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<ul><li><keyword id="9139921" type="UNKNOWN" weightage="20" keywordseo="Shemaroo-TV">Shemaroo TV</keyword>, the flagship Hindi GEC from the house of <keyword id="203890" type="COMPANY" weightage="20" keywordseo="Shemaroo-Entertainment">Shemaroo Entertainment</keyword>, is launching an original TV show titled ‘<keyword id="10809040" type="UNKNOWN" weightage="20" keywordseo="jurm-aur-jazbaat">Jurm aur Jazbaat</keyword>.’ </li><li>We caught up with <keyword id="207966" type="PERSON" weightage="20" keywordseo="Hiren-Gada">Hiren Gada</keyword>, CEO, Shemaroo Entertainment to understand how it was all put together, walked us through the channel's journey so far and future of FTA channels in India. </li></ul>Shemaroo Entertainment launched a Free-to-Air (FTA) channel last year in the midst of the lockdown, when businesses were coming to a standstill. A company that has effectively adopted to technological changes and macro economic disruptions since the early 1970s, Shemaroo has been smoothly sailing through all waves of changes. As the lockdown eased and the country slowly started limping towards normalcy, Shemaroo TV was burning the midnight oil to put together an original series for its audience. Now, it is all set to foray into original TV series with a crime show titled ‘Jurm aur Jazbaat.’ The general entertainment content on Hindi TV channels largely revolves around domestic issues, mythology, historical personalities or desi love stories. OTT audiences, on the other hand, are a fan of thriller films, sci-fi or crime shows. However, Shemaroo has taken the OTT route for its TV channel with the launch of its first crime-based TV show. In the recent past, even courtroom sagas have become a huge hit on OTT platforms: Criminal Justice: Behind Closed Doors, Nail Polish, Illegal season 1, Your Honour and The Verdict – State vs Nanavati (2019) are proof. On why the TV channel chose crime as its debut genre, Hiren Gada, CEO, Shemaroo Entertainment, said, “We did a market research to identify what is trending, what are the consumers watching, what they aren't, etc. So we finalised various categories to work with. After deep-diving into the market research we conducted, we realised that the crime genre has a very good connect with the Free-To-Air audiences. What also strongly came out was the fact that there is emotion behind every crime. So, to simplify the name, we called it Jurm aur Jazbaat. Once we decided the route we wanted to take, we worked with a couple of production houses in terms of creating pilots, ramping up and then going into the production part. Parallely, because this was our first fresh and original programming, we wanted to have a very strong mentor, who can connect with the audience, create a great viewing experience for them and that's how we zeroed in on <keyword id="6360486" type="PERSON" weightage="20" keywordseo="Ronit-Roy">Ronit Roy</keyword>.” Journey so far Since the inception of Shemaroo TV last year, the channel wanted to offer a mix of original content, licensed content and existing content. However, due to the nation-wide lockdown, the channel had to put a pause on its production like everyone else. It did not stop the entertainment house from launching a new channel. It wanted to lay a strong foundation before launching its original content. “We had to revamp our whole process for two reasons. One was logistically, we were not in a position to shoot at that time. And secondly, advertisers' spends had also reduced. So, we decided at that time to focus on our existing library as well as fresh creations and acquired shows from Star like Devon ke Dev Mahadev, Jeet hui parai, Shor from Sahara, and we had our own movies and shows. The focus at that time was to establish the channel in terms of viewership, distribution, primarily marketing, viewership, programming, consumer connect. Many other things and milestones which we wanted to achieve before we launch an original,” shared Gada. Present and future of FTA channels in India Currently, as per Gada, not more than two FTA channels are creating original content and Jurm aur Jazbaat will help the channel carve a niche for itself. While Shemaroo had also launched its Marathi channel, MarathiBana and a lot of learnings from that experience went into the launch of Shemaroo TV, the latter was rolled out while working from home. It launched unique initiatives to pull in more viewers. Overwhelmed with the response the channel has seen so far, Gada said, “Given the fact that we are a GEC less than nine months old, we have seen very good response and viewer traction. In fact, we've done many contests where we could gauge consumer participation. We received a lot of very good messages from our audiences and they showered us with love. That has helped build the overall viewership. And obviously, the team's hard work has paid off too.” It has also seen a good response from the top FTA advertisers. “I'm sure that a very strong connect with the core Shemaroo brand and being part of this ecosystem for decades, has played its strong part as a strong beautiful partner, given the challenge that overall advertiser revenue and spends have gone through, in the last year. We are part of that same trend but the fact that we have seen very good acceptance borne out by the fact that all the top spenders on the FTA space, most of them are already present on both our channels. We keep adding more brands and new categories as we move forward,” added Gada. This year, with the economy coming back on track, Shemaroo is expecting to see more advertisers on-board who cater to rural and Tier II and III audiences. Gada said, “With the economy back on track, and companies launching more and more products, good agriculture output with a good monsoon, the rural economy has done exceedingly well. With this, a lot more categories are now willing to participate on the FTA platform, because they are all seeing more consumption coming from these pockets. Over the next few years, as per capita income of the country grows, more and more categories of consumption will open up for these audiences. That will bring in many more categories into the FTA space. And I think that’s really the exciting part in the next three to five years. This is a segment which has been underserved as far as television is concerned and as far as products are concerned. In the next three to five years, this situation is bound to get corrected.” After measuring the response of its fresh content, Shemaroo is planning to launch more original content and simultaneously, keep acquiring popular series and films to be able to cater to a large audience. Sharing his plan for this year, Gada said, “We are going to take it one step at a time. We definitely have more originals lined up. The fact is that there's just two channels, which are offering fresh programming or original content. We are upping the game for ourselves at a certain level and that's going to be a continuous process for us, because that's how we plan to keep up our audiences loyal to us and keep coming back to us as we keep launching new offers for our viewers.”

