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The Truth About Marissa Mayer: An Unauthorized Biography

German automaker <keyword id="6361865" type="General" weightage="20" keywordseo="Volkswagen" source="Orion">Volkswagen</keyword> will kick off its electrification journey in India with the launch of its electric car ID.4 later this year as part of its global efforts of mass electrification, a senior company official said on Thursday. The company, which unveiled the ID.4, expects the Indian passenger vehicles market to grow 5-7 per cent this year while it is targeting 10-15 per cent growth for itself. "Our first step to the electrification journey in India begins with the ID.4...," Executive Director Sales International Operations, Volkswagen Passenger Cars Michael Mayer said here at the Volkswagen annual brand conference. He said the ID.4 is being brought in as part of the company's global efforts of mass electrification. It will be launched in the Indian market later this year. Globally, VW is leading in the electrification journey, he said, adding, as part of the company's commitment to the Paris Climate Agreement 2030, it is continuing efforts in various spheres, including the development of charging infrastructure that's key to acceptance of EVs, recycling of batteries, digitalisation and connectivity solutions. The company is offering different products from ID.2 to ID.Buzz globally targeting several segments of customers, Mayer said, adding that globally, VW's electric vehicle (EV) sales grew 21 per cent at around 4 lakh units in 2023. "This is not the end of the story. It is our goal to take this success to other markets," Mayer said. However, he added, "This would be a phased approach, wherein we will strengthen our current portfolio on the basis of brand positioning for the market." "India, needless to say, continues to be a key market for Volkswagen. India is a 4 million car market now and is expected to grow 5-7 per cent this year," he asserted. The Indian automotive industry is now ranked third in the world even surpassing Japan, Mayer said, adding, "Who would have thought it ten years back?" He said VW is committed to the Indian market and the company will continue to introduce its premium products over the next few years. Volkswagen Passenger Cars India Brand Director Ashish Gupta said the company's sales grew 8 per cent in 2023. The company had sold around 44,000 units. "Our target this year in 2024 is to increase it by 10-15 per cent," he added. The company will continue to expand its sales and service network to tap opportunities coming from Tier II and Tier III cities. He said the company is targeting to have a presence in 170 cities with 230 sales and pre-owned car touch points along with 150 service centres in 2024. Last year, it had set up 45 sales and service touch points, he said, adding that at present, the company has 193 sales and pre-owned car sales touch points and 145 service centres in 145 cities. SEE ALSO: <a href="https://www.businessinsider.in/tech/mobile/news/motorola-edge-50-pro-to-launch-in-india-on-april-3-everything-we-know-so-far/articleshow/108667275.cms">Motorola Edge 50 Pro to launch in India on April 3 – Everything we know so far</a> <a href="https://www.businessinsider.in/tech/mobile/webstories/realme-narzo-70-pro-5g-vs-iqoo-z9-battle-of-the-under-20000-smartphones/slidelist/108666287.cms">Realme Narzo 70 Pro 5G vs iQOO Z9 – Battle of the under ₹20,000 smartphones</a> <a href="https://www.businessinsider.in/business/auto/news/jsw-group-and-saic-motors-jv-jsw-mg-motor-india-set-to-up-production-to-3-lakh-vehicles-a-year-with-a-new-car-every-3-6-months/articleshow/108647799.cms">JSW Group and SAIC Motor’s JV ‘JSW MG Motor India’ set to up production to 3 lakh vehicles a year with a new car every 3-6 months</a>

Volkswagen to kick off electrification journey in India later this year with ID.4 launch

