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They say that charity begins at home, but in PK-fame <keyword id="6357860" type="PERSON" weightage="100" keywordseo="Anushka-Sharma">Anushka Sharma</keyword>'s career, boldness has begun at home. In the trailer of her maiden production venture <keyword id="1589411" type="UNKNOWN" weightage="100" keywordseo="NH10">NH10</keyword> that released today, Anushka can be seen sporting a rugged, bloody look with weapons in hand and expletives on tongue. 
 
A few months ago, we reported that Anushka Sharma has become the <a href="http://www.businessinsider.in/Young-Indian-Actors-Who-Turned-Producers/articleshow/35672735.cms">youngest Indian actress</a> to turn a producer with her production house Clean Slate Productions, which she owns with her brother Karnesh. The first movie to be helmed by this sibling duo is NH10, directed by Navdeep Singh and co-produced by Phantom Films. 
 
The trailer of the movie has been launched today, and those who have grown used to of watching Anushka do bubbly, girl-next-door roles will be in for a shock. In the first few scenes, Anushka and her co-star Neil Bhopalam share a nice chemistry and can be seen trying to get out of the traps of some local goons. Playing the leader of the goons is Darshan Kumaar, whom we all remember as Onler, Mary Kom's supportive husband in the bio-pic of the same name. 
 
What has increased our interest in the film is the fierceness that Anushka shows in the latter parts of the trailer. A lady on a vengeance mission, she can be seen carrying an iron rod and a gun to save her skin and get the revenge for the love of her life. 
 
You can watch the trailer here. 
 
 
 
Well, all we need to say is this change was much-needed after the whole <a href="http://www.businessinsider.in/Viewers-Confused-Over-PK-Trending-Both-SupportPK-And-BoycottPK-Tweets/articleshow/45604467.cms">PK controversy</a>, which must have left Anushka wanting for some praise for her portrayal of the journalist Jaggu. 
 
Picture by <a href="https://www.facebook.com/AnushkaSharmaOfficial">Anushka Sharma's Official Facebook Account </a>

Anushka Sheds The Goody Two-Shoes Image For Maiden Production NH10

When it comes to creativity, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has its fair share of geniuses. Even though, time and again, they get blamed for plagiarism, or ‘inspirations’ as they like to call it, we can safely say that the role that these creative people play in Bollywood can never be undermined. 
 The creative makers of <keyword id="565498" type="UNKNOWN" weightage="100" keywordseo="Bollywood-posters">Bollywood posters</keyword> deserve some special mention too. As the year ends, we take a look at the best posters that Bollywood saw this year. 
 
<a href="http://d3bdb3yjvgzhua.cloudfront.net/product/reduced/55b3989b1aae6b152def7cd6-default.jpg">Source</a>

Yearender 2015: Best Bollywood posters

<a href="http://www.businessinsider.in/topic/Bollywood">Bollywood</a>, the staple entertainment diet of thousand of Indians has often been criticized for churning out mindless movies wrapped in item songs placing little or no importance on sensitivity or storytelling; however 2015 has been a year of change for the Hindi film industry. 
 This year, <keyword id="143" type="CITY" weightage="80" keywordseo="Bollywood">Bollywood</keyword> showed us its true potential and demonstrated that it could grow up too by producing movies which ditched the age-old formula of item songs, revealing outfits and over-the-top acting and instead delved into territories unknown. 
 
To sum up, this year Bollywood surprised us and how! 
 
Here’s giving up to the six movies that dared to think out of the box and earned a place in our hearts 
 
Image credit: Indiatimes

BI Year Roundup: Six Bollywood movies that dared to
think out of the box

Even in this age of jet travel and space tourism, highways hold an irresistible charm for travellers out to have an up, close and personal experience of the wide roads stretching ahead for miles, uninterrupted views of a breathtaking landscape, the occasional flyways and the not-so-familiar villages and towns rushing by. It’s even better than chugging along the countryside in a train. You can stop any time you want – to sample some chatpati chaat and a steaming cuppa of chai at a roadside dhaba; to talk to people; to take a dekko at local interests or simply laze an hour or two in shine or rain with the greens around you and the fresh smell of soil floating in the air. 
 
Now that our <a href="http://www.businessinsider.in/Chugging-Up-7-Mesmerising-Mountain-Train-RidesIn-India/articleshow/24288850.cms">train series</a> is over (but we promise to bring you more as soon as new and exotic routes come up), we are back with a more exciting roadmap of <keyword id="168020" type="UNKNOWN" weightage="100" keywordseo="expressways">expressways</keyword> that criss-cross the entire country, connecting the four metros and many of the Tier I cities, and going much beyond the urban landscape. Infrastructure development in India has undergone a sea change over the past few years and the country currently boasts the <keyword id="2034191" type="UNKNOWN" weightage="100" keywordseo="Second-largest-road-network">second largest road network</keyword> in the world, with a road length of over 4,689,842 km, as per 2013 data from the <keyword id="6404450" type="ORGANIZATION" weightage="100" keywordseo="Ministry-of-Road-Transport-and-Highways">Ministry of Road Transport and Highways</keyword>. 
 Starting from FY2012-13, the <keyword id="44734" type="ORGANIZATION" weightage="80" keywordseo="Indian-Government">Indian government</keyword> will be also putting $17 billion over the next five years, being sourced through public-private partnership (<keyword id="6361580" type="COMPANY" weightage="100" keywordseo="PPP">PPP</keyword>) road projects. This will be used by the <keyword id="87432" type="ORGANIZATION" weightage="100" keywordseo="National-Highways-Authority-of-India">National Highways Authority of India</keyword> (<keyword id="49448" type="ORGANIZATION" weightage="100" keywordseo="nhai">NHAI</keyword>) for the planned series of <keyword id="174913" type="ORGANIZATION" weightage="100" keywordseo="BOT">BOT</keyword> (build, operate and transfer) highways. In spite of several bottlenecks, the NHAI has set up impressive targets and aims to develop 20 km/day, in a bid to fast-track the country’s <keyword id="2034194" type="UNKNOWN" weightage="100" keywordseo="Road-network-expansion">road network expansion</keyword>. 
 As of July 2013, <keyword id="6373156" type="ORGANIZATION" weightage="100" keywordseo="National-Highways">national highways</keyword> account for 79,116 km, connecting all major cities and state capitals. Expressways, however, differ a bit in the sense they are controlled-access highways like the <keyword id="610047" type="UNKNOWN" weightage="100" keywordseo="freeways">freeways</keyword> or <keyword id="1333990" type="UNKNOWN" weightage="100" keywordseo="motorways">motorways</keyword> or autobahnen in the US and Europe, essentially designed for high-speed traffic. As of now, most of the expressways in India are 6-8 lane <keyword id="120837" type="UNKNOWN" weightage="100" keywordseo="toll-roads">toll roads</keyword> and cover a total distance of nearly 1,208.19 km. India expects to add another 3,530 km of expressways by 2014 as projects under construction get completed. Another massive programme is also under way to expand the network and the Indian government plans to add an additional 18,637 km of expressways by 2022. 
 So are you ready to emerge on another breath-taking <keyword id="6374782" type="UNKNOWN" weightage="80" keywordseo="journey">journey</keyword> with us, literally a journey of thousand miles and more? We will bring you the super expressways zone-wise – so that you know which route to choose when travelling North or South, East or West. And it will be a beautiful journey as art and cultural critic <keyword id="2034192" type="UNKNOWN" weightage="60" keywordseo="Dave-Hickey">Dave Hickey</keyword> so rightly said – Beauty is and always will be blue skies and open highway. 
 
