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"Bala" was initially a critique on the industrial exploitation of the Ganga river with the protagonist sporting the iconic hairstyle of superstar Salman Khan from "Tere Naam" before he goes bald, reveals writer Niren Bhatt. But he was in "two minds" about the plot idea and it was after he met director Amar Kaushik, that made the Ayushmann Khurrana-starrer what it is today: about a person coming to terms with his looks. With <keyword id="6354535" type="PERSON" weightage="20" keywordseo="ayushmann-khurrana">Ayushmann Khurrana</keyword> as a young man struggling with receding hairline, <keyword id="6356250" type="PERSON" weightage="20" keywordseo="yami-gautam">Yami Gautam</keyword> as a small-town TikTok star and <keyword id="2069863" type="PERSON" weightage="20" keywordseo="Bhumi-Pednekar">Bhumi Pednekar</keyword> as a girl fighting prejudices against dark skin, "Bala" opened to rave reviews and fantastic box office numbers last week. Niren, whose credits include National Award-winning Marathi feature "Ventilator" and Rajkummar Rao's "Made in China", said he is overwhelmed with the response to "Bala". "This is such a good high. My phone hasn't stopped ringing, people are writing to me. This is a wonderful feeling," he said. The film's journey began when Dinesh Vijan's Maddock Films was developing Pavel Bhattacharjee's original idea about a man in Banaras, who finds out that a company dumping waste in Ganga was responsible for his balding and decides to start a campaign against it. "I wasn't too kicked about it (original idea) and was still in two minds. Then Amar came on board as a creative producer. When we sat together, he started telling me his experiences as he started losing hair in his early 20s." Conversations between the two centered around the latter opening up about the "everyday disappointments" a man with receding hairline goes through, ranging from waking up and checking the pillow for fallen hair or watch strands of hair go down the drain during shower. "It became about the complex you feel when you step out, this lack of confidence which seeps in because of balding. I knew this is the story. It's a common problem. It's not a city-specific problem, it's a global thing." Niren, who has written the film's story, screenplay and dialogues, said the process started last October and went on till May this year, with round-the-clock revisions during the shoot. The idea further evolved into a film about self-love, than just a story about a bald man. "We thought, the film shouldn't only be about balding. Beneath this, it's about self image and loving oneself. From there we thought we will have two love stories, somewhere you'll feel he might go with Yami or Bhumi but finally the love story is with himself." "Bala" is also loaded with <keyword id="143" type="CITY" weightage="20" keywordseo="Bollywood">Bollywood</keyword> references, acting as both, a hat-tip to its cultural impact and its critique for normalising stereotypes. It was important for Niren, who feels he had to call out romanticising of everything wrong in mainstream films. This also seeped in how the character of Bala was shaped. "We wanted him to be a mimicry artiste. The whole arc was, he mimics someone else and in the end starts doing stand-up where he's playing himself. One becomes a mimicry artiste if you're a film buff. When we started writing, we had two options- either he can do Salman or Shah Rukh Khan, whatever the actor is comfortable with. "Salman, because we wanted him to be like Radhe from Tere Naam with that iconic hairstyle. But Ayushmann was more comfortable with Shah Rukh so we went with that, then he does mimicry of Ranbir Kapoor, Nana Patekar, Amitabh Bachchan. So, Bollywood was always there." JUR RB/RDS RB RB RB

Ayushmann's Bala script changed from a Ganga pollution story to that of a bald man's struggles

The world of <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> is dynamic, and for every moment you spend not keeping an eye on what’s happening there, you miss out on an interesting scoop. This is why we have come up with this new section where in we would tell you the news from Bollywood, hot and quick like your evening snacks.