A lot more categories are now willing to advertise on FTA channels to reach out to rural India: Hiren Gada, Shemaroo

<ul><li><keyword id="9139921" type="UNKNOWN" weightage="20" keywordseo="Shemaroo-TV">Shemaroo TV</keyword> will target the Hindi-speaking markets of India and will aim to connect, interact, and reach out to families who are continuously looking to adapt to new changes. </li><li>The channel will go live on May 1.</li><li><keyword id="203890" type="COMPANY" weightage="20" keywordseo="Shemaroo-Entertainment">Shemaroo Entertainment</keyword> will market its new offering primarily on TV and Digital.</li></ul>Shemaroo Entertainment has announced the launch of a free-to-air (FTA) Hindi general entertainment channel, Shemaroo TV on May 1. Shemaroo TV will target the Hindi-speaking markets of India and will aim to connect, interact, and reach out to families who are continuously looking to adapt to new changes. The channel will come up with a mix of originals and iconic shows, which will be consumed for the first time by a broad set of FTA audiences. The channel will be available to audiences on all major DTH operators and cable networks. Speaking about the company's entry into the TV segment, <keyword id="207966" type="PERSON" weightage="20" keywordseo="Hiren-Gada">Hiren Gada</keyword>, CEO, Shemaroo Entertainment said, "There is a large audience hungry for content on FTA channels. Its a largely under-served market and a huge demand for content. The content of Shemaroo is spread across different verticals through which we maintain a healthy relationship with viewers and advertisers equally. While we manage large digital platforms, entering into the broadcasting space will help us with reach and enable us to build a stronger affinity with the audiences. With the launch of our flagship channel, Shemaroo TV, we are excited to strengthen our presence in the industry and deliver our promise of entertaining the Indian audiences." While the current lockdown will mean Shemaroo will not be able to market the new offering in the usual manner, they are going big on TV and Digital. They will also partner with 'like-minded brands' spread across Digital, TV and media, shared <keyword id="32440" type="PERSON" weightage="20" keywordseo="rahul-mishra">Rahul Mishra</keyword> , Head Marketing and Communications, Shemaroo Entertainment. "The idea is to reach out to audiences through each other's strengths in this tough situation," added Mishra. <keyword id="276655" type="PERSON" weightage="20" keywordseo="Sandeep-Gupta">Sandeep Gupta</keyword>, COO - Broadcast Business, Shemaroo Entertainment added, "If we see the current TV space and particularly the Free To Air space, there is large consumption of content but with less variety of shows and genres. Shemaroo TV will be enhancing the entertainment needs of the Indian audiences by its vast offerings of iconic shows, alongwith original shows across various genres. We have worked extensively to understand the needs of our consumers and have sharpened our insights based on what will appeal to them. Shemaroo TV will have an extensive reach and we aim to become one of the most popular destinations in the Free To Air General entertainment space."

Shemaroo Entertainment announces the launch of Hindi Entertainment FTA channel, Shemaroo TV

<ul><li><keyword id="203890" type="COMPANY" weightage="20" keywordseo="Shemaroo-Entertainment">Shemaroo Entertainment</keyword> has ventured into the broadcast space with the launch of a Hindi free-to-air GEC, <keyword id="9139921" type="UNKNOWN" weightage="20" keywordseo="Shemaroo-TV">Shemaroo TV</keyword>.</li><li>The channel will give the audience a combination of freshly brewed content as well as acquired content that has so far been available only on paid channels.</li><li><keyword id="207966" type="PERSON" weightage="20" keywordseo="Hiren-Gada">Hiren Gada</keyword>, CEO, Shemaroo Entertainment speaks to us about how the organization succeeded in launching a TV channel in the midst of the lockdown, and its marketing strategy going ahead. </li></ul>Shemaroo has managed to pull off a brave feat, it has launched a free-to-air (FTA) general entertainment TV channel, in the midst of a national lockdown, when most players are cutting spends and cancelling or postponing big-ticket launches, events and projects. Going live today, Shemaroo TV is aimed at catering to the under-served FTA category, giving the audience a combination of freshly brewed content as well as acquired content that has so far been available on paid channels. The launch comes at a time when most of us are stuck at our homes and television viewership is at an all-time high. Considering the adverse times we are living in right now, we thought it would be interesting to know what went behind Shemaroo’s TV channel launch and Hiren Gada, CEO, Shemaroo Entertainment let us in on their strategy. Work on the channel launch had started close to 8 months back when the company mapped the ecosystem, exploring the opportunities available. Around October it was decided that they wanted to operate in the FTA space. The process behind the launch Earlier this year, Shemaroo also launched its Marathi channel, Marathibana and a lot of learnings from that experience went into the launch of Shemaroo TV, shared Gada. Shemaroo had also simultaneously been working on the content side of things for the Hindi channel. “Since we started work almost 7-8 months ago, we were in a state of quasi-readiness even before the lockdown. Our content strategy was already in place. However, eventually putting everything together was a huge task and I would like to thank our team who in a way are our warriors who put everything together, in spite of everything. There was a lot of remote working involved around how do we ingest the content, around programming, the channel identity elements and a lot of the technical aspects too. A lot of work happened off-site. But there was a small set of people that managed to be in office for the ingestion of the content, which was the most important link,” shared Gada. The limitations (and opportunities) of launching during a pandemic The lockdown has led to the OOH and experiential industry also witnessing a complete shutdown. Spending on the Print medium is also largely muted. And when one has to organize a launch, these are the three primary mediums that organizations rely on. So how challenging has marketing been for the organization during the lockdown? “Its been both a challenge and an opportunity. We are missing out on a few key media that would ideally have been a part of the launch campaign. However, since people have been indoors, they are spending a substantially higher amount of time on television and digital. That opens up the digital and TV marketing aspects significantly,” explained Gada. Shemaroo will be largely using these two mediums to connect with audiences, letting them know about the new channel. Gada believes that due to their strong presence on digital, the medium could be their strength. “We will also be running a whole lot of campaigns on various mediums, including social media,” he added. Looking at the brighter side of the lockdown, Gada also said that this is a time when people are far more open to experimentation and sampling. “During normal times, people are hooked on to their daily soaps and to make people move t a different channel is a challenge. But now, the opportunity to get people to sample a new offering is significantly higher,” he explained. From the advertiser’s perspective While the FTA space is driven by advertising, brands at this moment are cutting down on spends. Shemaroo doesn’t have advertisers on board right now but the conversations with marketers have been positive, shared Gada. “Fundamentally, advertising follows viewership. So it doesn’t matter if you’re a new channel or an already-existing one. There may be some relationships and legacy deals in place but today, TV advertising has become much more scientific. When we mapped the FTA space post the new tariff order, we realized there’s a natural opportunity opening in the space to capture a considerable share of the estimated Rs 2,500 crore FTA advertising market. Also, with leading broadcasters pulling out from Free Dish, Rs 1,000 crore of advertising opportunity opened and was potentially available for existing and new channels in the FTA space. Also, there’s a severe shortage of content in both the <keyword id="874299" type="UNKNOWN" weightage="20" keywordseo="Hindi-GEC">Hindi GEC</keyword> and Marathi market. This means that while the eyeballs and mediums are in place, the vehicle is not there for the advertisers. And this was the sense we got from many of the agencies and brands we spoke to. We understand that in the ultra short-term, there’s a dip in ad spends, but once the lockdown opens, to a reasonable extent, we should be bouncing back reasonably well because ultimately India is a consumer and consumption-based economy where brand-building is very important and TV is the biggest medium to build any brand today,” shared Gada. Shemaroo’s focus for the next 2-3 months would be to increase consumption and get consumers hooked on to their content. “We believe the monetization is 2-3 months away as we get the entire process of capturing ratings in place. In the meantime, we will build our viewership and get more and more people to sample our channel,” he added. Launching today, the channel will be available on all major DTH operators and cable networks.