Image: Wikimedia Commons

8 Super Expressways
In North India That Fulfil Your Need For Speed

India's film industry, often referred to as Bollywood, is renowned for its larger-than-life productions, captivating storytelling, and stellar performances. While male actors have traditionally dominated the limelight, there's a notable shift in the industry's landscape with leading actresses not only delivering powerful performances but also commanding substantial paychecks. In this article, we delve into Bollywood's <keyword id="22037768" type="General" weightage="20" keywordseo="highest-paid-actresses" source="keywords">highest-paid actresses</keyword> list as per IMDB, exploring their remarkable careers, notable contributions to Indian cinema, and the significant impact they've made on audiences worldwide. <table style="border-width: initial; border-style: none;"></colgroup><tbody><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Rank </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Name Of The Actress </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Approx. fee charged per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">1. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Deepika Padukone </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">15cr to 30cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">2. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Kangana Ranaut </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">15cr to 27cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">3. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Priyanka Chopra Jonas </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">15cr to 25cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">4. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Katrina Kaif </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">15cr to 25cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">5. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Alia Bhatt </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">10cr to 20cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">6. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Kareena Kapoor Khan </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">8cr to 18cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">7. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Shraddha Kapoor </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">7cr to 15cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">8. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Vidya Balan </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">8cr to 14cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">9. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Anushka Sharma </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">8cr to 12cr per movie </td></tr><tr><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">10. </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">Aishwarya Rai Bachchan </td><td style="border-left:solid #000000 0.62499975pt;border-right:solid #000000 0.62499975pt;border-bottom:solid #000000 0.62499975pt;border-top:solid #000000 0.62499975pt;vertical-align:top;background-color:#ffffff;padding:8pt 8pt 8pt 8pt;overflow:hidden;overflow-wrap:break-word;">10cr per movie </td></tr></tbody></table> <cmsannotation type="cmsannotation" annotationid="Deepika Padukone" comment="subhead" text="Deepika Padukone">Deepika Padukone</cmsannotation> Known for her versatility and grace, Deepika Padukone commands a fee ranging from 15 crores to 30 crores per movie. Her portrayal of the courageous queen in "Padmaavat" and her endearing character in "Chennai Express" have left an indelible mark on Indian cinema. <cmsannotation type="cmsannotation" annotationid="Kangana Ranaut" comment="subhead" text="Kangana Ranaut">Kangana Ranaut</cmsannotation> A force to be reckoned with, Kangana Ranaut demands between 15 crores to 27 crores per movie. Her portrayal of the feisty Rani in "Queen" and the vivacious Tanu in "Tanu Weds Manu" series has earned her widespread acclaim and adoration. <cmsannotation type="cmsannotation" annotationid="Priyanka Chopra Jonas" comment="subhead" text="Priyanka Chopra Jonas">Priyanka Chopra Jonas</cmsannotation> A global icon, Priyanka Chopra Jonas charges a fee of 15 crores to 25 crores per movie. From her compelling performance in "Bajirao Mastani" to her powerful portrayal of Mary Kom in the biopic, she continues to captivate audiences worldwide. <cmsannotation type="cmsannotation" annotationid="Katrina Kaif" comment="subhead" text="Katrina Kaif">Katrina Kaif</cmsannotation> With her mesmerizing presence and effortless charm, Katrina Kaif earns between 15 crores to 25 crores per movie. Her roles in action-packed blockbusters like "Ek Tha Tiger" and heartfelt dramas like "Jab Tak Hai Jaan" have solidified her status as a leading lady in Bollywood. <cmsannotation type="cmsannotation" annotationid="Alia Bhatt" comment="subhead" text="Alia Bhatt">Alia Bhatt</cmsannotation> The epitome of talent and youthfulness, Alia Bhatt demands a fee ranging from 10 crores to 20 crores per movie. Her nuanced performances in films like "Raazi" and "Gully Boy" showcase her range and depth as an actor, earning her accolades from critics and fans alike. <cmsannotation type="cmsannotation" annotationid="Kareena Kapoor Khan" comment="subhead" text="Kareena Kapoor Khan">Kareena Kapoor Khan</cmsannotation> Regal and charismatic, Kareena Kapoor Khan charges between 8 crores to 18 crores per movie. From her iconic portrayal of Geet in "Jab We Met" to her bold performance in "Veere Di Wedding," she continues to reign supreme as Bollywood's leading lady. <cmsannotation type="cmsannotation" annotationid="Shraddha Kapoor" comment="subhead" text="Shraddha Kapoor">Shraddha Kapoor</cmsannotation> With her girl-next-door charm and versatility, Shraddha Kapoor commands a fee of 7 crores to 15 crores per movie. Her memorable roles in films like "Aashiqui 2" and the horror-comedy "Stree" have won her a special place in the hearts of audiences. <cmsannotation type="cmsannotation" annotationid="Vidya Balan" comment="subhead" text="Vidya Balan">Vidya Balan</cmsannotation> Renowned for her powerhouse performances, Vidya Balan charges between 8 crores to 14 crores per movie. Her transformative roles in movies like "The Dirty Picture" and "Kahaani" have set a new benchmark for excellence in Indian cinema. <cmsannotation type="cmsannotation" annotationid="Anushka Sharma" comment="subhead" text="Anushka Sharma">Anushka Sharma</cmsannotation> A blend of talent and grace, Anushka Sharma demands a fee ranging from 8 crores to 12 crores per movie. From her breakout role in "Rab Ne Bana Di Jodi" to her compelling performance in "NH10," she continues to captivate audiences with her on-screen presence and versatility. <cmsannotation type="cmsannotation" annotationid="Aishwarya Rai Bachchan" comment="subhead" text="Aishwarya Rai Bachchan">Aishwarya Rai Bachchan</cmsannotation> A timeless beauty and a powerhouse performer, Aishwarya Rai Bachchan commands a fee of 10 crores per movie. Her illustrious career boasts memorable performances in films like "Devdas" and "Jodhaa Akbar," making her an integral part of Indian cinema's legacy. <cmsannotation type="cmsannotation" annotationid="Frequently asked questions" comment="subhead" text="Frequently asked questions">Frequently asked questions</cmsannotation> 1. Who is currently the highest-paid actress in Bollywood? Deepika Padukone holds the title of the highest-paid actress in Bollywood, commanding a remuneration ranging from 15 crore to 30 crore per movie. 2. What factors contribute to an actress's remuneration in the Indian film industry? An actress's remuneration is influenced by various factors such as her box office success, popularity among audiences, critical acclaim for her performances, demand for her in the industry, and the scale of the movie production. 3. Can you provide examples of some notable works by these top-paid actresses? Certainly! Deepika Padukone is known for her roles in movies like "Padmaavat" and "Chennai Express". Kangana Ranaut has delivered outstanding performances in films like "Queen" and "Tanu Weds Manu". Priyanka Chopra Jonas gained international acclaim for her role in "Quantico" and has starred in Bollywood hits like "Bajirao Mastani". Katrina Kaif is recognized for her roles in "Tiger Zinda Hai" and "Bharat". Alia Bhatt's notable works include "Raazi" and "Gully Boy". SEE ALSO: <a href="https://www.businessinsider.in/thelife/personalities/article/top-10-highest-paid-actors-in-india-in-2024/articleshow/110940817.cms" data-type="tilCustomLink" target="_blank">Top 10 highest-paid actors in India</a> <a href="https://www.businessinsider.in/thelife/personalities/article/top-10-most-richest-women-in-the-world/articleshow/110941545.cms" data-type="tilCustomLink" target="_blank">Top 10 richest women in the world</a>

