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<keyword id="1972" type="PERSON" weightage="60" keywordseo="Rani-Mukherjee">Rani Mukherjee</keyword>’s latest release <keyword id="1633187" type="UNKNOWN" weightage="40" keywordseo="Mardaani">Mardaani</keyword> is getting rave reviews from critics and masses. The film might have some flaws but Rani’s performance is being hailed as flawless. So, as the actress basks in the glory of her recent success, let’s take a look at films that were a milestone in Rani’s career. 
 
Michelle in <keyword id="6368377" type="PERSON" weightage="20" keywordseo="black">Black</keyword> 
 
Rani delivered a brilliant act in the role of a visually challenged and hearing impaired Michelle, the protagonist in Black. She gave life to the pathos suffered by a physically handicapped person and immortalized ‘Michelle’ forever in the minds of the audience. Michelle was the most challenging and rewarding role of Rani’s career for which she bagged the most number of awards. 
 
Meera Gaity in No One Killed Jessica 
 
In this film based on the true story of Jessica Lal murder, Rani played the role of a fierce journalist with the F-word on the tip of her tongue. Rani superbly enacted the role of a meticulous journalist, who dared to challenge limits to unearth the real story behind headlines. She won the Filmfare award for the Best Supporting Actress; it came just when the naysayers were contemplating the end of her career. 
 
Rhea in <keyword id="37937" type="ENTERTAINMENT" weightage="20" keywordseo="Hum-Tum">Hum Tum</keyword> 
 
This was another sensitive and matured performance from Rani. As Rhea in Hum Tum, she displayed a wide range of emotions as her character matured, from being a bubbly girl to that of a woman, in a span of 9 years. Her restrained persona and natural acting brought the character to life. Another highlight of the movie was her on-screen chemistry with Saif Ali Khan, which set the silversrcreen ablaze. She bagged the Filmfare Award for Best Actress for the movie. 
 
Saamiya Siddiqui in <keyword id="495554" type="PERSON" weightage="20" keywordseo="Veer-Zaara">Veer Zaara</keyword> 
 
Despite playing the second lead, Rani Mukherjee left a lasting impression on audiences as Saamiya Siddiqui in Yash Chopra’s magnum opus Veer Zaara. She played an idealist Pakistani lawyer, who fights for an Indian soldier. Rani once again proved that she can bring out the best in any character. No wonder, she walked away with IIFA Award for the Best Supporting Actor – Female for Veer Zaara. 
 
Suhaani in <keyword id="37976" type="ENTERTAINMENT" weightage="20" keywordseo="Saathiya">Saathiya</keyword> 
 
It was a girl-next-door character and Rani played it with élan. She was natural and spontaneous while playing a middle class Marathi girl caught in the cobwebs of love, marriage and the humdrum there after. What conflicts, ego hassles, and expectations could do to a marriage was beautifully depicted by Rani and Vivek in the movie. The movie was not only lapped up by the audiences but also won critical accailm. Rani won the Filmfare Critics Award for Best Actress for Saathiya.

