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<ul><li>Darbar featuring <keyword id="14509" type="PERSON" weightage="20" keywordseo="Rajinikanth">Rajinikanth</keyword> and Nayanthara has crossed ₹2 crore mark in Chennai. </li><li>It is also off to a good start in several foreign countries including Singapore, Malaysia and Australia. </li><li>The movie is already a winner since it earned as much as ₹220 crore by selling rights.</li></ul>Darbar featuring Rajinikanth and Nayanthara has crossed ₹2 crore mark in Chennai on its first day. In Hyderabad, the film has grossed ₹12.05 lakh, according to trade analyst LM Kaushik. 
	<div type="twitter" handle="LMKMovieManiac" handlename="Kaushik LM" image="http://pbs.twimg.com/profile_images/1188062171344732160/vXAEdi-4_normal.jpg" favoritecount="4983" retweetcount="1032" status="GLORIOUS OPENING for #Darbar in Chennai city - Day1 gross is a phenomenal 2.27 CR 👌💥 It's a record second 2 CR+ ci… https://t.co/SdajFBVSN7" createdat="1578594568000" id="1215339822216175617"></div>



 
	<div type="twitter" handle="rameshlaus" handlename="Ramesh Bala" image="http://pbs.twimg.com/profile_images/759927067681042433/GW1NFtOZ_normal.jpg" favoritecount="905" retweetcount="109" status="#Darbar takes a Massive Opening in Hyd RTC X Roads.. Day 1 Gross: ₹ 12.05 Lakhs.." createdat="1578621867000" id="1215454324513394689"></div>



 Long before release, Darbar has been the twitter trend. The movie is already a winner since it earned as much as <a href="https://twitter.com/LMKMovieManiac/status/1215339822216175617">₹220 crore by selling rights</a>. And, it could bring in viewers en masse since it’s the only movie released during Pongal, the biggest festival in South India. The film, directed by AR Murugadoss, sees Rajinikanth play a cop named Aaditya Arunasalam, who has no rules or mercy. Like most of the heroes in Murugadoss's films, Aaditya Arunasalam has to break the law to ensure justice is served. When he is sent to Mumbai on a special operation to handle the city's drug menace, he goes on a murderous rampage. He gets labelled 'a murderer' and 'a cop with no ethics' by the papers. As part of the operation, Aaditya crosses paths with dreaded gangster Hari Chopra (Suniel Shetty) and the ensuing face-off between them forms the crux of the story. Among the other stars are Nayanthara, Suniel Shetty, Nivetha Thomas, Prateik Babbar and Nawab Shah. It is also off to a good start in several foreign countries including Singapore, Malaysia and Australia. It is the number one debut in Singapore followed by 1917, Ip Man 4: The Finale and Ashfall. The film has earned $615 in the USA as well, according to trade analyst Ramesh Bala. 
	<div type="twitter" handle="rameshlaus" handlename="Ramesh Bala" image="http://pbs.twimg.com/profile_images/759927067681042433/GW1NFtOZ_normal.jpg" favoritecount="329" retweetcount="58" status="#Darbar debuts at No.1 in #Singapore https://t.co/XkcwD5NUCE" createdat="1578621671000" id="1215453499665707008"></div>



 Twitter was flooded with positive reviews soon after the film was released. At some theatres in South India, people were seen showering flowers and coins to celebrate the movie. 
	<div type="twitter" handle="madraswallah" handlename="Arjun Narayanan" image="http://pbs.twimg.com/profile_images/861100969823698945/r2By0SvF_normal.jpg" favoritecount="6" retweetcount="3" status="Crackers, drums, flowers. These moments make the experience of cinema special for me. An ode to the good old Rajini… https://t.co/PIHlgxqp6e" createdat="1578540079000" id="1215111280823980032"></div>


 However, film critics are not very pleased with the movie. They believe the movie is strictly for Rajinikanth’s fans and delivers nothing new. “Despite A.R. Murugadoss offering very little substance for him to work with, the superstar just about manages to carry this film on his aging shoulders” <a href="https://www.thehindu.com/entertainment/movies/darbar-movie-review-a-charismatic-rajinikanth-shoulders-an-okayish-masala-movie/article30521045.ece">wrote Srivatsan S from The Hindu. </a> See also: 
 <div type="Article" hostid="261" msid="73182917" title="Rajinikanth’s Darbar becomes an instant hit - with the Internet" mstype="2" mssubtype="0"></div>


<ul></ul>

‘Superstar’ Rajinikanth’s latest blockbuster enters the ₹2 crore ‘Darbar’ on day one⁠— as fans in Chennai, Singapore, and Kuala Lumpur flock to the theatres

