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<ul><li>Rehman is best known for films like Pyaasa, CID and Guide.</li><li>The actor has worked in more than 90 films across languages.</li><li>She is already the recipient of Padma Shri and Padma Bhushan.</li></ul> Veteran actor, <keyword id="6442163" type="General" weightage="80" keywordseo="waheeda-rehman" source="Orion">Waheeda Rehman</keyword> will be honoured with this year's <keyword id="54010" type="General" weightage="60" keywordseo="Dadasaheb-Phalke-Award" source="Orion">Dadasaheb Phalke Award</keyword>, the highest recognition in the field of <keyword id="4636" type="General" weightage="20" keywordseo="Indian-Cinema" source="Orion">Indian cinema</keyword>, Union Minister for Information and Broadcasting <keyword id="6364468" type="General" weightage="20" keywordseo="Anurag-Thakur" source="Orion">Anurag Thakur</keyword> said on Tuesday. Regarded one of India's finest actors, Rehman is best known for films including "Pyaasa", "CID", "Guide", "Kaagaz Ke Phool", "Khamoshi" and "Trishul". Thakur took to his official X account to make the announcement. "I feel an immense sense of happiness and honour in announcing that Waheeda Rehman ji is being bestowed with the prestigious Dadasaheb Phalke Lifetime Achievement Award this year for her stellar contribution to Indian Cinema," the minister wrote. <cmsannotation type="cmsannotation" annotationid="Waheeda Rehman: A glittering career" text="Waheeda Rehman: A glittering career">Waheeda Rehman: A glittering career</cmsannotation> Rehman, 85, made her acting debut with the 1955 Telugu films "Rojulu Maraayi" and "Jayasimha". She made her Hindi cinema debut with "CID", the 1956 film headlined by Dev Anand. In a career spanning over five decades, the legendary actor has worked in more than 90 films across languages. She received a National Film Award for her role as a clanswoman in "Reshma and Shera" (1971). She is already the recipient of Padma Shri and Padma Bhushan. "At a time when the historic Nari Shakti Vandan Adhiniyam has been passed by Parliament, her being awarded with this lifetime achievement award is a fitting tribute to one of the leading ladies of Indian Cinema and one who has dedicated her life after films to philanthropy and the greater good of society. I congratulate her and humbly pay my regards to her rich body of work that is an intrinsic part of our film history," Thakur further said in his post on the microblogging site. Rehman was last seen in "Skater Girl", a 2021 coming-of-age sports drama. (With text input from PTI)

Waheeda Rehman to cap glittering career with Dadasaheb Phalke Award

Few days back, we told you how the title track of <a href="http://www.businessinsider.in/topic/Prem-Ratan-Dhan-Payo">Prem Ratan Dhan Payo</a> is grabbing the eyeballs of <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> celebrities, who can’t help but make <a href="http://www.businessinsider.in/The-best-of-Prem-Ratan-Dhan-Payo-dubsmashes-from-Bollywood/articleshow/49646716.cms">Dubsmash videos</a> dancing to its tunes. 
 
However, the latest Dubsmash to have come out on social media is hands down the best one in the list, and we have all the reasons to say so. 
In the latest video shared by <a href="http://www.businessinsider.in/topic/Salman-Khan">Salman Khan</a>, the lead actor of <keyword id="2133234" type="UNKNOWN" weightage="100" keywordseo="Prem-Ratan-Dhan-Payo">Prem Ratan Dhan Payo</keyword>, we see yesteryear actresses Helen and Waheeda Rehman, the most beautiful actresses to bless Indian cinema, showing off their dancing skills. 
 
Helen, who also happens to be the stepmother of Salman Khan, has worked as a dancer in several Bollywood movies, appearing in hit songs like Mera Naam Chin Chin Chu (Howrah Bridge, 1958), O Haseena Zulfowali (Teesri Manzil, 1966), Aa Jaane Jaan (Intaquam, 1969), Piya Tu Ab To Aaja (Caravan, 1971), and Yeh Mera Dil Pyar Ka Deewana (Don, 1978). 
 
