comment="subhead" text="Red Fort, Delhi"><keyword id="6380456" type="General" weightage="20" keywordseo="Red-fort" source="Orion">Red Fort</keyword>, Delhi</cmsannotation> Constructed by Emperor Shah Jahan, the Red Fort in Delhi served as the main residence of the Mughal emperors for nearly 200 years. Its red sandstone walls and intricate architecture, including the iconic Diwan-i-Aam and Diwan-i-Khas, showcase the grandeur of Mughal power and governance. <cmsannotation type="cmsannotation" annotationid="Agra Fort, Agra" comment="subhead" text="Agra Fort, Agra">Agra Fort, Agra</cmsannotation> A UNESCO World Heritage Site, the Agra Fort is a formidable structure built by Emperor Akbar and later expanded by his successors. The fort's imposing walls house exquisite palaces, including the Jahangir Mahal and the Khas Mahal, providing a glimpse into the opulent lifestyle of the Mughal rulers. <cmsannotation type="cmsannotation" annotationid="Fatehpur Sikri, Uttar Pradesh" comment="subhead" text="Fatehpur Sikri, Uttar Pradesh">Fatehpur Sikri, Uttar Pradesh</cmsannotation> Founded by Emperor Akbar, Fatehpur Sikri is a UNESCO World Heritage Site that served as the capital of the Mughal Empire for a brief period. The city is known for its stunning architecture, including the Buland Darwaza, the Jama Masjid, and the Panch Mahal, showcasing a blend of Persian and Indian design elements. <cmsannotation type="cmsannotation" annotationid="Jama Masjid, Delhi" comment="subhead" text="Jama Masjid, Delhi">Jama Masjid, Delhi</cmsannotation> Constructed by Shah Jahan, the Jama Masjid in Delhi is one of the largest mosques in India. Its red sandstone and white marble facade, adorned with intricate carvings and calligraphy, make it a significant religious and architectural landmark. <cmsannotation type="cmsannotation" annotationid="Akbar's Tomb, Sikandra" comment="subhead" text="Akbar's Tomb, Sikandra">Akbar's Tomb, Sikandra</cmsannotation> Situated in Sikandra, near Agra, Akbar's Tomb is the final resting place of the great Mughal Emperor Akbar. The tomb's unique architectural style, blending Hindu, Christian, Islamic, and Persian influences, reflects Akbar's inclusive approach to governance and religion. The Mughal monuments scattered across India stand as living testimonials to the grandeur, sophistication, and cultural amalgamation of the Mughal Empire. These architectural marvels not only serve as tourist attractions but also as reminders of a bygone era when art, culture, and architecture flourished under the patronage of the Mughal emperors. Visiting these monuments is not just a journey through history but an exploration of the rich tapestry of India's cultural heritage.

7 Famous Mughal monuments in India you must visit once

<ul><li><keyword id="48505" type="General" weightage="20" keywordseo="ncert" source="Orion">NCERT</keyword>) Director <keyword id="13105606" type="General" weightage="20" keywordseo="Dinesh-Prasad-Saklani" source="Orion">Dinesh Prasad Saklani</keyword> on Tuesday clarified that chapters on <keyword id="133453" type="General" weightage="20" keywordseo="mughals" source="Orion">Mughals</keyword> had not been 'dropped' from CBSE books, and said that its a "lie".</li><li>He said that even today students are studying the history of the Mughals in NCERT's class 7th book.</li></ul>NEW DELHI: National Council of Educational Research and Training (NCERT) Director Dinesh Prasad Saklani on Tuesday clarified that chapters on Mughals had not been 'dropped' from CBSE books, and said that its a "lie". "It's a lie. (Chapters on) Mughals have not been dropped. There was a rationalisation process last year because due to Covid, there was pressure on students everywhere," the <keyword id="116349" type="General" weightage="20" keywordseo="ncert-director" source="Orion">NCERT director</keyword> told ANI. The NCERT chief further said that expert committees examined the books from standards 6-12. "They recommended that if this chapter is dropped, it won't affect the knowledge of the children and an unnecessary burden can be removed...The debate is unnecessary. Those who don't know can check the textbooks...," Saklani said. He said that even today students are studying the history of the Mughals in NCERT's class 7th book. "Along with this, the history of Mughals is being taught in Empires in section-2 of the 11th class book. And in the class 12th book there were 2 chapters on the history of the Mughals, out of which theme nine was removed last year, while theme eight is still being taught to the students. This year no chapter has been removed from any book," Saklani further said. "We are working as per NEP (National Education Policy) 2020. This is a transition phase. NEP 2020 speaks of reducing the content load. We are implementing it. NCF (National Curriculum Framework) for school education is being formed, it will be finalised soon. Textbooks will be printed in 2024 as per NEP. We have not dropped anything right now," the NCERT chief said while stressing the National Education Policy. On Monday, Uttar Pradesh Secondary Education Minister Gulab Devi also denied the reports claiming of removing the chapter of the Mughal Sultanate from CBSE and UP Board. "There is no change of any kind in our syllabus. Those who are running this type of misleading news, I request them not to run such news," Gulab Devi said. If there will be any further changes under the new education policy, then it cannot be said. At present, there is no change. The curriculum which was in 2022 will remain the same this time in 2023-24, she said. SEE ALSO: <a href="https://www.businessinsider.in/tech/news/cert-in-warns-of-high-severity-vulnerabilities-in-apple-products-urges-immediate-action/articleshow/99231900.cms">CERT-In warns of high-severity vulnerabilities in Apple products, urges immediate action</a> <a href="https://www.businessinsider.in/tech/news/googles-new-features-to-simplify-travel-planning-including-a-mobile-friendly-hotel-browsing-feature-a-price-guarantee-badge-for-flights-and-more/articleshow/99235884.cms">Google’s new features to simplify travel planning, including a mobile-friendly hotel browsing feature, a price guarantee badge for flights, and more</a>

