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At 13, a young Neetu was married off to a mentally challenged man three times her age. The fact that her father-in-law forced himself on her made things worse. 
 
Her decision to walk out of that marriage was met with apprehension from her parents who fearing social stigma married her off a second time. 
 
And, at 14 she became mother to two twins. 
 
For any other girl, that would have been the end. However, for Neetu, this was only the beginning. 
 
Belonging to a poor family, she had to work doubly hard to support her family and she took on many jobs. She's tilled land, worked as a beautician, a maid, a shop clerk and even a self-taught tailor. 
 
"I learned to sew just by unstitching old suits and restitching them back together. I couldn't afford training. I had no money," she says. 
Neetu who only studied till class 7 always had a knack for sports- which started with her high-hurdling over her grandmother’s bushes. She was inspired by wrestling while watching the TV coverage of the international games staged in New Delhi. 
 
 
 
But, being a mother to twin sons meant that she kept aside her dream of becoming an international <a href="http://www.businessinsider.in/searchresult.cms?query=wrestler&amp;sortorder=effectivedate">wrestler</a> for the next two-three years and focused on their needs first. 
 
She couldn’t however stay away for long. 
 
It was a chance encounter with a yoga coach that she believed changed her life. The yoga coach gave her the number of wrestling coach Ziley Singh and Neetu expressed her desire to learn wrestling despite being a mother two. 
 
Singh encouraged her, telling her that if<a href="http://www.businessinsider.in/searchresult.cms?query=mary+kom&amp;sortorder=effectivedate"> Mary Kom</a> can win a medal in the <a href="http://www.businessinsider.in/searchresult.cms?query=olympics&amp;sortorder=effectivedate">Olympics</a> after motherhood, so could she. 
 
This sent her hopes soaring.

	 
	Neetu who took the sport seriously only when she was 17, became a national medalist in the senior category by the time she was 19. And, last year the 21-year-old represented India at the Junior World Championships in Brazil and returned with a silver medal from the National Games held in Kerala as well. 
	 
	Achieving all this at such a young age meant she needed to train with strict discipline. 
	 
	 
	 
	 For over two years, Neetu rose at 3 am, for the bumpy one hour and a half bus ride from her village Bedwa to reach to her gruelling morning workout in the city of <keyword id="49507" type="CITY" weightage="100" keywordseo="rohtak">Rohtak</keyword>, <a href="http://www.businessinsider.in/searchresult.cms?query=haryana&amp;sortorder=effectivedate">Haryana</a>, which is famous for its wrestling tradition. 
	 
	After practice, she would return home to do housework, undertaking another journey back in the afternoon for more drills. Once back, she would help her kids with their homework. 
	 
	Now, Neetu lives in a small room near the gym, which spares herself the long deadly commute back and forth from her village. Her new living arrangement means that she sees her twin sons only on the weekend. According to Neetu, their father and her second husband has been her saviour. 
	 
	 
	"He's given me a new life. He pulled me out of hell and brought me to heaven. I'm able to wrestle because of him. I'm away and we don't have a usual husband-wife relationship. He's made a huge sacrifice," Neetu says. 
	 Her husband Sanjay however wasn’t always supportive. When Neetu first confided in him her dream of being a <keyword id="6373668" type="POSITION" weightage="100" keywordseo="wrestler">wrestler</keyword>, he thought she was crazy. But, as time went on and he saw her passion,. He lent his support and adjusted to his new role as a house-husband. He claims he learnt to do housework by watching her. 
	 
	As the moment, she practice with 25 other young women in the Chhotu Ram Stadium and Wrestling Center twice a day- four hours in the morning and three and a half hours in the afternoon, lunging and contouring her body into impossible positions. 
	 
	The same village elders who were unhappy about her entering the male-dominated akharas gave her a grand welcome last year when she returned home victorious from the National Games. 
	 
	That’s not all. Neetu is also training to qualify for this year’s World Wrestling Championships and is being supported by the Sushil4Sports Foundation, started by wrestler <a href="http://www.businessinsider.in/searchresult.cms?query=sushil+kumar&amp;sortorder=effectivedate">Sushil Kumar</a>, her biggest idol. 
	 