Waheeda Rehman, on the other hand, established herself as a leading actress in 1950s and 1960s, the golden age of Indian cinema. She was seen in popular movies like Pyaasa (1957), Kaagaz Ke Phool (1959), Sahib Bibi Aur Ghulam, Chaudhvin Ka Chand (1961), Guide (1965), Teesri Kasam, (1966), Neel Kamal and Khamoshi (1969), and Reshma Aur Shera (1971). Later in her career, she started doing supportive roles and appeared in Chandni, Lamhe, Om Jai Jagdish, Rang De Basanti, and Delhi 6. She is also a trained Bharatnatyam dancer. 
 
Here is the video, and we rightly believe that present generation of actresses can learn a thing or two from these veteran gems of Indian cinema. 
 
<blockquote class="twitter-tweet" lang="en">
	
		Prem Ratan Dhan Payo performed by the 2 most beautiful women <a href="https://t.co/PvyufQ0Vhu">pic.twitter.com/PvyufQ0Vhu</a>
	— Salman Khan (@BeingSalmanKhan) <a href="https://twitter.com/BeingSalmanKhan/status/662140159450722305">November 5, 2015</a></blockquote>
 
Courtesy: <a href="https://twitter.com/BeingSalmanKhan/status/662140159450722305?ref_src=twsrc%5Etfw">Salman Khan Twitter</a>

This is the best Prem Ratan Dhan Payo Dubsmash there ever will be

<keyword id="143" type="CITY" weightage="40" keywordseo="Bollywood">Bollywood</keyword> horror flicks are not just about creaking doors, swinging chairs and a filthy, grey-haired witch casting spells. As the erotic horror film, Ragini MMS 2, releases on Friday the 21st, let us take a look at some of the most spine-chilling horror movies Bollywood has churned out over the years. Get ready for the edge-of-the-seat experience. 
 
1. Mahal (1949) 
Aayega aanewala... does the song give you goosebumps? That’s the magic of this song, crooned in the movie by the spirit of a woman who is waiting for her dead lover. It effectively adds to the eerie setting of this story of reincarnation, starring <keyword id="6363061" type="PERSON" weightage="40" keywordseo="Ashok-kumar">Ashok Kumar</keyword> and Madhubala. Intriguing and haunting, Mahal is a must-watch, especially for Kamal Amrohi’s direction and the fine performance by the lead pair. 
 
2. Bees Saal Baad (1962) Starring Biswajeet and <keyword id="6442163" type="PERSON" weightage="40" keywordseo="Waheeda-Rehman">Waheeda Rehman</keyword>, Bees Saal Baad is still remembered for the spooky song, Kahin deep jale kahin dil. Loosely based on Sir Arthur Conan Doyle’s novel, The Hound of the Baskervilles, this flick is deliciously spooky in places, with many mind-numbing moments. Here you have a mysterious lady in a flowing white saree, the ghungroos, the haunting voice singing at night and many more incidents to keep you hooked. And the climax is juicy enough to entertain the connoisseurs of suspense thrillers. 
 
3. Gumnaam (1965) 
Gumnaam takes inspiration from <keyword id="162689" type="UNKNOWN" weightage="40" keywordseo="Agatha">Agatha</keyword> Christie’s novel, And Then There Were None (also known as Ten Little Niggers). The basic plot of the film goes like this – 10 strangers stranded on an island get killed one by one. The film has everything that’s synonymous with edge-of-the-seat experience – suspense, thrill, fear, perfect characterisation and of course, a haunting song, Gumnaam hai koi. 
 
4. Jaani Dushman (1979) 
The story of Jaani Dushman is based in a village, which is notorious for the mysterious killings of brides dressed in red. The bidaai song Chalo re doli uthao kahaar is an indication that another bride is going to be attacked by a mysterious monster. The creature can’t be killed as every time someone tries to kill it, it leaves its own body and possesses the body of the person who tries to kill it. The multi-starrer film was a box-office hit. 
 