<ul class="summary-list"><li><keyword id="13384262" type="UNKNOWN" weightage="60" keywordseo="marin-hinkle" source="Orion">Marin Hinkle</keyword> has played Rose Weissman on four seasons of "<keyword id="13384263" type="UNKNOWN" weightage="60" keywordseo="the-marvelous-mrs-maisel" source="Orion">The Marvelous Mrs. Maisel</keyword>."</li><li>Insider recently spoke with the actress about her role as the Weissman family matriarch. </li></ul>If you told Marin Hinkle back in 2017 that Rose Weissman was going to perform stand-up on "<a href="https://www.insider.com/category/the-marvelous-mrs-maisel">The Marvelous Mrs. Maisel</a>," she probably would have been hard-pressed to believe you — and justifiably so. When Hinkle ("Once and Again," "Two and a Half Men") met the Riverside Drive dame on season one of the Emmy-winning series, the character's universe revolved around being proper, pretty, and perfect. Or, at the very least, being perceived as such. But on season four, which premiered on Prime Video in February, it's clear Rose has come a long way since then.She's made peace with her daughter Miriam "Midge" Maisel's divorce, taken a solo jaunt to Paris, relocated to Queens and back, and launched a matchmaking business so successful that her tri-state competitors have threatened war.So when series creator Amy Sherman-Palladino told Hinkle that this Rose was going to perform stand-up on the seventh episode of season four, the actress was still surprised, but slightly less than she would've been five years ago."When I got the news that I was doing it, I think for two nights — I only had the script a couple nights before — I'm not sure I slept because I was way too nervous," the actress, 55, told Insider during a recent phone interview.Below, Hinkle discusses her penultimate season as Rose, reflecting on her full-circle matchmaking career, the stand-up routine that took more than two days to capture, and the anticipatory heartbreak she's nursing ahead of the show's fifth and final season.<div type="image" title="marin hinkle rose weissman the marvelous mrs maisel" height="2453" width="3900" msid="90211727" hostid="261"></div>We kick off season four in 1960, a brand new decade. What excited you about entering this new era as Rose?All of us never were aware until we actually were given the scripts, whether or not we were going to jump time quite a bit.But seeing that it was supposedly half a night later from when we said goodbye to Miriam [on season three], it wasn't a huge mindset change. It's funny because we're like: "1960! We're a new person now!" One thing I did think that they let Rose get influenced in is her clothing. Her clothing shifted a little bit and I love that she's so on top of that. That's a mirror of who she's becoming within her work life.I have a mom who became a lawyer later in her life. She was always wearing dresses. This was in the '70s, so it was a bit later. She let herself, once she became a lawyer, start wearing pants and it changed her whole sense of self and strength. I tried to incorporate that into Rose.Once you saw her in pants, she was like, "I'm taking charge in a new way, and I've got a job. I'm going to make the money, and I'm more of a breadwinner than I've ever been. I'm not taking money from my family anymore, and my husband's not working. Or, if he's working, he's making about two cents at the Village Voice!" Her matchmaking business is so much fun to watch. It's one of my favorite parts of this season.Isn't it funny that it's not a profession that's died? If anything, it's only grown and grown in the years that we've used the internet to be able to do matchmaking. <div type="image" title="marin hinkle rose weissman the marvelous mrs maisel" height="2782" width="3900" msid="90211731" hostid="261"></div>You told <a href="https://www.youtube.com/watch?v=epHixrz97TM">Entertainment Weekly</a> that you used to do some matchmaking yourself. Can you tell me about that? Did Amy Sherman-Palladino know that before writing the script?Amy and Dan [Palladino] didn't know that about my life. I've always been a person who loves incorporating different parts of my life with one another. I get such joy out of seeing one faction, whether it's college or elementary school, merge with my graduate school and merge with my professional life and my family. I had a number of people, particularly when I was in my 20s, who were like, "Isn't there someone?" There's a really extraordinary Broadway director I was working with at the time. He was bemoaning when I was auditioning for him. He was like, "Can't you set me up with a nice Jewish doctor?" I looked at him and was like, "I know one," and he was like, "Well, what are you waiting for?" I actually don't remember if I got the job, but that doesn't matter because I got out of the audition and called my great friend who was a nice, extraordinary Jewish doctor. Kind of like Benjamin was in our show!I matched him up with this really prominent theater director. They called one another pretty quickly and have been together ever since.Wow! What a track record.It's