	Imagecredit: Sushil4Sports.com/npr.org/girltalkhq.com

Meet Neetu Sarkar, the child-bride who turned into a champion wrestler

When love is in the air, it only makes sense to take cues from <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> and make this Valentine’s Day all the more special. After all, Bollywood boasts some of the most passionate love stories that not only deserve a toast this season but can also teach you a thing or two when romance prevails over all. So plan a Valentine’s Day @ home this year, snuggle in a blanket with your beloved and embark upon a movie marathon featuring these celebrated love stories. 
 
1. <keyword id="37927" type="ENTERTAINMENT" weightage="100" keywordseo="Dilwale-Dulhaniya-Le-Jayenge">Dilwale Dulhaniya Le Jayenge</keyword> 
This is not a fairy tale romance but a story that is plausible. A rich, spoilt brat falls in love with a reserved, morally strong girl. <keyword id="3858" type="ORGANIZATION" weightage="100" keywordseo="DDLJ">DDLJ</keyword>, as we love to call it, is one of the classic love stories churned out by Brand Bollywood. And how we love it! It established <keyword id="6359862" type="ORGANIZATION" weightage="100" keywordseo="SRK">SRK</keyword> as the king of romance and his chemistry with <keyword id="6354713" type="PERSON" weightage="100" keywordseo="kajol">Kajol</keyword> became a benchmark. Don’t you say… palat (look back, if you love) every time you watch this movie? That’s the magic of love! 
 
2. <keyword id="25822" type="ENTERTAINMENT" weightage="100" keywordseo="Mughal-e-azam">Mughal-e-Azam</keyword> 
Talk about those classic love stories that still grip us and this epic saga will top the list. K Asif’s magnum opus Mughal-e-Azam, which relates the passionate tale of romance between a prince and a courtesan, is the kind of stuff dreams are made of. What more? Watch out for the regal <keyword id="1687" type="PERSON" weightage="100" keywordseo="Dilip-Kumar">Dilip Kumar</keyword> and the stunning <keyword id="27717" type="PERSON" weightage="100" keywordseo="Madhubala">Madhubala</keyword> taking passion to new heights with something as simple as the touch of a feather. 
 
3. <keyword id="37972" type="ENTERTAINMENT" weightage="100" keywordseo="Pyaasa">Pyaasa</keyword> A delicate bond between a disheartened poet and a sympathetic prostitute flourishing in a hostile society lies at the core of this masterpiece by the legendary <keyword id="20722" type="PERSON" weightage="100" keywordseo="Guru-Dutt">Guru Dutt</keyword>. Starring <keyword id="6442163" type="PERSON" weightage="100" keywordseo="Waheeda-Rehman">Waheeda Rehman</keyword>, this tale of love’s triumph inspires every lover. 
 
4. <keyword id="404112" type="ENTERTAINMENT" weightage="100" keywordseo="Kabhie-Kabhie">Kabhie Kabhie</keyword> Late film-maker <keyword id="2238" type="PERSON" weightage="100" keywordseo="Yash-Chopra">Yash Chopra</keyword> wasn’t called the ‘Pasha of Romance’ for nothing. How deeply he did understand the ramblings of the <keyword id="24479" type="ORGANIZATION" weightage="100" keywordseo="heart">heart</keyword> became evident from the way he handled this delicate story of love that transcended generations. Be it Amitabh-Rakhi’s failed love or Shahi-Rakhi’s lovely marriage, Amitabh-Waheeda’s compromised love or Rishi-Neetu’s young romance – Yash Chopra presented each relationship with perfect finesse, making it one of the most popular romantic movies of Bollywood. 
 
5. <keyword id="3596" type="PERSON" weightage="100" keywordseo="Bobby">Bobby</keyword> 
This love story between the bubby Dimple and young Rishi proves that love knows no barrier. Pyaar mein sauda nahi… there’s nothing worldly or selfish in love… declares this rebellious teenage love story that was a rage in its time and launched two of the most successful superstars of Bollywood. 
 
6. <keyword id="167989" type="ENTERTAINMENT" weightage="100" keywordseo="Aandhi">Aandhi</keyword> 
Who says romance is only for the young? Watch Aandhi, Gulzar’s take on love between an estranged couple who rediscovered their feelings after parting ways years ago. <keyword id="55364" type="PERSON" weightage="100" keywordseo="Sanjeev-Kumar">Sanjeev Kumar</keyword> and <keyword id="112471" type="PERSON" weightage="100" keywordseo="Suchitra-Sen">Suchitra Sen</keyword> were remarkable in lead roles – balanced, breathtaking and serene. 
 
