<ul><li>On its release day the film earned ₹6.71 crore. The film saw a massive jump of 30% in its collection on day two, earning ₹8.89 crore on its first Saturday. </li><li>Mohit Suri’s revenge drama Malang featuring <keyword id="458611" type="PERSON" weightage="20" keywordseo="Aditya-Roy-Kapur">Aditya Roy Kapur</keyword> and <keyword id="1515554" type="PERSON" weightage="20" keywordseo="disha-patani">Disha Patani</keyword> failed to woo the critics but have impressed the audience. </li><li>Taran Adarsh called the film “disappointing” and gave it 2 stars. </li></ul>Mohit Suri’s revenge drama Malang featuring Aditya Roy Kapur and Disha Patani failed to woo the critics but seems to have impressed the audience. On its release day, the film earned ₹6.71 crore and saw a 30% jump in its collection on day two, earning ₹8.89 crore As of now, the total box office collection stands at ₹15.6 crore with Sunday collections yet to come. 
	<div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="5365" retweetcount="281" status="#Malang witnesses substantial growth on Day 2, despite #Delhi having limited screenings... Should score on Day 3 [S… https://t.co/PHOCD0vRfB" createdat="1581229093000" id="1226389823289643013"></div>


 
	<div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="8329" retweetcount="484" status="#OneWordReview... #Malang: DISAPPOINTING. Rating: ⭐️⭐️ Mohit Suri misses the bus this time... #Malang works in patc… https://t.co/mKzirzdYuA" createdat="1581082641000" id="1225775557268230150"></div>



 Malang starring <keyword id="6354700" type="PERSON" weightage="20" keywordseo="Anil-Kapoor">Anil Kapoor</keyword>, Aditya Roy Kapur, Disha Patani is a story of Advait and Sara who falls in love with each other in Goa. Things change when Advait turns into a serial killer and is running from the law. Taran Adarsh called the film “disappointing” and gave it 2 stars. “Mohit Suri misses the bus this time... #Malang works in patches, but its writing plays spoilsport, and fails to grab your attention in entirety... Suspense doesn't create the desired impact either,” Adarsh said. Whereas another film critic Sumit Kadel said Malang is a torment watch. “Film has got no thrills, has a dead slow predictable screenplay, shoddy script and mediocre performance by the star cast. Mohit Suri Direction is deplorable. Audience ko Paka dena inka maza aur nasha hai, Watch at your own Risk,” Kadel said. The first day collection has made Malang Aditya Kapoor’s highest opening film ever. His first solo film <keyword id="780293" type="ENTERTAINMENT" weightage="20" keywordseo="Aashiqui-2">Aashiqui 2</keyword> with Shraddha Kapoor earned ₹6.25 crore on the release day. Whereas, OK Jannu earned ₹4.08 crore. Malang faces competition from the Hollywood biggie, Birds Of Prey released this week. The superhero action thriller, based on characters of DC comics, is one of the top releases of Hollywood, this season. Added to that, both war dramas - 1917 and <keyword id="6354714" type="PERSON" weightage="20" keywordseo="ajay-devgn">Ajay Devgn</keyword>’s Tanhaji are still going strong at the box office. (With inputs from agencies) SEE ALSO: <a href="https://www.businessinsider.in/entertainment/news/karan-johar-glosses-over-love-and-its-hard-truths-in-the-netflix-show-what-the-love/articleshow/74007190.cms">Karan Johar glosses over love and its hard truths - in the Netflix show ‘What the Love’</a>

Mohit Suri’s Malang earns over ₹15 crore and bad reviews in two days

<img class="gwt-Image" src="/photo/50772432.cms" /> <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> heartthrob <keyword id="114453" type="PERSON" weightage="100" keywordseo="Arjun-Kapoor">Arjun Kapoor</keyword>, who would soon be seen hosting the next series of adventure based reality show Khatron Ke Khiladi, has confirmed that he is busy preparing for his role of a Bihari guy Madhav in his next movie <keyword id="2459041" type="UNKNOWN" weightage="100" keywordseo="Half-Girlfriend">Half Girlfriend</keyword>, based on the novel of the same name, written by <keyword id="6390428" type="PERSON" weightage="100" keywordseo="Chetan-Bhagat">Chetan Bhagat</keyword>. 
 The movie would be directed by <keyword id="23758" type="PERSON" weightage="100" keywordseo="mohit-suri">Mohit Suri</keyword>, who had last directed Hamari Adhuri Kahaani, and is the first movie to be produced by Chetan Bhagat. He would be producing the movie along with Ekta Kapoor, the czarina of Indian television and creative director of Balaji Telefilms. The movie would also see Shraddha Kapoor as Riya, the female lead. 
 