Top 10 highest-paid actresses in India in 2024

Fourteen people have died and 102 others, including 22 army personnel, were missing after the cloudburst over Lhonak Lake in North <keyword id="48118" type="General" weightage="20" keywordseo="sikkim" source="Orion">Sikkim</keyword> triggered a flash flood in the <keyword id="763269" type="General" weightage="20" keywordseo="teesta-river" source="Orion">Teesta river</keyword> basin, officials said on Thursday. So far, 2,011 people have been rescued, while the calamity that happened on Wednesday affected 22,034 people, the Sikkim State Disaster Management Authority (SSDMA) said in its latest bulletin. The state government has set up 26 relief camps in the four affected districts, it said. A total of 1,025 people are taking shelter in the eight relief camps in <keyword id="83680" type="General" weightage="20" keywordseo="gangtok" source="Orion">Gangtok</keyword> district, while the number of inmates at the 18 other relief camps was not available immediately. The flash flood in the Teesta river, triggered by the cloudburst in Lhonak Lake in North Sikkim, caused accumulation of huge quantity of water, which turned towards Chungthang dam destroying the power infrastructure before moving downstream in spate, flooding towns and villages. The flood destroyed 11 bridges in the state, with eight bridges getting washed away in Mangan district alone. Two bridges were destroyed in Namchi and one in Gangtok. Water pipelines, sewage lines and 277 houses, both kuchcha and concrete, have been destroyed in the four affected districts. Chungthang town bore the maximum brunt of the flood with 80 per cent of it getting severely affected. The NH-10, considered the lifeline of the state, sustained extensive damage at several places. Seven people died in Pakyong district, four people died in Mangan and three persons lost their lives in Gangtok, according to the SSDMA. Among the 102 missing persons, 59 are from Pakyong, including the army personnel. Twenty-two are missing in Gangtok, 16 in Mangan and five people are missing in Namchi. A total of 26 people sustained injuries, the SSDMA said. Defence spokesperson Lt Col Mahendra Rawat said the Border Roads Organisation (BRO) was helping the state in the rescued operations in Chungthang and Mangan, where four critical bridges have been severely damaged. "More than 200 people have been moved to safer areas by the BRO in spite of continuous heavy rainfall and extremely bad weather," he said. "Search and rescue operations for the missing army personnel are still on," he added. About 10,000 people have been affected by the calamity in the Mangan district, while 6,895 people were affected in Pakyong, 2,579 in Namchi and 2,570 people in Gangtok.

Sikkim flash flood: Toll rises to 14, 102 people missing

As many as 43 people, including army <keyword id="6363957" type="General" weightage="20" keywordseo="soldiers" source="Orion">soldiers</keyword> and <keyword id="43791" type="General" weightage="20" keywordseo="civilians" source="Orion">civilians</keyword>, have been reported missing after South Lhonak Lake, situated in North West <keyword id="48118" type="General" weightage="20" keywordseo="sikkim" source="Orion">Sikkim</keyword> experienced a glacial lake outburst and triggered flash floods due to incessant rainfall in the region. Around 3,000-4,000 people were evacuated last night in and around Rangpo and 5 relief camps were also opened in the district, said an official. According to Sikkim District Magistrate, Tashi Chopel, "A lot of buildings and vehicles have been damaged by sludge. There are also reports of loss of lives, with around 20 people missing. We are also hearing about 23 casualties in the army, which needs to be confirmed with them. 3000-4000 people were evacuated last night in and around Rangpo. We have opened 5 relief camps in the district." The heavy <keyword id="154337" type="General" weightage="20" keywordseo="downpour" source="Orion">downpour</keyword> that triggered the lake outburst reportedly damaged over 150 houses in the Industrial Belt (IBM) at Rangpo, on the banks of river Teesta. Following the devastation, an unidentified body was also discovered on Wednesday afternoon in the IBM area. In most of the houses, the lower two floors have been submerged in sediments and made redundant, said the official. Speaking to the media, Pakyong District Magistrate Tashi Chopel informed, "There have been some loss of lives while over 150 houses have been damaged in the IBM area in Rangpo. If we take the stretch between Singtam and Rangpo along NH 10 which falls under Pakyong district, around 150-200 houses could have been damaged by the <keyword id="6568121" type="General" weightage="20" keywordseo="flash-flood" source="Orion">flash flood</keyword>". The District Magistrate further informed that while industries ranging from pharmaceutical to manufacturing units along the banks of the River Teesta have been affected, no reports of damages have been received by the Pakyong District Magistrate. Educational institutions Sikkim Manipal Institute of Technology in Majhitar and Advanced Technical Training Centre in Bardang between Singtam and Rangpo also reported of flash flood entering the premises, with the first floors being inundated, informed Pakyong District Authorities. The students in SMIT were reported to be safe, while students from ATTC have been given permission to go to their homes. There are still some people stuck in the houses in IBM who are now being evacuated by fire services and NDRF. Rangpo has five relief camps which include the Chanatar government school, the hall of Sikkim distilleries, the Tourism Information Centre hall, the housing complex at Majhigaon, and the Mining Government school hall. Councillors from Rangpo Nagar Panchayat along with civil defence have been overseeing the relief camps. Around 300-400 people have reached relief camps so far, by evening all the people from damaged houses will be taken to relief camps, informed Pakyong District Authorities. The South Lhonak Lake, situated in North West Sikkim experienced a glacial lake outburst and triggered flash floods due to incessant rainfall in the region on Wednesday morning. Areas near River Teesta have been put on high alert, said an official. According to the Legislator of Tumin-Lingee Assembly constituency, Sikkim, Ugyen Tshering Gyatso Bhutia, "The South Lhonak lake situated in North West Sikkim experienced an outburst in the early hours of Wednesday morning due to incessant monsoon rainfall. Areas near River Teesta were put on high alert." Giving information about the outburst, the Gangtok District Administration said, "The flash flood made its way through River Teesta sweeping Indreni Bridge in Singtam town, some 30 kilometres from Gangtok. A connecting bridge of the Balutar hamlet was also swept away around 4 am." In the wake of the devastation caused by a cloud burst in Sikkim, Bharatiya Janata Party (BJP) chief Dilli Ram Thapa on Wednesday urged the people of the state to stand together in difficult times and help each other to overcome the destruction. "Several properties have been damaged. We cannot even estimate right now how much devastation has taken place. I request all institutions to support Sikkim," said Thapa adding, "I took stock of the situation in the morning and will do it again. Rescue operations are underway," he assured. "Today a big situation has arisen in front of the people of Sikkim. I request everyone, all the people of Sikkim to stand together in these times and help each other out of this destruction," added the Sikkim BJP chief. On Wednesday, South Lhonak Lake, situated in North West Sikkim witnessed a glacial lake outburst that triggered flash floods accompanied by incessant rainfall in the region. Officials on Wednesday sounded alert for areas near River Teesta. The flowing flash flood made its way through River Teesta sweeping Indreni Bridge in Singtam town, some 30 kilometres from Gangtok informed Gangtok District Administration. Another connecting bridge of Balutar hamlet was also swept away around 4 am. As per information from Mangan District Administration, Chungthang town, some 90 kilometres north of Gangtok, houses the Teesta Stage 3 Dam. Upon high alert, the local residents have been evacuated from the area. "Similarly, the Teesta Stage 5 dam at Dikchu in Mangan district was opened up for water disbursement after a high alert. It is reported that the control room of the dam has been severely damaged," they informed. Many homes near the River Teesta, situated in Gangtok's Singtam have been evacuated. Additionally, temporary relief facilities have been established in the town's Singtam Senior Secondary School, added officials.