Bollywood Insider: From Salman’s newborn nephew to Hrithik’s new legal trouble

Mumbai, The Central Board of Film Certification has cleared "Oh My God 2" (<keyword id="12310621" type="General" weightage="20" keywordseo="OMG-2" source="Orion">OMG 2</keyword>) with "a few modifications" following which the movie will release on its scheduled date of August 11 with an 'A' certificate, said an insider on Tuesday. The film, starring <keyword id="2823" type="General" weightage="20" keywordseo="Akshay-Kumar" source="Orion">Akshay Kumar</keyword> and Pankaj Tripathi, was reportedly stuck with the censor board for over two weeks. "There are no cuts in the film; only a few modifications, which the makers discussed with the censor board members. "For a UA certificate, the committee was asking for a lot of cuts. The makers didn't want to compromise with the sanctity of the film. So they chose to go with an Adults certification but keeping the integrity of the film intact and also adhering to and respecting the norms of the censor board," the insider said. According to CBFC, 'UA' certification means children below 12 years of age can watch a film under parental guidance. An 'A' certificate means adults (aged 18+) can publicly watch a film. "OMG 2" features Tripathi as a devotee of believer in Lord Shiva named Kanti Sharan Mudgal and Kumar in the role of Lord Shiva. The film is billed as a spiritual sequel of "OMG - Oh My God!", which released in 2012. Presented by Viacom18 Studios, "OMG 2" is produced by Cape of Good Films and Wakaoo Films. The film is written and directed by Amit Rai, and also stars Yami Gautam.