7. <keyword id="38574" type="ENTERTAINMENT" weightage="100" keywordseo="Lamhe">Lamhe</keyword> 
This love story made by Yash Chopra was far ahead of its time. One of the finest romantic movies ever made in Bollywood, Lamhe dared to challenge the traditional perception of love. A man falling for both the mother and the daughter was enough to raise many eyebrows. But Chopra’s sensitivity and <keyword id="6354700" type="PERSON" weightage="100" keywordseo="Anil-Kapoor">Anil Kapoor</keyword> and <keyword id="6354580" type="PERSON" weightage="100" keywordseo="Sridevi">Sridevi</keyword>’s top-notch performance made it look perfect. 
 
8. <keyword id="6391814" type="ENTERTAINMENT" weightage="100" keywordseo="Kuch-Kuch-Hota-Hai">Kuch Kuch Hota Hai</keyword> 
This modern-day flick is a tribute to all who have found true love in best friends. Pyar dosti hai… is the simple message even as director <keyword id="3778" type="PERSON" weightage="100" keywordseo="Karan-Johar">Karan Johar</keyword> skilfully weaves a complex tale of love, passion and friendship. 
 
9. <keyword id="310845" type="ENTERTAINMENT" weightage="100" keywordseo="Silsila">Silsila</keyword> This is one of the most fiery love triangles of Bollywood and Yash Chopra managed to pull off the most memorable casting coup of the time. Add to it a plot that depicted the real life tale of this trio and the film had every bit of drama and magic to make it a classic. <keyword id="6357912" type="PERSON" weightage="100" keywordseo="amitabh-bachchan">Amitabh Bachchan</keyword> and <keyword id="182" type="PERSON" weightage="100" keywordseo="Rekha">Rekha</keyword> weaved this complex tale of infidelity with utmost sincerity (pun intended) while <keyword id="777" type="PERSON" weightage="100" keywordseo="jaya">Jaya</keyword> was perfect in her role. 
 
10. <keyword id="37793" type="ENTERTAINMENT" weightage="100" keywordseo="Hum-Dil-De-Chuke-Sanam">Hum Dil De Chuke Sanam</keyword> Sensuality, intensity, passion – every adjective linked to a high-octane love story defined the one between Nandini (<keyword id="6366471" type="PERSON" weightage="100" keywordseo="Aishwarya-Rai">Aishwarya Rai</keyword>) and Sameer (<keyword id="6354583" type="PERSON" weightage="100" keywordseo="Salman-Khan">Salman Khan</keyword>). Her willingness to walk out of her marriage to unite with the love of her life in a foreign land to announcing it to her mother that ‘usne meri aatma ko chua hai’ (he has touched my soul) was a deluge of love.

V-Day Movie Fest: Watch
These 10 Iconic Love Stories Of Bollywood

Bollywood megastar <keyword id="6357912" type="General" weightage="80" keywordseo="amitabh-bachchan" source="Orion">Amitabh Bachchan</keyword> shared an anecdote on how he shot for the song '<keyword id="960025" type="General" weightage="60" keywordseo="saara-zamana" source="Orion">Saara Zamana</keyword>' from his 1981 movie 'Yaarana', and revealed that the lit-costume he wore in the song was his idea. 'Yaarana' was a musical drama film directed by Rakesh Kumar, starring Amitabh Bachchan, Amjad Khan, Neetu Singh, Tanuja, and Kader Khan. The song 'Saara Zamana' was sung by Kishore Kumar. In the episode 28 of the quiz-based reality show '<keyword id="17940" type="General" weightage="50" keywordseo="kaun-banega-crorepati" source="Orion">Kaun Banega Crorepati</keyword>' season 15, host Amitabh Bachchan welcomed Jasnil Kumar from Anwak, Uttar Pradesh to the hot seat. Big B said: "I hope that you win a huge amount as prize money and build a good house for your parents." During a conversation, the contestant said: "When I started watching films, I used to watch many of your films. I still remember them. Your best film is 'Yaarana' according to me. It's based on friendship. It's an amazing movie. I loved it." Replying to Jasnil, Amitabh said: "The music was great, and amazing songs. And one of its songs I asked my producer, to try something different. So, a new stadium was built, in Kolkata. Indoor Stadium. Netaji Subhash stadium. He wanted to shoot it there. And I was wondering how that would be possible. How will we fill a vacant stadium?" "I suggested to spread the word that we're going to shoot here. We shot the song there, with that lit costume. That lit costume was also my-idea. I made a big mistake. I asked the person designing it to use bulbs. And it must glow. He said it's possible. So, when he did it, asked him how he managed it. And he said that the wires are bound at places. And the remaining wire will be connected to the plug and it will glow. So, it's a long story," said Big B. "Let me tell you something. All the dance positions that you, see in that song, my hands going here and there. I'm electrically connected. It's because of the plug. I'm electrically connected and the body was randomly moving. That's how it was. That song from the film 'Yaarana'," he added. 'Kaun Banega Crorepati 15' airs on Sony.

