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A man has been arrested in connection with the <a href="https://www.insider.com/lisa-banes-actor-dead-nyc-scooter-hit-and-run-2021-6">scooter hit-and-run</a> that killed "<keyword id="1627506" type="PERSON" weightage="60" keywordseo="Gone-Girl">Gone Girl</keyword>" actor <keyword id="11390114" type="UNKNOWN" weightage="60" keywordseo="Lisa-Banes">Lisa Banes</keyword> earlier this summer.Banes was struck on June 4 by an electric scooter driver in <keyword id="6355838" type="LOCATION" weightage="60" keywordseo="new-york">New York</keyword> City's Upper West Side neighborhood, suffering a deadly traumatic brain injury.Brian Boyd was arrested on Thursday, <a href="https://www.cbsnews.com/news/lisa-banes-death-arrest-gone-girl-actress-hit-and-run-brian-boyd/">CBS News reports</a>. According to the New York Police Department, the 26-year-old was charged with leaving the scene of an accident and failing to yield to a pedestrian.Sources for <a href="https://nypost.com/2021/08/06/brian-boyd-arrested-for-nyc-hit-and-run-death-of-actress-lisa-banes/">The Daily Post</a> said that patrol cops had recognized Boyd from a wanted poster and made the arrest.Banes, best known for her role as Marybeth Elliott in "Gone Girl," was 65 at the time of her <keyword id="6355784" type="UNKNOWN" weightage="60" keywordseo="death">death</keyword>.Her publicist David Williams told <a href="https://abc7chicago.com/actress-lisa-banes-dies-after-being-hit-by-scooter/10791995/">ABC7</a> in a statement that Banes was on her way to visit The Julliard School, her alma mater, when the tragedy occurred. She was crossing the road at Amsterdam Avenue at West 64th Street when she was hit by an electric scooter, according to the NYPD.Police said that the pedestrian signals were in Banes' favor when she crossed the street. She was pronounced dead 10 days later at Mount Sinai Saint Luke's Hospital. Williams' statement added: "We are heartsick over Lisa's tragic and senseless passing. She was a woman of great spirit, kindness and generosity and dedicated to her work, whether on stage or in front of a camera and even more so to her wife, family and friends. We were blessed to have had her in our lives."Along with starring in "Gone Girl," Banes starred opposite Tom Cruise in 1988's "Cocktail." She was also featured on the small screen in "Madam Secretary," "Masters of Sex," "Nashville," and "NCIS."

Man arrested over hit-and-run death of 'Gone Girl' actress Lisa Banes

<ul class="summary-list"><li>Lisa Banes, 65, was struck in a hit-and-run on Friday evening in <keyword id="72226" type="COMPANY" weightage="60" keywordseo="New-York-City">New York City</keyword>.</li><li>The <keyword id="6511872" type="UNKNOWN" weightage="60" keywordseo="NYPD">NYPD</keyword> told Insider that an e-bike struck her.</li><li>Banes remains in critical condition with significant injuries at <keyword id="6369186" type="LOCATION" weightage="60" keywordseo="manhattan">Manhattan</keyword> hospital. </li></ul>"Gone Girl" actress Lisa Banes is in critical condition after a hit-and-run <keyword id="6354769" type="ENTERTAINMENT" weightage="60" keywordseo="accident">accident</keyword>. The NYPD confirmed to Insider that Banes, 65, was struck with an e-bike on Friday evening near Lincoln Center on the Upper West Side of Manhattan. David Williams, Bane's manager, told <a href="https://apnews.com/article/hit-and-run-arts-and-entertainment-023a9d0a248a519a8a5a44405578a24d" target="_blank" rel="noopener">Associated Press</a> that Banes was crossing Amsterdam Avenue to visit her alma mater, Juilliard School. Williams told AP that Banes suffered "substantial injuries" and is undergoing treatment at Mount Sinai Morningside hospital. The NYPD told Insider that no arrests had been made as of Sunday morning, and the investigation is ongoing. Representatives for Banes did not immediately return Insider's request for comment.Banes has appeared in many movies, including "Cocktail" with Tom Cruise in 1988 and "Gone Girl" with Ben Affleck in 2014. In addition, she had recurring roles on TV shows like "Masters of Sex," "Royal Pains," and "Nashville."