Michael Mayer, the Broadway director who's directing "Funny Girl." He was the one who brought it up, and then his now-husband is someone I knew from Brown. I've done that for a couple friends. <div type="image" title="midge maisel and rose weissman the marvelous mrs maisel" height="2605" width="3900" msid="90211733" hostid="261"></div>At one point this season, Midge (Rachel Brosnahan) tries to do some matchmaking for Susie Myerson (Alex Borstein), just like Rose. Do you think Midge and Rose are more alike than they seem? Ever since that first year, when they showed that she mirrors me when it comes to how she gets ready every night for the next day, I was like, "Look at that! Like mother, like daughter." That was a stylistic choice, but when you think of how they both care about the artistry of the visual and how they enter a space in the most beautiful clothing and the most beautiful hats, it's not an accident. They also have a wit and an edge about them. I do think that she has so much of her father too, this intelligence and her father's goodness of spirit. But her mom has this way of running the show that Midge has too.Season four is at a time when they keep finding themselves in a rotation. Without even noticing it, the two of them are walking the same path.<div type="image" title="the marvelous mrs maisel" height="2182" width="3000" msid="90211734" hostid="261"></div>It's been a journey watching all the characters grow throughout the seasons. I'm wondering, is there any improvisation between the actors on set? I'm not sure Rose has ever been able to say one word that isn't what Amy and Dan had exquisitely come up with. They have not just one, but two script supervisors on set; One who's matching what we do with our physical lives, and the other who's matching the exactitude — like, if the word is "there's," I can't say "there is." There's this panic when you're on set, like, "Oh my god, I have to make sure I do this completely right." There's also a sense of musicality, like a music note that's exactly what you have to play.I have never been able to improv on the show, because what they do is too perfect.You're also dealing with a different time period. There are a lot of nuances that have to be accurate.What's so great about Amy's stuff is the crispness, even in the way we move. When she has us walk down the street, they sometimes put music behind us. It gives you a sense as if you're in a musical, even though they'll pull the music later.Do you have a go-to song to put on when you walk?No, Dan is so versed and skilled in music, as is Amy. They come from a background of deep appreciation for musicals. I have nothing that touches the level of their expertise on that stuff.In fact, often they put something on, and afterward, I'm like, "Who sings that?" They'll be like, "Barbra Streisand" or "Sutton Foster," who they love. It's like, "Oh my god, I've got to go buy that."<div type="image" title="marin hinkle rose weissman the marvelous mrs maisel" height="2600" width="3900" msid="90211735" hostid="261"></div>"The Marvelous Mrs. Maisel" is coming to an end after five seasons. How did you react when you heard the news?I've been a very lucky performer in that I've been on a number of shows that have lasted a bit.This one is heart-wrenching for me because the family is truly like a second family. Maybe that's partially because of COVID. It was a time when people's appreciation for connection was so large. We did a lot of Zooming with one another. I have that ache that happens if you contemplate death. That's a little dramatic.No, I understand!I'm going to have to hold onto Amy and Dan's hands and be like, "You have to promise, even if it's a lie, that we'll do something in five years!"I don't know how I'm going to walk away from these people. I'm just going to imagine that it isn't the end, even though they told us it is. <div type="image" title="coney island the marvelous mrs maisel" height="2751" width="3900" msid="90211738" hostid="261"></div>We'll have to cross our fingers for a reunion. Yeah, I think that's it. I do.There's an episode coming up where Rose has this crazy magical moment where real-life magic happens. My character ends up getting hypnotized and doing a stand-up act like my daughter. They brought us to a theater — and I've done a lot of theater, but I've never done anything that connects to what Rachel or Alex do in real life. I had to memorize something that was a version of what Midge would have done in one