5 Movies That Define Rani Mukherjee’s Career

<div type="image" title="&amp;#39;Dhoom&amp;#39; director Sanjay Gadhvi passes away" agency="ANI" height="900" width="1200" msid="105330972" hostid="261" sizebytes="13608" caption="&amp;lt;p&amp;gt;Sanjay Gadhvi &amp;lt;/p&amp;gt;"></div>"<keyword id="1959" type="General" weightage="20" keywordseo="dhoom" source="Orion">Dhoom</keyword>" director <keyword id="106096" type="General" weightage="20" keywordseo="sanjay-gadhvi" source="Orion">Sanjay Gadhvi</keyword> died on Sunday morning at his residence here, his elder daughter Sanjina said. He was 56. Gadhvi, who was three days shy of his 57th birthday, is best known for helming two blockbuster hits in the Yash Raj Films' "Dhoom" franchise -- "Dhoom" (2004) and "Dhoom 2" (2006). According to Gadhvi's daughter, the director was "perfectly healthy". "He passed away at 9.30 am this morning at his residence. We are not sure what it is, but it is most likely a <keyword id="6357661" type="General" weightage="20" keywordseo="heart-attack" source="Orion">heart attack</keyword>. He wasn't unwell, he was perfectly healthy," Sanjina told PTI. Gadhvi made his directorial debut in 2000 with "Tere Liye", which he followed up with 2002's "Mere Yaar Ki Shaadi Hai", his first project with Yash Raj Films (YRF). In a statement shared on X, the studio said the "magic Gadhvi created on screen will be cherished forever". "May his soul rest in peace. #SanjayGadhvi," it further read. Gadhvi gained prominence with his third directorial, the stylish action thriller "Dhoom", which made motorbiking a rage among Indian youth in the early 2000s. The 2002 film followed the story of a cat and mouse game between a gang of motorbike robbers, led by Kabir (<keyword id="6354967" type="General" weightage="20" keywordseo="john-abraham" source="Orion">John Abraham</keyword>), and Jai Dixit (Abhishek Bachchan), a Mumbai cop who teams up with Ali (Uday Chopra), a motorbike dealer to stop them. It also starred Esha Deol and Rimi Sen. The success of "Dhoom" spawned a film franchise. Gadhvi also directed its superhit sequel "Dhoom 2". The 2006 film starred Abhishek, Chopra, Hrithik Roshan, Aishwarya Rai Bachchan and Bipasha Basu. Abhishek said he was shocked beyond belief by the filmmaker's sudden demise. "Sanju, when I spoke to you last week and we were reminiscing about our shoots and memories I would never have imagined even in my craziest dreams that I would have to write a post like this. I'm shocked beyond belief," the actor wrote on Instagram alongside a photo he took of Gadhvi while they were filming the climax of "Dhoom 2" in South Africa. "You had faith in me, even when I didn't. You gave me my first ever hit! I can never ever forget that or be able express what it meant to me. I will cherish your friendship always. Rest in peace my brother," Abhishek added. Bipasha shared a picture of Gadhvi on Instagram Stories and wrote, "Rip my friend Om Shanti @sanjaygadhvi4 Gone too soon." The third installment of "Dhoom" franchise was directed by Vijay Krishna Acharya. The 2013 movie featured Bachchan, Chopra, Aamir Khan, and Katrina Kaif. Shibasish Sarkar , president, Producers Guild of India wrote on X: "It's shocking.... Sanjay is no more!! Pray to God for his soul to rest in peace and give all the strength to his family." Kunal Kohli, director of "Hum Tum" and "Fanaa", was one of the first film personalities to condole Gadhvi's demise on social media. "This is beyond shocking. #SanjayGadhvi RIP never thought I'd have to write your obituary. Shared an office for many years at YRF, lunch dubbas, discussions. Will miss you my friend. This is too hard to accept," Kohli wrote in an X post. Tusshar Kapoor said Gadhvi was a "trailblazing director". "RIP #Sanjaygadhvi ....gone too soon! A trailblazing director of the blockbuster #Dhoom franchise!" he posted. Gadhvi's other film credits are "Kidnap" (2008), "Ajab Gazabb Love" (2012) and "Operation Parindey", his last directorial which was released in 2020. Besides Sanjini, Gadhvi is survived by his wife and another daughter.

