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Welcome to another action-crime thriller with big dollops of <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> masala that has earned a decent response at the <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword>. But if you are expecting a movie featuring <keyword id="6354925" type="COMPANY" weightage="100" keywordseo="Kolkata">Kolkata</keyword> in the troubled 70s or a big-time gangster flick that reveals a human core, it will be better to skip <keyword id="6427325" type="UNKNOWN" weightage="100" keywordseo="Gunday">Gunday</keyword>. Directed by <keyword id="6368814" type="PERSON" weightage="100" keywordseo="Ali-Abbas-Zafar">Ali Abbas Zafar</keyword>, this gun-goon-and-gal flick has loads of twists and turns, follows a long-winded <keyword id="1097560" type="UNKNOWN" weightage="100" keywordseo="storyline">storyline</keyword> and stars big names including <keyword id="106133" type="PERSON" weightage="100" keywordseo="Ranveer-Singh">Ranveer Singh</keyword>, <keyword id="114453" type="PERSON" weightage="100" keywordseo="Arjun-Kapoor">Arjun Kapoor</keyword>, <keyword id="1655" type="PERSON" weightage="100" keywordseo="Priyanka-Chopra">Priyanka Chopra</keyword> and <keyword id="16207" type="PERSON" weightage="100" keywordseo="Irrfan-Khan">Irrfan Khan</keyword>. But that’s where its claim to fame should end unless you are ready to ogle some brawn and oomph, a pseudo-historical account of the times and a glimpse of the City of Joy as the background. 
 
Gunday was released on the Valentine’s Day (February 14) and tries hard to explore the <keyword id="1541122" type="UNKNOWN" weightage="100" keywordseo="bromance">bromance</keyword> between the male leads – the <keyword id="1739443" type="PERSON" weightage="100" keywordseo="outlaw">outlaw</keyword> duo of <keyword id="19013" type="PERSON" weightage="100" keywordseo="bikram">Bikram</keyword> (Ranveer) and <keyword id="17684" type="ENTERTAINMENT" weightage="100" keywordseo="Bala">Bala</keyword> (Arjun). While that is commendable to some extent, the contrived love triangle involving Priyanka (<keyword id="70837" type="PERSON" weightage="100" keywordseo="Nandita">Nandita</keyword>) looks scarcely convincing and her main utility seems to be getting the eyeballs. 
 
Yet, the movie has done fairly well at the box office, netting around Rs 43.93 crore at home after the first weekend. Gunday has, however, failed to race past another action thriller, Salman-starrer <a href="http://www.businessinsider.in/Jai-Ho-Salman-FightsThrough-Clichs-Fails-To-Create-A-Dhoom/articleshow/29505187.cms">Jai Ho</a>, which earned around Rs 60 crore in the debut weekend. Overseas collections of Gunday stood at $2.16 million gross. But there was a drop in collection on the crucial Day 4 (February 17) and the movie netted around Rs 6.5 crore as per industry estimates. Still, we are seeing some steady traction and Gunday may soon enter the coveted Rs <keyword id="6567206" type="UNKNOWN" weightage="100" keywordseo="100-crore-club">100 crore club</keyword>. The flick, made on an approximate budget of Rs 50 crore including promotions, has reportedly hit over 2,000 screens across India. 
 