of her stand-up acts. I have to channel a little bit. They didn't want me to sound like her or be exactly like her, because it's obviously Rose in a hypnotic state. In the moment I asked the great Rachel Brosnahan, "Can you come on set?" She was there in the audience, but I was like, "Can you come up to the stage and hold my hand?" It was almost like she was a dance choreographer in that moment. It was very moving for me to try and connect to her. We were at the Cherry Lane Theatre, and I had to get on the stage in front of people they wonderfully hired and paid to laugh at me, even though I wasn't always necessarily funny. Hopefully, I was funny enough to make them laugh.<div type="image" title="the marvelous mrs maisel season 4" height="2600" width="3900" msid="90211740" hostid="261"></div>I'm sure it was great. So you wanted to mirror small parts of Midge's act without mimicking her?That's what the storyline was. When I got the news that I was doing it, I think for two nights — I only had the script a couple nights before — I'm not sure I slept because I was way too nervous.When people perform and then forget about an audience, it's a beautiful way to be on stage. But if you're looking out at an audience, the fear factor is so great.How long did it take you to capture that scene?Maybe I should be embarrassed by this, but they gave me a lot of time because they knew it was going to take a lot of time.That's so great.It took two and a half days, which is a long time to shoot one little scene. It was so much fun, and I was sweating profusely. I went up to Rachel afterward, who I love like a daughter, and I said: "Oh my god, I've been in awe of you since the day we started shooting, but my awe levels just surpassed anything I ever thought because that is the scariest thing, to do standup in front of people."<div type="image" title="rose weissman the marvelous mrs maisel" height="2599" width="3900" msid="90211741" hostid="261"></div>Absolutely, and she does such a fantastic job. I'm just excited to see Abe Weissman's face.Abe's face! I make fun of things the way Midge would, and Abe's face is so priceless.When I come out of my state of hypnosis, I have no memory of any of it. Not Marin, Marin remembers! Rose never has a reality check where she knows what she did.Poor Rose! Everybody else knows.If there had been iPhones, I'm sure it would be the most humiliating thing. If she heard what she did, she would be hospitalized. <div type="image" title="abe weissman rose weissman the marvelous mrs maisel" height="2194" width="3900" msid="90211743" hostid="261"></div>That sounds like such a joy to watch. Is there anything you'd like to add?Each year there's different kinds of movement emotionally. There were these times that Rose was making big strides in who she was as more of a feminist. Then she went through days where she was seemingly going backward. Sometimes it's interesting where people are championing her. Like, "Come on, go forth in a way that's like your daughter."It's also amazing that Amy knows that people have grown up in a way — my mother and father are like this, too — where you could push them into the new generation, but there are parts of them that are like, "For a long time, I've been this other way, so let me take a beat."Sometimes I almost want to have a contemporary approach to her where I'm like, "Come on, Rose! Pretend that you can be more liberated and you can accept your daughter." Then you realize that people, if they've been a certain way for this many years, they might be a little stuck.This interview has been edited and condensed for clarity.

'The Marvelous Mrs. Maisel' star Marin Hinkle reveals her stand-up scene took over 2 days to film, and shares more behind-the-scenes stories from season 4

<div class="KonaFilter image-container display-table float_right"><div><div class="image">Neilson Barnard/Getty Images for Tony Awards ProductionsHigh Jackman crashed this morning's nominations.</div></div></div>The 2014 <a href="http://www.tonyawards.com/index.html" target="_blank">Tony Awards nominations</a> were announced on Tuesday morning by actors Lucy Liu and Jonathan Groff, with Hugh Jackman crashing the ceremony.
A few TV stars were nominated, including Bryan Cranston for "All The Way" and Neil Patrick Harris for "Hedwig and the Angry Inch."
"A Gentleman's Guide to Love &amp; Murder" leads the pack with 10 nods, followed by "Hedwig and the Angry Inch" with 8 nominations.
The Tonys will air on June 8 on CBS.
