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In just over a year, <keyword id="2594729" type="UNKNOWN" weightage="20" keywordseo="Vidooly">Vidooly</keyword>, India’s only <keyword id="3288380" type="UNKNOWN" weightage="20" keywordseo="video-analytics-data-startup">video analytics data startup</keyword> has now reached over 10,000 content creators and partners who use its platform and now analyses data from over 50 million creators on a daily basis. 
 
However, the most surprising part is that the founders haven’t spent even a rupee on marketing, relying only on word of mouth for Vidooly’s popularity and growth. 
 Over 1 billion people use <keyword id="10879" type="CITY" weightage="20" keywordseo="YouTube">Youtube</keyword> to view over 6 billion hours of video every month and the recent <keyword id="128682" type="COMPANY" weightage="20" keywordseo="Netflix">Netflix</keyword> expansion to over 130 new countries shows the tremendous demand for original video content and people's viewing habits as they move from TV to online streaming. 
 
This proves that video is becoming one of the most popular forms of content consumed online today and Vidooly seem to be reaping the benefits, witnessing a rise in demand for its platform and tools for anyone who creates videos for a living. 
 
According to Arunabh Kumar, founder of The Viral Fever, anyone who creates video today grapples with the problem of audience fragmentation across the different platforms namely Youtube, Facebook and Twitter trying to get a minute of their attention. Understanding how to engage your audience on every one of these platforms is the key and that is where Vidooly comes in. 
 
"Vidooly's robust set of tools are your best bet if you are a content creator, brand or media house trying to engage more audience with your videos. I would like to congratulate the entire team of Vidooly on this achievement "added an impressed Arunabh. 
 On the other hand, Vishal TM, founder of <keyword id="3288381" type="UNKNOWN" weightage="20" keywordseo="Videogyan">Videogyan</keyword> feels that Vidooly’s popularity stemmed from it solving the issue of there being a lack of tools for video analytics in the market. 
 
“Vidooly's tools such as trending topic suggestion, sentiment breakup, social media listening and comprehensive demographic analysis have allowed more people to discover our videos online which has resulted in an increase in our revenues,” he explains. 
 
Vidooly's customers include brands, such as Times Music and Online Video unicorns like Video Gyan and Super Simple Songs who have over 1 billion views across their video platforms and global MCNs like Uturn, Dogus Digital, Thoughtful Media amongst others. 
 
"Vidooly was created to solve a nagging problem of creators being unable to get any sort of actionable feedback on their videos which resulted in less people being able to view their creative work online. But we are not stopping here. Come 2017 and we expect to double our user base as we hope to become the market leaders in video analytics" said Ajay Mishra, CTO &amp; founder of Vidooly. 
 
If that’s not all, the start-up also aims to double its daily viewer’s data analysis to 100 million per day by the end of 2016.

Exclusive: This video-analytics startup just crossed 10,000 YouTube content creators as users without spending any money on marketing

<ul><li>From <keyword id="6433339" type="UNKNOWN" weightage="20" keywordseo="Game-of-Thrones">Game of Thrones</keyword> to <keyword id="6354370" type="LOCATION" weightage="20" keywordseo="baahubali">Baahubali</keyword>, <keyword id="6486412" type="UNKNOWN" weightage="20" keywordseo="VFX">VFX</keyword> has become popular across Indian and international productions.</li><li>Oscar winning studio Framestore which won the award for films like Blade Runner 2049 and Gravity, is setting up a studio in Mumbai. </li><li>The Indian <keyword id="415861" type="PERSON" weightage="20" keywordseo="visual-effects">visual effects</keyword> and animation industry will be worth ₹184 billion by 2024, according to KPMG.</li></ul>From Game of Thrones to India’s very own Baahubali – if there was one thing that held audiences’ attention throughout, apart from the brilliant storytelling of course – it was the visual effects. The scenes transport you to a place very different from your own and make you believe that the world shown in these shows and movies do exist – and that’s the power of VFX. While Indian audiences watched GOT, little did they know that Khaleesi’s massive dragons they saw on screen were actually made in India by Prana Studios. But Indian films are craving for visual effects too, and the scale and size of Indian industry is making global studios set up shop in India. Oscar winning studio Framestore which won the award for films like Blade Runner 2049 and Gravity, is setting up a studio in Mumbai. It will also hire 500 people. But this is not its first tryst with India. Framestore earlier made a major investment in Jesh Krishna Murthy’s VFX Studio, Anibrain, in 2017. “Mumbai has become a centre of excellence in digital filmmaking. There’s a depth of talent that can deliver to the scale of Hollywood with the colour and flair of <keyword id="143" type="CITY" weightage="20" keywordseo="Bollywood">Bollywood</keyword>.In terms of visual effects, we will set the standard here as we did in Montreal almost eight years ago,” said Framestore’s founder and CEO, Sir William Sargent. But Framestore isn’t the first global company to turn to India. In 2018, global animation studio Dreamworks partnered with Technicolor to open DreamWorks Dedicated Unit, Technicolor India (DDU) in Bengaluru. And there is a reason why these companies are coming to India. The Indian VFX and animation industry is worth a whopping ₹88 billion with VFX alone holding on to ₹68.4 billion, according to a <a href="https://assets.kpmg/content/dam/kpmg/in/pdf/2019/08/india-media-entertainment-report-2019.pdf">KPMG report.</a> 
 
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 “The VFX segment in FY19 saw stereo scoping work flowing to India from international markets and a rise in VFX demand, not just from Hindi movies, but even from South Indian films,” said the report. The South Indian industry which produces a large number of fantasy movies, is early to catch on to this trend. Hyderabad-based Firefly studios was the frontrunner for Baahubali’s visual effects. The city is home to many other such studios like Makuta Studios, which won National Awards for its work in Magadheera and Eega, and also Green Gold Animation which has gained worldwide recognition for its animation series Chhota Bheem. In fact, the Telangana government is also setting up a Centre of Excellence (CoE) for gaming, visual effects and animation. Meanwhile in Bengaluru, startups like MRT Studios, Thought Cloud Studios, Videogyan, and Om Studio are making noise with their VFX work in Kannada films. Unlike South India, visual effects has not yet seen a massive uptake in Bollywood -- although it is used massively for films like Fan, Ra.One etc. Ayan Mukherjee’s next with Ranbir Kapoor and Alia Bhatt titled Brahmastra is slated to be India’s biggest VFX superhero movie. With the hustle in the sector, there are no surprises that the KPMG report predicts the Indian visual effects and animation industry to hit ₹184 billion by 2024, at a CAGR of 16%. See Also: <a href="https://www.businessinsider.in/entertainment/article/heres-why-shahrukh-khan-is-still-the-king-of-bollywood/articleshow/71862029.cms">Shah Rukh Khan is still the reigning star of Bollywood with no else on the horizon to claim the throne</a>

Lights, camera, and visual effects! Decoding the vast potential of Indian VFX industry

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Exclusive: This video-analytics startup just crossed 10,000 YouTube content creators as users without spending any money on marketing

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Lights, camera, and visual effects! Decoding the vast potential of Indian VFX industry

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