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After some great business for a couple of weeks, <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> is back to the ‘slump’ mode even as <keyword id="2409418" type="UNKNOWN" weightage="100" keywordseo="Vidya-Balan-Ali-Fazal-starrer">Vidya Balan-Ali Fazal-starrer</keyword> <keyword id="1876316" type="UNKNOWN" weightage="100" keywordseo="Bobby-Jasoos">Bobby Jasoos</keyword> hit the screen on July 4. The other release of the week was <keyword id="2409416" type="UNKNOWN" weightage="100" keywordseo="Arif-Ali-directed">Arif Ali-directed</keyword> <keyword id="2409419" type="UNKNOWN" weightage="100" keywordseo="Romantic-drama">romantic drama</keyword> <keyword id="2232911" type="UNKNOWN" weightage="100" keywordseo="Lekar-Hum-Deewana-Dil">Lekar Hum Deewana Dil</keyword>, which could have gone deep into millennial psyche and become a successful coming-of-age movie with a strong romantic undertone. Instead, it turned out to be a not-so-original concoction of previous hits like <keyword id="14521" type="ENTERTAINMENT" weightage="60" keywordseo="Jab-We-Met">Jab We Met</keyword> and <keyword id="6354768" type="ORGANIZATION" weightage="60" keywordseo="Highway">Highway</keyword> (both directed by Arif’s brother <keyword id="14373" type="PERSON" weightage="80" keywordseo="Imtiaz">Imtiaz</keyword>) or the age-old youth-centric flicks of Bollywood. The outcome is quite predictable – a complete washout at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword>. 
 But first things first – let us come back to <keyword id="1997475" type="UNKNOWN" weightage="100" keywordseo="Samar-Shaikh">Samar Shaikh</keyword>’s <keyword id="41623" type="UNKNOWN" weightage="100" keywordseo="Directorial-debut">directorial debut</keyword> Bobby Jasoos, which was produced by <keyword id="981" type="PERSON" weightage="100" keywordseo="Dia-Mirza">Dia Mirza</keyword> and <keyword id="440307" type="PERSON" weightage="100" keywordseo="Sahil-Sangha">Sahil Sangha</keyword>. <keyword id="3844" type="PERSON" weightage="100" keywordseo="Vidya-Balan">Vidya Balan</keyword> in a key role (remember <keyword id="6405846" type="UNKNOWN" weightage="80" keywordseo="Dirty-Picture">Dirty Picture</keyword> or <keyword id="6358300" type="UNKNOWN" weightage="80" keywordseo="Kahaani">Kahaani</keyword>?) has always been a treat to watch but this time, the clumsy sleuth <keyword id="2409413" type="UNKNOWN" weightage="100" keywordseo="Bilkis-Ahmed">Bilkis Ahmed</keyword> aka Bobby didn’t get the cash register ringing. Even after the resounding success of the <keyword id="1250908" type="UNKNOWN" weightage="80" keywordseo="romantic-thriller">romantic thriller</keyword> <a href="http://www.businessinsider.in/BoxOffice-Ek-Villain-A-Runaway-Success-May-Soon-Enter-Rs-100-Crore-Club/articleshow/37631847.cms">Ek Villain</a>, Vidya’s kind of seriocomic suspense went largely unappreciated. Although the movie hit nearly 1,350 screens across 39 countries including India and enjoyed considerable hype, occupancy was dismal on the debut day itself – just around 30%. The movie netted around Rs 7.5 crore at the domestic <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> in the first three days and business slumped further on the crucial first Monday as the flick netted around Rs 1.25 crore, according to industry estimates. Keeping in mind its whopping budget of Rs 28 crore (cost and P&amp;A), Bobby Jasoos could be in the red if business does not pick up quickly during the first week. 
 