Check out the list of nominees below:
Best Play
Act One All the Way Casa Valentina Mothers and Sons Outside Mullingar
Best Musical
After Midnight Aladdin Beautiful A Gentleman's Guide to Love and Murder
Best Revival of a Play
The Cripple of Inishmaan The Glass Menagerie A Raisin in the Sun Twelfth Night
Best Revival of a Musical
Hedwig and the Angry Inch Les Miserables Violet
Best Performance by an Actor in a Leading Role in a Play
Samuel Barnett- Twelfth Night Bryan Cranston- All the Way Chris O'Dowd- Of Mice and Men Mark Rylance- Richard III Tony Shalhoub- Act One
Best Performance by an Actress in a Leading Role in a Play
Audra McDonald- Lady Day at Emerson's Bar &amp; Gril Tyne Daly- Mothers and Sons Estelle Parsons- The Velocity of Autumn LaTanya Richardson Jackson- A Raisin in the Sun Cherry Jones- The Glass Menagerie
<div class="KonaFilter image-container display-table float_right"><div><div class="image">Mike Pont/Getty ImagesNeil Patrick Harris, who stars in "Hedwig and the Angry Inch," is nominated for Best Actor in a Musical.</div></div></div>
Best Performance by an Actor in a Leading Role in a Musical
Ramin Karimloo- Les Miserables Neil Patrick Harris- Hedwig and the Angry Inch Jefferson Mays- A Gentleman's Guide to Love &amp; Murder Bryce Pinkham- A Gentleman's Guide to Love &amp; Murder Andy Karl- Rocky
Best Performance by an Actress in a Leading Role in a Musical
Idina Menzel- If/Then Mary Bridget Davis - A Night with Janice Joplin Jessie Mueller- Beautiful: The Carole King Musical Kelli O'Hara- The Bridges of Madison County Sutton Foster- Violet
Best Performance by a Featured Actor in a Play Reed Birney- Casa Valentina Paul Chahidi- Twelfth Night Stephen Fry- Twelfth Night Mark Rylance- Twelfth Night Brian Jacob Smith- The Glass Menagier
Best Performance by a Featured Actor in a Play Sarah Green- The Cripple of Inishmaan Celia Keenan-Bolger- The Glass Menagerie Sophie Okonedo- A Raisin in the Sun Mare Winningham- Casa Valentina Anika Noni Rose- A Raisin in the Sun
Best Book of a Musical
Chad Beguelin - Aladdin Douglas McGrath - Beautiful Woody Allen - Bullets Over Broadway Robert L Freedman - A Gentleman's Guide to Love and Murder
Best Score
Jason Robert Brown- The Bridges of Madison County Tom Kitt and Brian Yorkey- If/Then Steven Lutvak and Robert L. Freedman- A Gentleman's Guide to Love &amp; Murder Alan Menken and Chad Beguelin- Aladdin
Best Director of a Musical Warren Carlyle- After Midnight Michael Mayer- Hedwig and the Angry Inch Leigh Silverman- Violet Darko Tresnjak- A Gentleman's Guide to Love &amp; Murder
Best Director of a Play Tim Carroll- Twelfth Night Michael Grandage- The Cripple of Inishmaan Kenny Leon- A Raisin in the Sun John Tiffany- The Glass Menagerie
Best Book of a Musical
Aladdin- Chad Beguelin Beautiful - The Carole King Musical - Douglas McGrath Bullets Over Broadway- Woody Allen A Gentleman's Guide to Love &amp; Murder- Robert L. Freedman
Best Original Score (Music and/or Lyrics) Written for the Theatre
Aladdin- Music: Alan Menken, Lyrics: Howard Ashman, Tim Rice and Chad Beguelin The Bridges of Madison County- Music &amp; Lyrics: Jason Robert Brown A Gentleman's Guide to Love &amp; Murder- Music: Steven Lutvak, Lyrics: Robert L. Freedman &amp; Steven Lutvak If/Then- Music: Tom Kitt, Lyrics: Brian Yorkey Best Performance by an Actor in a Leading Role in a Play
Samuel Barnett, Twelfth Night Bryan Cranston, All The Way Chris O'Dowd, Of Mice and Men Mark Rylance, Richard III Tony Shalhoub, Act One Best Performance by an Actress in a Leading Role in a Play
Tyne Daly, Mothers and Sons LaTanya Richardson Jackson, A Raisin in the Sun Cherry Jones, The Glass Menagerie Audra McDonald, Lady Day at Emerson's Bar &amp; Grill Estelle Parsons, The Velocity of Autumn Best Performance by an Actor in a Leading Role in a Musical