Chapters on Mughals have not been dropped, NCERT chief clarifies

After two years of pandemic-induced lull, <keyword id="1484" type="General" weightage="80" keywordseo="feroz-abbas" source="Orion">Feroz Abbas</keyword> <keyword id="6355601" type="General" weightage="80" keywordseo="khan" source="Orion">Khan</keyword>'s Broadway-style opus 'Mughal-e-Azam: The Musical' opened to packed houses in Mumbai on October 21 this year. The musical has already amassed unanimous critical and popular acclaim around the world but this is the first time in the post-pandemic era that the 18th season of the show has been staged. Director Feroz Abbas says, "As a team, during the course of the last two years, we truly missed entertaining the audience and now it feels so reassuring that the fans of the show have missed it too! The response since the first show on October 21, has been unbelievable and more shows have had to be added to accommodate the overwhelming demand for tickets." Mumbai has embraced the musical extravaganza once again and says Khan, "The core appeal of the musical remains the same though as always we have worked hard to improve technical and production aspects. The audiences however come back again and for the music, the monumental scale, the costumes, the energy of a live performance and the nostalgia that this classic love story evokes. And very soon, hopefully, we will be on the road once again to travel with the play and regale audiences in different parts of the country and the world." Deepesh Salgia of Shapoorji Pallonji Producers of the musical says, "Mumbai has embraced the musical extravaganza once again. The core appeal of the musical remains the same though as always we have worked hard to improve technical and production aspects." 'Mughal-e-Azam: The Musical' has won seven trophies, including the Best Indian Play, at the Broadway World India Awards 2017. Feroz <keyword id="209157" type="General" weightage="80" keywordseo="abbas-khan" source="Orion">Abbas Khan</keyword> won the Best Director <keyword id="24" type="General" weightage="80" keywordseo="award" source="Orion">Award</keyword>, and celebrity fashion designer Manish Malhotra won the trophy for Best Original Costume Design. Mayuri Upadhya scored in the Best Original Choreography category, Neil Patel received recognition in the Best Original Set Design segment and David Lander won the Best Original Lighting Design award. The play also bagged the Best Ensemble Cast award. IANSlife speaks to director Feroz Abbas to get his views on the show: When was the first time that you saw 'Mughal-E-Azam' and what impact did the film have on you? Feroz: I saw 'Mughal-E-Azam' as a child on Eid with my family and it had an enormous emotional impact on me and I remember crying profusely because I thought a great injustice had been done to Anarkali! Decades later when I saw the coloured version with Farooque Sheikh and Shabana Azmi Azmi in Hyderabad, the film wove the same magic that I had experienced all those years ago and then the idea to adapt it to the stage came to me because I realised that the film had a very theatrical structure. Do you think a film like this can be made today? Feroz: I think films which are much bigger in scale and even in detailing and budget are being made today, especially in South India, but 'Mughal-E-Azam' was very unique at that particular period and time where epics were few and far between and these one, in particular, had cost the producers more than any previous Indian film. It took nearly 10 years to reach cinemas and that would be unthinkable today. Can you share with us a few things that are different about this season of 'Mughal-e-Azam: The Musical'? Feroz: It's the same play, with the same cast and the same scale. Practically everything is the same except that after COVID hit us, the intensity and the passion of the performers reached a new high. The years in which the play wasn't performed, have had a huge impact on them and it is almost as if their passion had been bottled up and now it is going to be unleashed on the stage. As I was watching the rehearsals, I saw things that the actors had never done before, so, there's a great intensity and a great purpose to deliver an outstanding performance for the audience. All these years that made them wait now will culminate in a magnificent outpouring of intensity, beauty and power on stage. What have been some of the most memorable responses to the musical from the audience? Feroz: There have been so many that it would be tough to encapsulate them all. All I can say is they are diverse and heartwarming and each generation has connected differently to the play. For some, it is a nostalgic experience to revisit this story. For others, it is a discovery. Every single time we perform, we are suffused with waves of energy and appreciation and that is what keeps us inspired and motivated to do better and better each time. How did you translate war scenes and the immersive opulence of the film for its stage version? Feroz: War scenes are very difficult to do on stage because we don't have the facilities that cinema has, to realistically recreate battlefields. So it boils down to presenting them in a more suggestive and symbolic way and we have been able to create, if not the scale and opulence of the original film but surely the impact of war on stage and in the minds of the audience. It's very difficult for me to describe that in words because it is something that you've got to be in the auditorium to experience. What was your brief to the actors who were going to play roles that have been immortalised by stalwarts like Prithviraj Kapoor, Madhubala and Dilip Kumar? Feroz: The brief was to not mimic or become caricatures of the stalwarts but to understand and interpret the characters in question. It is very easy to be intimidated by the legacy of these iconic actors but once you begin to connect organically with the characters, you start relating with them and slowly you become a part of them and they of you. You have often mentioned the role that progressive writers played in creating a very egalitarian perspective of love in the film. Do you think film writing today has the same passion to at least suggest if not create positive change? Feroz: Every writer responds to the time he/she lives in. They absorb all that's happening around them, and finally, they put that on paper. As far as the egalitarian aspect is concerned, which means basically asking for a more well-adjusted, just, equitable and compassionate society for the weak and the marginalised, I think regional cinema is doing a very good job. They seem to be much more in tune with what's happening around them. However, our Hindi cinema at this point in time is struggling to find a voice that speaks for the marginalised and the weak. They are struggling to understand what exactly the audience expects, wants and needs and what issues they identify with. Whatever is going on in the name of entertainment has an element of confusion. Makers are trying various things but we aren't finding any strong voices that speak up for social equity. Though there have been voices for gender equality, which is good, the egalitarian aspect has been absent from Indian cinema for quite some time. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/international/news/how-power-corrupts-lessons-from-king-lear-and-three-more-shakespearen-plays/articleshow/95113874.cms">How power corrupts - lessons from King Lear and three more Shakespearen plays</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/entertainment/news/katrina-kaifs-yet-to-be-released-phone-bhoot-makes-it-to-chacha-chaudhary-comic-book/articleshow/95117757.cms">Katrina Kaif's yet-to-be-released Phone Bhoot makes it to Chacha Chaudhary comic book</a>