'OMG 2' receives 'A' certificate from CBFC after a few modifications

The nominations for the 23rd edition of the International Indian Film Academy and Awards, popularly known as IIFA, were announced on Monday. 'Brahmastra Part One: <keyword id="33379" type="General" weightage="80" keywordseo="shiva" source="Orion">Shiva</keyword>', 'Bhool Bhulaiyaa 2', 'Darlings' and are leading the pack with ten, five and five nominations, respectively. 'Bhool Bhulaiyaa 2', 'Darlings', 'Drishyam 2', '<keyword id="8223714" type="General" weightage="80" keywordseo="gangubai-kathiawadi" source="Orion">Gangubai Kathiawadi</keyword>' and 'Vikram Vedha' have made it to the nomination list of the Best Picture category. Top picks for the Direction category are 'Bhool Bhulaiyaa 2', 'Brahmastra Part One: Shiva', 'Darlings', 'Gangubai Kathiawadi', 'Monica O My Darling' and 'Rocketry: The Nambi Effect'. The nominees for Performance in a Leading Role (Female) are Yami Gautam Dhar for 'A Thursday', Tabu for 'Bhool Bhulaiyaa 2', Alia Bhatt for 'Darlings', Shefali Shah again for 'Darlings' and Alia Bhatt for 'Gangubai Kathiawadi'. Kartik Aaryan ('Bhool Bhulaiyaa 2'), Abhishek Bachchan ('Dasvi'), Ajay Devgn ('Drishyam 2'), Rajkummar Rao ('Monica O My Darling'), Anupam Kher ('The Kashmir Files') and Hrithik Roshan ('Vikram Vedha') are the nominees for Performance in a Leading Role (Male). The nominees for Performance in a Supporting Role (Female) are Sheeba Chadha ('Badhaai Do'), Mouni Roy ('Brahmastra Part One: Shiva'), Nimrat Kaur ('Dasvi'), Tabu ('Drishyam 2') and <keyword id="133292" type="General" weightage="50" keywordseo="radhika-apte" source="Orion">Radhika Apte</keyword> ('Monica O My Darling'). For the Performance in a Supporting Role (Male) category the nominees are Abhishek Banerjee for 'Bhediya', Shah Rukh Khan for 'Brahmastra Part One: Shiva', Vijay Raaz for 'Gangubai Kathiawadi', Anil Kapoor for '<keyword id="10488529" type="General" weightage="80" keywordseo="jugjugg-jeeyo" source="Orion">Jugjugg Jeeyo</keyword>' and Sikander Kher for 'Monica O My Darling'. Pritam ('Bhool Bhulaiyaa 2' and 'Brahmastra Part One: Shiva'), Sanjay Leela Bhansali ('Gangubai Kathiawadi'), Oaff and Savera ('Gehraiyaan'), Tanishk Bagchi, Pozy ('Niranjan Dhar'), Kanishk Seth and Vishal Shelke ('Jugjugg Jeeyo') have bagged the nominations for Music Direction. Jonita Gandhi for the song 'Deva Deva' ('Brahmastra Part One: Shiva'), Shreya Ghoshal for 'Rasiya' ('Brahmastra Part One: Shiva') 'Jab Saiyaan' (Gangubai Kathiawadi), Lothika for 'Doobey' ('Gehraiyaan') and Kavita Seth for 'Rangi Sari' - traditional/folk song ('Jugjugg Jeeyo') are in the race for Playback Singer (Female) category. The nominees for Playback Singer (Male) are Arijit Singh for 'Kesariya' and 'Deva Deva' ('Brahmastra Part One: Shiva'), Mohit Chauhan for 'Gehraiyaan' (reprise), Kanishk Seth for 'Rangi Sari' - traditional/folk song ('Jugjugg Jeeyo') and Aditya Rao for 'Behney Do' ('Rocketry: The Nambi Effect') Furthermore, the nominees for Best Story (Original) are Akshat Ghildial and Suman Adhikary for 'Badhaai Do', Ayan Mukherji for 'Brahmastra Part One: Shiva', R. Balki for 'Chup', Jasmeet K. Reen and Parveez Shaikh for 'Darlings' and Vivek Ranjan Agnihotri for 'The Kashmir Files'. The nominees for Best Story (Adapted) are Aamil Keeyan Khan and Abhishek Pathak for 'Drishyam 2', S.Hussain Zaidi and Jane Borges for 'Gangubai Kathiawadi', <keyword id="4186994" type="General" weightage="50" keywordseo="yogesh-chandekar" source="Orion">Yogesh Chandekar</keyword> for 'Monica O My Darling', R.Madhavan for 'Rocketry: The Nambi Effect' and Pushkar-Gayatri and BA Fida for 'Vikram Vedha'. The nominees for Lyrics are Varun Grover for the song 'Atak Gaya Hai' ('Badhaai Do'), Amitabh Bhattacharya for the song 'Kesariya' ('Brahmastra Part One: Shiva'), A.M. Turaz for the song 'Jab Saiyaan' ('Gangubai Kathiawadi'), Ankur Tewari for the song 'Gehraiyaan' ('Gehraiyaan') and Raj Shekhar for the song 'Behney Do' ('Rocketry: The Nambi Effect'). Global voting will go live on Tuesday, December 27, 2022. The 23rd edition of IIFA will be held at Yas Island, Abu Dhabi, on February 9, 10 and 11, 2023. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/entertainment/news/what-india-watched-on-netflix-in-2022-korean-dramas-rrr-alia-bhatt-movies-in-the-list/slidelist/96455203.cms">Korean dramas, RRR, Alia Bhatt &amp; more - These kept India hooked to Netflix in 2022</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/entertainment/news/first-time-on-screen-pairings-in-2023-in-bollywood/articleshow/96447413.cms">From SRK-Taapsee to Ayushmann-Ananya: First time on-screen Bollywood pairings in 2023</a>