Before Arjun Kapoor was cast for the role, Sushant Singh Rajpoot was selected to play the role; however, he had to opt out of it since the dates were clashing with Dinesh Vijan’s untitled movie that Rajpoot had signed before Half Girlfriend. 
 
The movie would most probably be shot in Bihar, Delhi and New York, three cities that Madhav Jha, the protagonist travels to. The story is about a boy who hails from Bihar and finds it difficult to secure admission in a prestigious college in Delhi University. Securing admission from the sports quota, he falls in love with Riya, an upper class English-speaking girl, who later becomes his half-girlfriend and teaches him English. 
 
For preparing for his character, Kapoor would be seen donning the mannerisms and accent of a guy from Bihar. Maybe this is why he has said that he would need two and a half months for the role before he starts shooting.

Arjun Kapoor all set to portray Half Girlfriend’s Madhav
Jha

<img class="gwt-Image" src="/photo/38018693.cms" /> After some great business for a couple of weeks, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> is back to the ‘slump’ mode even as <keyword id="2409418" type="UNKNOWN" weightage="100" keywordseo="Vidya-Balan-Ali-Fazal-starrer">Vidya Balan-Ali Fazal-starrer</keyword> <keyword id="1876316" type="UNKNOWN" weightage="100" keywordseo="Bobby-Jasoos">Bobby Jasoos</keyword> hit the screen on July 4. The other release of the week was <keyword id="2409416" type="UNKNOWN" weightage="100" keywordseo="Arif-Ali-directed">Arif Ali-directed</keyword> <keyword id="2409419" type="UNKNOWN" weightage="100" keywordseo="Romantic-drama">romantic drama</keyword> <keyword id="2232911" type="UNKNOWN" weightage="100" keywordseo="Lekar-Hum-Deewana-Dil">Lekar Hum Deewana Dil</keyword>, which could have gone deep into millennial psyche and become a successful coming-of-age movie with a strong romantic undertone. Instead, it turned out to be a not-so-original concoction of previous hits like <keyword id="14521" type="ENTERTAINMENT" weightage="60" keywordseo="Jab-We-Met">Jab We Met</keyword> and <keyword id="6354768" type="ORGANIZATION" weightage="60" keywordseo="Highway">Highway</keyword> (both directed by Arif’s brother <keyword id="14373" type="PERSON" weightage="80" keywordseo="Imtiaz">Imtiaz</keyword>) or the age-old youth-centric flicks of Bollywood. The outcome is quite predictable – a complete washout at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword>. 
 But first things first – let us come back to <keyword id="1997475" type="UNKNOWN" weightage="100" keywordseo="Samar-Shaikh">Samar Shaikh</keyword>’s <keyword id="41623" type="UNKNOWN" weightage="100" keywordseo="Directorial-debut">directorial debut</keyword> Bobby Jasoos, which was produced by <keyword id="981" type="PERSON" weightage="100" keywordseo="Dia-Mirza">Dia Mirza</keyword> and <keyword id="440307" type="PERSON" weightage="100" keywordseo="Sahil-Sangha">Sahil Sangha</keyword>. <keyword id="3844" type="PERSON" weightage="100" keywordseo="Vidya-Balan">Vidya Balan</keyword> in a key role (remember <keyword id="6405846" type="UNKNOWN" weightage="80" keywordseo="Dirty-Picture">Dirty Picture</keyword> or <keyword id="6358300" type="UNKNOWN" weightage="80" keywordseo="Kahaani">Kahaani</keyword>?) has always been a treat to watch but this time, the clumsy sleuth <keyword id="2409413" type="UNKNOWN" weightage="100" keywordseo="Bilkis-Ahmed">Bilkis Ahmed</keyword> aka Bobby didn’t get the cash register ringing. Even after the resounding success of the <keyword id="1250908" type="UNKNOWN" weightage="80" keywordseo="romantic-thriller">romantic thriller</keyword> <a href="http://www.businessinsider.in/BoxOffice-Ek-Villain-A-Runaway-Success-May-Soon-Enter-Rs-100-Crore-Club/articleshow/37631847.cms">Ek Villain</a>, Vidya’s kind of seriocomic suspense went largely unappreciated. Although the movie hit nearly 1,350 screens across 39 countries including India and enjoyed considerable hype, occupancy was dismal on the debut day itself – just around 30%. The movie netted around Rs 7.5 crore at the domestic <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> in the first three days and business slumped further on the crucial first Monday as the flick netted around Rs 1.25 crore, according to industry estimates. Keeping in mind its whopping budget of Rs 28 crore (cost and P&amp;A), Bobby Jasoos could be in the red if business does not pick up quickly during the first week. 
 
