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An FIR has been lodged against actor-turned-BJP leader <keyword id="19913288" type="General" weightage="20" keywordseo="mithun-chakraborty" source="keywords">Mithun Chakraborty</keyword>, following allegations that he delivered a provocative speech during a <keyword id="19894848" type="General" weightage="20" keywordseo="bjp" source="keywords">BJP</keyword> event held in North 24 Parganas district last month. The complaint, filed at Bidhannagar South police station, relates to Chakraborty's remarks at the Eastern Zonal Cultural Centre (EZCC) in Salt Lake on October 27, where Union Home Minister Amit Shah was also in attendance, launching the West Bengal leg of the BJP's membership drive. According to a senior officer from Bidhannagar Police, “We have started an investigation into the case.” Chakraborty, who received the prestigious Dadasaheb Phalke Award earlier this year, was reportedly unavailable for comment. However, BJP state president and Union Minister Sukanta Majumdar decried the FIR, labeling it "vendetta politics." He asserted, "There is nothing provocative in his speech. These are nothing but attempts to intimidate him by using police as a political tool." During his speech on October 27, Chakraborty declared his party's ambitions in West Bengal, proclaiming, "In 2026, the masnad (throne) will be ours, and we will do everything to achieve the goal." He also urged BJP booth-level workers to resist attempts to intimidate BJP voters ahead of the 2026 Assembly elections, alluding to past incidents where voters were allegedly discouraged from supporting the saffron party. Mithun’s message was seen as a direct response to remarks by TMC MLA Humayun Kabir, who had previously made comments during the Lok Sabha elections perceived as communal and targeted toward BJP supporters. As the investigation unfolds, the FIR has amplified the already intense political climate in West Bengal, raising questions about free speech and the use of law enforcement in political conflicts. For now, both Chakraborty’s supporters and critics are awaiting further developments, as the actor’s remarks and the subsequent police action continue to stir debate. (With inputs from agencies)

FIR filed against Mithun Chakraborty for ‘provocative speech’; BJP alleges ‘vendetta politics'

Veteran actor <keyword id="19913288" type="General" weightage="100" keywordseo="Mithun-Chakraborty" source="keywords">Mithun Chakraborty</keyword>, who has left an indelible mark on <keyword id="20060213" type="General" weightage="20" keywordseo="Indian-cinema" source="keywords">Indian cinema</keyword> with iconic roles in films like <keyword id="20344695" type="General" weightage="20" keywordseo="Disco-Dancer" source="keywords">Disco Dancer</keyword>, has been named the recipient of the prestigious <keyword id="19981516" type="General" weightage="20" keywordseo="Dadasaheb-Phalke-Award" source="keywords">Dadasaheb Phalke Award</keyword>. The award, the highest honour in Indian cinema, recognizes Chakraborty’s extraordinary contributions to the industry over several decades. In his reaction, the actor expressed disbelief and deep gratitude, saying, "I never imagined that a boy from the footpath could receive such a big honour." Chakraborty’s journey from humble beginnings in <keyword id="19896626" type="General" weightage="20" keywordseo="Kolkata" source="keywords">Kolkata</keyword> to becoming a celebrated <keyword id="20201560" type="General" weightage="20" keywordseo="Bollywood-star" source="keywords">Bollywood star</keyword> has inspired millions. Speaking about his achievement, he said, "I'm literally dumbfounded, trust me. I can't smile, I can't cry with happiness because a man from literally nowhere, a nobody, made it. This also proves what I always tell my fans and those who aren't financially strong: if I can make it, then you can do it too." Mithun Chakraborty, who is affectionately referred to as 'Mithun Da' by his fans, first made his mark in 1976 with his debut film Mrigayaa, for which he won the National Film Award for Best Actor. His portrayal of a Santhal rebel in the film captivated audiences and set the stage for a stellar career. Over the years, he earned two additional <keyword id="19981513" type="General" weightage="20" keywordseo="National-Film-Awards" source="keywords">National Film Awards</keyword> for Tahader Katha (1992) and Swami Vivekananda (1998), cementing his legacy as one of India's finest actors. The announcement of the Dadasaheb Phalke Award was made by Union Minister <keyword id="19904138" type="General" weightage="20" keywordseo="Ashwini-Vaishnaw" source="keywords">Ashwini Vaishnaw</keyword> on social media, where he praised Mithun Da's "remarkable cinematic journey" and its impact on generations. The award will be formally presented to the actor at the 70th National Film Awards ceremony on October 8, 2024. Prime Minister Narendra Modi also extended his congratulations, calling Mithun a "<keyword id="22805725" type="General" weightage="20" keywordseo="cultural-icon" source="keywords">cultural icon</keyword>" who is "admired across generations for his versatile performances." Beyond his acting prowess, Mithun Chakraborty made a lasting impression on India's music and dance culture with electrifying performances in hits like "I Am a Disco Dancer," "Jimmy Jimmy," and "Super Dancer." These songs, along with his signature dance moves, have become timeless, beloved by fans across the world. In recent years, Mithun Chakraborty continues to take on significant roles, with his most recent appearance being in Vivek Agnihotri's critically acclaimed film <keyword id="20421478" type="General" weightage="20" keywordseo="The-Kashmir-Files" source="keywords">The Kashmir Files</keyword>. Despite his countless accolades and success, Mithun Da remains humble and deeply connected to his roots. As he graciously accepted the Dadasaheb Phalke honour, he dedicated the award to those who have supported him on his incredible journey. "I can only say that I dedicate this award to my family and all my fans around the world," he said in a heartfelt message. For millions of fans and aspiring actors, Mithun Chakraborty’s story is a testament to perseverance, talent, and the belief that dreams, no matter how distant, can come true. (With inputs from agencies)