'Brahmastra', 'Bhool Bhulaiyaa 2', 'Darlings' lead in IIFA nominations

<ul><li>Amar Kaushik’s Bala starring Ayushman Khurrana has earned ₹24.50 crore in the first two days of its release. </li><li>However, the collections of day two were slightly lower than estimated owing to the Ayodhya verdict which shut down several cities in Uttar Pradesh, Rajasthan and Madhya Pradesh. </li><li>Bala is expected to make over ₹40 crore on weekends. </li><li>Abhishek Pathak's Ujda Chaman minted ₹2.23 crore on the day of its release. </li></ul>Amar Kaushik’s Bala starring Ayushman Khurrana has earned ₹24.50 crore in the first two days of its release. It is expected to make over ₹40 crore in the opening weekend despite people staying indoors in many parts of the country <a href="https://www.businessinsider.in/slideshows/see-how-india-tried-to-keep-calm-ahead-of-the-historic-supreme-court-verdict-in-the-ayodhya-case/slidelist/71979316.cms">due to the sensitive Supreme Court verdict </a>in the Ayodhya dispute. <div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="8766" retweetcount="508" status="#Bala hits the ball out of the park on Day 2... Superb growth... Day 3 should help *weekend total* cross ₹ 40 cr ma… https://t.co/v9HOQwgnIh" createdat="1573364292000" id="1193402455519707136"></div>

 The film received <a href="https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/bala/movie-review/71958951.cms">rave reviews</a> and<a href="https://boxofficeindia.com/report-details.php?articleid=5604"> collected ₹10.15 crore on day one</a>. However, the collections of day two were slightly lower than estimated owing to the Ayodhya verdict which shut down several cities in Uttar Pradesh, Rajasthan and Madhya Pradesh, <a href="https://boxofficeindia.com/report-details.php?articleid=5604">according to Box office India. </a> With no big releases in Indian theatres this week, film analysts are expecting Bala to perform well on weekdays too. The satirical drama starring Ayushmann Khurrana, Yami Gautam and Bhumi Pednekar is a story of Bala, a young man suffering from premature baldness. Controversy helps Bala Ayushmann's first look from "Bala" that was released in August caused anticipation among the audience. A month later, trailer of Abhishek Pathak's "Ujda Chaman" came out and it seemed to have the same story line, triggering charges of plagiarism. Comparisons <a href="https://www.businessinsider.in/entertainment/news/bollywood-is-going-bald-this-year-with-at-least-three-movies-on-the-same-topic/articleshow/71612443.cms">between "Bala" and "Ujda Chaman" </a>could not be avoided. However, Ujda Chaman starring Sunny Singh turned out to be a mediocre film. It <a href="https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/bala/movie-review/71958951.cms">minted ₹2.23 </a>crore on the day of its release. Apart from the same plot, the look of two actors and dialogues are too similar to miss. Strangely both the films hit the theatres within a gap of 6 days. Ujda Chaman was released on 1 November. See also: <a href="https://www.businessinsider.in/entertainment/news/bollywood-is-going-bald-this-year-with-at-least-three-movies-on-the-same-topic/articleshow/71612443.cms">Bollywood is going bald this year with at least three movies on the same topic </a> <a href="https://www.businessinsider.in/entertainment/news/akshay-kumars-housefull-4-movie-box-office-collection/articleshow/71800413.cms">Akshay Kumar’s Housefull 4 beats bad reviews to make ₹80 crore in 4 days</a>

Ayushmann Khurrana’s Bala nears ₹40 crore in three days⁠ despite shutdowns for Ayodhya verdict — over thrice the collections of ‘Ujda Chaman’ in the opening weekend