Amitabh Bachchan reveals backstory of the famous 'Saara Zamana' lit-costume in KBC 15

Hyderabad, Apr 20 (): As a precautionary measurefor doctors and nurses involved in COVID-19 treatment, theTelangana government is mulling keeping them in privatehotels at states expenses in case the situation so demands,a senior official said on Monday.Chief Secretary Somesh Kumar has issued ordersappointing a committee comprising three senior IAS officers-Neetu Kumari Prasad, Raghunandan Rao and Lokesh Kumar- towork out details such as number of hotel Srooms required,tariff and facilities required.This is being done as a precautionary measure in caseof relentlessness of the virus spread. The government is ofthe opinion that doctors and nurses as frontline personneltreating coronavirus patients need to be put in a safeenvironment, the official told ."We are preparing a contingency plan.If such asituation arises where we will have a large number ofpatients, we do not want healthcare people to go home asthere will be a risk to their families, the official said.The committee, which has already shortlisted someplaces to keep the doctors and other paramedical staff, isnegotiating with the managements of the hotels, the officialadded.When contacted, Neetu Kumari Prasad refused to sharethe details saying, The report is yet to be submitted to thegovernment.Delhi and Uttar Pradesh governments have alreadyannounced that doctors and other staff treating COVID-19patients would be kept in five-star hotels. GDK http://ptinews.com/images/pti.jpgNVG NVG

T'gana in talks with hotels to house doctors on COVID-19 war

Motihari, Feb 8 () Bihar could be on its way to have a university devoted exclusively to study on fine arts, including music, with the government giving in-principle approval for the Rs 300 crore project. According to noted musician Neetu Kumari Nutan, this was revealed at a meeting, chaired by Deputy Chief Minister Tarkishor Prasad, in the state capital last week wherein distinguished persons from various walks of life were invited to offer their suggestions for the state budget. "I was delighted when Art, Culture and Youth department principal secretary Ravi B Parmar said the upcoming state budget will contain a proposal for the Kala Vishwavidyala," Nutan, a Sangeet Natak Akademi member who was one of the attendees of the meeting, told . The state budget is scheduled to be tabled before the assembly on February 22. "The site for the proposed university will be decided once the budgetary approval is received," a state government source said. Nutan, a doctorate in music, claimed that the announcement was a fruition of her efforts. She has endeavours to restore the pristine glory of Bhojpuri folk music which has of late been associated with sleaze. The musician disclosed that at the pre-budget meeting held last year which was chaired by the then Deputy CM Sushil Kumar Modi who held the post as well as the finance portfolio for nearly a decade and a half, she had submitted a written proposal for setting up a "Kala Vishwavidyalaya". "I contended that such a university will greatly enhance the state's soft power besides being feasible from the point of view of revenue generation. "Serious students of arts from far and wide would be visiting Bihar to pursue their researches just like they throng Prayag Sangeet Samiti and the Chandigarh-based Pracheen Kala Kendra," said Nutan whose many laurels include 'Lokvid Samman', conferred in 2019 by the Prayagraj-based North Central Zonal Centre for Culture (NCZCC), which is controlled by the Union ministry for culture. "In the progress of any country, its cultural wealth plays an intangible but substantial role. My sincere thanks to Sushil Modi and Tarkishor Prasad. I am also thankful to ministers for culture and tourism, Mangal Pandey and Jivesh Kumar respectively, who were among those present at the meeting last week and had shown enthusiasm for the proposed project," the musician added. CORR NAC BDC BDC