Interestingly, Mohit Suri-directed <keyword id="2177024" type="UNKNOWN" weightage="80" keywordseo="Ek-Villain">Ek Villain</keyword> is going great guns in spite of two new releases and already amassed Rs 92.90 crore at the domestic box office after the second Sunday. Thanks to 1,700 screens and 5,400 shows per day, the flick may enter the <keyword id="925977" type="UNKNOWN" weightage="100" keywordseo="Rs-100-crore-club">Rs 100 crore club</keyword> within the second week. 
 
 
 
 
Lekar Hum Deewana Dil had a <keyword id="2277648" type="UNKNOWN" weightage="100" keywordseo="disastrous-start">disastrous start</keyword> at the domestic box office, collecting a little over Rs 40 lakh on the opening day and just about Rs 1.41 crore after the first three days. The Monday earnings are not confirmed yet, but are estimated to be Rs 50 lakh, according to industry insiders. Starring newcomers <keyword id="433654" type="UNKNOWN" weightage="100" keywordseo="Armaan-Jain">Armaan Jain</keyword> (well, he is <keyword id="2409428" type="UNKNOWN" weightage="100" keywordseo="Raj-Kapoors-grandson">Raj Kapoor’s grandson</keyword>) and <keyword id="97760" type="CITY" weightage="100" keywordseo="Deeksha-Seth">Deeksha Seth</keyword>, Lekar Hum has turned out to be one of the lowest grossers with a fresh cast. The movie’s budget was Rs 16 crore (cost and P&amp;A) – a clear indication that it will have to struggle hard to break even. 
 
Critically speaking, Bobby Jasoos showcases quite a few novel features. Vidya in her multiple disguises is fun to watch; the cases she solves are from everyday life and hardly require Sherlock-like qualities, and throughout the story, we get to see a vulnerable middle-class girl from an <keyword id="122267" type="UNKNOWN" weightage="80" keywordseo="orthodox">orthodox</keyword> society and an old city, trying to establish a brand new identity. The theme is a laudable one and Vidya carries it out with great vigour, breathing life into this spicy mix of fun and mystery. But the plot tumbles towards the melodramatic all too soon, making things painfully predictable in spite of the great chemistry between Vidya and <keyword id="486750" type="PERSON" weightage="100" keywordseo="Ali-Fazal">Ali Fazal</keyword> (<keyword id="2409430" type="UNKNOWN" weightage="100" keywordseo="Tassavur">Tassavur</keyword>). 
 
Armaan-Deeksha-starrer Lekar Hum Deewana Dil also had the potential to be different, but the <keyword id="1636016" type="UNKNOWN" weightage="100" keywordseo="rom-com">rom-com</keyword> fails to lift interpersonal relationship to a different level of conflict, confrontation and comprehension. So you get another mundane love story at the end. Maybe <keyword id="303" type="POSITION" weightage="100" keywordseo="Director">director</keyword> <keyword id="314242" type="PERSON" weightage="100" keywordseo="Arif-Ali">Arif Ali</keyword> was trying to churn out a perfect Bollywood hit (no wonder there was a great combo of all the great rom-coms we can possibly remember). But the next time he does it, he must remember that famous quote by Anna Quindlen – The thing that is really hard, and really amazing, is... beginning the work of becoming yourself. 
 
Images: Indiatimes

Box Office:
Bobby Jasoos No Match For Ek Villain, Lekar Hum Deewana Dil A Total Disaster