Interestingly, Mohit Suri-directed <keyword id="2177024" type="UNKNOWN" weightage="80" keywordseo="Ek-Villain">Ek Villain</keyword> is going great guns in spite of two new releases and already amassed Rs 92.90 crore at the domestic box office after the second Sunday. Thanks to 1,700 screens and 5,400 shows per day, the flick may enter the <keyword id="925977" type="UNKNOWN" weightage="100" keywordseo="Rs-100-crore-club">Rs 100 crore club</keyword> within the second week. 
 
 
<img class="gwt-Image" src="/photo/38018760.cms" /> 
 
Lekar Hum Deewana Dil had a <keyword id="2277648" type="UNKNOWN" weightage="100" keywordseo="disastrous-start">disastrous start</keyword> at the domestic box office, collecting a little over Rs 40 lakh on the opening day and just about Rs 1.41 crore after the first three days. The Monday earnings are not confirmed yet, but are estimated to be Rs 50 lakh, according to industry insiders. Starring newcomers <keyword id="433654" type="UNKNOWN" weightage="100" keywordseo="Armaan-Jain">Armaan Jain</keyword> (well, he is <keyword id="2409428" type="UNKNOWN" weightage="100" keywordseo="Raj-Kapoors-grandson">Raj Kapoor’s grandson</keyword>) and <keyword id="97760" type="CITY" weightage="100" keywordseo="Deeksha-Seth">Deeksha Seth</keyword>, Lekar Hum has turned out to be one of the lowest grossers with a fresh cast. The movie’s budget was Rs 16 crore (cost and P&amp;A) – a clear indication that it will have to struggle hard to break even. 
 
Critically speaking, Bobby Jasoos showcases quite a few novel features. Vidya in her multiple disguises is fun to watch; the cases she solves are from everyday life and hardly require Sherlock-like qualities, and throughout the story, we get to see a vulnerable middle-class girl from an <keyword id="122267" type="UNKNOWN" weightage="80" keywordseo="orthodox">orthodox</keyword> society and an old city, trying to establish a brand new identity. The theme is a laudable one and Vidya carries it out with great vigour, breathing life into this spicy mix of fun and mystery. But the plot tumbles towards the melodramatic all too soon, making things painfully predictable in spite of the great chemistry between Vidya and <keyword id="486750" type="PERSON" weightage="100" keywordseo="Ali-Fazal">Ali Fazal</keyword> (<keyword id="2409430" type="UNKNOWN" weightage="100" keywordseo="Tassavur">Tassavur</keyword>). 
 
Armaan-Deeksha-starrer Lekar Hum Deewana Dil also had the potential to be different, but the <keyword id="1636016" type="UNKNOWN" weightage="100" keywordseo="rom-com">rom-com</keyword> fails to lift interpersonal relationship to a different level of conflict, confrontation and comprehension. So you get another mundane love story at the end. Maybe <keyword id="303" type="POSITION" weightage="100" keywordseo="Director">director</keyword> <keyword id="314242" type="PERSON" weightage="100" keywordseo="Arif-Ali">Arif Ali</keyword> was trying to churn out a perfect Bollywood hit (no wonder there was a great combo of all the great rom-coms we can possibly remember). But the next time he does it, he must remember that famous quote by Anna Quindlen – The thing that is really hard, and really amazing, is... beginning the work of becoming yourself. 
 