Coming back to the story, let’s have a close look at what makes Gunday kind of unpalatable. Interestingly, <keyword id="2217" type="ENTERTAINMENT" weightage="80" keywordseo="Big-B">Big B</keyword>, who had watched the film at its Mumbai premiere, told the media that it’s “an adrenaline-packed movie.” That’s true and Gunday tries to capture the saga of angry young men who get on the wrong side of the law on their way to a glamorised life of crime. Does it remind you of Deewaar? The broad <keyword id="50138" type="UNKNOWN" weightage="100" keywordseo="Theme">theme</keyword> of Gunday is not unlike that old classic but then, everything else has gone awry – be it storyline, acting, periodicity or dialogues. 
 For one, the entire journey of Bikram and Bala looks patchy. The movie fails to give us a realistic version of the metamorphosis they have undergone – from orphan kids (migrants from <keyword id="6354759" type="COUNTRY" weightage="80" keywordseo="Bangladesh">Bangladesh</keyword>) to big-time coal mafias who are always on the run from the law. But in doing so, Ranveer-Arjun display loads of bromance; get involved in <keyword id="2065117" type="UNKNOWN" weightage="100" keywordseo="Shirtless-fights">shirtless fights</keyword> à la <keyword id="6354583" type="PERSON" weightage="80" keywordseo="Salman-Khan">Salman Khan</keyword>, and show off their biceps &amp; waxed 6-packs (imagine that in the 70s) quite unabashed. Are they the new <keyword id="2065120" type="UNKNOWN" weightage="100" keywordseo="Male-eye-candy">male eye candy</keyword>, we wonder? But more than that, they are the brainless brawn type who can be easily trapped by the cops. 
 The duo duly falls in love with the <keyword id="2065114" type="UNKNOWN" weightage="100" keywordseo="gorgeous-cabaret-dancer">gorgeous cabaret dancer</keyword> Nandita (Priyanka Chopra) who obviously can’t be what she seems. So she turns out to be an <keyword id="2065123" type="ORGANIZATION" weightage="100" keywordseo="Undercover-police">undercover police</keyword> officer, in league with <keyword id="2065121" type="UNKNOWN" weightage="100" keywordseo="ACP-Satyajeet-Sarkar">ACP Satyajeet Sarkar</keyword> (Irrfan Khan). A look at Nandita’s get-up makes us wonder whether Kolkata had ever seen such flamboyant fashion trends during that period. Still, Priyanka is playing the role of a seductress and <keyword id="77110" type="UNKNOWN" weightage="100" keywordseo="Undercover-agent">undercover agent</keyword>. So she must look lethal, even when she is clad in the traditional saree. In contrast, Irrfan does a commendable job and does the voiceover, too. 
 What you may love about this movie is the easy-flowing chemistry between Ranveer and Arjun, some good punch lines and Irrfan’s great acting. But the flick falls flat by the end as clichés abound and not even the suspense ending can save it. Protagonists/anti-heroes of this sort can attain a different height if the storyline and the characters are handled with subtlety and sensitiveness. But <keyword id="303" type="POSITION" weightage="80" keywordseo="Director">director</keyword> Ali Abbas Zafar gives as something as crass and over-the-top as his earlier movie, <keyword id="440305" type="UNKNOWN" weightage="80" keywordseo="Mere-brother-ki-Dulhan">Mere Brother Ki Dulhan</keyword>. And the outcome? As Mohar Basu of Koimoi says, it’s a “sexy show gone dull.” All because talented actors are made to struggle to find their rhythm in a cliché-laden <keyword id="6371619" type="UNKNOWN" weightage="100" keywordseo="plot">plot</keyword>. 
 
Image: Indiatimes

Box Office: Gunday Leaves
You Clueless But Cash Register is Ringing

Mumbai (Maharashtra) [India], August 11 (ANI): 'Jaane Tu... <keyword id="162738" type="General" weightage="50" keywordseo="ya-jaane-na" source="Orion">Ya Jaane Na</keyword>' fame <keyword id="14676" type="General" weightage="80" keywordseo="imran-khan" source="Orion">Imran Khan</keyword>, who quit acting years ago, on Thursday raised speculations around his Bollywood comeback. Taking to Instagram, <keyword id="2136" type="General" weightage="100" keywordseo="imran" source="Orion">Imran</keyword> Khan shared a screenshot of a post he wrote on Threads which reads, "To whom it may concern; I hear you. And I'm working on it. Thank you for being so patient with me." A fan joked that they wanted 'Luck 2'. Imran is not very active on social media and his latest post has raised fans' excitement about his acting comeback. Soon after she shared the post, fans flooded the comment section with red hearts and fire emoticons. "Jaane Tu - 2, I hate luv stories - 2, Break ke baad - 2 pleaseeeeeeee," a fan commented. Another fan wrote, "Laut aao Imran mazak nahi raha ab ye." "Please give us another romcom," a user wrote. Imran made his foray into acting with the hit film '<keyword id="17445" type="General" weightage="50" keywordseo="jaane-tu-ya-jaane-na" source="Orion">Jaane Tu Ya Jaane Na</keyword>' in 2008. The audience was crazy about Imran Khan and he had a lot of female fans in the late 2000s and early 2010s -- all thanks to his charming looks. After featuring in films like 'Kidnap, 'Luck', ' Delhi Belly', 'Mere Brother Ki Dulhan', '<keyword id="18361645" type="General" weightage="50" keywordseo="ekk-main-aur-ekk-tu" source="Orion">Ekk Main Aur Ekk Tu</keyword>', 'Break ke Baad', 'Once Upon A Time in Mumbai Dobaara', and 'I Hate Love Storys' among others, Imran disappeared from the public eye and quit acting. His last release was <keyword id="2218524" type="General" weightage="50" keywordseo="katti-batti" source="Orion">Katti Batti</keyword> in 2015. A few years ago, he was in the news for his marriage with Avantika hitting a rough patch. The two are parents to an 8-year-old daughter Imara. (ANI)