Neil Patrick Harris, Hedwig and the Angry Inch Ramin Karimloo, LES MISERABLES Andy Karl, Rocky Jefferson Mays, A Gentleman's Guide to Love &amp; Murder Bryce Pinkham, A Gentleman's Guide to Love &amp; Murder Best Performance by an Actress in a Leading Role in a Musical
Mary Bridget Davies, A Night with Janis Joplin Sutton Foster, Violet Idina Menzel, If/Then Jessie Mueller, Beautiful - The Carole King Musical Kelli O'Hara, The Bridges of Madison County Best Performance by an Actor in a Featured Role in a Play
Reed Birney, Casa Valentina Paul Chahidi, Twelfth Night Stephen Fry, Twelfth Night Mark Rylance, Twelfth Night Brian J. Smith, The Glass Menagerie Best Performance by an Actress in a Featured Role in a Play
Sarah Greene, The Cripple of Inishmaan Celia Keenan-Bolger, The Glass Menagerie Sophie Okonedo, A Raisin in the Sun Anika Noni Rose, A Raisin in the Sun Mare Winningham, Casa Valentina Best Performance by an Actor in a Featured Role in a Musical
Danny Burstein, Cabaret Nick Cordero, Bullets Over Broadway Joshua Henry, Violet James Monroe Iglehart, Aladdin Jarrod Spector, Beautiful - The Carole King Musical Best Performance by an Actress in a Featured Role in a Musical
Linda Emond, Cabaret Lena Hall, Hedwig and the Angry Inch Anika Larsen, Beautiful - The Carole King Musical Adriane Lenox, After Midnight Lauren Worsham, A Gentleman's Guide to Love &amp; Murder Best Scenic Design of a Play
Beowulf Boritt, Act One Bob Crowley, The Glass Menagerie Es Devlin, Machinal Christopher Oram, The Cripple of Inishmaan Best Scenic Design of a Musical
Christopher Barreca, Rocky Julian Crouch, Hedwig and the Angry Inch Alexander Dodge, A Gentleman's Guide to Love &amp; Murder Santo Loquasto, Bullets Over Broadway Best Costume Design of a Play
Jane Greenwood, Act One Michael Krass, Machinal Rita Ryack, Casa Valentina Jenny Tiramani, Twelfth Night Best Costume Design of a Musical
Linda Cho, A Gentleman's Guide to Love &amp; Murder William Ivey Long, Bullets Over Broadway Arianne Phillips, Hedwig and the Angry Inch Isabel Toledo, After Midnight Best Lighting Design of a Play
Paule Constable, The Cripple of Inishmaan Jane Cox, Machinal Natasha Katz, The Glass Menagerie Japhy Weideman, Of Mice and Men Best Lighting Design of a Musical
Kevin Adams, Hedwig and the Angry Inch Christopher Akerlind, Rocky Howell Binkley, After Midnight Donald Holder, The Bridges of Madison County Best Sound Design of a Play
Alex Baranowski, The Cripple of Inishmaan Steve Canyon Kennedy, Lady Day at Emerson's Bar &amp; Grill Dan Moses Schreier, Act One Matt Tierney, Machinal Best Sound Design of a Musical
Peter Hylenski, After Midnight Tim O'Heir, Hedwig and the Angry Inch Mick Potter, LES MISERABLES Brian Ronan, Beautiful - The Carole King Musical
Best Direction of a Play
Tim Carroll, Twelfth Night Michael Grandage, The Cripple of Inishmaan Kenny Leon, A Raisin in the Sun John Tiffany, The Glass Menagerie Best Direction of a Musical
Warren Carlyle, After Midnight Michael Mayer, Hedwig and the Angry Inch Leigh Silverman, Violet Darko Tresnjak, A Gentleman's Guide to Love &amp; Murder Best Choreography
Warren Carlyle, After Midnight Steven Hoggett &amp; Kelly Devine, Rocky Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway
Best Orchestrations
Doug Besterman, Bullets Over Broadway Jason Robert Brown, The Bridges of Madison County Steve Sidwell, Beautiful - The Carole King Musical Jonathan Tunick, A Gentleman's Guide to Love &amp; Murder
Recipients of Awards and Honors in Non-competitive Categories
Special Tony Award for Lifetime Achievement in the Theatre - Jane Greenwood
Regional Theatre Award - Signature Theatre, New York, N.Y.