'Mughal-e-Azam: The Musical' gets extended on public demand

Legendary actor <keyword id="1687" type="PERSON" weightage="20" keywordseo="Dilip-Kumar">Dilip Kumar</keyword> says he is under complete isolation and quarantine due to the outbreak of coronavirus. Dilip Kumar took to Twitter on Tuesday to give an update about himself to his fans and followers. He also shared that his wife and former veteran actress Saira Banu is taking good care of the 97-year-old icon. "I am under complete isolation and quarantine due to the #CoronavirusOutbreak. Saira has left nothing to chance, ensuring I do not catch any infection," he tweeted. Last seen on the big screen in "Qila" in 1998, the actor was honoured with the <keyword id="54010" type="ENTERTAINMENT" weightage="20" keywordseo="Dadasaheb-Phalke-award">Dadasaheb Phalke Award</keyword> in 1994 and the <keyword id="15575" type="PERSON" weightage="20" keywordseo="Padma-Vibhushan">Padma Vibhushan</keyword> in 2015. Known for films like "Devdas", "<keyword id="25822" type="ENTERTAINMENT" weightage="20" keywordseo="Mughal-e-azam">Mughal-E-Azam</keyword>" and "Karma", Dilip Kumar got married to Saira -- over 20 years younger to him -- in 1966.

Dilip Kumar under self-quarantine due to coronavirus

Never make archaic faults ever again! 
The idea of the advent of ‘modernism’ in India is typically associated with the advent of the West. While it’s rightly deemed as the age of Democracy, rule of Law, Science and Reason, if we refer to the colonial period as the ‘modern age’, we draw a decisive conclusion to the argument whether a lot of what happened before the first Brit landed in Indian shores is actually relevant. 
 
A sizeable part of India’s history is occupied by the Mughals. It began in 1526 with Babur and practically ended with Auranzgeb’s death in 1707. While this death marked the end of an era, the Mughal Empire lasted another fifty years before actually ebbing. 
 
Business Insider revisits history books to probe what modern enterprises can learn from the Mughals. 
 
 
Image credit: Taimur

Decline of the Mughal
rule – Lessons modern businesses can learn

After making their presence felt in the West, <a href="http://www.businessinsider.in/searchresult.cms?query=adult+colouring+books&amp;sortorder=effectivedate">adult colouring books </a>are now luring the Indian market, as well- what with the launch of several Indianised <keyword id="2798500" type="UNKNOWN" weightage="100" keywordseo="adult-colouring-books">adult colouring books</keyword>. 
 
Our pick for this week is a one of a kind historical adult colouring book that brings the romance of the <a href="http://www.businessinsider.in/searchresult.cms?query=mughal&amp;sortorder=effectivedate">Mugha</a>l miniatures alive through a classic portrait of a garden in full bloom. 
 