How Shemaroo pulled off the launch of its channel Shemaroo TV during the lockdown

<ul><li><keyword id="51758" type="COMPANY" weightage="20" keywordseo="Dish-TV">Dish TV</keyword>’s share price is currently locked at the 20% upper circuit.</li><li>Shares of the direct-to-home (DTH) service provider have gained over 66% in May alone.</li><li>Earlier last week, lenders of Dish TV invoked their pledge and sold over 5 crore shares in the open market.</li></ul><keyword id="6426538" type="UNKNOWN" weightage="20" keywordseo="Dish-TV-share-price">Dish TV share price</keyword> has hit the 20% upper circuit today, resulting in a price freeze for today. This comes after the lenders of the broadcast satellite service provider <a href="https://economictimes.indiatimes.com/markets/stocks/news/dish-tv-lenders-invoke-pledged-shares-sell-5-11-crore-shares-in-open-market/articleshow/82730868.cms">sold</a> over 5 crore shares in the open market last week. A month ago, former chairman of Zee Entertainment Enterprises Subhash Chandra revealed that he doesn’t own any stake in the direct-to-home (DTH) company. Apart from this, he also stated that he doesn’t have any management control of the company. <div type="image" title="Dish TV 01_04_20 to 25_05_21." msid="82938191" hostid="261" caption="&amp;lt;p&amp;gt;Dish TV share price since April this year&amp;lt;/p&amp;gt;"></div> Since the end of April, Dish TV’s shares have surged by over 66%, adding over ₹940 crore to investor wealth. But that’s not all – over the last one year, investors of Dish TV have seen their wealth increase from a little over ₹652 crore to ₹2,366 crore now. Since the <keyword id="1367150" type="PERSON" weightage="20" keywordseo="Dish-TV-stock">Dish TV stock</keyword> is locked at an upper circuit now, the price cannot go up any further today. However, sellers who want to book profits can still do so by selling at a slightly lower price. <cmsannotation type="cmsannotation" annotationid="Dish TV not the only stock to hit the 20% upper circuit today" comment="subhead" text="Dish TV not the only stock to hit the 20% upper circuit today">Dish TV not the only stock to hit the 20% upper circuit today</cmsannotation> Despite some volatility in the market and today’s gains being wiped out in the last two hours of trading, there are other stocks that have done well. Barbeque Nation, for instance, hit the 20% upper circuit before sellers came in at lower prices to book profits. Other shares locked at the 20% upper circuit include Hindustan Media, Coffee Day Enterprises, Shemaroo Entertainment, Schneider Electric Infrastructure, and Raj Television. SEE ALSO: <a href="https://www.businessinsider.in/stock-market/news/barbeque-nations-share-price-jumps-20-trading-halts-as-upper-circuit-gets-hit/articleshow/82933919.cms">Barbeque Nation's share price jumps 20% and gets locked in upper circuit</a> <a href="https://www.businessinsider.in/tech/apps/news/whatsapp-says-it-will-wait-for-the-indian-government-to-pass-the-personal-data-protection-law-before-limiting-features/articleshow/82931362.cms">WhatsApp says it will wait for the Indian government to pass the Personal Data Protection law before limiting features</a>

Dish TV shares hit the 20% upper circuit a week after lenders sell over 5 crore shares in the open market