<div class="KonaFilter image-container display-table"><div><div class="image on-image">Universal"The Mummy" was one of the many movies no one went to see in the US in 2017.</div></div></div><ul><li>The total number of movie tickets sold in 2017 was 1.239 billion.</li><li>That's the lowest total since 1992.</li><li>Many are choosing to stay home and watch streaming content.</li></ul> The numbers don't lie. No one went to the movies in 2017. Sure, you probably went to see "Star Wars: The Last Jedi," "Wonder Woman," or maybe a Marvel movie, but the ticket totals are in and that's the true barometer of the state of the exhibition business. And it's not a pretty picture. The total number of tickets sold at the domestic box office in 2017 was 1.239 billion, according to <a href="http://www.boxofficemojo.com/yearly/" target="_blank" rel="noopener">Box Office Mojo</a>. That's a 5.8% drop compared to 2016. But it's also the lowest total since 1992 (1.173 billion).The domestic box office gross barely crossed the $11 billion mark this year with $11.065 billion (thanks to December releases "The Last Jedi" and "Jumanji: Welcome to the Jungle"). That doesn't look like a major drop, as it's just 3% lower than the all-time best domestic mark hit last year ($11.377 billion), but that figure gets a lot of help from bloated ticket prices - not just for regular 2D movies (last year the average hovered <a href="http://www.boxofficemojo.com/about/adjuster.htm" target="_blank" rel="noopener">just under $9</a>), but also the expensive price to see movies on IMAX, RealD, and MX4D screens.If you look at just the butts in the seats, the movie business needs a revamp. "Studios are lagging behind for the very simple reason that they are relying on retreads and reboots, and most of those aren't being well received," Jeff Bock, senior analyst for Exhibitor Relations, told Business Insider.<div class="KonaFilter image-container display-table float_right"><div><div class="image on-image">Lionsgate"Power Rangers," everyone skipped that one, too.</div></div></div>The <a href="http://www.boxofficemojo.com/yearly/chart/?yr=2017&amp;p=.htm" target="_blank" rel="noopener">top 10 domestic grossers</a> of 2017 were all just that. And there were plenty released this year that underperformed as well ("Alien: Covenant," "Transformers: The Last Knight," "Pirates of the Caribbean: Dead Men Tell No Tales" - though all three of these titles did much better overseas). Now pile on top of that titles that were supposed to launch new franchises for years to come but ended up being DOA ("The Mummy," "Power Rangers"), and you have a lot of releases in the multiplex this year that were full of empty seats. So instead of going to the movies, audiences stayed home and watched what was on streaming services. "Audiences are continuing to flock to streaming in droves for challenging content and that doesn't look to change in 2018, or the near future," Bock said. "The studios are up against the wall, and the next few years they'll have to produce a plethora of quality films to win back favor with audiences."Or they could do what's been common in Hollywood for 100-plus years: "If you can't beat 'em, join 'em." With Disney's announcement last summer that it will soon launch <a href="http://www.businessinsider.com/disney-ending-exclusive-netflix-deal-in-2019-launching-rival-streaming-service-2017-8">its own streaming service</a>, more studios could do the same.We may truly be at the moment where the moviegoing experience drastically changes forever. <div class="margin-top"> <h3>NOW WATCH: <a href="http://www.businessinsider.com/behind-scenes-fox-news-star-shepard-smith-donald-trump-politics-2017-12">Behind the scenes with Shepard Smith - the Fox News star who's not afraid to take on Trump</a></h3> <div> </div> </div>

Movie attendance hit a 25-year low in the US in 2017, as viewers 'flock to streaming in droves'

Female protagonists are ruling <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> nowadays and we were definitely looking forward to some spectacular showing when Kangana Ranaut-Vir Das-starrer comedy-drama <keyword id="1132893" type="UNKNOWN" weightage="100" keywordseo="Revolver-Rani">Revolver Rani</keyword> and Subhash Ghai-directed <keyword id="2214753" type="UNKNOWN" weightage="100" keywordseo="Kaanchi-The-Unbreakable">Kaanchi: The Unbreakable</keyword>, yet another <keyword id="2097207" type="UNKNOWN" weightage="100" keywordseo="Woman-centric-movie">woman-centric movie</keyword>, were released on April 25. <keyword id="1718118" type="UNKNOWN" weightage="100" keywordseo="Samrat-Co-">Samrat &amp; Co.</keyword>, a whodunit movie directed and co-written by <keyword id="1097593" type="PERSON" weightage="100" keywordseo="Kaushik-Ghatak">Kaushik Ghatak</keyword>, was the third release of the week. 
 Going by the numbers, it was an extremely poor weekend at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword> and the Monday business did not look up either, predicting more gloom and doom. After her stellar performance in <a href="http://www.businessinsider.in/Box-Office-Queen-OutshinesGulaab-Gang-Total-Siyapaa-Tanks/articleshow/31848837.cms">Queen</a> (it has netted around Rs 60 crore at home and grossed nearly Rs 93 crore worldwide), Kangana-led Revolver Rani has turned out to be a surprise slow-starter at the <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">box office</keyword> in spite of an intriguing storyline. Sure, it had the best start among the three but netted around Rs 6 crore at home after the first three days in spite of hype and the positive word of mouth. Debut day occupancy was as low as 15% although the movie has hit around 1,500 screens, nearly double the number of <keyword id="6377522" type="POSITION" weightage="80" keywordseo="queen">Queen</keyword>. 
 