'Gone Girl' actor Lisa Banes is in critical condition after hit-and-run accident in New York City

<ul class="summary-list"><li>The actor Lisa Banes died on Monday. She was 65.</li><li>She was in critical condition after being hit by an electric scooter driver on June 4.</li><li>She appeared in movies and TV shows like "Cocktail," "Gone Girl," and "Masters of Sex."</li></ul>The actor Lisa Banes has died after being struck by an electric scooter driver in New York City's Upper West Side earlier this month. She was 65.She was pronounced dead at Mount Sinai Saint Luke's Hospital on Monday, the New York Police Department said in a statement sent to Insider.Her publicist David Williams released a statement Monday seen by <a href="https://abc7chicago.com/actress-lisa-banes-dies-after-being-hit-by-scooter/10791995/">ABC7</a>, saying: "We are heartsick over Lisa's tragic and senseless passing. She was a woman of great spirit, kindness and generosity and dedicated to her work, whether on stage or in front of a camera and even more so to her wife, family and friends. We were blessed to have had her in our lives."<a href="https://www.insider.com/gone-girl-actor-lisa-banes-critical-condition-hit-and-run-2021-6">Banes was hit on June 4</a>, during a visit to the city, and was in critical condition. She was crossing Amsterdam Avenue on the way to visit the Julliard School, her alma mater, Williams said, per ABC7.The pedestrian signal was in her favor when she crossed the street, the NYPD reported, when a scooter drove through a red traffic signal and hit her. The scooter drove away with Banes on the ground. There have been no arrests as of yet, and the investigation is ongoing.<div type="image" title="Lisa Banes" height="2645" width="3520" msid="83544725" hostid="261"></div>She suffered a traumatic brain injury after the accident, and did not recover, the New York Post reported.Born in Ohio in 1955, Banes attended the Julliard School of acting in New York before embarking on a long and varied career as a stage and screen actress. She appeared on Broadway in many high profile projects, including Neil Simon's "Rumors" in 1988 opposite Christine Baranski and the musical "High Society" in 1998 opposite Anna Kendrick.In 1984, she earned a Drama Desk Award nomination for best featured actress in a play for "Isn't It Romantic."Banes' television career spanned from 1985 until 2021, with her last onscreen credit for the Amazon Prime TV show "Them" - she played Esther Haber.Before that, Banes had recurring roles in TV shows like "The Trials of Rosie O'Neill" and "Son of the Beach." She also appeared in episodes of major TV shows including "Desperate Housewives," "The Good Wife," "Masters of Sex," and "Once Upon a Time" where she played Lady Tremaine.While predominantly a TV actress, Banes also had a successful movie career, too, with her most famous role as Marybeth Elliot, the mother of Rosamund Pike's character, in 2014's "Gone Girl." She took an immediate liking to her character in the film, telling the Los Angeles Times in a red carpet interview in 2014: "I just have an affinity for her. It seeped in right away."She also starred in 1988's "Cocktail" as the older love interest to Tom Cruise's character, while her last feature film credit came in 2016 - for the psychological horror "A Cure for Wellness," starring opposite Dane DeHaan and Jason Isaacs.Banes resided in Los Angeles with her wife Kathryn Kranhold. She was in New York for the first time since the pandemic, and was due to perform in "The Niceties," a two-woman show that was set to be streamed by the Manhattan Theater Club.This story is developing. Please check back for updates.

Actor Lisa Banes, who appeared in 'Gone Girl,' has died aged 65 after a scooter hit-and-run in New York City earlier this month