If you are a history and design lover, you’ll love this book. If you are not, you’ll still love it because who doesn’t like to colour? 
 Called ‘Bagh-e Bahar,’ which is Persian for ‘A Garden in Bloom,’ <keyword id="80616" type="COMPANY" weightage="100" keywordseo="Good-earth">Good Earth</keyword> has created this unique colouring book in collaboration with <keyword id="6354605" type="CITY" weightage="100" keywordseo="penguin">Penguin</keyword> to mark 20 years of its design journey. 
 
The book serves as a luxury getaway to pause and relax the mind and is a trademark combination of Persian, Asian and indigenous Indian style that celebrate the rich heritage of the country. 
 
Every page in this 100-page book not only tells a story but is accompanied by immortal quotes by Sufi poet Rumi. It brings to life iconic patterns created over the past two decades and also includes pages from the Good Earth annual design journals. 
 
 
 
In case you were wondering, the book also makes for a great present. The gift version of the book comes in an elegant box accompanied with fragrant Neroli water that can be used to moisten pencil tips and give a water colour effect to pencil sketches. 
 
Priced at Rs 899, the book is available at all Good Earth outlets in India and abroad. It can also be purchased online at www.goodearth.in 
 
 
 
It's time to get colouring!

This is the adult colouring book that history and design
lovers should get their hands on

<keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword>, the land of glamour, is also the land of money. While there are movies that earn hundreds of crores of rupees at the ticket counters, there also are movies that take crores to be made. Not only that, there have been instances of particular sequences or songs that are made in Bollywood that cost quite a lot to the producers, but the sheer passion of filmmaking allows them to flow their money like water. 
 
Take the example of the recently released song <keyword id="3045139" type="UNKNOWN" weightage="100" keywordseo="Deewani-Mastani">Deewani Mastani</keyword> from the upcoming movie <keyword id="6391813" type="UNKNOWN" weightage="100" keywordseo="Bajirao-Mastani">Bajirao Mastani</keyword>. The set that represents the place of performing arts in the palace of Peshwa Bajirao, played by <keyword id="106133" type="PERSON" weightage="100" keywordseo="Ranveer-Singh">Ranveer Singh</keyword>, is too huge to be ignored, even as <keyword id="598" type="PERSON" weightage="100" keywordseo="Deepika-Padukone">Deepika Padukone</keyword>, who plays Bajirao’s lover Mastani, looks ethereal while performing the song with a mandolin in her hands. 
 The mirror work looks exquisitely defined in the movie; the scene where Bajirao’s wife Kashibai, played by <keyword id="1655" type="PERSON" weightage="100" keywordseo="Priyanka-Chopra">Priyanka Chopra</keyword>, sits surrounded by the reflections of Mastani as she dances for her newfound love makes you wonder how much effort must have gone by in taking the particular shot. 
 
Here is the song, have a look. 
 
 
 
Inspired by the magnificence of this song, we have a look at 10 of Bollywood’s most expensive songs ever.

7 of Bollywood’s most expensive songs ever

Pushed onto the royal <a href="http://www.businessinsider.in/searchresult.cms?query=Mughal">Mughal</a> throne at the tender age of 14, Abu'l-Fath Jalal ud-din Muhammad Akbar, more commonly known as ‘<a href="http://www.businessinsider.in/searchresult.cms?query=Akbar+the+Great">Akbar the Great</a>’ soon claimed imperial power and stretched the realms of the mighty <keyword id="478194" type="UNKNOWN" weightage="100" keywordseo="Mughal-empire">Mughal empire</keyword> across <a href="http://www.businessinsider.in/searchresult.cms?query=South-east+Asia">South-east Asia</a>. 
 
Quite unlike most past and future invaders of India, Akbar valued the religious and cultural differences of India and his spiritual <a href="http://www.businessinsider.in/searchresult.cms?query=leadership">leadership</a> brought peace and stability. The <a href="http://www.businessinsider.in/searchresult.cms?query=Mughal+Empire">Mughal Empire</a> tripled in size and wealth under him. 
 
Business Insider India travels to the height of the <a href="http://www.businessinsider.in/searchresult.cms?query=Mughal+Empire">Mughal Empire</a> to crack the reasons behind the popularity of the most acclaimed emperor in Mughal history. 
 
Image credit: itimes

Leadership
Lessons from Akbar the Great

When love is in the air, it only makes sense to take cues from <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> and make this Valentine’s Day all the more special. After all, Bollywood boasts some of the most passionate love stories that not only deserve a toast this season but can also teach you a thing or two when romance prevails over all. So plan a Valentine’s Day @ home this year, snuggle in a blanket with your beloved and embark upon a movie marathon featuring these celebrated love stories. 
 
1. <keyword id="37927" type="ENTERTAINMENT" weightage="100" keywordseo="Dilwale-Dulhaniya-Le-Jayenge">Dilwale Dulhaniya Le Jayenge</keyword> 
This is not a fairy tale romance but a story that is plausible. A rich, spoilt brat falls in love with a reserved, morally strong girl. <keyword id="3858" type="ORGANIZATION" weightage="100" keywordseo="DDLJ">DDLJ</keyword>, as we love to call it, is one of the classic love stories churned out by Brand Bollywood. And how we love it! It established <keyword id="6359862" type="ORGANIZATION" weightage="100" keywordseo="SRK">SRK</keyword> as the king of romance and his chemistry with <keyword id="6354713" type="PERSON" weightage="100" keywordseo="kajol">Kajol</keyword> became a benchmark. Don’t you say… palat (look back, if you love) every time you watch this movie? That’s the magic of love! 
 