Sikkim flash flood: Almost 50 reported missing including army personnel; rescue ops underway

<keyword id="6357103" type="COMPANY" weightage="20" keywordseo="delhi-traffic-police">Delhi Traffic Police</keyword> has issued a fresh notification superseding all previous orders regarding declarations of speed limits on the roads of NCT of <keyword id="66" type="LOCATION" weightage="20" keywordseo="Delhi">Delhi</keyword>. The order shall be published for the information of the general public in the official gazette and by affixing a copy on the notice boards of the office of all District Deputy Commissioner of Police and all Police Stations in Delhi/New Delhi, the notification read. The concerned civic road maintaining agencies shall erect the corresponding informatory sign boards indicating the speed limits at all prominent locations on the road/road stretches in their areas of jurisdiction for guidance and convenience of the road user/general public. This order has come into force with immediate effect from June 8. Unregulated plying of motor vehicles on a high speed on the roads of NCT of Delhi is endangering the life of motorists as well as other road users/commuters and it is necessary to regulate the speed of motor vehicles on the roads of NCT of Delhi for safety of motorists as well as other road users. The notification has been issued by Satyawan Gautam, Deputy Commissioner of Police/Traffic (Modernization), Delhi in exercise of the powers, conferred u/s 28(1) (b) of Delhi Police Act, 1978 read with Rule 9 (1) of the Delhi Control of Vehicular and Other Traffic on Roads and Streets Regulations, 1980 which revises the maximum speed limit (where road condition permits) for various type of motor vehicles on Delhi roads. For cars, jeeps, taxis, cabs, the maximum speed limit is revised to 70 km per hour on NH-48 (Earlier NH-8) from Parade Road/Gurgaon Road Crossing to Delhi Gurgaon Border, DND Flyover - Mayur Vihar Link Road and NH-44 (Earlier NH-1) from <keyword id="2802822" type="COMPANY" weightage="20" keywordseo="Singhu-Border">Singhu Border</keyword> to Sanjay Gandhi Transport Nagar, Noida Toll Road (The straight stretch from Delhi side upto Toll Gates and from the Toll Gate upto the points where curves lasts), Saleemgarh Bypass Road (Ring Road Bypass). Similarly, it was also revised on NH-9 (Earlier NH-24) from Millennium Park to Gazipur Border, NH-9 (Earlier NH-10) from Ghevra Xing to Tikri Border, Northern Access Road from Red Light NSG to T-Point of Northern Access &amp; Central Spine, Central Spine Road from Mahipalpur Chowk to Terminal III, IGI Airport. A maximum speed of 60 km per hour is prescribed on stretches including NH-44 (Earlier NH-1) from Sanjay Gandhi Transport Nagar to Mukarba Chowk, Barapulla Nallah Road from Sarai Kale Khan upto Aurobindo Marg Xing, Ring Road from Chandgi Ram Akhara to Azadpur Flyover via ISBT, Rajghat, <keyword id="187137" type="COMPANY" weightage="20" keywordseo="ITO">ITO</keyword>, Sarai Kale Khan, Ashram Chowk, <keyword id="40458" type="COMPANY" weightage="20" keywordseo="AIIMS">AIIMS</keyword>, DhaulaKuan / Naraina, Punjabi Bagh, Outer Ring Road from Modi Mill Flyover upto Olaf Palme MargNH-8 Xing via Munirka. The speed limit is also revised on Outer Ring Road from District Centre Janakpuri via Peeragarhi, Mukarba Xing via Burari Xing upto Chandgi Ram Akhara, Pushta Road (Marginal Bandh Road) from Noida Border (Chilla Regulator) to New Geeta Colony Grade Separator via Akshardham Flyover, Radisson Road from T-Point Radisson Hotel to Terminal-III, IGI Airport , Terminal-II, IGI Airport Road from T-point of Terminal-II Road and Central Spine to Terminal-II, IGI Airport. A maximum speed for cars of 50 kmph on NH-44 (Earlier NH-1) from Mukarba Chowk to Azadpur Chowk, Ring Road from Azadpur to Chandgi Ram Akhara via Model Town, Kingsway Camp, Mall Road, NH-9 (Earlier NH-10) from Punjabi Bagh to Ghevra Xing, All arterial roads in areas between Ring Road and Outer Ring Road, beyond Outer Ring Road, inside Ring Road and entire Trans Yamuna area (except roads which are specifically mentioned in the table). The lowest limit of 30 kmph is directed for All minor roads inside all Residential Areas / Commercial Markets and service roads / service lanes. SEE ALSO <a target="_blank" class="c-link" href="https://www.businessinsider.in/stock-market/news/yes-bank-suven-pharma-powergrid-and-other-stocks-to-watch-out-for-on-june-11/slidelist/83421259.cms">Yes Bank, Suven Pharma, PowerGrid and other stocks to watch out for on June 11</a> <a target="_blank" class="c-link" href="https://www.businessinsider.in/business/corporates/news/gautam-adani-reportedly-planning-to-launch-new-ipos-adani-airports-and-adani-wilmar/articleshow/83393049.cms">Adani Group reportedly planning to launch IPOs of its airport and food businesses</a> <a target="_blank" class="c-link" href="https://www.businessinsider.in/cryptocurrency/news/more-than-800-arrested-in-16-countries-millions-seized-in-cryptocurrency/articleshow/83371837.cms">Global drug ring busted: More than 800 arrested in 16 countries, millions seized in cryptocurrency</a>