5. 100 Days (1991) 
More than a horror film, 100 Days is a spine-chilling entertainer starring <keyword id="6355846" type="PERSON" weightage="40" keywordseo="Madhuri-Dixit">Madhuri Dixit</keyword>, <keyword id="297" type="PERSON" weightage="40" keywordseo="Jackie-Shroff">Jackie Shroff</keyword> and <keyword id="675553" type="UNKNOWN" weightage="40" keywordseo="Jaaved-Jaffery">Jaaved Jaffery</keyword>. Madhuri is gifted with extrasensory perception and she gets sudden glimpses of future incidents. One day, she sees her sister being murdered and after a few days, her sister gets killed the way Madhuri has envisioned it. Can she find the killer and unravel the mystery? Watch the movie and find out! By the way, it is a remake of the Tamil film Nooravathu Naal. 
 
6. Raat (1992) Produced by <keyword id="6355246" type="PERSON" weightage="40" keywordseo="Ram-Gopal-Varma">Ram Gopal Varma</keyword>, Raat is an epic horror film. Leading lady <keyword id="36561" type="PERSON" weightage="40" keywordseo="revathi">Revathi</keyword>’s life becomes a roller-coaster ride after a cat is accidentally killed by her father’s car. From spine-chilling encounters to possessed souls and haunted house – every possible bloodcurdling element is packed here. Raat is, indeed, one of the best horror movies ever made in Bollywood. 
 
7. Vaastu Shastra (2004) 
A family including a couple and their son, as well as the wife’s sister, shifts to a new house. Just when they begin to live happily, the boy starts interacting with kids whom no one else can see. Initially, the parents dismiss it as child’s fancy but as things start to take a gory turn, they begin to take notice. But unfortunately, it’s too late by then. 
 
8. 1920 (2008) 
Haunted houses are hot favourites of those who love the horror genre and 1920 is a period film that portrays a haunted haveli (castle). A married couple comes to live in the haveli and experiences mysterious happenings, which are out of human control. If you believe in God and His power to save one from evil spirits, you will enjoy this film. 
 
9. 13 B Although this movie is marred by poor direction, the plot makes it a must-watch. The protagonist, R. <keyword id="4759" type="PERSON" weightage="40" keywordseo="Madhavan">Madhavan</keyword>, shifts to a new house 13-B but under a mysterious scheme of things, his life gets connected to a TV serial. Whatever happens in the TV serial, also happens with his family in real life. What’s more, that serial only comes on their TV. The film hooks you from the first frame till the last. 
 
10. Ragini MMS (2011) 
The movie has been partially inspired by the 2007 Hollywood horror flick, Paranormal Activity. It also takes cues from the real life incident of a Delhi-based girl called Deepika. She reportedly fell prey to a spirit’s wrath at a haunted house where her boyfriend took her and tried to make an MMS without her knowledge. The film was produced by <keyword id="378" type="PERSON" weightage="40" keywordseo="Jeetendra">Jeetendra</keyword> and <keyword id="154993" type="PERSON" weightage="40" keywordseo="Shobha-Kapoor">Shobha Kapoor</keyword> of Balaji Telefilms. 
 
Image: Indiatimes

10
Horror Flicks From Bollywood That You Must Not Miss

When love is in the air, it only makes sense to take cues from <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> and make this Valentine’s Day all the more special. After all, Bollywood boasts some of the most passionate love stories that not only deserve a toast this season but can also teach you a thing or two when romance prevails over all. So plan a Valentine’s Day @ home this year, snuggle in a blanket with your beloved and embark upon a movie marathon featuring these celebrated love stories. 
 
1. <keyword id="37927" type="ENTERTAINMENT" weightage="100" keywordseo="Dilwale-Dulhaniya-Le-Jayenge">Dilwale Dulhaniya Le Jayenge</keyword> 
This is not a fairy tale romance but a story that is plausible. A rich, spoilt brat falls in love with a reserved, morally strong girl. <keyword id="3858" type="ORGANIZATION" weightage="100" keywordseo="DDLJ">DDLJ</keyword>, as we love to call it, is one of the classic love stories churned out by Brand Bollywood. And how we love it! It established <keyword id="6359862" type="ORGANIZATION" weightage="100" keywordseo="SRK">SRK</keyword> as the king of romance and his chemistry with <keyword id="6354713" type="PERSON" weightage="100" keywordseo="kajol">Kajol</keyword> became a benchmark. Don’t you say… palat (look back, if you love) every time you watch this movie? That’s the magic of love! 
 