2. <keyword id="25822" type="ENTERTAINMENT" weightage="100" keywordseo="Mughal-e-azam">Mughal-e-Azam</keyword> 
Talk about those classic love stories that still grip us and this epic saga will top the list. K Asif’s magnum opus Mughal-e-Azam, which relates the passionate tale of romance between a prince and a courtesan, is the kind of stuff dreams are made of. What more? Watch out for the regal <keyword id="1687" type="PERSON" weightage="100" keywordseo="Dilip-Kumar">Dilip Kumar</keyword> and the stunning <keyword id="27717" type="PERSON" weightage="100" keywordseo="Madhubala">Madhubala</keyword> taking passion to new heights with something as simple as the touch of a feather. 
 
3. <keyword id="37972" type="ENTERTAINMENT" weightage="100" keywordseo="Pyaasa">Pyaasa</keyword> A delicate bond between a disheartened poet and a sympathetic prostitute flourishing in a hostile society lies at the core of this masterpiece by the legendary <keyword id="20722" type="PERSON" weightage="100" keywordseo="Guru-Dutt">Guru Dutt</keyword>. Starring <keyword id="6442163" type="PERSON" weightage="100" keywordseo="Waheeda-Rehman">Waheeda Rehman</keyword>, this tale of love’s triumph inspires every lover. 
 
4. <keyword id="404112" type="ENTERTAINMENT" weightage="100" keywordseo="Kabhie-Kabhie">Kabhie Kabhie</keyword> Late film-maker <keyword id="2238" type="PERSON" weightage="100" keywordseo="Yash-Chopra">Yash Chopra</keyword> wasn’t called the ‘Pasha of Romance’ for nothing. How deeply he did understand the ramblings of the <keyword id="24479" type="ORGANIZATION" weightage="100" keywordseo="heart">heart</keyword> became evident from the way he handled this delicate story of love that transcended generations. Be it Amitabh-Rakhi’s failed love or Shahi-Rakhi’s lovely marriage, Amitabh-Waheeda’s compromised love or Rishi-Neetu’s young romance – Yash Chopra presented each relationship with perfect finesse, making it one of the most popular romantic movies of Bollywood. 
 
5. <keyword id="3596" type="PERSON" weightage="100" keywordseo="Bobby">Bobby</keyword> 
This love story between the bubby Dimple and young Rishi proves that love knows no barrier. Pyaar mein sauda nahi… there’s nothing worldly or selfish in love… declares this rebellious teenage love story that was a rage in its time and launched two of the most successful superstars of Bollywood. 
 
6. <keyword id="167989" type="ENTERTAINMENT" weightage="100" keywordseo="Aandhi">Aandhi</keyword> 
Who says romance is only for the young? Watch Aandhi, Gulzar’s take on love between an estranged couple who rediscovered their feelings after parting ways years ago. <keyword id="55364" type="PERSON" weightage="100" keywordseo="Sanjeev-Kumar">Sanjeev Kumar</keyword> and <keyword id="112471" type="PERSON" weightage="100" keywordseo="Suchitra-Sen">Suchitra Sen</keyword> were remarkable in lead roles – balanced, breathtaking and serene. 
 
7. <keyword id="38574" type="ENTERTAINMENT" weightage="100" keywordseo="Lamhe">Lamhe</keyword> 
This love story made by Yash Chopra was far ahead of its time. One of the finest romantic movies ever made in Bollywood, Lamhe dared to challenge the traditional perception of love. A man falling for both the mother and the daughter was enough to raise many eyebrows. But Chopra’s sensitivity and <keyword id="6354700" type="PERSON" weightage="100" keywordseo="Anil-Kapoor">Anil Kapoor</keyword> and <keyword id="6354580" type="PERSON" weightage="100" keywordseo="Sridevi">Sridevi</keyword>’s top-notch performance made it look perfect. 
 
8. <keyword id="6391814" type="ENTERTAINMENT" weightage="100" keywordseo="Kuch-Kuch-Hota-Hai">Kuch Kuch Hota Hai</keyword> 
This modern-day flick is a tribute to all who have found true love in best friends. Pyar dosti hai… is the simple message even as director <keyword id="3778" type="PERSON" weightage="100" keywordseo="Karan-Johar">Karan Johar</keyword> skilfully weaves a complex tale of love, passion and friendship. 
 
9. <keyword id="310845" type="ENTERTAINMENT" weightage="100" keywordseo="Silsila">Silsila</keyword> This is one of the most fiery love triangles of Bollywood and Yash Chopra managed to pull off the most memorable casting coup of the time. Add to it a plot that depicted the real life tale of this trio and the film had every bit of drama and magic to make it a classic. <keyword id="6357912" type="PERSON" weightage="100" keywordseo="amitabh-bachchan">Amitabh Bachchan</keyword> and <keyword id="182" type="PERSON" weightage="100" keywordseo="Rekha">Rekha</keyword> weaved this complex tale of infidelity with utmost sincerity (pun intended) while <keyword id="777" type="PERSON" weightage="100" keywordseo="jaya">Jaya</keyword> was perfect in her role. 
 