<ul><li>HUL’s <keyword id="9464376" type="UNKNOWN" weightage="20" keywordseo="glow-lovely">Glow &amp; Lovely</keyword>, the erstwhile <keyword id="413087" type="COMPANY" weightage="20" keywordseo="Fair-Lovely">Fair &amp; Lovely</keyword>, has been focusing on repositioning itself in the market since June 2020.</li><li>It recently launched a new advertisement lauding women athletes who participated in the Tokyo Olympics. Some experts are saying that it is a step in the right direction, while some said it is too little, too late.</li><li>We speak to young women from the advertising industry and experts to find out whether consumers will resonate with Glow &amp; Lovely’s recent advertising campaign.</li></ul>From using shade cards as a yardstick to determine a woman’s capabilities to using its advertising mediums to celebrate India’s women athletes, Hindustan Unilever’s Glow &amp; Lovely has come a long way. Previously known as Fair &amp; Lovely, the company announced its revamp strategy on June 25, 2020. It was shortly after protests against racial discrimination took over in the US and facing prolonged backlash on social media for building unrealistic beauty standards and stereotyping skin tones in India. It dropped the word ‘Fair’ from its name and has stopped using discriminatory words ‘White/Whitening', ‘Light/Lightening’ since then. Fair &amp; Lovely advertisements from the late 90s and early 20s often portrayed women with darker skins as failures; these women would ace their presentations, crack interviews or be able to upload their profiles on matrimonial websites only after applying a cream. They started by selling ‘gori twacha’ (fair skin) and moved to using alternatives like ‘nikhaar’ (glowing skin), which hinted that confidence is a by-product of fairness creams. However, after its transition to Glow &amp; Lovely, HUL has been attempting to take baby steps towards inclusivity. Its<a href="https://www.businessinsider.in/advertising/brands/article/glow-lovely-has-launched-its-new-campaign-but-why-does-it-look-and-feel-exactly-like-fair-lovely/articleshow/77986036.cms"> first ever ad</a> as Glow &amp; Lovely featured brand ambassador Yami Gautam. Following that, Glow &amp; Lovely released a rap video with Deepa Unnikrishnan, a.k.a. Dee MC, that targeted younger women and encouraged them to never shy away from pursuing their dreams and be confident in their own skin. Now, after India’s incredible performance at Tokyo Olympics 2020, the ‘brightening cream’ has released a new campaign that celebrates India’s athletes. <div type="Youtube" id="Eo_zEI0KJes" title="GlowGlow &amp; Lovely - Ready. Steady. Glow. #ReadySteady" thumbUrl="https://i.ytimg.com/vi/Eo_zEI0KJes/mqdefault.jpg"></div> Conceptualised by <keyword id="274876" type="COMPANY" weightage="20" keywordseo="Lowe-Lintas">Lowe Lintas</keyword> and produced by Crazy Few Films, Glow &amp; Lovely’s ad aims to talk about the inner-glow that comes after pursuing your dreams and goals. It celebrates 56 women athletes who represented India in the Olympics and countless others who are getting ready to follow in their footsteps. Out of seven medals this year, three medals were clinched by women. Josna Joseph, Creative Director, Tonic Worldwide calls Glow &amp; Lovely’s latest campaign a good start. “The new strategy has definitely defined a more progressive perspective and brand purpose. It is interesting to see Glow &amp; Lovely talking about a change in behaviour to empower its audience. It’s a start. The consumer today expects a lot more from brands. They are constantly asking - What is in it for me? And why shouldn’t they? For me, as a marketer, it’s a nice ad. As a woman, it could do more to create a distinct brand identity and stronger recall. If it was a race, chances are Glow &amp; Lovely would end up getting a participation certificate,” said she. For Schbang’s Creative Lead, Akshara Vasavda, it is too little, too late. “I think (and I may be biased here) as long as the brand exists, in whatever shape or form, there will be damage. Doesn't matter what they do with their communication, and really they're doing the bare minimum.” Since the revamp, Glow &amp; Lovely is trying to make it a point to include women of different skin tones and professions. However, does that really serve the purpose of portraying the brand as one that is more inclusive and progressive? Vasavda said, “The cast actually made me laugh. They just really can't bring themselves to cast a dark skinned girl. This brand should be boycotted culturally (by not making their ads and marketing efforts a conversation at all) and hopefully in the market by literally boycotting their products. It's a reach, I know, they have the country in a chokehold, but one can hope.” Shradha Agarwal, COO and Strategy Head, Grapes Digital was delighted to see a new approach. She said, “Slowly and steadily, Glow &amp; Lovely is trying to change the notion of being fairer to developing self-confidence. The brand's earlier advertising was perpetually obsessed with having a fair tone, but the latest ad is a good move depicting women athletes who represented India at the Tokyo Olympics. It is indeed positive to see that the brand has adopted a new strategy and intends to build an entirely fresh identity. The best part of the ad is, they have taken a simple storytelling approach and real-life champions rather than associating with a celebrity, which makes it quite encouraging and appealing for the audience. It is a noble effort in the right direction to correct the definition of beauty. Last year also the brand launched an ad with popular rap artist Dee MC spreading the message that a persons' beauty is not linked to skin tone alone.” She further said that the brand should continue focusing on bringing about change to win their audience. “It will take time for the brand to shed its earlier image, which was mostly surrounded by regressive values. But what matters the most is how the particular product is changing the narrative and breaking the stereotypes that have been associated with them for so many decades. It will not be a very smooth ride for them, the brand is under scrutiny and they can’t afford to make any mistake. They have a larger responsibility in bringing the change. The brand should come up with such campaigns if they want to change the perception among the masses,” added Agarwal. Fair &amp; Lovely has been in India for over 45 years now and has been one of the best-selling creams. According to media reports, Fair &amp; Lovely had entered the Rs 200 crore market back in 2017 and held a 60-70% share of the skin whitening industry. So to not lose a sense of familiarity with its consumers, the packaging, colour theme and celebrity haven’t been changed. While only time will tell if consumers will appreciate Glow &amp; Lovely’s new identity and repositioning in the market, we hope this repositioning is not just to please critics but also to change the narrative and bring about real change, and do some damage control.