'Dhoom' director Sanjay Gadhvi dies at 56

<ul><li>Jawaani Jaaneman starring <keyword id="333" type="PERSON" weightage="20" keywordseo="Saif-Ali-Khan">Saif Ali Khan</keyword> and Alaya Furniturewala saw a decent start, earning ₹7.7 crore in two days. </li><li>Some of the business was hurt because its HD print was leaked online by notorious piracy site Tamil Rockers, a day after the release. </li><li><keyword id="7162500" type="PERSON" weightage="20" keywordseo="tanhaji">Tanhaji</keyword> which was released almost a month ago is giving tough competition to Jawaani Jaaneman and on its way to collect ₹250 crore. </li></ul>Jawaani Jaaneman starring Saif Ali Khan and Alaya Furniturewala opened to a decent start, earning ₹7.79 crore in two days. It is likely to earn ₹5 crore on its third day as per box office predictions. Some of the movie’s business was hurt after its HD print was leaked online by notorious piracy site Tamil Rockers a day after the release. In the meanwhile, yet another Saif starrer Tanhaji where he has won laurels for playing Udaybhan Singh Rathore - is going strong and pipped to make ₹250 crore. 
	<div type="twitter" handle="taran_adarsh" handlename="taran adarsh" image="http://pbs.twimg.com/profile_images/1440352704/profile_pic_taran_normal.jpg" favoritecount="5284" retweetcount="298" status="#JawaaniJaaneman gathers speed on Day 2... Being patronised by its target audience [metros]... Trending much better… https://t.co/5uJHavfmNh" createdat="1580619904000" id="1223834699979640837"></div>



 In <keyword id="7931687" type="PERSON" weightage="20" keywordseo="jawaani-janeman">Jawaani Janeman</keyword>, Saif plays the role that he has played in many movies - Hum Tum, Salaam Namaste and Cocktail. But this time, the ageing bachelor gets a twist as his 21 year old daughter he never knew about, turns up. She is also pregnant which makes him a father and a grandfather in the same breath. “Saif Ali Khan brings great charm to his role. Alaya Furniturewalla is wonderfully cast,” <a href="https://www.ndtv.com/entertainment/jawaani-jaaneman-movie-review-saif-ali-khan-alaya-keep-you-glued-in-this-bright-happy-film-3-stars-o-2172637">said Saibal Chatterjee from NDTV.</a> The movie also marks the debut of Alaya Furniturewala and also stars Tabu as her mother. The unbeatable Tanhaji Few films released after January 10 weekend have been able to keep up with the unabated run of Ajay Devgn’s Tanhajii. The movie has <a href="https://www.businessinsider.in/entertainment/news/tanhaji-wins-the-third-weekend-battle-too-as-street-dancer-3d-and-panga-fail-to-put-up-a-fight/articleshow/73658601.cms">collected </a>₹243 crore so far and has also beaten. Ranveer Singh-starrer Simba which made ₹240 crore. Many movies have fallen victim to Tanhaji released a month back like the Deepika Padukone-starrer Chhapaak which released on the same day. In the coming weeks, movies like Jai Mummy Di, Panga and Street Dancer 3D did not enthuse viewers who chose to watch the story of Maratha war general instead. Tanhaji is now close to breaking the record of 2019 blockbuster, Uri: The Surgical Strike, recorded a collection of ₹245 crore. It is also one of those few movies which remained in the theaters for three weeks - which is uncommon in current times when a single week collections determine if a movie is successful or not. See also: <a href="https://www.businessinsider.in/entertainment/news/tanhaji-wins-the-third-weekend-battle-too-as-street-dancer-3d-and-panga-fail-to-put-up-a-fight/articleshow/73658601.cms">Tanhaji wins the third weekend battle too — as Street Dancer 3D and Panga fail to put up a fight</a> <a href="https://www.businessinsider.in/entertainment/news/weekend-collection-report-of-ajay-devgns-tanhaji-and-deepika-padukone-chhapaak-movie/articleshow/73222694.cms">Ajay Devgn’s Tanhaji moves the masses while Chhapaak fails to make a splash</a>