10. <keyword id="37793" type="ENTERTAINMENT" weightage="100" keywordseo="Hum-Dil-De-Chuke-Sanam">Hum Dil De Chuke Sanam</keyword> Sensuality, intensity, passion – every adjective linked to a high-octane love story defined the one between Nandini (<keyword id="6366471" type="PERSON" weightage="100" keywordseo="Aishwarya-Rai">Aishwarya Rai</keyword>) and Sameer (<keyword id="6354583" type="PERSON" weightage="100" keywordseo="Salman-Khan">Salman Khan</keyword>). Her willingness to walk out of her marriage to unite with the love of her life in a foreign land to announcing it to her mother that ‘usne meri aatma ko chua hai’ (he has touched my soul) was a deluge of love.

V-Day Movie Fest: Watch
These 10 Iconic Love Stories Of Bollywood

Actor <keyword id="19895145" type="General" weightage="20" keywordseo="Vicky-Kaushal" source="keywords">Vicky Kaushal</keyword> on Tuesday said the filmmakers from the West feel the need to make films like "<keyword id="19936874" type="General" weightage="20" keywordseo="Avengers" source="keywords">Avengers</keyword>" because they don't have "real superheroes" like <keyword id="19966480" type="General" weightage="100" keywordseo="Chhatrapati-Shivaji-Maharaj" source="keywords">Chhatrapati Shivaji Maharaj</keyword> and Chhatrapati <keyword id="22860084" type="General" weightage="20" keywordseo="Sambhaji" source="keywords">Sambhaji</keyword> Maharaj. The actor stars as <keyword id="21176738" type="General" weightage="20" keywordseo="Maratha-warrior" source="keywords">Maratha warrior</keyword> Chhatrapati Sambhaji Maharaj in his upcoming film "<keyword id="20868006" type="General" weightage="20" keywordseo="Chhaava" source="keywords">Chhaava</keyword>", directed by Laxman Utekar. The period drama will release on December 6. Vicky was speaking at a special event held at Chitra Cinemas where he and Utekar showed the teaser of the movie, produced by Maddock Films, to a group of fans. The National Award winner said it is an honour for him to play the role of the Maratha warrior, who was the son of Maratha empire founder Chhatrapati Shivaji Maharaj. "It's a once in a lifetime opportunity for an actor. The whole team has worked very hard on this film. I always say the West feels the need to make films like 'Avengers' because they don't have those kinds of superheroes that we have. We have real superheroes. "If we look into the history of India, we will find so many superheroes like Sambhaji, Chhatrapati Shivaji that all other superheroes will fail in front of them. It's important to tell such stories and celebrate with people. We are proud of them. It's because of their valour and sacrifice that we are able to live in this beautiful country," Vicky said. The makers officially released the first glimpse into the world of "Chhaava" on social media on Monday, days after its teaser premiered in cinema halls alongside the shows of Maddock Films' latest offering "Stree 2". The film also stars <keyword id="19917047" type="General" weightage="20" keywordseo="Rashmika-Mandanna" source="keywords">Rashmika Mandanna</keyword> as Chatrapati Maharani Yesubai, the wife of Sambhaji, and Akshaye Khanna as Mughal emperor Aurangzeb. <keyword id="20397702" type="General" weightage="20" keywordseo="A-R-Rahman" source="keywords">A R Rahman</keyword> has composed the music for Chhaava, written by Rishi Virmani.

West makes Avengers as they don't have superheroes like Chhatrapati Shivaji, Sambhaji: Vicky Kaushal