<ul><li>Media consulting firm <keyword id="809814" type="General" weightage="20" keywordseo="ormax-media" source="Orion">Ormax Media</keyword> has released its annual report.</li><li>As per the report, compared to gross box office of almost ₹ 11,000 Cr in 2019, the cumulative revenue across 2020 and 2021 put together stood at only ₹ 5,757 Cr (an annual average of less than ₹ 2,900 crore.</li></ul>Media consulting firm Ormax Media has released its annual report, titled The <keyword id="13120825" type="General" weightage="20" keywordseo="ormax-box-office-report" source="Orion">Ormax Box Office Report</keyword> 2020-21. The report, first launched in 2016, looks at the Indian box office across languages, highlighting key trends in the theatrical sector. Because of theatres being shut for several months during the pandemic, Ormax Media has released a combined edition for the two pandemic-impacted years (2020 and 2021). The report analyses the impact of the pandemic on the Indian box office. Compared to gross box office of almost ₹ 11,000 Cr in 2019, the cumulative revenue across 2020 and 2021 put together stood at only ₹ 5,757 Cr (an annual average of less than ₹ 2,900 crore. If 2019 is taken as the benchmark, the Indian film industry lost at least ₹ 15,000 Cr at the box office because of the pandemic. The footfalls also came down from 103.0 Cr in 2019 to 22.5 Cr and 42.7 Cr in 2020 and 2021 respectively. The pandemic years also saw significant changes in the share of different language industries within the Indian film industries. With 29% share of box office (2020 &amp; 2021 cumulative), the Telugu language industry took the top position, ahead of Hindi, whose share declined from 44% to 27%. Four Telugu films (Pushpa, Ala Vaikunthapurramuloo, Sarileru Neekevvaru &amp; Vakeel Saab) feature in the top 10 films across the two years, compared to only three Hindi films (Tanhaji, Sooryavanshi &amp; 83). Spider-Man: No Way Home (Hollywood), Master &amp; Darbar (both Tamil) complete the top 10 list. Speaking about the report, <keyword id="161338" type="General" weightage="20" keywordseo="shailesh-kapoor" source="Orion">Shailesh Kapoor</keyword>, Founder &amp; CEO - Ormax Media, said: “The pandemic has severely impacted the Indian box office, with five out of the eight quarters in 2020 and 2021 having zero or negligible business, because of theatres being shut in all or most parts of India. The good news is that the last quarter of 2021 (Oct-Dec) saw excellent recovery, registering gross box office of more than Rs. 2,000 Cr, which reaffirms that the theatrical business is very much here to say.” Speaking about the growing share of box office from the Southern languages, <keyword id="265335" type="General" weightage="20" keywordseo="gautam-jain" source="Orion">Gautam Jain</keyword>, Partner - Ormax Media, said: “The cumulative share of the four South languages went up from 36% in 2019 to 59% in 2020 &amp; 2021, highlighting how these industries managed to navigate through the pandemic with more relative success than Hindi films. While we can expect Hindi cinema to stage a recovery in 2022, the rise of South cinema is a story to watch out for.”

Indian box office lost more than ₹15,000 crore to the pandemic in 2020 and 2021: Report

<ul><li>Deepika Padukone’s <keyword id="7140139" type="UNKNOWN" weightage="20" keywordseo="Chhapaak">Chhapaak</keyword> is struggling to cross the ₹20 crore mark. </li><li>On the other hand, Devgn’s Tanhaji crossed ₹50 crore on its opening weekend. </li><li>Tanhaji left Chhapaak behind in the first two days when it earned ₹35 crore. </li></ul>Deepika Padukone’s Chhapaak has made less than twice the collections of its rival release - Ajay Devgn’s Tanhaji. Ahead of the festive season, the audience seems to be in the mood for a war saga instead of the real-life story of an acid attack victim. Chhapaak earned as much as ₹18.50 crore during the weekend while Tanhaji: The Unsung Warrior’s collections crossed the ₹50 crore mark. Tanhaji left Chhapaak behind in the first two days itself as it earned ₹35 crore against ₹11 crore by Chhapaak. And looks like the Devgn movie might achieve the ₹100 crore status. “The growth is superb on Sunday with collections going up 30%. It makes it even better that the competition and holdover releases have not grown much on Sunday.” reported Box Office India. <div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="7669" retweetcount="688" status="#Chhapaak is ordinary on Day 1... Collects well at select high-end multiplexes... Biz at Tier-2 and 3 cities and al… https://t.co/RYKf3DKiX5" createdat="1578726776000" id="1215894343824752640"></div>