Isabelle Stevenson Award - Rosie O'Donnell
Tony Honors for Excellence in the Theatre - Joseph P. Benincasa, Joan Marcus, Charlotte Wilcox

'Hedwig And The Angry Inch' And 'A Gentleman's Guide To Love & Murder' Lead Tony Award Nominations

<div class="KonaFilter image-container display-table"><div><div class="image">Theo Wargo/Getty Images</div></div></div>The 68th annual Tony Awards aired live on Sunday on CBS, celebrating the best of Broadway. 
TV stars Bryan Crantson and Neil Patrick won their first stage awards, while Audra McDonald had a record-breaking sixth win for "Lady Day at Emerson's Bar and Grill."
Cranston's "All the Way" won for best play, while "A Gentleman's Guide to Love and Murder" received the award for best musical. 
See who else took home the top awards below (<a href="http://variety.com/2014/legit/news/tony-award-winners-2014-tonys-winner-list-1201215961/" target="_blank">via Variety</a>):
Best Play "Act One" "All the Way" "Casa Valentine" "Mothers and Sons" "Outside Mullingar"
Best Musical "After Midnight" "Aladdin" "Beautiful - The Carole King Musical" "A Gentleman's Guide to Love &amp; Murder"
Best Revival of a Play "The Cripple of Inishmaan" "The Glass Menagerie" "A Raisin in the Sun" "Twelfth Night"
Best Revival of a Musical "Hedwig and the Angry Inch" "Les Misérables" "Violet"
Best Book of a Musical "Aladdin" "Beautiful - The Carole King Musical" "Bullets Over Broadway" "A Gentleman's Guide to Love &amp; Murder"
Best Original Score (Music and/or Lyrics) Written for the Theatre "Aladdin" "The Bridges of Madison County" "A Gentleman's Guide to Love &amp; Murder" "If/Then"
Best Performance by an Actor in a Leading Role in a Play Samuel Barnett, "Twelfth Night" Bryan Cranston, "All the Way" Mark Rylance, "Richard III" Chris O'Dowd, "Of Mice and Men" Tony Shalhoub, "Act One"
Best Performance by an Actress in a Leading Role in a Play Tyne Daly, "Mothers and Sons" LaTanya Richardson Jackson, "A Raisin in the Sun" Cherry Jones, "The Glass Menagerie" Audra McDonald, "Lady Day at Emerson's Bar &amp; Grill" Estelle Parsons, "The Velocity of Autumn"<a href="http://variety.com/2014/legit/news/tony-awards-red-carpet-1201216091/"> </a>
Best Performance by an Actor in a Leading Role in a Musical Neil Patrick Harris, "Hedwig and the Angry Inch" Ramin Karimloo, "Les Misérables" Andy Karl, "Rocky" Jefferson Mays, "A Gentleman's Guide to Love &amp; Murder" Bryce Pinkham, "A Gentleman's Guide to Love &amp; Murder"
Best Performance by an Actress in a Leading Role in a Musical Mary Bridget Davies, "A Night With Janis Joplin" Sutton Foster, "Violet" Idina Menzel, "If/Then" Jessie Mueller, "Beautiful - The Carole King Musical" Kelli O'Hara, "The Bridges of Madison County"
Best Performance by an Actor in a Featured Role in a Play Reed Birney, "Casa Valentina" Paul Chahidi, "Twelfth Night" Stephen Fry, "Twelfth Night" Mark Rylance, "Twelfth Night" Brian J. Smith, "The Glass Menagerie"