Delhi revises maximum speed limit for motor vehicles

After<a href="http://www.businessinsider.in/The-7-Bollywood-blockbusters-that-made-over-Rs-100-crores-in-2016/articleshow/56116526.cms"> Ae Dil Hai Mushkil</a>, <a href="http://www.businessinsider.in/Meet-Suzy-the-adorable-3-year-old-Salman-Khan-fan-who-bagged-a-role-in-Sultan/articleshow/51981485.cms">Anushka Sharma</a> is back with her next, '<keyword id="3255526" type="UNKNOWN" weightage="100" keywordseo="Phillauri">Phillauri</keyword>', which also marks her second stint as producer. Earlier, Anushka had won rave reviews from the audience and critics alike for acting and producing 'NH10'. 
 
The actress would be looking to recreate that very magic on the big screen with Phillauri, as well. If the trailer is any indication, it wouldn't be wrong to assume that the battle is already half-won. 
 The movie is set in two time periods, and features the actress as a friendly ghost Shashi, who resides in a tree, As luck would have it, <keyword id="293492" type="PERSON" weightage="100" keywordseo="Suraj-Sharma">Suraj Sharma</keyword> (of Life of Pi fame) mistakenly marries her when his family forces him to marry a tree because he's manglik. 
 
From then onwards, Shashi continues to haunt him as she didn't ask for this marriage. But, turns out, it's also because she has some unfinished business left in her love life. 
 
The trailer is unlike anything you've seen in Hindi movies recently recently, and has comedy, love and drama in equal proportions. 
 <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> has also reacted quite favourably to the trailer with <keyword id="1671" type="PERSON" weightage="100" keywordseo="Shah-Rukh-Khan">Shah Rukh Khan</keyword> and <keyword id="3778" type="PERSON" weightage="100" keywordseo="Karan-Johar">Karan Johar</keyword> tweeting about how interesting and fun the film looks. 
 
<blockquote class="twitter-tweet" data-lang="en">
	
		Too too sweet. Main paidaishi bhoot hoon!! <a href="https://t.co/1zSqraPmT9">https://t.co/1zSqraPmT9</a>
	— Shah Rukh Khan (@iamsrk) <a href="https://twitter.com/iamsrk/status/828533726204329984">February 6, 2017</a></blockquote>

<blockquote class="twitter-tweet" data-lang="en">
	
		Considering I'm obsessed with ghosts and keep writing about people marrying trees-this is right up my alley-love the trailer <a href="https://twitter.com/AnushkaSharma">@AnushkaSharma</a> <a href="https://t.co/b9HXrUFURF">https://t.co/b9HXrUFURF</a>
	— Twinkle Khanna (@mrsfunnybones) <a href="https://twitter.com/mrsfunnybones/status/828495810442752000">February 6, 2017</a></blockquote>

<blockquote class="twitter-tweet" data-lang="en">
	
		I LOVE this trailer!!! it tells a story that you want to know all about! <a href="https://twitter.com/hashtag/Phillauri?src=hash">#Phillauri</a> <a href="https://t.co/ZIVyIQ6P41">https://t.co/ZIVyIQ6P41</a> <a href="https://twitter.com/AnushkaSharma">@AnushkaSharma</a> <a href="https://twitter.com/diljitdosanjh">@diljitdosanjh</a>
	— Karan Johar (@karanjohar) <a href="https://twitter.com/karanjohar/status/828482229760380929">February 6, 2017</a></blockquote>
The movie, which also stars <keyword id="1504793" type="PERSON" weightage="100" keywordseo="Diljeet-Dosanjh">Diljeet Dosanjh</keyword>, releases in theatres on March 24. 
 
Have a look at the trailer:

Watch: Anushka Sharma makes you laugh as a friendly ghost in the 'Phillauri' trailer

Crime &amp; thrillers movies always excited me. I used to regularly get my dope by watching Bond movies and other Hollywood crime thrillers, but a part of me always wished only if <keyword id="143" type="CITY" weightage="20" keywordseo="Bollywood">Bollywood</keyword> can churn out some serious stuff in the same genre. The recently launched trailer of <keyword id="25276" type="POSITION" weightage="20" keywordseo="detective">Detective</keyword> Byomkesh Bakshy, starring Sushant Singh Rajput in the lead, surely have given me some hope, but at the same time it (the trailer) also coerced me to think of other most talked-about detective movies of Bollywood. And here comes my list. 
 
<ol>
	<li>
		<keyword id="1876316" type="UNKNOWN" weightage="20" keywordseo="Bobby-Jasoos">Bobby Jasoos</keyword></li>
</ol> <keyword id="23" type="POSITION" weightage="20" keywordseo="Bollywood-actress">Bollywood actress</keyword> Vidya Balan was last seen playing a detective in Bobby Jasoos. Though the movie released with the bang, but Vidya’s <keyword id="43959" type="ENTERTAINMENT" weightage="20" keywordseo="Sherlock-Holmes">Sherlock Holmes</keyword> act couldn’t create much buzz on the Box Office. The movie also stars <keyword id="486750" type="PERSON" weightage="20" keywordseo="Ali-Fazal">Ali Fazal</keyword> in the lead role opposite Vidya. 
 
 
<ol>
	<li value="2">
		Jagga Jasoos</li>
</ol> One of the much-anticipated detective films these days is <keyword id="6357861" type="PERSON" weightage="20" keywordseo="ranbir-kapoor">Ranbir Kapoor</keyword> and Katrina Kaif starrer Jagga Jasoos. According to the buzz, Ranbir will be seen playing a 17-year-old boy in the film. Jagga Jasoos also stars Katrina Kaif and Govinda, who will play Ranbir’s father. 
 
 
<ol>
	<li value="3">
		NH10</li>
</ol> Another <keyword id="24322" type="POSITION" weightage="20" keywordseo="spy">spy</keyword> movie that everyone is looking forward to is Bollywood diva <keyword id="6357860" type="PERSON" weightage="20" keywordseo="Anushka-Sharma">Anushka Sharma</keyword> starrer NH10. The leggy lady has reportedly done some kick ass action in the film directed by Navdeep Singh. 
 