Mithun Chakraborty on receiving Dadasaheb Phalke: "A boy from the footpath could receive such a big honour"

He was the alt superstar of Bangla cinema in its glory years, the affable Bhadralok icon who crafted a towering stature ironically banking on down-to-earth, believable characters that represented middle-class Bengal. The brand of stardom was in stark contrast to the other shining luminary of contemporary cinema in the state -- Uttam Kumar -- whose position as Mahanayak in the Bengali psyche was primarily cemented in idol worship and mass hysteria. Soumitra Chattopadhyay -- Chatterjee to anglicised India -- answers to the term ‘phenomenon' as absolutely as few actors do, for the sheer ease with which he defied the cliches of image. His stardom was sensational, and yet born out of realism. He was the mascot of the peerless <keyword id="14969" type="PERSON" weightage="20" keywordseo="Satyajit-Ray">Satyajit Ray</keyword>'s oeuvre, having worked with the maestro in 14 films, and yet he scored with the same assuredness in works of contemporary commercial powerhouses as Ajoy Kar and Tarun Mazumdar. He is the Dadasaheb Phalke Award (2012) and Padma Bhushan (2004) recipient who was also honoured with the Legion d'Honneur (2018) in France for his contribution to world cinema. Importantly, Soumitra Chattopadhyay's greatness as a screen icon will survive the test of time in Bengali pop lore because he had something for everyone. For, he was not just Satyajit Ray's Apu. Beyond such a nuanced portrayal, he could also simply become Ray's Feluda and reach out to every audience, eight to 80. It took a Ray to bring to life Soumitra's greatness, and yet the account of their first meeting is a well-known story in Bengal. Ray was looking for his adult Apu in "Apur Sansar", final part of the Apu trilogy that started with "Pather Panchali". A friend introduced Soumitra to the master filmmaker who promptly declared the budding actor looked too old to be Apu, a college student according to his script. Soumitra would eventually bag the role opposite Sharmila Tagore, of course, and the rest is history. Soumitra's cinematic fate is overwhelmingly dictated by the great cinema of Satyajit Ray, so much so the maestro's filmography through his most important phase outlines the actor's career graph. Soumitra made his debut with "Apur Sansar" (1959) and, over the next three decades, would work in Ray projects as "Devi" (1960), "Teen Kanya" (1961), "Abhijan" (1962), "Charulata" (1964), "Kapurush O Mahapurush" (1965), "Aranyer Din Ratri" (1969), "Ashani Sanket" (1973), "Sonar Kella" (1974), "Joy Baba Felunath" (1978), "Hirak Rajar Deshe" (1980), "Ghare Baire" (1984), "Ganashatru" (1989) and "Shakha Proshakha" (1990). It was a filmography that Ray, one of the world's greatest filmmakers ever, shared with his chosen on-screen emissary. But if Ray worked with Soumitra 14 times, almost every major filmmaker the actor collaborated with also tended to repeat him. If anything, beyond underlining his credential as an artiste that fact stands a testimony to his professionalism and disposition as a human being. Consider a few other diversely prolific filmmakers beyond Ray who worked with Soumitra, and you get the picture. Mrinal Sen, another global icon of Bangla cinema of the era, directed Soumitra for the first time in "Punascha" (1961), and then again returned to collaborate