Mumbai, June 22 2020: The curated streaming service MUBI has announced that it will be bringing over 200 new Indian films, including titles from acclaimed experimental director Amit Dutta to its <keyword id="7908455" type="UNKNOWN" weightage="20" keywordseo="MUBI-India">MUBI INDIA</keyword> channel starting next month. Partnerships with local distributors including AP International, FilmKaravan, GoQuest, Matra Publications, NFDC, Niv Arts, Shemaroo and Vista India will expand MUBI INDIA’s line-up of new and classic regional cinema to show more films in Tamil, Malayalam, Bengali, Telugu, Kannada, Gujarati and other languages to truly represent the diversity of filmmaker talent across India. A collaboration with one of India’s most prolific directors, Amit Dutta, will see the filmmaker’s acclaimed library of films start showing on MUBI in July. His award-winning work has previously been screened at festivals and cultural organisations worldwide, but has never been made widely available, making MUBI the first-ever platform to show his films online. The intoxicating NAINSUKH (2010) will start showing on July 18, followed by the world premiere of his latest film WITTGENSTEIN PLAYS CHESS WITH MARCEL DUCHAMP OR HOW NOT TO DO PHILOSOPHY (2020) on July 19. Additional selections include SAATVIN SAIR (2013), MUSEUM OF IMAGINATION (2012), and CHITRASHALA (2015). Other upcoming highlights will include a collection of Tamil films from AP International including, VAAZHKAI (A.V. Meiyappan, 1949), POKKIRI RAJA (S. P. Muthuraman,1982), ALAIPAYUTHEY (Mani Ratnam, 2000) and BOW BOW (S Pradeep Kilikar, 2019), as well as Malayalam films ADAMINTE MAKAN ABU (Salim Ahamed, 2011), and CITY OF GOD (Lijo Jose Pellissery, 2011). MUBI will also show Kabir Singh Chowdhry's MEHSAMPUR (2018) next month, and Shazia Iqbal's acclaimed short film BEBAAK (2019) in August. Sanal Kumar Sasidharan’s S DURGA (2017) from Niv Arts will also be coming to MUBI soon, along with three other features from the director including his debut film ORAALPPOKKAM (2014). Other highlights hand-picked by MUBI’s curators include PAKEEZAH (Kamal Amrohi, 1972) and AAKROSH (Govind Nihalani, 1980) from Shemaroo’s library, CELLULOID MAN (Shivendra Singh Dungarpur, 2012) from Vista India, AAKALER SANDHANE (Mrinal Sen, 1980) from GoQuest and MISS LOVELY (Ashim Ahluwalia, 2012) and I.D (Kamal K. M, 2012) from FilmKaravan. Svetlana Naudiyal, Director of Content for MUBI INDIA said: “One of our key goals is to consistently put a spotlight on the diversity of Indian Cinema—the multitude of narratives, forms, and languages. Showing Amit Dutta’s ingenious work on MUBI is a dream for us, and we’re incredibly excited to begin a special dedicated to his films next month. We are also thrilled to take a significant step in language diversity on MUBI INDIA with our upcoming long-term focus on Tamil and Malayalam cinema.” Recent highlights on MUBI INDIA include KUSH (Shubhashish Bhutiani, 2013), SIVAPURANAM (Arun Karthick, 2016) and GAMAK GHAR (Achal Mishra, 2019), which was the top viewed title on the film channel for five weeks running. In addition to working directly with many other independent filmmakers and studios, MUBI has previously signed deals with other major distribution partners in India including Sony Pictures Television India, Impact Films, PVR Pictures, and Ultra Media. MUBI also partnered with PVR Cinemas to launch its cinema-going initiative MUBI GO in India in November 2019. For further information please contact: press@mubi.com About MUBI MUBI is a curated streaming service. An ever-changing collection of hand-picked films. From new directors to award-winners. From everywhere on earth. Beautiful, interesting, incredible movies — a new one, every single day. Always chosen by us. MUBI is available to watch in 190 countries, and the films we pick are guided by local cultures and cinema. We are the world’s biggest community of film-lovers, with over 10 million members around the globe. You can stream or download all our movies, anytime. On any screen or device, anywhere. And you’ll never see a single ad on MUBI. Ever. Subscription plans are INR 499 a month or INR 4,788 for 12 months. MUBI is available on the web, Amazon Fire TV, Hisense, LG, Sony and Samsung Smart TVs, as well as on mobile devices including iPad, iPhone and Android. MUBI has offices in London, New York, Kuala Lumpur, and Mumbai. Disclaimer: Business Insider India and Mubi India both are partners in Times Bridge in India.

MUBI unveils huge selection of local language cinema coming to MUBI INDIA, including films in Tamil, Malayalam and Bengali

<ul><li>The platform uses over two decades of BookMyShow’s rich user understanding and data insights to focus on personalised content discovery with access to a finely curated selection of <keyword id="180362" type="COMPANY" weightage="20" keywordseo="world-cinema">world cinema</keyword>.</li><li>Warner Bros’ <keyword id="6631414" type="COMPANY" weightage="20" keywordseo="Wonder-Woman-1984">Wonder Woman 1984</keyword>, Tenet and Sony Pictures’ The Craft: Legacy to be available on <keyword id="10709129" type="UNKNOWN" weightage="20" keywordseo="BookMyShow-Stream">BookMyShow Stream</keyword> starting February 5th.</li></ul>BookMyShow is all set to usher in a whole new movie-watching experience. It has rolled out ‘BookMyShow Stream,’ a homegrown Transaction Video-on-Demand (TVOD) streaming platform. With over 600 movie titles and 72,000+ hours of content, BookMyShow Stream will feature a handpicked, specially curated library of some of the best, celebrated and award-winning films and content from around the world along with India that users can Rent or Buy and watch. With over 22,000 hours of content being Exclusive to the platform at launch, BookMyShow Stream will feature multiple marquee Premieres every Friday. BookMyShow Stream is a highly data-rich offering that focusses on relevant and targeted content for consumers across specific film categories such as Premieres, Exclusives, World Cinema, Missed in Theatres, Festival Favourites and dedicated Bundles and has been built on the back of over 21 years of rich consumer understanding and data insights on user behaviour and preferences garnered on the platform. Starting today, BookMyShow Stream will be home to <keyword id="127480" type="PERSON" weightage="20" keywordseo="Christopher-Nolan">Christopher Nolan</keyword>’s Tenet, Gal Gadot starrer Wonder Woman 1984 and Horror fantasy The Craft: Legacy, giving Indian cinephiles an opportunity to catch these blockbusters that they missed in theatres. Besides these, films like Alone, Yes God Yes, The Peanut Butter Falcon, The Guilty, Les Miserables, Unhinged and acclaimed Russian Sci-fi thriller Coma, from premium Independent studios will premiere exclusively on BookMyShow Stream. BookMyShow Stream will feature marquee Hollywood content through partnerships with leading Global production giants including Sony Pictures, Warner Brothers and Universal Pictures amongst others. The platform will also bring compelling films from the library of major Indian production houses such as Viacom18, Shemaroo and Rajshri Productions as also Regional content providers like Divo and Sillymonks, amongst several others. BookMyShow Stream will be one of the first Indian streaming platforms to host acquired content from Independent Film distributors like PictureWorks, Superfine Films, Impact Films, Kahwa Entertainment and VR films. Bringing the magic of world cinema to Indian audiences, the movie streaming platform aims to be the go-to destination for some of the best and most popular World Cinema spanning countries such as Spain, France, Denmark, Sweden, Norway, Germany, Slovakia and Netherlands. The content available on BookMyShow Stream is amongst the most celebrated films across key International Film Festivals including award-winning showcases at the Cannes Film Festival, Venice Film Festival, Berlin International Film Festival and Sundance Film Festival, to name a few. Commenting on the launch of BookMyShow Stream, Ashish Saksena, COO - Cinemas, BookMyShow said, “With ‘BookMyShow Stream’ – the largest Made-in-India Transaction Video-On-Demand platform yet, we are moving a step forward towards nurturing India’s movie consumption habit by providing users the best of global cinema right to their personal screens. ‘BookMyShow Stream’ is an innovation that is a result of over two decades of deep consumer understanding and robust data insights on user behaviour and preferences. It will give entertainment lovers access to highly curated cinema offerings from around the world, thanks to some long-term, marquee and exclusive partnerships with global &amp; Indian content powerhouses. ‘BookMyShow Stream’ is a natural extension of our cinemas business and respects the existing theatrical windows for content. It empowers users to pay only for the content that they watch - a prevalent trend in other global cinema markets, as yet untapped at scale in India. ‘BookMyShow Stream’ aims to inculcate global consumption trends by providing a highly curated avenue for handpicked cinema from across the world. With flexible purchase options and a seamless user interface, this new offering furthers BookMyShow’s journey from being a gateway to an evolved curator of tent pole content experiences." BookMyShow Stream will offer users the option to rent a movie for a finite duration or buy it for unlimited access with prices that suit all pockets. The streaming platform will offer an extremely personalised and seamless experience based on a user’s preferences, transaction and behaviour on BookMyShow, thus enhancing the discovery and streaming process significantly. Developed in-house and compatible with multiple devices, BookMyShow Stream enables an extremely personalized experience for content discovery including a seamless streaming flow and checkout experience across all formats of viewing. BookMyShow Stream will be available for viewing on BookMyShow’s mobile app and website as also Apple TV, Android TV, Firestick, Chromecast and desktop browsers. BookMyShow Stream will allow users to experience features such as downloads, offline viewing and casting.