HUL’s Glow & Lovely ad shifts focus from fairness to career in its latest ad; draws mixed reactions

<ul><li>Disney+ <keyword id="2739840" type="PERSON" weightage="20" keywordseo="Hotstar">Hotstar</keyword> has launched a campaign featuring veteran actor <keyword id="17594" type="PERSON" weightage="20" keywordseo="shakti-kapoor">Shakti Kapoor</keyword> who returns in the much-loved <keyword id="2179947" type="PERSON" weightage="20" keywordseo="Crime-Master-Gogo">Crime Master Gogo</keyword> avatar.</li><li>Actors <keyword id="89958" type="PERSON" weightage="20" keywordseo="Shraddha-Kapoor">Shraddha Kapoor</keyword> and Karisma Kapoor also feature as a part of the campaign highlighting the movie offerings available under Disney+ Hotstar Multiplex.</li></ul>Disney+ Hotstar has launched a campaign featuring one of the most timeless Bollywood characters, Crime Master Gogo. The film features actor Shakti Kapoor, returning after more than 25 years as the timeless . This is also the first time that the actor shared the screen with his daughter and actor Shraddha Kapoor. Also welcoming him back is actor Karisma Kapoor from the classic film ‘Andaz Apna Apna’ produced by Vinay Sinha (copyright: Vinay Pictures). Conceptualized by <keyword id="259349" type="COMPANY" weightage="20" keywordseo="DDB-Mudra">DDB Mudra</keyword>, the film shows Shakti Kapoor as Crime Master Gogo turned salesman who is selling the Disney+ Hotstar Multiplex proposition to people. However, on learning that the audiences are already enjoying the latest movies on Disney+ Hotstar, Crime Master Gogo causes mayhem in town staying true to his famed dialogue “Aya hoon, kuch toh lootkar jaunga!”. <div type="Youtube" id="PCIypZIDs5Y" title="Crime Master Gogo | DisneyPlusHotstarMultiplex" thumbUrl="https://i.ytimg.com/vi/PCIypZIDs5Y/mqdefault.jpg"></div> “Disney+ Hotstar Multiplex has built a library of both blockbuster and highly acclaimed films that have garnered a spectacular response from India’s movie-loving audiences, said <keyword id="6853511" type="UNKNOWN" weightage="20" keywordseo="Sidharth-Shakdher">Sidharth Shakdher</keyword>, Executive Vice President , Disney+ Hotstar. “Through our new marketing campaign, we are celebrating the success of our exclusive, made-for-the-big-screen movie releases on Multiplex, and announcing the upcoming blockbusters. The campaign aims to entertain with the evergreen Shakti Kapoor reprising his iconic character, Crime Master Gogo, and the hilarity that ensues when Gogo takes on the role of a salesperson for Disney+ Hotstar Multiplex.” he added. The campaign underlines the platform’s continued commitment to delivering the biggest and most-anticipated movies of India’s mega-stars, like the upcoming Ajay Devgn-starrer Bhuj: The Pride of India, <keyword id="7388127" type="UNKNOWN" weightage="20" keywordseo="bhoot-police">Bhoot Police</keyword> starring Saif Ali Khan, Arjun Kapoor, Jacqueline Fernandez, and Yami