Bihar to have university devoted to fine arts; proposal likely in budget

Though anticipated, when it became official that the Melody Queen of India, <keyword id="31278" type="General" weightage="20" keywordseo="Lata-Mangeshkar" source="Orion">Lata Mangeshkar</keyword>, is no longer among us, it hit the collective consciousness of the nation like a sledgehammer. The only consolation was that she may have passed on, but her voice, which moved our hearts and provided succour to our souls for more than seven decades, will forever be with us. Like all inspirational stories, Lataji's early struggle to establish herself in the 1940s is one that we cannot ever forget. In those days, she would take a BEST bus and travel from her south Mumbai home regularly to meet Naushad Ali at his Khar West bungalow or in the studios, hoping for a 'singing break' under the legendary music maker's baton. In the vicious Mumbai monsoon, she would come to Naushad's home, wearing her trademark sari, carrying an umbrella but totally drenched, shivering and barely able to speak, let alone sing. The music director would offer her piping hot tea and cookies to soothe her, but no songs ... yet ... . "I felt her voice was not yet 'ripe' for my style of music," said Naushad, the perfectionist, in a conversation with this writer. He was trying to justify not giving her an early break. "To improve her diction and control over words, I advised her to learn and practice Urdu, which she did ... and finally, she was ready to record for me." The first choices of Naushad were the reigning stalwarts -- Noorjehan, Suraiya, Shamshad Begum, Zohra Ambalewali, to name a few. With time, trained by her father, Dinananth Mangeshkar, Lataji grasped the maestro's advice and got her first major hit -- 'Uthaye Ja Unke Sitam' ('Andaz', 1949) -- composed by her mentor Naushad. With it, she 'arrived' in the film industry. Thereafter, top music directors of the era wooed her, and they included Sachin Dev Burman, Husan Lal-Bhagat Ram (brothers), Ghulam Haider, Sardar Malik, Ghulam Mohammed, Jaidev, Salil Chowdhary, C. Ramchandra, Shankar-Jaikishan (partners), Roshan, Madan Mohan, M. Zahur Khayyam, Kalyanji-Anandji (brothers), Laxmikant-Pyarelal (partners), Sonik-Omi (uncle-nephew), Ravi Kumar Sharma or 'Ravi', Sudhir Phadke, Sajjad Hussain, Usha Khanna, and even A.R. Rahman, Anu Malik, Rajesh Roshan, Anand-Milind and Jatin-Lalit, among the younger crop of baton wielders. Producers and directors vied for Lataji's unique voice and style for their top heroines, especially because she could 'mould' her voice to suit most heroines. Without doubt, she had become the first among women singers, a position that Mohammed Rafi enjoyed among the men. Yet, there was a music director who remained aloof from Lataji -- with haughty pride -- and yet rose to the top echelons of the music industry -- the incomparable O.P. Nayyar. "I found Lata's voice too thin, too shrill, which did not suit my compositions," Nayyar had once said, claiming he was "the only music director who succeeded in Bollywood without Lata's voice". He added: "I needed a more vivacious, richer, healthier voice of, say, Shamshad Begum, Geeta Ghosh-Dutt, Asha Bhosale." One woman singer, Suman Kalyanpur, was blessed with a voice rivalling that of Lataji's, but she was content being in the shadows, yet she thrived on enduring masterpieces composed by some of the music directors. As Lataji's singing style matured under master music directors, her voice helped heroines who acted or danced to her tunes catapult to stardom, such as Madhubala, Meena Kumari, Nargis, Ameeta, Beena Rai, Waheeda Rehman, Vyjayanthimala Bali, Tanuja, Sharmila Tagore, Asha Parekh, Nutan, Saira Bano, Sadhana Shivdasani, Babita Kapoor, Zeenat Aman, Parveen Babi, Hema Malini, Rekha, Sridevi, Neetu Singh, Madhuri Dixit, and many others in the post-1980s, right down to the youngsters, notably, Kajol, Rani Mukherjee and Karisma Kapoor. After the exit of Noorjehan from India and the fading away of other stalwart female singers, by the late 1950s/early 1960s, Lataji was firmly perched on the top of the heap and brooked no nonsense from anyone -- producers, directors, composers, siblings or contemporaries -- attempting to clamber anywhere close to her roost. Bollywood is full of stories of how Lataji ring-fenced her position till the very end, often raising the