2. <keyword id="25822" type="ENTERTAINMENT" weightage="100" keywordseo="Mughal-e-azam">Mughal-e-Azam</keyword> 
Talk about those classic love stories that still grip us and this epic saga will top the list. K Asif’s magnum opus Mughal-e-Azam, which relates the passionate tale of romance between a prince and a courtesan, is the kind of stuff dreams are made of. What more? Watch out for the regal <keyword id="1687" type="PERSON" weightage="100" keywordseo="Dilip-Kumar">Dilip Kumar</keyword> and the stunning <keyword id="27717" type="PERSON" weightage="100" keywordseo="Madhubala">Madhubala</keyword> taking passion to new heights with something as simple as the touch of a feather. 
 
3. <keyword id="37972" type="ENTERTAINMENT" weightage="100" keywordseo="Pyaasa">Pyaasa</keyword> A delicate bond between a disheartened poet and a sympathetic prostitute flourishing in a hostile society lies at the core of this masterpiece by the legendary <keyword id="20722" type="PERSON" weightage="100" keywordseo="Guru-Dutt">Guru Dutt</keyword>. Starring <keyword id="6442163" type="PERSON" weightage="100" keywordseo="Waheeda-Rehman">Waheeda Rehman</keyword>, this tale of love’s triumph inspires every lover. 
 
4. <keyword id="404112" type="ENTERTAINMENT" weightage="100" keywordseo="Kabhie-Kabhie">Kabhie Kabhie</keyword> Late film-maker <keyword id="2238" type="PERSON" weightage="100" keywordseo="Yash-Chopra">Yash Chopra</keyword> wasn’t called the ‘Pasha of Romance’ for nothing. How deeply he did understand the ramblings of the <keyword id="24479" type="ORGANIZATION" weightage="100" keywordseo="heart">heart</keyword> became evident from the way he handled this delicate story of love that transcended generations. Be it Amitabh-Rakhi’s failed love or Shahi-Rakhi’s lovely marriage, Amitabh-Waheeda’s compromised love or Rishi-Neetu’s young romance – Yash Chopra presented each relationship with perfect finesse, making it one of the most popular romantic movies of Bollywood. 
 
5. <keyword id="3596" type="PERSON" weightage="100" keywordseo="Bobby">Bobby</keyword> 
This love story between the bubby Dimple and young Rishi proves that love knows no barrier. Pyaar mein sauda nahi… there’s nothing worldly or selfish in love… declares this rebellious teenage love story that was a rage in its time and launched two of the most successful superstars of Bollywood. 
 
6. <keyword id="167989" type="ENTERTAINMENT" weightage="100" keywordseo="Aandhi">Aandhi</keyword> 
Who says romance is only for the young? Watch Aandhi, Gulzar’s take on love between an estranged couple who rediscovered their feelings after parting ways years ago. <keyword id="55364" type="PERSON" weightage="100" keywordseo="Sanjeev-Kumar">Sanjeev Kumar</keyword> and <keyword id="112471" type="PERSON" weightage="100" keywordseo="Suchitra-Sen">Suchitra Sen</keyword> were remarkable in lead roles – balanced, breathtaking and serene. 
 
7. <keyword id="38574" type="ENTERTAINMENT" weightage="100" keywordseo="Lamhe">Lamhe</keyword> 
This love story made by Yash Chopra was far ahead of its time. One of the finest romantic movies ever made in Bollywood, Lamhe dared to challenge the traditional perception of love. A man falling for both the mother and the daughter was enough to raise many eyebrows. But Chopra’s sensitivity and <keyword id="6354700" type="PERSON" weightage="100" keywordseo="Anil-Kapoor">Anil Kapoor</keyword> and <keyword id="6354580" type="PERSON" weightage="100" keywordseo="Sridevi">Sridevi</keyword>’s top-notch performance made it look perfect. 
 