Gautam, and Hungama 2 starring Shilpa Shetty, Meezaan Jaffrey and <keyword id="6357914" type="PERSON" weightage="20" keywordseo="Paresh-Rawal">Paresh Rawal</keyword> - all releasing under the Disney+ Hotstar Multiplex banner within a three-month window. <div type="javascript" title="Instagram" contenttype="Video"><cdata><![CDATA[ ]]></cdata></div> <div type="javascript" title="Instagram" contenttype="Video"><cdata><![CDATA[ ]]></cdata></div> Actor Shakti Kapoor said, “Love and appreciation from audiences have kept my characters alive even after all these years, and I am so happy to have recreated the Crime Master Gogo look for Disney+ Hotstar. Reliving those moments again was made even more special because it was the first time that I got to share the screen with my daughter Shraddha. Back in the day, we could have never imagined that movies could be accessible to people at all times with just the touch of a button. But Disney+ Hotstar Multiplex has ensured that the latest movies reach audiences at home.” Disney+ Hotstar Multiplex ushers in a re-imagined ‘first-day-first-show’ for fans by releasing the most anticipated movies directly to digital, featuring some of the biggest and most loved actors. These include upcoming titles Bhuj: The Pride of India, Hungama 2, and Bhoot Police and already released Laxmii starring Akshay Kumar, late Sushant Singh Rajput in Dil Bechara, Sanjay Dutt, Alia Bhatt, Aditya Roy Kapur, and <keyword id="6370368" type="UNKNOWN" weightage="20" keywordseo="pooja-bhatt">Pooja Bhatt</keyword> in Sadak 2, Abhishek Bachchan in The Big Bull, Vidyut Jammwal in Khuda Haafiz, Jimmy Sheirgill in Collar Bomb, Kirti Kulhari in Shaadisthan, Kunal Khemu and Rasika Dugal in Lootcase, amongst others. Fans can also enjoy regional language movies including Mookuthi Amman, Bhoomi, Teddy, and Paramapadham Vilayuttu released under the Disney+ Hotstar Multiplex banner which has received a positive response from the audience across the country. To access Disney+ Hotstar Multiplex and enjoy the magic of blockbuster mvies, users need an active subscription to Disney+ Hotstar.

You Searched For "Yami Gautam" and got 7 results

Ayushmann's Bala script changed from a Ganga pollution story to that of a bald man's struggles

PTI

Bollywood Insider: From Salman’s newborn nephew to Hrithik’s new legal trouble

Nandini Sharma

'OMG 2' receives 'A' certificate from CBFC after a few modifications

PTI

'Brahmastra', 'Bhool Bhulaiyaa 2', 'Darlings' lead in IIFA nominations

IANS

Ayushmann Khurrana’s Bala nears ₹40 crore in three days⁠ despite shutdowns for Ayodhya verdict — over thrice the collections of ‘Ujda Chaman’ in the opening weekend

Preeti Soni

HUL’s Glow & Lovely ad shifts focus from fairness to career in its latest ad; draws mixed reactions

Karuna Sharma

Crime Master Gogo is back, this time for a Disney+ Hotstar campaign

BI India Partner

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