Best Performance by an Actress in a Featured Role in a Play Sarah Greene, "The Cripple of Inishmaan" Celia Keenan-Bolger, "The Glass Menagerie" Sophie Okonedo, "A Raisin in the Sun" Anika Noni Rose, "A Raisin in the Sun" Mare Winningham, "Casa Valentina"
Best Performance by an Actor in a Featured Role in a Musical Danny Burstein, "Cabaret" Nick Cordero, "Bullets Over Broadway" Joshua Henry, "Violet" James Monroe Iglehart, "Aladdin" Jarrod Spector, "Beautiful - The Carole King Musical"
Best Performance by an Actress in a Featured Role in a Musical Linda Emond, "Cabaret" Lena Hall, "Hedwig and the Angry Inch" Anika Larsen, "Beautiful - The Carole King Musical" Adriane Lenox, "After Midnight" Lauren Worsham, "A Gentleman's Guide to Love &amp; Murder"
Best Scenic Design of a Play Beowulf Boritt, "Act One" Bob Crowley, "The Glass Menagerie" Es Devlin, "Machinal" Christopher Oram, "The Cripple of Inishmaan"
Best Scenic Design of a Musical Christopher Barreca, "Rocky" Julian Crouch, "Hedwig and the Angry Inch" Alexander Dodge, "A Gentleman's Guide to Love &amp; Murder" Santo Loquasto, "Bullets Over Broadway"
Best Costume Design of a Play Jane Greenwood, "Act One" Michael Krass, "Machinal" Rita Ryack, "Casa Valentina" Jenny Tiramani, "Twelfth Night"
Best Costume Design of a Musical Linda Cho, "A Gentleman's Guide to Love &amp; Murder" William Ivey Long, "Bullets Over Broadway" Arianne Phillips, "Hedwig and the Angry Inch" Isabel Toledo, "After Midnight"
Best Lighting Design of a Play Paule Constable, "The Cripple of Inishmaan" Jane Cox, "Machinal" Natasha Katz, "The Glass Menagerie" Japhy Weideman, "Of Mice and Men"
Best Lighting Design of a Musical Kevin Adams, "Hedwig and the Angry Inch" Christopher Akerlind, "Rocky" Howell Binkley, "After Midnight" Donald Holder, "The Bridges of Madison County"
Best Sound Design of a Play Alex Baranowski, "The Cripple of Inishmaan" Steve Canyon Kennedy, "Lady Day at Emerson's Bar &amp; Grill" Dan Moses Schreier, "Act One" Matt Tierney, "Machinal"
Best Sound Design of a Musical Peter Hylenski, "After Midnight" Tim O'Heir, "Hedwig and the Angry Inch" Mick Potter, "Les Misérables" Brian Ronan, "Beautiful - The Carole King Musical"
Best Direction of a Play Tim Carroll, "Twelfth Night" Michael Grandage, "The Cripple of Inishmaan" Kenny Leon, "A Raisin in the Sun" John Tiffany, "The Glass Menagerie"
Best Direction of a Musical Warren Carlyle, "After Midnight" Michael Mayer, "Hedwig and the Angry Inch" Leigh Silverman, "Violet" Darko Tresnjak, "A Gentleman's Guide to Love &amp; Murder"
Best Choreography Warren Carlyle, "After Midnight" Steven Hoggett &amp; Kelly Devine, "Rocky" Casey Nicholaw, "Aladdin" Susan Stroman, "Bullets Over Broadway"
Best Orchestrations Doug Besterman, "Bullets Over Broadway" Jason Robert Brown, "The Bridges of Madison County" Steve Sidwell, Beautiful - "The Carole King Musical" Jonathan Tunick, "A Gentleman's Guide to Love &amp; Murder"

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