You can now watch movies on BookMyShow Stream

<ul><li>After the comeback of epics such as Ramayan and Mahabharat, there is a huge demand for classics. Riding on the nostalgia wave, <keyword id="2810265" type="PERSON" weightage="20" keywordseo="ott-players">OTT players</keyword> are also using their old content. </li><li>For the first time in history, to overcome the restrictions and market their content in the best way possible, OTT players have tied up with TV channels to push their content. </li></ul>After Doordarshan brought back its two epics, Ramayan and Mahabharat, Star TV and Sony followed the trend and is taking us back to the golden era by rerunning some old shows like Sarabhai VS Sarabhai, Khichdi, CID, and Aahat respectively. Now owing to the fact that production has been stalled till the lockdown is lifted, OTT platforms are taking a similar route. While ShemarooMe is premiering Bollywood movies every Friday, it has also seen a huge jump in people watching classic movies. “There is a lot of experimentation happening right now -- the audience is actually going back and watching blockbuster movies from the past such as Jaane Bhi Do Yaaron or older shows like Nukkad. And it’s been consumed by the younger generation too. So, that's opening up a new set of content for a new set of audience who have not been exposed to it till now. And that's sort of interesting for us as a platform to wait and watch,” shares Rahul Mishra, Head Marketing and Communications, Shemaroo Entertainment. <keyword id="4241922" type="PERSON" weightage="20" keywordseo="ALTBalaji">ALTBalaji</keyword>, on the other hand, which already has a huge library of content, is also considering bringing back a few of its classic, much-loved serials. Moreover they are also in talks with other platforms for content syndications, to broaden their content offering. “We are utilising this time to do business syndications, we did one with ZEE. We are also utilising our vast content library and queuing up our originals ready,” said Divya Dixit, SVP, Marketing, Analytics &amp; Direct Revenue, ALTBalaji. <keyword id="7444876" type="UNKNOWN" weightage="20" keywordseo="Discovery-Plus">Discovery Plus</keyword> is also leveraging its global partnerships to help consumers stay indoors and stream the outdoors. To stay relevant in today’s environment, they have lined up COVID-19 documentaries. “Discovery has a lot of content that hasn’t been exposed to Indian audience. We have a strong global library to sustain for a long period of time. For us, it’s a mix of marquee specials, global library and partnership content. We already had a couple of pieces ready on Coronavirus, we are trying to stay relevant as we can,” said Issac John, Business Head – Digital (South Asia), Discovery. Moreover, with gaming seeing a spike across the world, platforms like <keyword id="2214311" type="ORGANIZATION" weightage="20" keywordseo="Mx-player">MX Player</keyword>, that had recently introduced gaming on its platform, has an edge as people are on the lookout for different modes of entertainment. “We introduced gaming about 8-10 weeks back and in the last five weeks, it has seen a 4X surge in engagement. And we are using that inventory available on our platform to cross promote our own shows. In terms of the number of games played by one user and the time spent by that user on the gaming tab is actually something that we didn't expect and we are actually using that to cross promote our own shows,” said Abhishek Joshi, Head of Marketing and Business Partnerships, MX Player. He also shared that MX Player has recently inked a content deal with Sony Pictures Television and Paramount. “We are the first Indian AVOD platform to have struck such a deal with an international studio.” Tough times are pushing marketers to come up with creative ways to sell their content. Disney+ Hotstar original series Hostages is now airing on Disney-owned TV channel Star Plus. For the first time in history, OTT content is broadcasted on a TV channel. ALTBalaji has also partnered with ZEEL to broadcast its originals such as Kehne Ko Humsafar Hain, Baarish, Karrle Tu Bhi Mohabbat. Joshi says, “While this integration has happened at an unfortunate time, it will help the OTT players embark on a collaborative journey rather than an either-or strategy, which we have always been speaking about.”