 Big Budget Tanhaji has a lot riding on it. However, the endgame of each of these movies might be different. Tanhaji was made on a massive budget of ₹150 crore, while Chhapaak is a medium budget movie spending anywhere between ₹35-40 crore. Chhapaak is also released only on 1500 screens, half that of Tanhaji. Both these movies had unexpected competition from multiple South movies that released the same weekend to capture the festival season of Sankranti. While Telugu movie goers are busy with Allu Arjun’s Ala Vaikunthapurramloo - Rajnikanth’s Darbar is dominating Tamil Nadu theatres. The movie is known to have made as much as ₹34 crore on the first day only. However, the movie is not expected to become a massive hit unlike his movies Robot 2 which had brought North Indian audiences in droves. See also: <div type="Article" hostid="261" msid="73155309" title="Deepika Padukone and Ajay Devgn both have movies releasing this week - only one of them is a real hero" mstype="2" mssubtype="0"></div>

 <div type="Article" hostid="261" msid="73183795" title="‘Superstar’ Rajinikanth’s latest blockbuster enters the ₹2 crore ‘Darbar’ on day one⁠— as fans in Chennai, Singapore, and Kuala Lumpur flock to the theatres" mstype="2" mssubtype="0"></div>

Ajay Devgn’s Tanhaji moves the masses while Chhapaak fails to make a splash

<ul><li><keyword id="2962484" type="PERSON" weightage="20" keywordseo="Mi-India">Mi India</keyword> launched the latest edition of its annual report ‘<keyword id="10631021" type="UNKNOWN" weightage="20" keywordseo="patchwall-replay-2020">PatchWall Replay 2020</keyword>’.</li><li>The report throws light on the latest insights and interesting trends from the <keyword id="350845" type="ENTERTAINMENT" weightage="20" keywordseo="Show-Business">show business</keyword>.</li></ul> Mi India in its annual trend report ‘<keyword id="10631022" type="UNKNOWN" weightage="20" keywordseo="patchwall-replay">PatchWall Replay</keyword> 2020’ revealed that there was a 161% increase in news views in 2020. The study evaluates the consumption patterns of over 5 million consumers across 25+ content partners and throws light on the latest insights and interesting trends from the show business. Mi India had introduced PatchWall on Mi TV’s in 2018. Designed specifically for the Indian market, PatchWall provides one of the largest content libraries comprising both Indian and global content partners. In 2020 alone, PatchWall witnessed over 14 billion interactions across different categories such as movies, TV shows, music, kids entertainment etc. From strict lockdowns to a roller-coaster of emotions, the year 2020 was entailed by unprecedented challenges. However, with the world going digital across entertainment, work, education, and communication, 2020 witnessed an immense growth in the media streaming landscape. After surveying 5 million consumers, Mi India’s PatchWall Replay 2020 details out all the trends that dominated the Indian OTT space in the last year. Commenting on the unveiling of the report, Eshwar Nilakantan, Category Lead - Mi TVs, Mi India, said, "Mi TVs have become an integral part of families and consumers’ lives and they further solidify Mi India’s leadership in the smart TV segment. Having sold over 5 million TVs, we not only understand the requirements of Indian consumers, but have also taken significant steps to address their needs. “Content first” has always been our Mi TV team’s philosophy and that led the company to introduce PatchWall on Mi TVs and since then, we have rolled out over 40+ features and extended partnership with 25+ content partners. We are happy to unveil PatchWall Replay 2020’, it throws light on what India watched in 2020, across all OTT platforms.” <cmsannotation type="cmsannotation" annotationid="From blockbusters to originals, content that trended" text="From blockbusters to originals, content that trended">From blockbusters to originals, content that trended</cmsannotation> While the pandemic put a halt on ‘Let’s go and watch a movie, it’s Friday’ in 2020, the love for movies among people didn’t subside. For a Friday release, PatchWall generated similar traffic as a housefull on a first day - first show across all 3k+ multiplex chains in India. There was a 2.5X increase in the number of people watching movies on weekdays as compared to 2019, making views increase by 97% in the movies category. Laxxmi, Dil Bechara, Angrezi Medium, Lootcase, Chhalaang, Khaali Peeli and Chintu Ka Birthday, among others were some of the popular movies, trending in 2020. India gravitated towards strong performances, Rajnikanth trended in February, followed by Deepika Padukone and Saif Ali Khan in March, and Superhero movies taking the spot in May. July was ruled by Sushant Singh Rajput, and soon India’s focus shifted to cricket in August. Akshay Kumar and Mulan made highlights in November and December respectively. According to the report, April to August were blockbuster months, because of movies releasing on OTT platforms during