Images: Indiatimes

Box Office:
Bobby Jasoos No Match For Ek Villain, Lekar Hum Deewana Dil A Total Disaster

<img class="gwt-Image" src="/photo/37631979.cms" /> 
After the blockbuster beginning of <a href="http://www.businessinsider.in/Box-Office-Humshakals-Strikes-Gold-But-Theres-No-Method-In-ThisMadness/articleshow/37123366.cms">Humshakals</a>, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has witnessed yet another runaway success in the <keyword id="1250908" type="UNKNOWN" weightage="100" keywordseo="romantic-thriller">romantic thriller</keyword> <keyword id="2177024" type="UNKNOWN" weightage="100" keywordseo="Ek-Villain">Ek Villain</keyword>, directed by <keyword id="23758" type="PERSON" weightage="100" keywordseo="mohit-suri">Mohit Suri</keyword> (of Murder 2 and Aashiqui 2 fame) and starring <keyword id="1420" type="PERSON" weightage="100" keywordseo="Riteish-Deshmukh">Riteish Deshmukh</keyword>, <keyword id="1320874" type="PERSON" weightage="100" keywordseo="Sidharth-Malhotra">Sidharth Malhotra</keyword> and <keyword id="89958" type="PERSON" weightage="100" keywordseo="Shraddha-Kapoor">Shraddha Kapoor</keyword>. And this time, we have an interesting plot, some brilliant acting and an overflowing <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> – all in perfect sync. Released on June 27 in more than 2,500 screens in India, the flick has netted Rs 50.70 crore at home in the first three days (Friday Rs 16.72 crore, Saturday Rs 16.54 crore and Sunday Rs 17.44 crore; however, trade figure stood at Rs 49.28 crore) – the second highest weekend collection in 2014, behind Salman Khan-starrer <keyword id="6593120" type="PERSON" weightage="80" keywordseo="Jai-Ho">Jai Ho</keyword>. 
 Compared to debut day, earnings dropped 55% on the first Monday but the medium-budget (it cost around Rs 40 crore) movie managed to nett Rs 8.10 crore at home. Tuesday collections also dipped (Rs 6.80 crore) but the movie amassed a total of Rs 65.60 crore from <keyword id="54324" type="UNKNOWN" weightage="100" keywordseo="india-business">India business</keyword> after Day 5, crossing <keyword id="1718975" type="UNKNOWN" weightage="80" keywordseo="Humshakals">Humshakals</keyword>’ earnings (Rs 61.05 crore). Ek Villain has now become the fifth <keyword id="2385280" type="UNKNOWN" weightage="100" keywordseo="highest-grosser">highest grosser</keyword> of 2014, surpassing the lifetime collections of <keyword id="6377522" type="POSITION" weightage="80" keywordseo="queen">Queen</keyword> (Rs 61 crore), Main Tera Hero (Rs 55 crore), Heropanti (Rs 53.40 crore) and Ragini MMS 2 (Rs 47 crore). Going by the trend, it may soon enter Rs <keyword id="6567206" type="UNKNOWN" weightage="100" keywordseo="100-crore-club">100 crore club</keyword>. The movie was produced by <keyword id="6354597" type="PERSON" weightage="100" keywordseo="Ekta-Kapoor">Ekta Kapoor</keyword> and <keyword id="154993" type="PERSON" weightage="60" keywordseo="Shobha-Kapoor">Shobha Kapoor</keyword> under Balaji Motion Pictures and ALT Entertainment. 
 
“Ek Villain passes ‘Monday test’ with flying colours. Weekend 50.70 cr, Mon 8.10 cr. Total: Rs 58.8 cr nett. India biz. MONSTROUS HIT,” tweeted trade analyst and film critic Taran Adarsh. “Overseas weekend total is approx $2.2 million [Rs 13.24 crore]. EXCELLENT,” he added. 
 