Did Imran Khan confirm his Bollywood comeback?

When love is in the air and Valentine’s Day is just around the corner, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> is bound to come up with a <keyword id="24069" type="UNKNOWN" weightage="100" keywordseo="romantic-comedy">romantic comedy</keyword>. But when ad film-maker <keyword id="1612592" type="PERSON" weightage="100" keywordseo="Vinil-Mathew">Vinil Mathew</keyword>’s directorial debut <keyword id="1520199" type="UNKNOWN" weightage="100" keywordseo="Hasee-Toh-Phasee">Hasee Toh Phasee</keyword> hit the screen a week before <keyword id="4167782" type="UNKNOWN" weightage="100" keywordseo="V-day">V-Day</keyword> (February 7), it turned out to be a better love feast than the run-of-the-mill romances. Much of the credit goes to the lead duo – <keyword id="562349" type="PERSON" weightage="100" keywordseo="Parineeti-Chopra">Parineeti Chopra</keyword> and <keyword id="1320874" type="PERSON" weightage="100" keywordseo="Sidharth-Malhotra">Sidharth Malhotra</keyword> – and the <keyword id="303" type="POSITION" weightage="80" keywordseo="Director">director</keyword>, of course, who tweaked all the usual Bollywood masala into an earthy and sharp reality without stripping the flick of its dream elements. And going by the <keyword id="2034852" type="UNKNOWN" weightage="100" keywordseo="Box-office-numbers">box office numbers</keyword>, we dare say that the audience loves those experiments garbed in the feel-good raiment. In other words, this Parineeti-Sidharth starrer has different offerings at different levels – whether you take it as an arty-commercial experiment or just another love story, with some nuances that can push you out of your comfort zone. 
 So how has the film fared at the box office so far? The Rs 25 crore <keyword id="1636016" type="UNKNOWN" weightage="100" keywordseo="rom-com">rom-com</keyword>, jointly produced by <keyword id="3778" type="PERSON" weightage="100" keywordseo="Karan-Johar">Karan Johar</keyword>’s <keyword id="62161" type="COMPANY" weightage="100" keywordseo="Dharma-Productions">Dharma Productions</keyword> and <keyword id="7929" type="PERSON" weightage="100" keywordseo="Anurag-Kashyap">Anurag Kashyap</keyword>’s <keyword id="1352720" type="ORGANIZATION" weightage="100" keywordseo="Phantom-Productions">Phantom Productions</keyword>, hit about 2,000 screens across the country and grossed around Rs 17-18 crore at home during the first weekend, according to industry estimates. <keyword id="1861689" type="UNKNOWN" weightage="100" keywordseo="overseas-collection">Overseas collection</keyword>s stood at a little over $1 million. The <keyword id="2014761" type="UNKNOWN" weightage="100" keywordseo="Occupancy-rate">occupancy rate</keyword> was 50-80% during the opening weekend and stayed at 50% on the crucial Day 4 (February 10) in the domestic market, bringing in around Rs 6 crore. Overseas collection on the 4th day was around Rs 1.5 crore. However, the movie is expected to do much better at the box office during the <keyword id="2054858" type="UNKNOWN" weightage="100" keywordseo="V-Day-week">V-Day week</keyword>. 
 
Karan Johar is also happy with the way things are going. “Thank you for the immense love and appreciation for Hasee Toh Phasee, a film I am extremely proud of,” he tweeted on Sunday. 
 