that time. 2020 was the year of some fantastic performance and original shows and series. With Indian audiences appreciating new categories in TV shows, the segment recorded 133 percent increase in engagement. Shows such as Mirzapur 2, Scam 1992: The Harshad Mehta Story, Pataal Lok, Sam Jam, Loser, Geetha Subramanyam scored big. April to June aired a devotional vibe in the living rooms with people reminiscing their old times with shows like Mahabharat, Ramayana, Devon ke Dev..Mahadev, and Shaktiman. There were more than 3 million interactions across these shows. <cmsannotation type="cmsannotation" annotationid="Kids’ content streaming witnessed new highs" text="Kids’ content streaming witnessed new highs">Kids’ content streaming witnessed new highs</cmsannotation> With education turning its route to the digital mode, the edutainment category saw a 177 percent increase along with a 205 percent increase in overall kids streaming. Wheels on the bus’, ‘Tales of Akbar and Birbal’, ‘Bal Ganesha’ were the stars of kids’ edutainment category, and ‘Show yourself’ and ‘Baby Shark’ became the new kids anthem. Interestingly, there were more than a million kids mode sessions trusted a million times by parents across India. <cmsannotation type="cmsannotation" annotationid="Regional language consumption increased" text="Regional language consumption increased">Regional language consumption increased</cmsannotation> The regional language content made space in the streaming landscape and a 56 percent increase was observed in this segment. PatchWall has content across 16+ languages including Punjabi, Gujarati, Bhojpuri, Assamese, Odia, Rajasthani, Urdu along with Haryanvi. The top languages that saw an increased consumption trend were Telugu, Tamil, Marathi, Malayalam, Bengali. <cmsannotation type="cmsannotation" annotationid="Fitness pumped its way up" text="Fitness pumped its way up">Fitness pumped its way up</cmsannotation> Online platforms served as fitness companions as well. With no access to gyms, Zumba classes, Yoga etc., the fitness category received a good boost with an increase of 93 percent views. From how to lose weight in 21 days to meditation for relaxing and yoga stretches, people tried to maintain their fitness regimes. Interestingly, users were pigging out on searches such as Sarson da saag, Jeera Chicken, Yoga stretch and instant 5 ingredient ice-cream. <cmsannotation type="cmsannotation" annotationid="Bigger appetite for Live news" text="Bigger appetite for Live news">Bigger appetite for Live news</cmsannotation> With a lot happening across the globe, news in any mode took most of the space. In response to this, a 161% increase in news views paved its way. <cmsannotation type="cmsannotation" annotationid="Grooving to music in our living rooms" text="Grooving to music in our living rooms">Grooving to music in our living rooms</cmsannotation> More than 20 million minutes were spent by PatchWall unsers listening and grooving to their favorite songs. Badshah, Arijit Singh, the duo Vishal-Shekhar, A.R Rahman, and Neha Kakkar rocked the charts the whole year and the popular music videos that glued Indians to their screens included Genda Phool, Illegal Weapon, Dus Bahane, Bhankaas, and Khulke Jeena ka. <cmsannotation type="cmsannotation" annotationid="Eat. Binge. Sleep. Repeat. with PatchWall" text="Eat. Binge. Sleep. Repeat. with PatchWall">Eat. Binge. Sleep. Repeat. with PatchWall</cmsannotation> The new trend surfacing was Eat.Binge.Sleep.Repeat. The newly launched features of PatchWall such as India Top 10 Today, Celebrity Watchlist, and Collections recorded 87 million views. India Top 10 Today: It garnered 48 million views with top trending titles such as Laxmii, Dil Bechara, Mirzapur 2, Scam 1992- The Harshad Mehta Story, Mulan, Darbar, Chintu ka Birthday, Pataal Lok, and Aarya, along with Colour Photo. Celebrity Watchlist &amp; Collections: This feature accounted for 39 million views with people exploring the watchlists of Vidya Balan, <keyword id="475128" type="PERSON" weightage="20" keywordseo="Pankaj-Tripathi">Pankaj Tripathi</keyword>, Ali Faizal, Maanvi Garoo, and Abhishek Bachchan. In just 2.5 months, more than a million people created Watchlists, and watched more trailers with the new User centre feature added on Patchwall. PatchWall Replay 2020 shows how the OTT space witnessed a major boom in 2020 with people looking for fresh and rejuvenating content across platforms.

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‘Superstar’ Rajinikanth’s latest blockbuster enters the ₹2 crore ‘Darbar’ on day one⁠— as fans in Chennai, Singapore, and Kuala Lumpur flock to the theatres

Preeti Soni

Indian box office lost more than ₹15,000 crore to the pandemic in 2020 and 2021: Report

BI India Partner

Ajay Devgn’s Tanhaji moves the masses while Chhapaak fails to make a splash

Preeti Soni

2020 saw a 161% increase in news views: Mi India PatchWall Replay 2020

BI India Partner

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