hackles of her female peers, although male singers, such as Mohammed Rafi, Mukesh, Kishore Kumar, Mahendra Kapoor and Manna Dey (all deceased) and others, chose to maintain a professional rapport with her. Nevertheless, there were tales of how Rafi once bore the brunt of her "other side", or certain composers quivering as she gently declined to sing for them after they allegedly dared to commission some other female singers, for whatever reason. Of course, powerful filmmakers such as Mehboob Khan, Raj Kapoor, Kamal Amrohi, Dev Anand, Shakti Samanta, B.R. Chopra, Yash Chopra and the likes had no time for tantrums. Born on September 28, 1929, as the oldest child of a musically inclined family in Indore (Madhya Pradesh) -- comprising father Dinanath, Lataji, Meena (Khadilkar), Asha (Bhosale), Usha and sole brother Hridaynath -- she was tutored by her dad from the age of five and also acted in his musical stage plays, till death in 1942. Helped by a close family friend, Master Vinayak D. Karnataki, she got a foothold in singing and acting that year with a first Marathi song and a maiden Hindi song in 1943 before shifting to the film industry capital in 1945. In Bombay (now, Mumbai), she learnt classical music and continued singing the odd songs, till her big break with 'Dil Mera Toda, Mujhe Kahinka Na Chhoda' ('Majboor', 1948), with full help from Ghulam Haider, whom she later described as her "godfather". With a colossus such as Noorjehan still around, Lataji continued her with a few more hits -- 'Aayega Aanewala' ('Mahal', 1949) and 'Uthaye Ja Unke Sitam' ('Andaz', 1949), heralding her entry with a bang in big-time Bollywood. Simultaneously, she sang in different Indian languages with aplomb, non-film songs, with her range encompassing classical, tragic, melodious, erotic, melancholic, light, mischievous, depending on the composer, or the heroine, or the song situation. After the seniors passed away or faded out, Lataji sang expertly and easily with the gen next of male singers such as S.P. Balasubramaniam, Amit Kumar, Shabbir Kumar, Nitin Mukesh, Anwar, Udit Narayan and Sonu Nigam, and astounded her listeners with the seemingly "undying" power and youthfulness of her golden voice. Over the decades, she was decorated with a multitude of rewards and honours -- three Padma awards, five Filmfare Awards, the Dadasaheb Phalke Award -- capped by the Bharat Ratna in 2001. More than that, state governments named awards and institutions after her. Lataji sang at prestigious live concerts or charitable events, enthralling global audiences, picked up more overseas accolades, such as France's highest civilian honour, Officer of the Legion of Honour, in 2007, briefly dabbled in high-end merchandise, such as signature jewellery and perfumes, launched a production and music house, and entered into international music collaborations. Death has only removed her physically. The legacies she leaves behind will outlive her for decades. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/business/ecommerce/news/aditya-birla-fashion-retail-d2c-unit-will-sell-ethnic-and-wedding-wear-from-top-designers/articleshow/89347587.cms">Birla has the best wedding suits stacked up and he wants them displayed on your phone</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/stock-market/news/textile-cigarette-metal-and-electric-batteries-sectors-stocks-up-budget-day/articleshow/89346157.cms">Textile, cigarette makers and others sector stocks that rallied since budget speech</a>

You Searched For "Neetu Kumar" and got 7 results

Meet Neetu Sarkar, the child-bride who turned into a champion wrestler

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V-Day Movie Fest: Watch These 10 Iconic Love Stories Of Bollywood

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Amitabh Bachchan reveals backstory of the famous 'Saara Zamana' lit-costume in KBC 15

IANS

T'gana in talks with hotels to house doctors on COVID-19 war

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Bihar to have university devoted to fine arts; proposal likely in budget

PTI

Lata Mangeshkar's over 70-year journey from travelling in BEST bus for singing break in the industry to melody queen of India

IANS

Congress candidate list for Delhi Election 2020, sitting AAP MLA Adarsh Shastri to contest on Congress seat from Dwarka

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