Interestingly, Queen, too, picked up pace pretty late, but managed to nett around Rs 9 crore after the first three days. For Revolver Rani, the crucial Day 4 (Monday, April 28) business was equally dismal and the movie collected around Rs 1.4 crore at home. It has an estimated budget of Rs 24 crore. 
 
However, <keyword id="1417195" type="UNKNOWN" weightage="100" keywordseo="Kaanchi">Kaanchi</keyword>, directed by <keyword id="6354581" type="PERSON" weightage="100" keywordseo="Subhash-Ghai">Subhash Ghai</keyword>, suffered a worse fate. This one looks like a clear <keyword id="2076872" type="UNKNOWN" weightage="100" keywordseo="Box-office-bomb">box office bomb</keyword> and collected a paltry Rs 75 lakh on the opening Friday. Weekend earnings remained extremely disappointing and the romance-cum-revenge drama could only manage Rs 3 crore in the first three days. Monday collections stood at an estimated Rs 1.1 crore. With the budget of the movie projected to be Rs 30 crore-plus, industry experts are already calling it another disastrous outing by Ghai. Kaanchi has opened in 1,150-1,200 theatres at home, but the occupancy was less than 15%, especially at single screens. In fact, Kaanchi is the lowest debut-day grosser among Ghai’s recent flops including Yaadein (Rs 1.6 crore on opening Friday), Kisna (Rs 1.5 crore) and Yuvraaj (Rs 2.9 crore). 
 <keyword id="2218677" type="UNKNOWN" weightage="100" keywordseo="Samrat-and-Co-">Samrat and Co.</keyword>, a <keyword id="25276" type="POSITION" weightage="100" keywordseo="detective">detective</keyword> thriller starring <keyword id="15130" type="PERSON" weightage="100" keywordseo="Rajeev-Khandelwal">Rajeev Khandelwal</keyword>, <keyword id="110704" type="PERSON" weightage="100" keywordseo="Madalasa-Sharma">Madalasa Sharma</keyword> and <keyword id="1600791" type="UNKNOWN" weightage="100" keywordseo="Gopal-Datt">Gopal Datt</keyword>, hit around 500 screens at home and was immediately declared a flop. First day collections at the domestic box office were an appalling Rs 25 lakh and total earnings in the first three days stood at Rs 1.45 crore, as per trade figures. Interestingly, first Monday (Day 4) collections were better than the opening day, amounting to Rs 60 lakh. But keeping the film’s budget in mind – in the zone of Rs 18 crore or so – this rahasya (mystery) ride won’t be going anywhere in terms of <keyword id="1996031" type="UNKNOWN" weightage="100" keywordseo="Box-office-performance">box office performance</keyword>. 
 