 
<ol>
	<li value="4">
		Thank You</li>
</ol>
A detective movie with a comic angle, Thank You had Bollywood action hero <keyword id="2823" type="PERSON" weightage="20" keywordseo="Akshay-Kumar">Akshay Kumar</keyword> playing a detective in this Anees Bazmee movie. Akshay enacted the role of a <keyword id="2704318" type="UNKNOWN" weightage="20" keywordseo="funny-detective">funny detective</keyword> who is specialised in dealing with extra-marital affairs. 
 
 
<ol>
	<li value="5">
		Baadshah</li>
</ol> High on high-tech gadgetry, Bollywood superstar <keyword id="1671" type="PERSON" weightage="20" keywordseo="Shah-Rukh-Khan">Shah Rukh Khan</keyword> starrer Baadshah was a mash-up of several Hollywood films, including If Looks Could Kill and The Nick of Time. King Khan played a <keyword id="2704317" type="UNKNOWN" weightage="20" keywordseo="cool-detective">cool detective</keyword> in the film; Twinkle Khanna played his love interest. 
 
 
<ol>
	<li value="6">
		<keyword id="79972" type="ENTERTAINMENT" weightage="20" keywordseo="Agent-Vinod">Agent Vinod</keyword></li>
</ol> Saif Ali Khan was seen playing a RAW agent in the film directed by <keyword id="69762" type="PERSON" weightage="20" keywordseo="Sriram-Raghavan">Sriram Raghavan</keyword>. The movie also had <keyword id="2165" type="PERSON" weightage="20" keywordseo="Kareena-Kapoor">Kareena Kapoor</keyword>, who was an ISI agent in this spy thriller. The real-life couple failed to create fireworks and the movie bombed on the Box Office.

Detective Movies Are Bollywood’s New Flavour

If rumours are to be believed, actress <keyword id="6357860" type="PERSON" weightage="100" keywordseo="Anushka-Sharma">Anushka Sharma</keyword> has landed in Sydney to cheer for her love <keyword id="6354486" type="PERSON" weightage="100" keywordseo="Virat-Kohli">Virat Kohli</keyword> as he plays in the <keyword id="63471" type="UNKNOWN" weightage="100" keywordseo="India-vs-Australia">India vs Australia</keyword> semi-final tomorrow. 
 
Before the World Cup started, BCCI had prohibited Indian cricketers from taking their wives and girlfriends (WAGs) along or meet them while they were on the tour. 
 
However, looking at the amazing performance that the boys have shown in the World Cup, having won all the 7 matches played despite the fact that experts didn’t have too many expectations from the team, we are sure that the officials at BCCI must have relaxed their rules. This means that the cricketers would now be allowed to meet their respective partners. 
 
According to some photos doing rounds on the Internet, Anushka Sharma, the lady love of star cricketer Virat Kohli, has landed in Sydney to cheer for him tomorrow, and we all know how well Virat performs when he gets a chance to profess his love for Anushka after every hit he scores. 
 
Both of them recently made news when Virat tweeted his praises for Anushka’s recent release NH10, and called her ‘My Love’, to which she had coyly replied with a “Thank You. SO happy” (sic). 
 
However, just a day after, in the last match played against Bangladesh, the blue-eyed boy couldn’t score too well and got out after scoring a mere 3 runs, earning the wrath of Twitterati and becoming a butt of jokes. Incidentally, the match coincided with the launch of the official trailer of Bombay Velvet, Anushka Sharma’s upcoming movie. 
 
We don't know if the images are actually from Sydney or not, but let’s hope that Kohli manages to score big and along with his team members, takes India to the finals. 
 
The semi-final match would be played at Sydney Cricket Ground against Australia tomorrow, 09:00 IST.

Kohli’s Lady Luck To Shine Tomorrow?

June is at the fag end and we almost have a mid-year report card of Bollywood. Though the year started on a dismal note, it picked up towards May and June. 
 
This year, January was like a drought month and even movies starring big names did not interest the audience. As Arjun Kapoor and Sonakshi Sinha starrer-'Tevar'- failed to take off, even the Horrex (horror + sex) formula did not work out for ‘Alone’ and ‘Khamoshiyan’. 
 
Other movies that released in January and failed to make a mark included Sonam Kapoor-starrer ‘Dolly Ki Doli’, 'Sharafat Gayi Tel Lene', ‘Crazy Cukkad Family’, ‘Hawaizaada’ among others. 
 
The only respite that the Bollywood lovers got was from Akshay Kumar’s ‘Baby’, which also became the first movie of 2015 to enter the Rs 100 crore club. 
 
But the jinx did not end in January as February continued to bring more bad news for the industry. 
 
The big shocker came in the form of ‘Shamitabh’. The movie, starring Amitabh Bachchan and Dhanush, was directed by R Balki, the maker who has given us movies like Pa and Cheeni Kum. 
 
Later in the month, ‘Roy’ released, which recorded a good start but by weekend the movie fizzled out. Most trade pundits pegged the crucial India-Pakistan match at the World Cup as the reason for the drop of sales on Sunday but the movie could not recover much post this phase also because of negative word of mouth. 
 
Thankfully, later in the same month we had movies like ‘Badlapur’ and ‘Dum Laga Ke Haisha’. Both managed to gather decent collections at the Box Office. In fact, ‘Dum Laga Ke Haisha’ was a complete surprise package and managed to pull crowds even in its third week . 
 
March threw a mixed bag as Anushka Sharma starrer 'NH-10' received critical acclaim. April again was a dry month as Bollywood had nothing to offer that could have clicked with the Bolly buffs. 
 
However, Bollywood saw a turnaround in May. It started on a high note with Akshay Kumar starrer ‘Gabbar is Back’, which went to collect Rs 86.55 crore at the Box Office. This was followed by Deepika Padukone, Amitabh Bachchan and Irrfan Khan’s 'Piku', which struck a right chord with the audience and collected Rs 111 crore worldwide. 
 
Later in the month, Kangana Ranaut wowed the audience with her spectacular acting in ‘Tanu Weds Manu Returns’. As per reports, the movie managed to collect Rs 190.87 crore worldwide. Given that the movie was made with Rs 31 crore budget, it stood out and is the most profitable movie of 2015 till date. 
 
But, the disappointment came from ‘Bombay Velvet’. Everybody had high hopes from Ranbir Kapoor’s flick but it fell flat. 
 
The momentum seems to continue with ‘Dil Dhadakne Do’ and ‘ABCD 2’. ‘Dil Dhadakne Do’ has managed Rs 37.05 crore in the first weekend and is holding the fort well. Also ABCD 2, sequel of ABCD, managed to get the biggest opening for 2015 and continues to do a good business over the week. 
 
The later half will see a slew of big- starrer movies such as Salman Khan starrer ‘Bajrangi Bhaijaan’, Vikas Bahl of Queen fame’s ‘Shaandaar’, ‘Singh is Bling’ featuring Akshay Kumar, Nikhil Advani’s ‘Katti Batti’, Aishwarya Rai’s comeback movie ‘Jazbaa’ and also ‘Dilwale’ in which fans will see Shah Rukh Khan and Kajol paired together. In addition, there will also be a third installment of ‘Hate Story’, ‘Hera Pheri’ and ‘Kya Kool Hai Hum’ to look forward to. 
 