<div class="KonaFilter image-container display-table"><div><div class="image on-image"></div></div></div> 
"Gone Girl" probably won't win an Oscar for Best Picture, though it's already getting buzz; it's too ridiculous and trashy for Academy voters. But David Fincher's new movie, which debuted last week at the New York Film Festival, is clearly the work of an auteur and in many ways represents the culmination of his past works.
Based on a book by Gillian Flynn, the movie shows Nick Dunne (Ben Affleck) on the day of the disappearance of his wife Amy (Rosamund Pike), as the viewer is left to wonder whether Nick is responsible. Through a series of flashbacks and other narrative quirks, the movie also shows Amy's perspective, and it features a big twist in the middle.
Right from the rapid-fire opening titles, "Gone Girl" drips with Fincher's glossy, stylish aesthetic. Much like in "Dragon Tattoo" or even "Zodiac," the decidedly dark tone is offset by the efficient editing, but it also has a strong sense of humor as in "Fight Club."
There's a palpable distance between the characters on-screen and the audience, so what we get is a very detached look at the events. Fincher simply lays out information without bias, and the slow but steady reveal of key plot points ensures that the audience never knows what's going to happen next.
This procedural approach is typical of the director; films like "Zodiac" and "Se7en" are similarly cold and reserved. Even the more mainstream "Panic Room" and "The Social Network" have a certain clinical rhythm, a quality that has naturally evolved and become increasingly notable through his career. Fincher always finds a way to tell his story by emphasizing the facts, and he takes this concept to new heights in "Gone Girl" by disclosing the nasty details in a dizzying manner. 
<div class="KonaFilter image-container display-table float_right"><div><div class="image on-image"></div></div></div>
The first tonal shift occurs with Amy's introduction, as her narration brings a heightened sense of humor and doesn't shy away from graphic depictions of sex. Amy narrates the story via her exquisitely detailed diary, and it's not long before the story turns into a tug-of-war between our two narrators. Pike turns in a stellar, scene-stealing performance as Amy - and she truly could be a strong contender for a Best Actress Oscar. As we stick with Nick in the present, Fincher entwines Amy's narrated flashbacks to provide a fuller picture, but we're never quite sure of what to believe.
The film exhibits a hallucinatory effect through its quick editing that is further accented by the abrasive but restrained score by Trent Reznor and Atticus Ross, who won an Academy Award for "The Social Network."
The film's structure is part of what makes it so unabashedly entertaining - it's a pulpy, trashy story dressed up so it appears more glamorous than it really is. The plot itself gets just as silly and hard-to-believe as an episode of ABC's "Scandal," but the material is elevated by Fincher's masterful direction and the fantastic cast. It's a rare joy to see something so dark and smutty make it to the mainstream, let alone directed by a two-time Best Director Oscar nominee.
Author/screenwriter Flynn sticks with the "he-said-she-said" composition of her novel, which limits the audience's knowledge and ensures that the filmmakers are always one step ahead. "Gone Girl" thrives on upending the audience's perceptions and expectations. The filmmakers intentionally misdirect us by exploring one side of the story just to throw us off guard with a completely new development a couple of scenes later. 
The beauty of the misdirection is that it is all implied; we are merely flies on the wall, observing the character's actions and making judgments for ourselves. The audience is forced to make assumptions about Nick, which are either confirmed or rejected as Fincher weaves in crucial facts from alternate angles.
Fincher is no stranger to a good mystery ("Se7en" is still referenced as a benchmark for the genre), and "Gone Girl" takes his well-established skills to new heights. The gritty, in-your-face tone of "Se7en" is replaced by a quiet, underlying sense of dread that fills the screen with tension. Combined with a wry, sardonic wit reminiscent of "Fight Club", it's not hard to envision "Gone Girl" as a career-spanning highlight reel of Fincher's best qualities. 
<div class="KonaFilter image-container display-table"><div><div class="image on-image"></div></div></div>One of the more amusing aspects of "Gone Girl" is its slightly exaggerated but not too far off send-up of modern day journalism. At the press conference following the film's premiere at the <a href="http://www.businessinsider.com/nyff-movies-to-see-2014-9">New York Film Festival</a>, Flynn referred to the media's presence in the film as a "a blown-up Greek chorus." She expanded on this by saying that the film is, at least partially, about the idea that in this age dominated by media, we are forced to become "consumers of someone else's tragedy." 
Fincher was quick to defend the media as a whole and singled out the "narrow bandwidth of tragedy vampirism" (think Nancy Grace) that, according to Flynn, casts a dichotomy of heroes and villains "against our wills" despite a lack of any actual evidence. Fincher and Flynn explore these ideas in a playful manner that leads to some of the film's biggest laughs.
Ultimately, "Gone Girl" works best when it's playing up its sleazy sense of humor and not taking itself too seriously. There's a lot more bubbling under the surface of the film, including a bitingly satirical examination of marriage and a questionable portrayal of feminism, but it'd be hard to elaborate further without spoiling anything, and most of the fun comes from watching the mystery unravel in real time. "Gone Girl" may not be the best picture of the year, but it's an enjoyable diversion and an intriguing choice for Fincher.

REVIEW: David Fincher Turned Pulpy 'Gone Girl' Into A Work Of Art

<div class="KonaFilter image-container display-table"><div><div class="image on-image"></div></div></div> 

"Gone Girl" probably shouldn't win an Oscar for Best Picture, though it's already getting buzz. It's just a little too ridiculous and trashy for Academy voters. But David Fincher's new movie, which debuted last week at the New York Film Festival, is clearly the work of the auteur and in many ways represents the culmination of his past works.
Based on a book by Gillian Flynn, the movie shows Nick Dunne (Ben Affleck) on the day of the disappearance of his wife Amy (Rosamund Pike), as the viewer is left to wonder whether Nick is responsible. Through a series of flashbacks and other narrative quirks, the movie also shows Amy's perspective, and it features a big twist in the middle.
Right from the rapid-fire opening titles, "Gone Girl" drips with Fincher's glossy, stylish aesthetic. Much like in "Dragon Tattoo" or even "Zodiac," the decidedly dark tone is offset by the efficient editing, but it also has a strong sense of humor as in "Fight Club."
There's a palpable distance between the characters on-screen and the audience, so what we get is a very detached look at the events. Fincher simply lays out information without bias, and the slow but steady reveal of key plot points ensures that the audience never knows what's going to happen next.
This procedural approach is typical of the director; films like "Zodiac" and "Se7en" are similarly cold and reserved. Even the more mainstream "Panic Room" and "The Social Network" have a certain clinical rhythm, a quality that has naturally evolved and become increasingly notable through his career. Fincher always finds a way to tell his story by emphasizing the facts, and he takes this concept to new heights in "Gone Girl" by disclosing the nasty details in a dizzying manner.