OTT players bank on content archives and work on content syndication to meet the rising demand due to the COVID-19 lockdown

<ul><li>In our latest series, we look at different industries to understand what was 2020 like for them and to crystal gaze into the upcoming year, and identify some of the trends that will set the tone for 2021.</li><li>During the past few months of the global pandemic, people staying at home around the world have turned to various streaming services for entertainment. </li><li>With the coronavirus still around, we speak to OTT players to find out what would 2021 look like for the industry. </li></ul>Better connectivity, cheaper devices and even cheaper data plans have been aiding the growth of India’s over-the-top (OTT) industry over the past few years. However, 2020 became a year when more and more people came onto the digital ecosystem, thanks to being stuck at home during the lockdown. With people barely moving out of their houses, they turned to the digital world for their daily fix of entertainment. Also, people were more open with experimenting with different platforms. If an IBEF report is to be believed, the OTT sector in India saw a 30% rise in the number of paid subscribers, from 22.2 million to 29.0 million between March and July 2020. There was a visible increase in the time people were spending on most platforms. It therefore became important for platforms to come up with differentiated, fresh content that would help them stand apart. Owing to the fact that multiplexes were shut for months, many platforms also started launching movies directly on digital. Consumers have been happy for the most part. As we enter 2021, expectations from the sector are high. With the coronavirus still around, many people will continue staying in. So what will this mean for the OTT sector in 2021? Will more and more people continue coming onto platforms, and prefer to pay for the content that they like? How will OTT platforms be able to ensure consumer stickiness? What are a few trends that will stand out in 2021? We reached out to a few experts from the industry and here’s what they had to say. Archana Anand, Chief Business Officer, ZEE5 Global: <div type="image" title="Archana Anand zee5" msid="79998579" hostid="261"></div> I see two key themes that swung into prominence in 2020 emerging as key drivers of the <keyword id="9056838" type="UNKNOWN" weightage="20" keywordseo="ott-industry">OTT industry</keyword>’s skyrocketing growth in 2021. With the lockdown, we’ve seen a trend of people across the globe warming up to the idea of paying for quality content, and also being willing to commit to annual subscription packs where they see value. I see this trend only accelerating in 2021, leading to strong SVOD growth. This has also been a year where international content has gained massive traction across markets. With ZEE5 and other OTT platforms offering dubbed and subtitled content, enabling people in one geography to seamlessly access stories from any other, content is now truly democratized. Storytelling is increasingly blurring boundaries and storytellers are finding newer audiences beyond their own borders. I think 2021 is going to be the year that international content comes into even greater prominence as online audiences literally discover a world of new content via their OTT platforms. Hiren Gada, CEO, Shemaroo Entertainment Limited: <div type="image" title="Hiren Gada, CEO, Shemaroo Entertainment Limited" msid="79995505" hostid="261"></div> 2021 is going to be an exciting year as OTT is already riding the wave of increased data consumption and internet penetration in the small towns and rural India. The year gone by also saw some great innovations and developments in the OTT space. From direct-to-digital releases to the increasing growth in the regional content, this year has bolstered the growing popularity of OTT to an all-time high. One trend that is expected to take centre stage is highly localised and regional content. The key to ace the trend is to have an in-depth understanding of the traditions and culture of the viewers. Understanding the deep-rooted connections our viewers have with their mother tongue, we have developed a strong regional strategy for Shemaroo across all our platforms. We have a huge content bank that ranges from Bollywood, Gujarati, Marathi, Punjabi, Kids, Devotional, and various specialised trays. Content companies saw a huge change and spike in the content viewing pattern of the audiences during the lockdown. Our regional offerings saw an impressive surge in viewership especially in the Gujarati category with viewership as high as 102% in the peak months of the lockdown. While Bollywood is our mainstay, our teams have been constantly acquiring and upgrading our regional offerings, so our audiences have something new every time they tune in. We aim to make it a more robust and comprehensive pick for any consumer who wishes to enjoy varied regional content. Ferzad Palia, Head, Voot Select, Youth, Music and English Entertainment, Viacom18: <div type="image" title="Ferzad Palia." msid="79995514" hostid="261"></div> Year 2020 saw the OTT category driven by groundbreaking storytelling and macro factors resulting in significant growth for SVOD services. Viewers’ willingness to pay for quality content is now well established. However, around 65% of subscribers are still from Top 10 metros. 2021 will buck this trend and see the Premium OTT Category in India expand its footprint outside of the top 10 metros, heralding the next phase of growth for the category. Karan Bedi, CEO - MX Player: <div type="image" title="Karan Bedia Mx player" msid="79998628" hostid="261"></div> Video streaming has become the primary mode of entertainment for most digital consumers across India this year. With this backdrop, India is set to become a key market for growth in OTT video in 2021. This will lead to an avalanche of new unique original content for these audiences as they have very little to watch on TV. In this situation, marketers are also increasingly aware of where their money works best, and would like to focus on those mediums, namely digital and OTT. Divya Dixit, SVP, Marketing, Analytics and Direct Revenue, ALTBalaji <div type="image" title="Divya, altbalaji" msid="79995519" hostid="261"></div> Digital is an ever-evolving medium and when it comes to OTT players, competition across the industry is soaring high with everyone at their toes trying to secure their places in the minds of consumers. While the pandemic of 2020 redefined content consumption, the year 2021 will chart new business alliances and revenue models for platforms to acquire direct subscriptions. The report from FICCI and E&amp;Y predicted 30-35 million paying subscribers on OTT platforms alone in the year 2021, and we are excited about carving a substantial pie out of the same. Our objective has always been content massification and with the next billion internet users set to hail from the Hindi heartlands, India’s digital industry promises a host of fresh avenues to explore and expand. The soon-to-arrive 5G networks will only work as an important factor for OTT platforms to scale further heights. Prime Video India spokesperson: “2020 has been a very exciting year for us at Prime Video India – at a time when a large section of customers, looking for high quality entertainment, are turning to streaming video - we launched 18 direct-to-digital movies (across 5 Indian languages) and 8 Indian Amazon Original Series, in addition to several Global Originals and hundreds of licensed and exclusive titles. One of the most consistent trends we observed in 2020 is that great content transcends geographical barriers. Indian stories are traveling across the globe - 1 out of 5 viewers of Indian Originals are from outside India. Both Four More Shots Please! and Made in Heaven were nominated for the International Emmy Awards, a testimony to local, authentic stories finding a global audience. Our first slate of DTS movies received close to 50% (and sometimes more) viewership for titles in Indian languages from customers outside the home states. Our Bollywood direct-to-service movies were block-buster hits - Gulabo Sitabo and Shakuntala Devi have been our most-watched movies on Prime Video in India as well as the most-watched Hindi/ Bollywood Movie outside India. Localized content not only helps us remain relevant, relatable but eventually also helps in widening audience reach - we also see global shows going deeper in India. We released Parasite with Hindi subs in India and that opened viewership to a whole new audience. We also dubbed some of our popular Global Amazon Originals like Tom Clancy’s Jack Ryan and more recently, the second season of the The Boys in Indian languages, leading to more people discovering and watching these titles. This gives us an insight that customers are ready to watch content that has originated from any part of the world, if the story and the characters resonate with them.”