 
 If you are still wondering what has led to the wholesale box office debacle, a close look at all the three flicks may help decode the failures. Directed by <keyword id="2218682" type="UNKNOWN" weightage="100" keywordseo="Sai-Kabir-Shrivastav">Sai Kabir Shrivastav</keyword> (he also did the story and the screenplay) Revolver Rani narrates the story of <keyword id="315181" type="PERSON" weightage="100" keywordseo="Alka-Singh">Alka Singh</keyword> (<keyword id="2201" type="PERSON" weightage="100" keywordseo="Kangana-Ranaut">Kangana Ranaut</keyword>), a dacoit-turned-politician in the thick of power game and in love with Bollywood aspirant <keyword id="1555785" type="UNKNOWN" weightage="100" keywordseo="Rohan-Mehra">Rohan Mehra</keyword> (<keyword id="671" type="PERSON" weightage="100" keywordseo="Vir-das">Vir Das</keyword>). Kangana plays the <keyword id="2218683" type="UNKNOWN" weightage="100" keywordseo="Chambal-girl">Chambal girl</keyword> to perfection – raw, raunchy, power-loving and trigger-happy. But one must not write it off as another one of the Bandit Queen saga. The ground realities, the ingrained satire and the layers of turbulence unfold well in the movie, but the story fails at times – losing the smooth flow and meandering during the second half. Overall, it has loads of merit, but it’s hardly a feel-good movie and that could be one of the key reasons behind the slow business pick-up. As <keyword id="122490" type="POSITION" weightage="80" keywordseo="film-critic">film critic</keyword> Anupama Chopra so rightly said, “If you can enjoy bad people doing bad things, then Revolver Rani will be fun.” 
 
Kaanchi, on the other hand, simply drags on and loses all the suspense of a revenge drama that it later turns out to be. The movie features two newcomers in lead roles, <keyword id="562167" type="UNKNOWN" weightage="100" keywordseo="Kartik-Tiwari">Kartik Tiwari</keyword> (aka <keyword id="2104801" type="UNKNOWN" weightage="100" keywordseo="Kartik-Aaryan">Kartik Aaryan</keyword>) and Hindi movie debutante Indrani Chakraborty (aka Mishti), while the ‘big baddies’ are played by <keyword id="6357910" type="PERSON" weightage="100" keywordseo="Rishi-Kapoor">Rishi Kapoor</keyword> and <keyword id="14672" type="PERSON" weightage="100" keywordseo="Mithun-Chakraborty">Mithun Chakraborty</keyword>. The naïve rural beauty Kaanchi fights against power and corruption as her love Binda, her land and her life are at stake. But as is the Bollywood norm, the twists and turns get too filmy to be convincing, the characters become stereotypes and the dialogues are mere lip service. At the end, we are looking at a mere shell instead of a strong script, powerful performances and the ‘gale’ of change. 
 Samrat and Co. does no better in terms of cinematic art. Rajeev Khandelwal (<keyword id="239627" type="POSITION" weightage="100" keywordseo="private-investigator">private investigator</keyword> Samrat Tilakdhari) lacks the earlier sparkle of Table No. 21. And if you are expecting Rajeev and Gopal (Samrat’s <keyword id="6419345" type="POSITION" weightage="80" keywordseo="assistant">assistant</keyword> and friend, <keyword id="2218675" type="UNKNOWN" weightage="100" keywordseo="Chakradhar-Pandey">Chakradhar Pandey</keyword>) do a Holmes-Watson act, you could be mightily disappointed. But currently you have a mystery to solve. Try and predict if these three would do well at the domestic box office over the first week. Your guess is as good as ours. 
 
Images: Indiatimes

Box Office: Kangana Fails To Lift Revolver Rani; Kaanchi Lacks Ghai’s Golden Touch

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Box Office: Bobby Jasoos No Match For Ek Villain, Lekar Hum Deewana Dil A Total Disaster

Sanghamitra Mandal

Movie attendance hit a 25-year low in the US in 2017, as viewers 'flock to streaming in droves'

Jason Guerrasio

Box Office: Kangana Fails To Lift Revolver Rani; Kaanchi Lacks Ghai’s Golden Touch

Sanghamitra Mandal

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