<img class="gwt-Image" src="/photo/37632061.cms" /> 
 
Although some movie buffs may notice a marked resemblance between Ek Villain and the Korean movie <keyword id="2258746" type="UNKNOWN" weightage="100" keywordseo="I-Saw-The-Devil">I Saw the Devil</keyword>, director Suri had earlier told the media that it was not so. “That’s just one dialogue that I have taken from the <keyword id="700143" type="UNKNOWN" weightage="100" keywordseo="Korean-film">Korean film</keyword>’s promo, just like I have taken another dialogue from the film <keyword id="796794" type="PERSON" weightage="60" keywordseo="Jack-Reacher">Jack Reacher</keyword>,” Suri had told a daily. 
 Coming back to the movie itself, we must say that the ‘chill and thrill’ factor could have been more intense, especially when you have a <keyword id="1261139" type="UNKNOWN" weightage="100" keywordseo="psychopathic-killer">psychopathic killer</keyword> running loose, while the romantic part of the plot (gangster falling for the good girl) has been done to death by now and meanders a lot. In Ek Villain, all the key characters seem helplessly trapped in their own prisons and cannot get away. <keyword id="6410325" type="PERSON" weightage="100" keywordseo="guru">Guru</keyword> (Sidharth Malhotra), a former hitman, only undergoes a temporary change when <keyword id="2396273" type="UNKNOWN" weightage="100" keywordseo="Aisha-Verma">Aisha Verma</keyword> (Shraddha Kapoor) walks into his life. But he goes back to his original vengeful self when Aisha dies, not of terminal illness but murdered by a serial killer. However, it is Riteish Deshmukh (<keyword id="2396274" type="UNKNOWN" weightage="100" keywordseo="Rakesh-Mahadkar">Rakesh Mahadkar</keyword>) who walks away with the honours. He is the perfect psychopath – an oppressed individual, a henpecked husband, a desperate lover and a ruthless killer all rolled in one. 
 Overall, the concoction of drama and <keyword id="1278055" type="UNKNOWN" weightage="100" keywordseo="melodrama">melodrama</keyword>, romance and terror has diluted the plot. But one still gets to see some fine performance and the flick is certainly a lot different from the routine Bollywood themes. And the best part of it all? Ek Villain has won hearts and set the cash register ringing. 
 
Images: Indiatimes

Box
Office: Ek Villain A Runaway Success, May Soon Enter Rs 100 Crore Club

<img class="gwt-Image" src="/photo/51125480.cms" /> <keyword id="6370368" type="PERSON" weightage="100" keywordseo="pooja-bhatt">Pooja Bhatt</keyword>, who was last seen in her father’s 1998 movie <keyword id="37879" type="ENTERTAINMENT" weightage="100" keywordseo="Zakhm">Zakhm</keyword> is all set to make her acting comeback after 18 long years. Her comeback movie would be written by her father <keyword id="6370367" type="PERSON" weightage="100" keywordseo="Mahesh-Bhatt">Mahesh Bhatt</keyword>, who had directed her in Zakhm and has given up on direction after the 1999 movie Kartoos. 
 
The 43-old-actor was first seen in the 1989 with Daddy, which was also directed by Mahesh Bhatt. While Daddy was about a young daughter who decides to save her father from getting destroyed at the hands of alcoholism, her comeback movie will be its “reverse”. 
 
She will be seen playing an ambitious woman, who gets busy chasing her career and leaves her daughter to earn money and fame. 
 
As per Pooja, she didn’t do films after Zakhm as she didn’t want to be just an “arm-candy”. This script however is demanding, which is why she has decided to make a comeback. 
 
The production would start as soon as they find a director, but we think that Mohit Suri won’t be a bad choice after all, given that he anyway directs a lot of movies coming from the Bhatt banner. 
 
<a href="http://www.boxofficecapsule.com/imgbig/Pooja%20bhatt%20two%20movies%20delayed.jpg">Image source</a>

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Mohit Suri’s Malang earns over ₹15 crore and bad reviews in two days

Preeti Soni

Arjun Kapoor all set to portray Half Girlfriend’s Madhav Jha

Nandini Sharma

Box Office: Bobby Jasoos No Match For Ek Villain, Lekar Hum Deewana Dil A Total Disaster

Sanghamitra Mandal

Box Office: Ek Villain A Runaway Success, May Soon Enter Rs 100 Crore Club

Sanghamitra Mandal

Pooja Bhatt to come back to acting with a role “reverse” to her debut movie Daddy

Nandini Sharma