OTT: The trends to watch out for in 2021

<ul><li>As we enter a new year, we wanted to understand what to expect from the Over-the-top (<keyword id="1245953" type="General" weightage="20" keywordseo="ott" source="Orion">OTT</keyword>) industry in 2022.</li><li>In today's feature, we speak to industry experts who share their thoughts on what this year has in store for us.</li></ul>After 2020 we had hoped that 2021 would bring us some respite from the pandemic. However, things were challenging for a large part of the year. With many of us stuck within the four walls of our house for the most part of the year, OTT platforms sometimes became the only source of entertainment in our lives. Not only did 2021 see the launch of a lot of big-budget originals on various OTT platforms, a lot of movies like Sardar Udham Singh, Mimi and Shershaah launched on these platforms. Content producing companies put their best foot forward and created award-winning shows that won both commercial and critical acclaim. There has been a visible increase in investments in content production, a trend that is here to stay in 2022 as well. A recent joint report by industry body CII and Boston Consulting Group (BCG) stated that the Indian OTT sector is currently in the scaling stage with strong subscription growth and high investment in premium as well as original content. The Indian OTT sector is one of the most competitive amongst emerging markets with over 40 players. While there have been debates about more and more people moving away from TV, Mandeep Kohli, Managing Director and Partner, Boston Consulting Group India states that we are still some time away from that happening at a large scale in India. “The share of traditional media is slowly declining with increased digital adoption but there is still high headroom for penetration with only 54% of Indian households having a pay TV connection compared to more than 70% in China. For many households, TV continues to be the center of the home and a significant part of family time,” said Kohli, Managing Director and Partner, Boston Consulting Group India. The report further stated that the industry is at a scaling stage currently and has the potential to become a $13-15 billion industry by 2030. To understand what the new year has in store for us, we spoke to a few of the most important voices from India’s OTT industry, along with some of the biggest content production houses. Here is what they had to say about what lies ahead: Manish Kalra, Chief Business Officer, <keyword id="6245082" type="General" weightage="20" keywordseo="zee5" source="Orion">ZEE5</keyword> India The already-growing online media and entertainment business received a major boost with the black swan event that the Covid-19 pandemic was, setting a new growth trajectory in the last year. The audience adopted a more digitally advanced way of entertainment, something that went beyond the conventional mediums, leading to mass adoption of OTT platforms which resulted in a surge in both viewership and watch-time. This pandemic-induced growth in demand for quality content led to an increased focus on storytelling across languages leading to the creation of extensive and expansive content libraries. People also became more open to sampling diverse content from different languages and were keener to opt for the living room experience thanks to the increased adoption of connected devices. This growth of the connected devices ecosystem has made OTT a preferred choice not only for personal but also for family consumption. At ZEE5, we have seen a 3X growth in the viewership on connected devices. The rise in power-packed dynamic storytelling and the rise of connected devices has led to the advent of the ‘Home Box Office’ which is a trend that is here to stay. While we grew 200% this year at the back of an aggressive slate of content line-up and hyper-personalization, we aim to make deeper inroads into Indian homes going into 2022. Sameer Nair, CEO, <keyword id="1322450" type="General" weightage="20" keywordseo="applause-entertainment" source="Orion">Applause Entertainment</keyword> <div type="image" title="IMG_8153 (1)" msid="88694220" hostid="261"></div> I believe the biggest emerging trend for the streaming industry in 2022 and beyond is the increasing flattening of the Earth, with both geographical borders and language barriers breaking down as internet connectivity reaches the remotest audiences. Our audiences, both local and global, have become smarter, more perceptive and way more critical; this requires us as Content Creators and Distributors to significantly improve the quality of our storytelling, of our productions and of the consumer experience we offer. Authentic, rooted stories that have a universal appeal can and will breakout to reach audiences globally. The more we collaborate with talent from diverse cultures and geographies, the richer we will become as storytellers. The ‘One Planet One Species Shared Cultures’ is an idea whose time is truly upon us. Divya Dixit, SVP, Marketing &amp; Revenue, <keyword id="4241922" type="General" weightage="20" keywordseo="altbalaji" source="Orion">ALTBalaji</keyword> With the traditional marketing budgets on a decline and digital and influencer marketing taking center stage, there are many trends, however interrelated, that we will see emerging in 2022. The digital audiovisual industry will explode; according to Bain and Company, India's online video user base has increased to more than 350 million people, growing 24% in the last three years. Influencer marketing will rapidly move to include micro-influencers and not just be dependent on Celebrity influencers, thereby also promoting UGC. Video marketing, live streaming will give rise to Social commerce and tier 2 and 3 cities will claim the growth chart curve. With all these interrelated events/trends triggering off, Users will expect personalized experiences which will be offset by deeper integration of ML, which will give rise to AI usage; however, the world of marketers will also see a more focused emerging curve towards Organic retention – CRM, surveys, retention tools, recommendation cycles, SEO, UI/UX as Google continues the stance of stopping 3rd party cookies by end of 2023. Manjit Sachdev- Head – Originals, Voot and Voot Select, Viacom18 Digital Ventures <div type="image" title="Manjit Sachdev _Head Content at VOOT AND VOOT Select" msid="88694240" hostid="261"></div> After an unprecedented 2020, with an acceleration in the growth of OTT platforms, 2021 was a year for creating milestones in curating unique and enthralling stories for the audience. Now as we step into 2022 with hope and resilience, the OTT sector will witness an increase in the demand for personalized and purpose-driven content. Given the increasing competition in the OTT space, staying relevant and purposeful is most critical. Considering the changing realities in today's times, having a purpose-driven story telling approach is the way to go. Content with purpose has the power to travel beyond boundaries, spread values, knowledge and positivity and build deeper engagement with subscribers. This trend will act as a key differentiator in changing behaviours. Megha Tata, Managing Director, South Asia, Discovery, Inc As SVOD continues to grow aggressively, we