8. <keyword id="6391814" type="ENTERTAINMENT" weightage="100" keywordseo="Kuch-Kuch-Hota-Hai">Kuch Kuch Hota Hai</keyword> 
This modern-day flick is a tribute to all who have found true love in best friends. Pyar dosti hai… is the simple message even as director <keyword id="3778" type="PERSON" weightage="100" keywordseo="Karan-Johar">Karan Johar</keyword> skilfully weaves a complex tale of love, passion and friendship. 
 
9. <keyword id="310845" type="ENTERTAINMENT" weightage="100" keywordseo="Silsila">Silsila</keyword> This is one of the most fiery love triangles of Bollywood and Yash Chopra managed to pull off the most memorable casting coup of the time. Add to it a plot that depicted the real life tale of this trio and the film had every bit of drama and magic to make it a classic. <keyword id="6357912" type="PERSON" weightage="100" keywordseo="amitabh-bachchan">Amitabh Bachchan</keyword> and <keyword id="182" type="PERSON" weightage="100" keywordseo="Rekha">Rekha</keyword> weaved this complex tale of infidelity with utmost sincerity (pun intended) while <keyword id="777" type="PERSON" weightage="100" keywordseo="jaya">Jaya</keyword> was perfect in her role. 
 
10. <keyword id="37793" type="ENTERTAINMENT" weightage="100" keywordseo="Hum-Dil-De-Chuke-Sanam">Hum Dil De Chuke Sanam</keyword> Sensuality, intensity, passion – every adjective linked to a high-octane love story defined the one between Nandini (<keyword id="6366471" type="PERSON" weightage="100" keywordseo="Aishwarya-Rai">Aishwarya Rai</keyword>) and Sameer (<keyword id="6354583" type="PERSON" weightage="100" keywordseo="Salman-Khan">Salman Khan</keyword>). Her willingness to walk out of her marriage to unite with the love of her life in a foreign land to announcing it to her mother that ‘usne meri aatma ko chua hai’ (he has touched my soul) was a deluge of love.