The rom-com is expected to ride on critical acclaim and we feel that is justified to some extent. For one, director Vinil Mathew (best known for his Cadbury: Kuch meetha ho jaye commercials) knows how to tell a good story, blending reality with cinematic magic. And writer <keyword id="1989065" type="UNKNOWN" weightage="80" keywordseo="Harshvardhan-Kulkarni">Harshvardhan Kulkarni</keyword> has aptly supported him. The film is essentially a quirky love story between <keyword id="19563" type="PERSON" weightage="100" keywordseo="meeta">Meeta</keyword> (Parineeti) and Nikhil (Sidharth) – a modern-day take about life, love and relationships. Consequently, you see a runaway professional and a turbulent soul in Meeta, who has brains but takes drugs, steals money from her family and tries to whisk off her sister <keyword id="5405" type="PERSON" weightage="100" keywordseo="Karishma">Karishma</keyword>’s (<keyword id="16234" type="PERSON" weightage="100" keywordseo="Adah-Sharma">Adah Sharma</keyword>) fiancé who is also a long-time friend of Meeta. Sidharth, on the other hand, is a more staid character with his commitments firmly in place. The resulting story weaves the chemistry between the odd pair while <keyword id="6362839" type="PERSON" weightage="100" keywordseo="Manoj-Joshi">Manoj Joshi</keyword> does some good work as Meeta and Karishma’s father. 
 
But one still wonders why all the soul-searching and putting life into order need to happen immediately before a crucial marriage, à la Mere Brother Ki Dulhan? Only this time, we have a runaway bridegroom, instead of the bride walking away from the mandap as is the Bollywood wont. But Parineeti is the real star cast here – bright, gorgeous, self-willed and passionate – and wins hearts in spite of her over-the-top acting. Sidharth, too, is out on a self-quest and looks laudable. But it’s the cliché plot that mars the good efforts. There are nice elements, but they come in bits and pieces, and finally, Hasee Toh Phasee remains a commercial candyfloss. 
 
One just wonders what would have happened if Parineeti and Sidharth went through the same experiences post the marriage between Adah and Sidharth. But that might have been too much off the track for Bollywood and the Indian audience who did not receive the offbeat theme of Nishabd well. Let us see if Hasee Toh Phasee can join the 100 crore club. 
 
 
 
<keyword id="805778" type="ENTERTAINMENT" weightage="100" keywordseo="Heartless">Heartless</keyword>: Commendable efforts lose steam, again Medical thrillers are pretty rare in Bollywood and we pinned our hopes on <keyword id="17186" type="PERSON" weightage="100" keywordseo="Shekhar-Suman">Shekhar Suman</keyword>’s directorial debut Heartless, starring his son <keyword id="20393" type="PERSON" weightage="100" keywordseo="Adhyayan">Adhyayan</keyword>, along with <keyword id="20398" type="PERSON" weightage="100" keywordseo="deepti-naval">Deepti Naval</keyword>, <keyword id="6381489" type="PERSON" weightage="100" keywordseo="Om-puri">Om Puri</keyword> and newcomer <keyword id="1935232" type="UNKNOWN" weightage="100" keywordseo="Ariana-Ayam">Ariana Ayam</keyword> (she hails from New York). The movie also released on February 7 and hit about 800 screens all over the country. But unlike Hasee Toh Phasee, this one had a poor start in spite of a great storyline – essentially borrowed from the American crime/supernatural/conspiracy thriller <keyword id="106100" type="ENTERTAINMENT" weightage="80" keywordseo="Awake">Awake</keyword>. Surprisingly, the box office numbers are not officially available yet but according to one estimate, Heartless has grossed a little over Rs 1 crore in the opening weekend. That is, indeed, shocking. 
 A close look at the movie, however, confirms our fear that it could be a box office flop. Rich boy <keyword id="138003" type="PERSON" weightage="100" keywordseo="Aditya-Singh">Aditya Singh</keyword> (<keyword id="6354939" type="PERSON" weightage="100" keywordseo="Adhyayan-Suman">Adhyayan Suman</keyword>), who needs a <keyword id="6397601" type="UNKNOWN" weightage="100" keywordseo="heart-transplant">heart transplant</keyword>, falls in love with fortune-hunter <keyword id="80068" type="PERSON" weightage="100" keywordseo="Ria">Ria</keyword> (Ariana Ayam) and secretly marries her before the surgery. But once he is under the knife, all hell breaks loose. There is conspiracy going on to kill him with a <keyword id="2054863" type="UNKNOWN" weightage="100" keywordseo="Poisoned-transplant">poisoned transplant</keyword>, so that the wife can pocket the insurance money. Adhyayan’s friend and <keyword id="6382875" type="POSITION" weightage="80" keywordseo="surgeon">surgeon</keyword> <keyword id="2054864" type="UNKNOWN" weightage="100" keywordseo="Dr-Sameer-Saxena">Dr Sameer Saxena</keyword> (Shekhar Suman) is also in cahoots. 
 During the surgery, the truth dawns upon the hero as he goes into <keyword id="2054865" type="UNKNOWN" weightage="100" keywordseo="Anaesthesia-awareness">anaesthesia awareness</keyword>, a medical condition where the patient is conscious enough to understand everything, but cannot move. Finally, his mother <keyword id="489622" type="PERSON" weightage="100" keywordseo="Gayatri-Singh">Gayatri Singh</keyword> (Deepti Naval) commits suicide to make the transplant happen; Om Puri, as <keyword id="2054866" type="UNKNOWN" weightage="100" keywordseo="Dr-Sanjay-Trehan">Dr Sanjay Trehan</keyword>, manages to save him and all the baddies are arrested at the end. There’s nothing wrong with the story except for the fact that medical thrill becomes hilarious comedy during the second half and Adhyayan still looks pretty stiff although the mother-son relation has been played out well. Maybe the BO numbers will pick up as soon as the audience gets used to the comical activities that take place in the OT. But can it still be touted as Adhyayan’s comeback movie? 
 