A sixth-grade social science textbook that I read described India as a piece of fabric, with countless threads coloured in a myriad of majestic shades, woven together. This metaphor holds exceptionally well when put into the context of our <keyword id="22706215" type="General" weightage="20" keywordseo="handloom-industry" source="keywords">handloom industry</keyword>. India has a rich history of handlooms and weaving cultures. The culture of handlooms is so intricately woven into Indian culture, that there are whole towns dedicated to the same: <keyword id="248532" type="General" weightage="20" keywordseo="Chanderi" source="Orion">Chanderi</keyword> in Madhya Pradesh to Pochampally in Telangana and a dozen more! Unfortunately, the handloom industry in India is dying. The struggle is multi-faceted, ranging from a declining workforce to fierce competition from <keyword id="20496028" type="General" weightage="20" keywordseo="power-looms" source="keywords">power looms</keyword>. Hence, five years ago, August 7 was proclaimed <keyword id="22677698" type="General" weightage="20" keywordseo="National-Handloom-Day" source="keywords">National Handloom Day</keyword> in response to this crisis and to heighten public awareness. This date holds special historical significance, commemorating the initiation of the Swadeshi Movement in 1905—a pivotal act of defiance against British colonial rule. <h2>When did this industry come into existence?</h2>According to archaeological findings, the origins of handloom in the Indian subcontinent may be traced back to the Indus Valley Civilization. The Mughal Empire was known to support and patronise <keyword id="20258864" type="General" weightage="20" keywordseo="weavers" source="keywords">weavers</keyword>. The support from the royal patrons resulted in the invention of new textiles such as ‘Mulmul’ and ‘Banarasi Brocade’ among others. This era witnessed a heightened worldwide demand for Indian textiles. In the 17th century, India produced 25% of the world’s textiles, with Bengal accounting for more than 50% of textiles and 80% of silks imported by the Dutch from Asia. <h2>What led to the decline of the <keyword id="19934660" type="General" weightage="100" keywordseo="Indian-handloom" source="keywords">Indian handloom</keyword>?</h2>The East India Company's entry fuelled the industry's initial decline, which started in the 1830s. The weavers were obliged to sell only to the British, and that too at exceedingly cheap prices, virtually putting them out of business. On the other hand, Indian cloth was taxed excessively to promote machine-made British clothing. The Industrial Revolution in Britain strengthened their indigenous textile industry, giving rise to new markets for cheaper textiles. In India, the collapse of the Mughal aristocracies meant no access to royal patronage. As a result, textiles like Khadi and muslin had little demand in the market. Circling back to the present, the industry is facing both similar and new challenges. Fabrics made on power looms are cheaper and faster to produce, in comparison to handloom fabrics. The industry is largely unorganised, and the wages are shockingly low. 67% of <keyword id="22706216" type="General" weightage="20" keywordseo="handloom-workers" source="keywords">handloom workers</keyword> are earning less than the minimum wage every month. Faced with economic challenges, the older artisans are thus forced to encourage the newer generation to choose an alternative career path. This migration of the workforce from a traditional sector is evident from the fall in the number of weavers less than 35 years of age- from 26.13 lakh in 2009-10 to 16.07 lakh in 2019-20. The majority of weavers do not have access to banking facilities, let alone institutional credit. Furthermore, if one manages to accumulate credit, there is a mismatch between the supply and demand forces due to the lack of awareness about handwoven textiles in the current generation. <h2>Initiatives for revival</h2>The cultural significance of the Indian handloom isn’t just limited to its beauty and extravagance, but it extends to our independence struggle as well. The Swadeshi movement immortalised the charkha and advocated for the use of indigenous goods. Following independence, the Indian government took many measures to revive the handloom industry. In 1953, India’s Parliament approved the Khadi and Other Handloom Industries Development Act. In 1955, the All India Handloom Fabrics Marketing Cooperative Society was formed to promote the sale of fabrics produced by handloom cooperatives across India. The National Handloom Development Programme (NHDP) aimed to provide financial assistance for marketing and production. The Handloom Weavers’ Comprehensive Welfare Scheme offers health and life insurance to weavers, to ensure social security. The organisation commenced a fortnight-long exhibition, “VIRAASAT” dedicated to celebrating the 10th National Handloom Day began at Handloom Haat in Janpath, New Delhi on Saturday, 3rd August 2024, and will conclude on 16th August 2024. The Handloom Mark scheme was introduced to authenticate handloom products, thus enabling weavers to gain better market access and ensuring that consumers get genuine products. Moreover, the India Trade Portal also mentions that the GOI plans to provide financial assistance of Rs. 30 crore to at least 10,000 handlooms. Various state governments also regularly conduct handloom expos and fairs, providing platforms for weavers to showcase and sell their products directly to consumers. <h2>Contemporary Brands and their love for Indian handloom</h2>Modern, popular designers such as <keyword id="8264" type="General" weightage="20" keywordseo="Sabyasachi" source="Orion">Sabyasachi</keyword> and <keyword id="21493890" type="General" weightage="20" keywordseo="ritu-kumar" source="keywords">Ritu Kumar</keyword> are known to work closely with weavers and have been doing their part by bringing worldwide attention to the handloom industries. Recently, <keyword id="1472101" type="General" weightage="20" keywordseo="Ajrakh" source="Orion">Ajrakh</keyword> was brought into the limelight when Alia Bhatt wore a custom Abu Jani Sandeep Khosla Ajrakh saree to Joy Awards in Riyadh. However, it’s not just the fashion moguls who are working towards the revival of this industry. Contemporary indie brands are partnering with local weavers, and creating awareness about their work. The emergence of such indie brands and their association with local artisans is beneficial for both entities. For instance, Joskai Studio derives its name from ‘Joskai’, a woven piece of cloth worn as a part of the traditional costume of the Tiwa community of Assam. They work with artisans in northeast India, specifically from the weaving village of Saualkuchi in Assam. Rouka by Sreejith Jeevan is a Kerala-based brand that works strictly with weavers from Kerala, specifically Chendamangalam and Kuthampally. <h2>Employment and Exports</h2>According to the Indian Trade Portal, the Indian handloom sector is the country’s second-largest employer after agriculture in rural areas. The Handloom Census 2019-20 mentions that the industry employs about 35,22,512 workers across the country, with women forming 77.29% of the workforce. India is the second largest exporter of handloom products in the world, with exports valued at $ 353.9 million in 2017- 18, as per EXIM bank's working papers. The major handloom export centres are Karur, Panipat, Varanasi and Kannur where handloom products like bed linen, table linen, toilet linen, floor coverings, and embroidered textile materials and curtains etc. are produced for export markets. During April 2021-February 2022, India exported handloom products worth 1693 crore, as per Indian Trade Portal. Indian silk scarves also form a sizable chunk of total handloom exports, in addition to home textiles like carpets, rugs and mats, which constitute over 13.6% of India’s total handloom exports. <h2>The Path Forward</h2>The mere existence of organisations and allocation of funds isn’t enough to sustain the legacy of India’s rich handloom industry. Big corporations working with local weavers ensure employment but don't protect them from exploitation and meagre wages, leaving them vulnerable. The people in power ought to come up with strategies that ensure the trickle-down effect of the schemes and funds. The new generation of buyers has a greater purchasing power than the one before them. Marketing focused on bringing Indian handloom practices into the limelight can do wonders in this case.