V-Day Movie Fest: Watch
These 10 Iconic Love Stories Of Bollywood

Though anticipated, when it became official that the Melody Queen of India, <keyword id="31278" type="General" weightage="20" keywordseo="Lata-Mangeshkar" source="Orion">Lata Mangeshkar</keyword>, is no longer among us, it hit the collective consciousness of the nation like a sledgehammer. The only consolation was that she may have passed on, but her voice, which moved our hearts and provided succour to our souls for more than seven decades, will forever be with us. Like all inspirational stories, Lataji's early struggle to establish herself in the 1940s is one that we cannot ever forget. In those days, she would take a BEST bus and travel from her south Mumbai home regularly to meet Naushad Ali at his Khar West bungalow or in the studios, hoping for a 'singing break' under the legendary music maker's baton. In the vicious Mumbai monsoon, she would come to Naushad's home, wearing her trademark sari, carrying an umbrella but totally drenched, shivering and barely able to speak, let alone sing. The music director would offer her piping hot tea and cookies to soothe her, but no songs ... yet ... . "I felt her voice was not yet 'ripe' for my style of music," said Naushad, the perfectionist, in a conversation with this writer. He was trying to justify not giving her an early break. "To improve her diction and control over words, I advised her to learn and practice Urdu, which she did ... and finally, she was ready to record for me." The first choices of Naushad were the reigning stalwarts -- Noorjehan, Suraiya, Shamshad Begum, Zohra Ambalewali, to name a few. With time, trained by her father, Dinananth Mangeshkar, Lataji grasped the maestro's advice and got her first major hit -- 'Uthaye Ja Unke Sitam' ('Andaz', 1949) -- composed by her mentor Naushad. With it, she 'arrived' in the film industry. Thereafter, top music directors of the era wooed her, and they included Sachin Dev Burman, Husan Lal-Bhagat Ram (brothers), Ghulam Haider, Sardar Malik, Ghulam Mohammed, Jaidev, Salil Chowdhary, C. Ramchandra, Shankar-Jaikishan (partners), Roshan, Madan Mohan, M. Zahur Khayyam, Kalyanji-Anandji (brothers), Laxmikant-Pyarelal (partners), Sonik-Omi (uncle-nephew), Ravi Kumar Sharma or 'Ravi', Sudhir Phadke, Sajjad Hussain, Usha Khanna, and even A.R. Rahman, Anu Malik, Rajesh Roshan, Anand-Milind and Jatin-Lalit, among the younger crop of baton wielders. Producers and directors vied for Lataji's unique voice and style for their top heroines, especially because she could 'mould' her voice to suit most heroines. Without doubt, she had become the first among women singers, a position that Mohammed Rafi enjoyed among the men. Yet, there was a music director who remained aloof from Lataji -- with haughty pride -- and yet rose to the top echelons of the music industry -- the incomparable O.P. Nayyar. "I found Lata's voice too thin, too shrill, which did not suit my compositions," Nayyar had once said, claiming he was "the only music director who succeeded in Bollywood without Lata's voice". He added: "I needed a more vivacious, richer, healthier voice of, say, Shamshad Begum, Geeta Ghosh-Dutt, Asha Bhosale." One woman singer, Suman Kalyanpur, was blessed with a voice rivalling that of Lataji's, but she was content being in the shadows, yet she thrived on enduring masterpieces composed by some of the music directors. As Lataji's singing style matured under master music directors, her voice helped heroines who acted or danced to her tunes catapult to stardom, such as Madhubala, Meena Kumari, Nargis, Ameeta, Beena Rai, Waheeda Rehman, Vyjayanthimala Bali, Tanuja, Sharmila Tagore, Asha Parekh, Nutan, Saira Bano, Sadhana Shivdasani, Babita Kapoor, Zeenat Aman, Parveen Babi, Hema Malini, Rekha, Sridevi, Neetu Singh, Madhuri Dixit, and many others in the post-1980s, right down to the youngsters, notably, Kajol, Rani Mukherjee and Karisma Kapoor. After the exit of Noorjehan from India and the fading away of other stalwart female singers, by the late 1950s/early 1960s, Lataji was firmly perched on the top of the heap and brooked no nonsense from anyone -- producers, directors, composers, siblings or contemporaries -- attempting to clamber anywhere close to her roost. Bollywood is full of stories of how Lataji ring-fenced her position till the very end, often raising the hackles of her female peers, although male singers, such as Mohammed Rafi, Mukesh, Kishore Kumar, Mahendra Kapoor and Manna Dey (all deceased) and others, chose to maintain a professional rapport with her. Nevertheless, there were tales of how Rafi once bore the brunt of her "other side", or certain composers quivering as she gently declined to sing for them after they allegedly dared to commission some other female singers, for whatever reason. Of course, powerful filmmakers such as Mehboob Khan, Raj Kapoor, Kamal Amrohi, Dev Anand, Shakti Samanta, B.R. Chopra, Yash Chopra and the likes had no time for tantrums. Born on September 28, 1929, as the oldest child of a musically inclined family in Indore (Madhya Pradesh) -- comprising father Dinanath, Lataji, Meena (Khadilkar), Asha (Bhosale), Usha and sole brother Hridaynath -- she was tutored by her dad from the age of five and also acted in his musical stage plays, till death in 1942. Helped by a close family friend, Master Vinayak D. Karnataki, she got a foothold in singing and acting that year with a first Marathi song and a maiden Hindi song in 1943 before shifting to the film industry capital in 1945. In Bombay (now, Mumbai), she learnt classical music and continued singing the odd songs, till her big break with 'Dil Mera Toda, Mujhe Kahinka Na Chhoda' ('Majboor', 1948), with full help from Ghulam Haider, whom she later described as her "godfather". With a colossus such as Noorjehan still around, Lataji continued her with a few more hits -- 'Aayega Aanewala' ('Mahal', 1949) and 'Uthaye Ja Unke Sitam' ('Andaz', 1949), heralding her entry with a bang in big-time Bollywood. Simultaneously, she sang in different Indian languages with aplomb, non-film songs, with her range encompassing classical, tragic, melodious, erotic, melancholic, light, mischievous, depending on the composer, or the heroine, or the song situation. After the seniors passed away or faded out, Lataji sang expertly and easily with the gen next of male singers such as S.P. Balasubramaniam, Amit Kumar, Shabbir Kumar, Nitin Mukesh, Anwar, Udit Narayan and Sonu Nigam, and astounded her listeners with the seemingly "undying" power and youthfulness of her golden voice. Over the decades, she was decorated with a multitude of rewards and honours -- three Padma awards, five Filmfare Awards, the Dadasaheb Phalke Award -- capped by the Bharat Ratna in 2001. More than that, state governments named awards and institutions after her. Lataji sang at prestigious live concerts or charitable events, enthralling global audiences, picked up more overseas accolades, such as France's highest civilian honour, Officer of the Legion of Honour, in 2007, briefly dabbled in high-end merchandise, such as signature jewellery and perfumes, launched a production and music house, and entered into international music collaborations. Death has only removed her physically. The legacies she leaves behind will outlive her for decades. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/business/ecommerce/news/aditya-birla-fashion-retail-d2c-unit-will-sell-ethnic-and-wedding-wear-from-top-designers/articleshow/89347587.cms">Birla has the best wedding suits stacked up and he wants them displayed on your phone</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/stock-market/news/textile-cigarette-metal-and-electric-batteries-sectors-stocks-up-budget-day/articleshow/89346157.cms">Textile, cigarette makers and others sector stocks that rallied since budget speech</a>