with the actor in "Pratinidhi" (1964), "Akash Kusum" (1965), and "Mahaprithibi" (1991). The iconic Tapan Sinha directed him in projects as "Kshudhita Pashan" (1960), "Jhinder Bandi" (1961), "Atanka" (1984) and "Antardhan" (1992). Mainstream titans of his era loved working with the affable Soumitra, too. Asit Sen directed him in "Swayambara" (1961) and Swaralipi (1961), while Ajoy Kar made "Otol Joler Ahoban" (1962), "Saat Pake Baandha" (1963), "Barnali" (1963), "Kaanch Kata Heere" (1965) and "Parineeta" (1969). Tarun Mazumdar directed the actor over the years in "Ektuku Baasha" (1965), "Sansar Simante" (1975), "Ganadevata" (1978), "Agomon" (1988) and "Path O Prasad" (1991). Most of his directors have often spoken about the insatiable passion he had for his craft. It was something that ensured he would stay busy as ever till his last days, essaying character roles with the same enthusiasm with which he executed starring roles in his heydays. His 300-plus film career probably can be explained by his highly adaptable quality as an actor. He was at home working with new-age Bengali filmmakers as Atanu Ghosh ("Mayurakshi"), Suman Ghosh ("Podokkhep", "Peace Haven", "Dwando", "Basu Paribar"), Partha Chakraborty ("Samantaral") and Nandita Roy and Shiboprosad Mukherjee ("Posto"). He did move outside Bengal into Bollywood domain twice. In 1986, he acted opposite Roopa Ganguly in the Hindi short film "Nirupama", based on Tagore's story "Dena Paona". He also had a role in the 2002 release, "Hindustani Sipahi", based on Utpal Dutt's renowned Bangla play "Pherari Fauj". These though were temporary departures. For most parts, his staggering career is based on his Bengali filmography. It is a body of work that has given him recognition beyond the National Award as Best Actor ("Podokkhep"). He also received the Sangeet Natak Akademi Award in 1998. Although his greatness lies in his body of work before the camera, Soumitra did try his hand at filmmaking, too. His directorial effort "Stree Ki Patra", a telefilm based on Rabindranath Tagore's "Streer Patra" released in 1986. The film starred Roopa Ganguly and Usha Ganguly. That the legacy of Bangla cinema's Grand Old Man was established in his lifetime is obvious from the number of GenNow actors who have followed in his footsteps. Young talents in the Bengali film industry of today such as Parambrata Chattopadhyay and Abir Chatterjee have fashioned their careers in the lines of Soumitra, seeking stardom without losing connect with Bengali middle-class realities. These are actors who have carved a niche in what is today known as the multiplex cinema circuit, catering content-driven entertainment of refinement, removed from the cliches of kitsch. It is something Soumitra relished doing all those decades ago.

Soumitra Chatterjee – the journey from being Satyajit Ray’s Apu to one of India’s finest actors

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FIR filed against Mithun Chakraborty for ‘provocative speech’; BJP alleges ‘vendetta politics'

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Mithun Chakraborty on receiving Dadasaheb Phalke: "A boy from the footpath could receive such a big honour"

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Soumitra Chatterjee – the journey from being Satyajit Ray’s Apu to one of India’s finest actors

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