<div class="KonaFilter image-container display-table float_right"><div><div class="image on-image"></div></div></div>
The first tonal shift occurs with Amy's introduction, as her narration brings a heightened sense of humor and doesn't shy away from graphic depictions of sex. Amy narrates the story via her exquisitely detailed diary, and it's not long before the story turns into a tug-of-war between our two narrators. Pike turns in a stellar, scene-stealing performance as Amy - and she truly could be a strong contender for a Best Actress Oscar. As we stick with Nick in the present, Fincher entwines Amy's narrated flashbacks to provide a fuller picture, but we're never quite sure of what to believe.
The film exhibits a hallucinatory effect through its quick editing that is further accented by the abrasive but restrained score by Trent Reznor and Atticus Ross, who won an Academy Award for "The Social Network."
The film's structure is part of what makes the film so unabashedly entertaining - it's a pulpy, trashy story dressed up so it appears more glamorous than it really is. The story itself gets just as silly and hard-to-believe as an episode of ABC's "Scandal," but the material is elevated by Fincher's masterful direction and the fantastic cast. It's a rare joy to see something so dark and smutty make it to the mainstream, let alone directed by a two-time Best Director Oscar nominee.
Author/screenwriter Flynn sticks with the "he-said-she-said" composition of her novel, which limits the audience's knowledge and ensures that the filmmakers are always one step ahead. "Gone Girl" thrives on upending the audience's perceptions and expectations. The filmmakers intentionally misdirect us by exploring one side of the story just to throw us off guard with a completely new development a couple of scenes later. 
The beauty of the misdirection is that it is all implied; we are merely flies on the wall, observing the character's actions and making judgments for ourselves. The audience is forced to make assumptions about Nick, which are either confirmed or rejected as Fincher weaves in crucial facts from alternate angles.
Fincher is no stranger to a good mystery ("Se7en" is still referenced as a benchmark for the genre), and "Gone Girl" takes his well-established skills to new heights. The gritty, in-your-face tone of "Se7en" is replaced by a quiet, underlying sense of dread that fills the screen with tension. Combined with a wry, sardonic wit reminiscent of "Fight Club", it's not hard to envision "Gone Girl" as a career-spanning culmination of Fincher's work. 
<div class="KonaFilter image-container display-table"><div><div class="image on-image"></div></div></div>One of the more amusing aspects of "Gone Girl" is its slightly exaggerated but not too far off send-up of modern day journalism. At the press conference following the film's premiere at the <a href="http://www.businessinsider.com/nyff-movies-to-see-2014-9">New York Film Festival</a>, Flynn referred to the media's presence in the film as a "a blown-up Greek chorus." She expanded on this by saying that the film is, at least partially, about the idea that in this age dominated by media, we are forced to become "consumers of someone else's tragedy." 
Fincher was quick to defend the media as a whole and singled out the "narrow bandwidth of tragedy vampirism" (think Nancy Grace) that, according to Flynn, casts a dichotomy of heroes and villains "against our wills" despite a lack of any actual evidence. Fincher and Flynn explore these ideas in a playful manner that leads to some of the film's biggest laughs.
Ultimately, "Gone Girl" works best when it's playing up its sleazy sense of humor and not taking itself too seriously. There's a lot more bubbling under the surface of the film, including a bitingly satirical examination of marriage and a questionable portrayal of feminism, but it'd be hard to elaborate further without spoiling anything, and most of the fun comes from watching the mystery unravel in real time. "Gone Girl" may not be the best picture of the year, but it's an enjoyable diversion and an intriguing choice for Fincher.

You Searched For "Lisa Banes" and got 5 results

Man arrested over hit-and-run death of 'Gone Girl' actress Lisa Banes

Ayomikun Adekaiyero

'Gone Girl' actor Lisa Banes is in critical condition after hit-and-run accident in New York City

Lauren Edmonds

Actor Lisa Banes, who appeared in 'Gone Girl,' has died aged 65 after a scooter hit-and-run in New York City earlier this month

Alexandra Ma

REVIEW: David Fincher Turned Pulpy 'Gone Girl' Into A Work Of Art

Brett Arnold

How David Fincher Turned Pulpy 'Gone Girl' Into A Work Of Art

Brett Arnold

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