Lata Mangeshkar's over 70-year journey from travelling in BEST bus for singing break in the industry to melody queen of India

<keyword id="6354583" type="PERSON" weightage="100" keywordseo="Salman-Khan">Salman Khan</keyword>, who is one of the biggest stars of Indian cinema, has done almost everything in <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword>, be it romance, comedy, action or drama. However, in his 27-year journey in Bollywood, he has never kissed his co-stars on screen, something which distinguishes him from almost every other mainstream Bollywood actor today. 
 
Apparently, Salman is not comfortable when it comes to kissing onscreen and says that he just doesn’t like it. He also said that he doesn’t think that one needs to kiss onscreen, and if one day needs arise, he would do what’s required. 
 Salman, who would next be seen in <keyword id="146044" type="PERSON" weightage="100" keywordseo="Sooraj-Barjatya">Sooraj Barjatya</keyword>’s directorial venture <keyword id="2133234" type="UNKNOWN" weightage="100" keywordseo="Prem-Ratan-Dhan-Payo">Prem Ratan Dhan Payo</keyword>, along with <keyword id="710" type="PERSON" weightage="100" keywordseo="Sonam-Kapoor">Sonam Kapoor</keyword>. He would be seen playing a prince in the upcoming movie, which is touted to be a family drama, like every other Sooraj Barjatya movie, including Maine Pyar Kiya, Hum Aapke Hain Kaun and Hum Saath Saath Hain. 
 
Prem Ratan Dhan Payo is creating quite some news in the market. The title track of the movie is getting popular day by day. More and more celebrities are using the <a href="http://www.businessinsider.in/The-best-of-Prem-Ratan-Dhan-Payo-dubsmashes-from-Bollywood/articleshow/49646716.cms">Dubsmash</a> app to sing this song and show off their dancing skills. The latest to join the bandwagon were <a href="http://www.businessinsider.in/This-is-the-best-Prem-Ratan-Dhan-Payo-Dubsmash-there-ever-will-be/articleshow/49673864.cms">Helen and Waheeda Rehman</a>. 
 
Picture by Indiatimes

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Waheeda Rehman to cap glittering career with Dadasaheb Phalke Award

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This is the best Prem Ratan Dhan Payo Dubsmash there ever will be

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10 Horror Flicks From Bollywood That You Must Not Miss

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V-Day Movie Fest: Watch These 10 Iconic Love Stories Of Bollywood

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Lata Mangeshkar's over 70-year journey from travelling in BEST bus for singing break in the industry to melody queen of India

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Here’s why Salman Khan never kisses on screen

BI India Bureau

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