<keyword id="1977299" type="UNKNOWN" weightage="100" keywordseo="Babloo-Happy-Hai">Babloo Happy Hai</keyword>, <keyword id="828628" type="UNKNOWN" weightage="100" keywordseo="Ya-Rab">Ya Rab</keyword> fail to make the cut The other two releases of the week also failed to make the cut at the box office in spite of some serious themes. Directed by <keyword id="475774" type="UNKNOWN" weightage="100" keywordseo="Nila-Madhab-Panda">Nila Madhab Panda</keyword> (of Jalpari and I am Kalam fame), Babloo Happy Hai has a meaningful message about <keyword id="19472" type="COMPANY" weightage="100" keywordseo="aids">AIDS</keyword> and how people can still live a full life. But the movie has a <keyword id="110559" type="UNKNOWN" weightage="100" keywordseo="Limited-release">limited release</keyword> and hit only about 350-plus screens. It has grossed a little over Rs 15 lakh on the opening day, according to TalkingMoviez.com. 
 
Hasnain Hyderabadwala-directed Ya Rab depicts the eternal conflict between <keyword id="70629" type="ENTERTAINMENT" weightage="100" keywordseo="Humanity">humanity</keyword> and <keyword id="2054867" type="UNKNOWN" weightage="100" keywordseo="Parochial-attitude">parochial attitude</keyword>, and how <keyword id="1013184" type="UNKNOWN" weightage="100" keywordseo="religious-fundamentalism">religious fundamentalism</keyword> can lead to <keyword id="6358165" type="COMPANY" weightage="100" keywordseo="terrorism">terrorism</keyword>. But once again, lack of promotion has failed to create buzz for this movie, co-produced by <keyword id="6370367" type="PERSON" weightage="80" keywordseo="Mahesh-Bhatt">Mahesh Bhatt</keyword>. Made on a budget of Rs 2.5 crore, the movie has been released in 300-plus theatres and the Friday collections stood in the range of Rs 20 lakh-plus. Overall, <keyword id="434916" type="UNKNOWN" weightage="100" keywordseo="Bollywood-box-office">Bollywood box office</keyword> hasn’t witnessed too many ripples even now but movie-goers are having a gala time, sampling different genres. That’s definitely a big plus and we are waiting for more. 
 
Images: Indiatimes

You Searched For "Mere brother ki Dulhan" and got 3 results

Box Office: Gunday Leaves You Clueless But Cash Register is Ringing

Sanghamitra Mandal

Did Imran Khan confirm his Bollywood comeback?

ANI

Box Office: Hasee Toh Phasee Wins Hearts; Heartless Fails To Retain The Thrill

Sanghamitra Mandal

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