Commenting on the movie sentiment of 2015, Komal Nahata, Trade Analyst shared, “It has been a good 2015 so far. Sure there were some upsets in the start of the year but May has been extremely kind and the rest of the year looks really promising." 
 
We hope that the forthcoming movies get the cash ringer buzzing for Bollywood and we continue to see some entertaining movies in the latter half of the year. 
 
(Image: Indiatimes)

Mid-year assessment: It was a roller coaster ride for Bollywood

They say there is no business like the <a href="http://www.businessinsider.in/Mid-year-assessment-It-was-a-roller-coaster-ride-for-Bollywood/articleshow/47830513.cms">movie business</a> and indeed every Friday we have at least one new movie tossed at the audience. And by Sunday, we get to know whether the movie will be a hit, a miss or just an average fare. 
	 
	So far, 2015 has been quite an interesting year from Bollywood’s perspective. Why I say so is because on one hand we had magnanimous opus like Baahubali achieving great success and on the other, there were small budget movies such as <a href="http://www.businessinsider.in/Relive-the-90s-with-Dum-Laga-Ke-Haisha/articleshow/46395043.cms">Dum Laga Ke Haisha</a>, NH10 and Badlapur, that managed to swoon the audiences and the critics. 
	 
	Sequels like Tanu Weds Manu Returns managed to outshine their last offering and then we had Piku that conveyed human emotions in a brilliant way and also got the cash register ringing.
<table border="1" cellpadding="0" cellspacing="0">
	<tbody>
		<tr>
			<td>
				Movie Name</td>
			<td>
				Budget</td>
			<td>
				Earning</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/Dum_Laga_Ke_Haisha">Dum Laga Ke Haisa</a></td>
			<td>
				Rs 15 Crore</td>
			<td>
				Rs 100 Crore</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/Badlapur_(film)">Badlapur</a></td>
			<td>
				Rs 25 Crore</td>
			<td>
				Rs 119 Crore</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/NH10">NH10</a></td>
			<td>
				Rs 13 Crore</td>
			<td>
				Rs 32.1 Crore</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/Tanu_Weds_Manu_Returns">Tanu Weds Manu Returns</a></td>
			<td>
				Rs 30 Crore</td>
			<td>
				Rs 252 Crore</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/Piku">Piku</a></td>
			<td>
				Rs 42 Crore</td>
			<td>
				Rs 141 Crore</td>
		</tr>
		<tr>
			<td>
				<a href="https://en.wikipedia.org/wiki/Baahubali:_The_Beginning">Bahubali: The Beginning</a></td>
			<td>
				Rs 120 Crore</td>
			<td>
				Rs 600 Crore</td>
		</tr>
	</tbody>
</table>

	So should we conclude that the era for clichéd, formula-based movies, is coming to an end? 
	 
	Not really as in 2015, we had movies like Hero, Tevar, Roy, etc that banked on the predictable story line to woo the audience and managed to garner mixed acceptance. 
	 
	But, if we see a larger picture, new concepts with small budgets and strong script are doing well. 
	 
	The success of Dum Laga Ke Haisha, Tanu Weds Manu Returns and last year’s Queen hinted that directors and storytellers should venture with newer concepts to engage and entertain the audience. 
	 
	To this trend, Komal Nahata, trade analyst, said, “I would not like to say that there is a trend shift that is happening. From the past three-four years we have seen some small budget movies doing pretty well. The market for such films is also growing. Earlier they used to do well only in certain multiplexes, then it grew to few cities but now in pockets pan-India, they do well.” 
	 
	While it is true that there are quite a few experimental movies that are being screened, but multiple sources in the industry, on conditions of anonymity, told us that about 60-75% of the movies that go on the floor never see light of the day. 
	 
	 
	 
	A lot of these movies are actually finished products but fail to make it to cinema halls as the distributors are unwilling to buy them or the producer has lost confidence in the movie and does not want to spend more money in promoting them. 
	 
	Despite of the fact that some movies do well in global markets, they are not released in India. The movies that have found place in this list include Peddlers, The Coffin Maker, Dekh Indian Circus, etc. 
	 
	Mind you, not all of these shelved movies have lesser known faces as their star cast. The Coffin Maker stars Naseeruddin Shah while Nawazuddin Siddiqui features in Dekh India Circus. 
	 
	Siddiqui said, “It is rather unfortunate that a lot of content-oriented movies in India are still struggling to get funding in the country and there are a few completed projects that are not able to secure a release. Not just Dekh India Circus, there are a few more of my movies that are currently not released and I have started taking more commercial projects since last year with the hope that if I become a little more known face, it will be easier for my directors and producers to get the pending projects released.” 
	 
	And off-beat movies that managed to secure a release, had to face a tough time in the process. 
	 
	For instance, Shonali Bose’s “Margarita With a Straw”, which has Kalki Koechlin as the leading lady, garnered accolades at Toronto International Film Festival and Koechlin also bagged the best actress award at The Tallinn Black Nights Film Festival in 2014. After much delays, the movie finally released to Indian audience on April 17, 2015.
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	Unfortunately, not all the movies are lucky as this one. There are quite a few of these Bollywoods' lost children that fail to get a screen space in the midst of high-brow glitterati. 
	 
	I managed to see the world premiere of one such movie in the very heart of London’s film world. Being a movie enthusiast, I had heard a lot about London’s prestigious Raindance Film Festival and it was quite a coincidence that I managed to see a Bollywood movie listed as an `official selection’. 
	 
	Curiosity got the better of me and I reached just in the nick of the time to see ‘Peter Gaya Kaam Se’ (PGKS) (aka The Goa Run). The super plush Vue Cinema in Piccadilly Circus was almost full and the first theatrical screening for this lost Bollywood baby was a complete entertainment package. 
	 
	John Owens' action packed adventure tells the story of a motorcycle taxi driver from Goa (Rajeev Khandelwal) who falls in love with Mira, a beautiful and beguiling drug smuggler from London (Lekha Washington). This out and out commercial flick was originally produced by UTV Spotboys but got shelved and largely forgotten during Disneys' protracted takeover of the company. 
	 
	Director John Owen, who has worked in India for many years as one of MTV and Channel [V]’s head honchos, had penned and directed this story. The movie was shot extensively in Goa and took about a month to complete. It turns out that, the Raindance founder Elliot Grove took a personal interest in the film. 
	 
	 
	 
	Says Owen, "Raindance loved the film and were determined to host the world premiere, especially as I am the first Brit to direct a Bollywood film. A fact that makes me very proud. So when Disney finally gave permission I flew over to Mumbai, finished the sound work we had pending at my cost, did the subtitles myself and had a high end digital print made. The quality of the screening was just superb.” 
	 
	Raindance is in its 22nd year and has become one of the world’s premiere film festivals and very highly thought of by the industry itself. 
	 