are seeing an increasing number of audiences now willing to pay for good content. I believe a right combination of compelling content and pricing would be the key in attracting a bigger share of consumers into the SVOD world next year. Also, differentiated programming will add to a player’s competitive advantage in the midst of most mainstream players offering similar content. This is a trend familiar to what we saw even broadcast channels go through. I believe some players will be able to carve out a niche for themselves, while most streaming catalogs will end up resembling each other. Rishi Negi, COO, Banijay Asia 2020 was a game changer for the whole world, we strategized a smooth transition to the streaming era and the year 2021 was about sustaining the positive change and envisioning the prospects of growth. With changing narratives and experimental content taking a lead, along with the fact that the data &amp; streaming charges have dropped, has resulted in the content reaching a much bigger audience. I anticipate the year 2022 to be vibrant with original productions, compelling storytelling and some path-breaking performances. Fighting the content inflation with a wide variety of exceptional chronicles intertwined with existing catalog shows in this post-pandemic world, viewers are streaming more than ever. With nominal data plan and streaming charges, content is reaching even the darkest corner of the world. Considering the pace of content transmission, at Banijay Asia, we have become more aggressive towards producing content that delights the heartland of India. We see a hike in demand for stories which are untold, female centric and with CTV on the rise, we anticipate growing interest in regional unscripted content in 2022. While we have seen this trend kickstart already with our Tamil unscripted show The Survivors as it received unparalleled response from the audience and our hinterland drama Matsya Kaand recently crossed a 100M views on <keyword id="2214311" type="General" weightage="20" keywordseo="mx-player" source="Orion">MX Player</keyword> within a month. These numbers affirm that the trendsmap that we're following leads to a sustainable future. Given these past two years have been a real tester, we have pushed through every possible challenge posed by the virus this year and successfully produced shows for the streaming giants and kept the show running. While we have covered grounds with our scripted, non-scripted, international format adaptation, book adaptations, in the upcoming year, we aim to keep up with our pace and keep reinventing our ways. To sum it up, we are thoroughly looking forward to 2022 to be a year full of exciting and enthralling projects to keep our audiences engaged and invested. Rohit Jain, Managing Director, <keyword id="193261" type="General" weightage="20" keywordseo="Lionsgate" source="Orion">Lionsgate</keyword> South Asia and Networks, Emerging Markets Asia 2022 is going to be an exciting year for OTT players as the content pipeline will be stronger than ever. While the pandemic has leapfrogged growth in terms of viewers and subscription we expect 2022 to further amplify the reach and will witness growth not only in the metros but also in tier II &amp; tier III cities. Today’s viewers are constantly looking for edgy and unique stories. We have always said premium content is the ultimate winner. The OTT industry will have to concentrate on quality content over quantity of content. Siddhartha Roy, COO, Hungama Digital Media The media and entertainment industry has been making rapid strides in the interior of India. Regional markets are becoming the industry’s point of convergence as the digital infrastructure expands across the length and breadth of the country. Content houses and creators are going vocal through local, thereby, making homegrown, high-quality content available at the click of a button. Going further, consumption of entertainment, in addition to audio and video, will be extended to varied mediums, such as gaming. As the Indian online gaming sector is witnessing tremendous growth in 2020 it sets a tone that gaming will be the next big thing. The industry will witness a rapid rise in the use of AI and ML to create a customised and personalised experience for audiences. This makes industry consumer friendly; not just that, it helps in massive consumption and double consumer engagement. Hiren Gada, CEO-Shemaroo Entertainment Ltd <div type="image" title="Hiren Gada, CEO, Shemaroo Entertainment Ltd." msid="88726664" hostid="261"></div> With regional internet penetration growing at a rapid pace, localization of content and OTT apps are going to be one of the emerging trends to look out for. Content that was earlier restricted to just Bollywood and Hollywood is getting extended to other native languages and it is going to play a key role in attracting new consumers and in supporting other industries such as dubbing and subtitling that will further boost the content bank. Other than localization, we will also see content being offered across other segments that include devotional, and kids’ categories. As we see new OTT apps being launched almost every month with multiple paying models, the consumers will have more flexibility and power to make their own choices. With increased smartphone adoption along with affordable data, mobile penetration of the OTT will see more focus. Mobile-centric plans have been introduced by most OTTs today to cater to the Millennials and GenZs who have the hunger to consume content but not the deep pockets to pay. This space will continue to grow with the increased bundling of OTT by telecos. Additionally, the arrival of 5G which is most likely to take off this year will be a game-changer not just for the OTTs but also for the consumers. It will enable faster connectivity, accessibility to content and further enhance the viewing experience with reduced buffering issues, and an uninterrupted real-time streaming experience. Shailesh Kapoor, The Founder &amp; CEO, Ormax Media The last two years have been exceptional for the OTT market in India, aided in no small measure by the lockdowns. As things begin to get back to normal, the question that we will hear a lot more in 2022 is: Where is the next level of OTT growth in India going to come from? The category has grown at an estimated 30-35% in its user base and more than 50% in paid subscriptions over the last two years. But these growth rates are not sustainable in the long run. Platforms will have to look for offerings that are both compelling and distinctive, to get new subscribers in a category that will continue to grow, but at more modest levels of 15-20% per annum. Crossover content, be it Indian (such as Jai Bhim) or foreign (such as Squid Game or Money Heist), will play an important role in this regard. The language barrier has been broken considerably by the OTT medium, and with dubbing and subtitles available in many languages for all major shows and films now, platforms cannot stick to single-language, homogenous offerings anymore. We can expect more language-led experimentation, both in content acquisition and presentation."

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OTT: The trends to watch out for in 2021

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