Fabric of a nation: Sustaining India's handloom legacy in modern times

The National Council of Educational Research and Training (<keyword id="20255499" type="General" weightage="20" keywordseo="ncert" source="keywords">NCERT</keyword>) will release a new syllabus and textbooks for Classes 3 to 6 while there will be no change in the <keyword id="19917193" type="General" weightage="20" keywordseo="curriculum" source="keywords">curriculum</keyword> and textbooks for other grades for the academic year 2024-25 commencing from April 1, according to <keyword id="19976140" type="General" weightage="20" keywordseo="cbse" source="keywords">CBSE</keyword> officials. The NCERT has informed the Central Board of Secondary Education (CBSE) that new syllabi and textbooks for classes 3 and 6 are currently under development and will soon be released, the CBSE said in a communication sent to affiliated schools. "Consequently, schools are advised to follow these new syllabi and textbooks for classes 3 and 6 in place of textbooks published by NCERT till the year 2023," said <keyword id="20215578" type="General" weightage="20" keywordseo="joseph-emmanuel" source="keywords">Joseph Emmanuel</keyword>, Director (Academics), CBSE. "Additionally, a bridge course for class 6, and concise guidelines for class 3 are being developed by the NCERT for facilitating a seamless transition for students to new pedagogical practices and areas of study aligned with new curriculum framework, 2023. These resources will be disseminated to all the schools online once they are received from NCERT. "The Board will also organize capacity-building programs for school heads and Teachers to orient them with the new teaching learning perspectives as envisioned in NEP-2020," he added in the letter. In a revision of the National Curriculum Framework (<keyword id="21063963" type="General" weightage="20" keywordseo="ncf" source="keywords">NCF</keyword>) after 18 years, the Ministry of Education had last year notified the changes. The NCF had undergone four revisions in the past - in 1975, 1988, 2000, and 2005. The council is in process of preparing new school textbooks in line with the new national curriculum framework for school education (NCF-SE) 2023 as a part of the implementation of the National Education Policy (NEP) 2020. "There will be no change in the Curriculum and textbooks for other classes for the academic year 2024-25 commencing from April 1, 2024," he said. The NCF for the foundational stage (FS) was launched by the Ministry of Education in 2022 and according to the curriculum framework, the NCERT developed and collected the learning-teaching material (LTM). Toys, puzzles, puppetry, posters, flash cards, worksheets and attractive storybooks are part of the "<keyword id="21063964" type="General" weightage="20" keywordseo="jaadui-pitara" source="keywords">Jaadui Pitara</keyword>" launched by the Ministry of Education for learning at the foundational stage. In 2022, the NCERT had rationalised the syllabi of classes 6 to 12 to "reduce the content load" on students in light of the COVID-19 pandemic. Among the changes, reflected in new textbooks published last year, the council had removed chapters on Mughal courts, 2002 Gujarat riots, cold war, references of Mughal emperors, and Emergency and periodic table. While the council maintained there was no selective omission of topics, the rationalisation exercise had created a political controversy with leaders from opposition parties alleging the ruling dispensation was "erasing history". SEE ALSO: <a href="https://www.businessinsider.in/tech/mobile/news/oneplus-12-review/articleshow/108723955.cms">OnePlus 12 review: A feature-packed device with promising battery back-up</a> <a href="https://www.businessinsider.in/business/auto/news/jsw-group-and-saic-motors-jv-jsw-mg-motor-india-set-to-up-production-to-3-lakh-vehicles-a-year-with-a-new-car-every-3-6-months/articleshow/108647799.cms">JSW Group and SAIC Motor’s JV ‘JSW MG Motor India’ set to up production to 3 lakh vehicles a year with a new car every 3-6 months</a> <a href="https://www.businessinsider.in/tech/news/asus-rog-strix-scar-16-review/articleshow/108514221.cms">Asus ROG Strix Scar 16 review – powerful gaming laptop with a cool design</a>

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