	Owen adds, "We didn’t have any money to promote the screening so it was all word of mouth and the buzz of social media. People came from all over the country, it was amazing." 
	 
	Ironically, on the very same weekend Disney's Khoobsurat was premiering in the UK and I could see a theatre just across the street in London's Leicester Square showing it. 
	 
	When I put this point across to Owen, he chuckled and said, "It's funny because Shashanka Ghosh and I have been friends since our MTV days. I stayed with him when I was over in Mumbai fixing up the film in September and we joked about him being Disney's loved and me being their unloved child.” 
	 
	Given the response this movie managed to get sans any promotion and that too in London, I was curious to know what plans Owen or Disney have for this movie. Owen shared that some high-flying industry folks were amongst the excited audience and they saw real potential for the film in the UK and the US. 
	 
	No wonder, UK distributors are showing interest in the movie. Even in India PGKS is well-liked amongst industry insiders who were given personal screenings by the director. After all, the film does come with some pedigree. Anurag and Abhinav Kashyap were `creative producers' and UTV’s top producer on the job at the time was the visionary Vikas Bahl (who has given movies such as Chiller Party and Queen). So, what happens now to Peter Gaya Kaam Se? 
	 
	Owen picks on a philosophical note and shares, "It's all about love and timing. PGKS came along at the wrong time in the marriage of UTV and Disney. So, it’s the unwanted child. A bit like how Danny Boyle’s Slumdog Millionaire was for Warner Brothers. Warners’ just didn’t like the film so they let Danny go off and find a new home with Fox Searchlight. Fox loved the film, supported Danny, and made Slumdog a massive box office success. The film industry does not work like a science. Sometimes it comes down to personal taste. When I get depressed about the whole thing I think of Danny and Slumdog and get inspired all over again.” 
	 
	While Owen never had the resources or connections to find buyers for PGKS, on its own, he is looking to crowd funding and other ways to get this movie to be released.
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	It is noteworthy, that UTV Spotboys was the pioneer of small budget, content-oriented movies in India. 
	 
	Khosla Ka Ghosla was one of the first movies in this genre that was produced under UTV Motion Pictures. Later between 2008 and 2009, under the UTV Spotboys banner, they released movies such as Dev D, Oye Lucky Lucky Oye, Welcome to Sajjanpur, A Wednesday, Mumbai Meri Jaan and Aamir. All these movies managed to get a fair share of success at the ticket window. 
	 
	 
	 
	Another coincidence worth pointing out in the case of Peter Gaya Kaam Se is that it went on floor almost at the same time as Paan Singh Tomar. 
	 
	The latter, too, was produced by UTV Spotboys and managed to get a release on March 2, 2012, almost four years after it was complete and it managed to be a box office success largely due to word of mouth. 
	 
	The bigger coincidence is that Paan Singh Tomar, too, was premiered at the 2010 British Film Institute London, almost two years before its domestic release. 
	 
	We spoke to Rucha Pathak on why it was such a challenge to make a movie like Paan Singh Tomar. 
	 
	Pathak was the associate producer of Paan Singh Tomar and Sr. Creative Director at UTV (now Disney India) when this film was being made and is now Head of Creative &amp; Development at Fox Star Studios. 
	 
	“The main challenges we faced while trying to make Paan Singh Tomar was that because it was probably the first time a film like this was being made people did not realise what it was going to be like and it was therefore completely against the trend in those days,” she said. 
	 
	Also we could not help ask her if is it really possible to get any small budget movie out there in the market to which she answered, “It is difficult to release small and medium budget films these days but not impossible. I think if one can find the right marketing budget and the right target audience that you want to reach out to, then it’s possible to release a film. It is really critical these days to make films at the right budget and market films at the right budget. Once that is under control then I believe one can get a film out to reach an audience that it is meant for.” 
	 
	While Pathak emphasised on the budgeting bit, Nahata feels, “Exhibition or the release strategy is very detrimental to the business of content driven movies. The moment there is a big movie coming in, they are thrown out. Most such movies need time for the word of mouth to pick up.” 
	 
	
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The distributors today are looking for instant gratification. They would expect the movie to have 80 to 90% occupancy rates for its release Friday itself. If the movie does not show results by Sunday, then on Monday it is thrown out. This was not really the case earlier. I still remember when Maine Pyaar Kiya released, it had just one cinema hall in Mumbai, later when the word of mouth spread, the movie was given more space and it was a such a huge hit,” shares Ami Shah, co-founder and creative director of IntelliAssist (a company that has handled social media mandates for Bollywood movies). 
 
Indeed, distribution is one big challenge for small budget, content-oriented movies in India. However, Director Onir mentions that it is not the only one. Just to give you a perspective, Onir is an Indian film maker, who has churned out movies such as 'I AM, My Brother Nikhil’ and Bas Ek Pal. He had crowd funded his movie I AM, which released in 2010 and also bagged the national award for the same. 
 
Ask him if given a chance would he again crowd fund a movie or give any other director struggling for funds the same suggestion and he replies, “No it is one thing to make a movie and altogether another to get it to the cinema. Marketing a movie, especially a content-oriented one is a hard job.” 
 
I would agree with his point that it is tough nut to market a movie that does not have bankable stars. Like, Filmistaan, the 2014 movie was an endearing tale of wannabe actor, who gets kidnapped by terrorists and held in the home of a Pakistani who deals in pirated Hindi films. The tale captures how both of them bond over movies. 
 
The trailers of the movie looked very bland and I was not sure whether I would want to waste time watching this movie. Fortunately for me, one of my friend dragged me to this movie and I would admit that it was actually one of the best movies of 2014 that I managed to see and yes it did manage to win a national award as well. 
 
The cost of marketing in itself is quite high as well and it is not just important to buy ad space but also to connect right with your target audience. This is perhaps one lesson that the movie Queen managed to do well and of course the word of mouth helped it consolidate its position over a period of time. 
 
Onir also mentions that the government will have to play a greater role to help protect content-driven cinema in India. “The approach that our government takes is that they treat Bollywood as a business and not art. However, it will have to realize that like any art even movies need a bit of support”. In his opinion, there could be plenty of other avenues where movies can be showcased. 
 
Now talking about television, we have 24-hour movie channels that end up playing same movie almost every weekend. Most TV channels pick up movies that have done well on the box office, so that they don’t have to do much in terms of marketing and yet they can have good TRPs on their so-called “World Television Premiere”. It is a possibility that some of these movies that are left biting the dust, some might be ideal for the TV watching audience but so far these gems are not able to get any real support for this medium too. 
 
With the coming of 4G, it is expected that some of these movies might get a fresh lease of hope. There are producers and directors that are looking for alternative channels to monetize their movies via online ads and pay per view models. Currently none of them has been able to come out with a full proof plan and hence some great marvels of Hindi cinema continue to rot in their graves, while the others in the hands of resilient makers are fighting it hard to get to their audiences.

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