It’s Saif versus Saif at the box office as Tanhaji is ahead of Jawaani Jaaneman

New Delhi, Jan 16 () Future Group founder Kishore Biyani on Thursday said brick-and-mortar stores and digital retail have their own sets of advantages as well as challenges, and bringing in a hybrid model of 'phygital' can help businesses perform better. 
 Biyani, in a fireside chat at Amazon's SMBhav event, said physical and digital retail started in different eras but will eventually come together in the next 3-4 years.
 "Physical has its own advantages and nuances and digital has its own advantages. Both of them came in different eras and they will meet, I think in next 3-4 years it will be 'phygital'," he said.
 Interestingly, Amazon India and Future Group have entered into long-term business agreements for expanding the reach of the latter's retail stores and consumer brands through the former's online marketplace.
Future Group, which operates over 1,700 stores under various entities like Big Bazaar, EasyDay, Heritage Fresh, Nilgiris and WH Smith, attracts over 350 million footfalls across its retail network.
Biyani explained that physical retailers will need digital, while digital will need physical presence because of the costs related to acquiring customer and fulfilling orders.
"...ultimately, there will be a hybrid model which will help our business to perform better," Biyani said.
Noting that both the formats have their own challenges and advantages, he said digital platforms have a reach that physical formats do not. Brick-and-mortar stores, on the other hand, bring in customer interaction.
"...I think we need everything. I think the best is 'phygital' which is happening, and will happen in India much earlier," he added. 
E-commerce has been growing at a phenomenal pace in India with Amazon and Walmart-owned Flipkart accounting for a lion's share of the market. 
According to a report, India is among the fastest growing markets for the e-commerce sector and revenue from the sector is expected to increase to USD 120 billion in 2020 from USD 39 billion in 2017 - growing at an annual rate of 51 per cent.
While Amazon and Flipkart have been pumping in millions of dollars to boost the India business, many small traders have alleged that these players are offering deep discounts and indulging in unfair practices to gain market share. 
The two players are also facing a CCI probe for alleged malpractices, including deep discounting and tie-ups with preferred sellers on their platforms.
However, Amazon chief Jeff Bezos - who is in India this week - on Wednesday announced a USD 1 billion (over Rs 7,000 crore) investment in India to help bring small and medium businesses online and committed to exporting USD 10 billion worth of India-made goods by 2025. 
Before this, the online retail giant had committed USD 5.5 billion investments in India - Amazon's most important market outside of the US and a key growth driver.
On Thursday, Biyani also spoke of what he thought was his "craziest" mistake ever. 
"I made two films that did not work. That was the craziest mistake I have made so far," he said. Biyani had produced two films - 'Na Tum Jaano Na Hum' and 'Chura Liya Hai Tumne' in 2002 and 2003.
"I made two films in one year. The failure of these films taught me that don't get attached to what you create... The customer can reject you in an hour," he said.
Emphasising that making mistakes is also an important part of an entrepreneur's journey, Biyani said people need to learn from the challenges they face. SR MKJ

Digital, physical retail have own advantages, challenges; hybrid model 'phygital' can perform better: Biyani

<ul><li>As <keyword id="4241922" type="PERSON" weightage="20" keywordseo="ALTBalaji">ALTBalaji</keyword> completes three years of its existence, we look back at its journey, talk about some key highlights that helped it become the first OTT player in India on its way to profitability. </li><li><keyword id="158783" type="PERSON" weightage="20" keywordseo="Nachiket-Pantvaidya">Nachiket Pantvaidya</keyword>, CEO, ALTBalaji and Group COO, Balaji Telefilms further shares his growth plan and says the focus now will be to help ALTBalaji dominate the Hindi-speaking markets. </li></ul>While the lockdown has brought video production to a standstill, that hasn’t deterred ALTBalaji’s spirit. It had announced to launch 30 originals earlier this year and is still on track to achieve its goal. Apart from that, Nachiket Pantvaidya, CEO, ALTBalaji and Group COO, Balaji Telefilms is also confident that the demand for content will continue to rise even after we resume normalcy and on the back of that, he is hoping to break even in FY21. ALTBalaji currently has 1.7 million active direct subscribers and as we all continue to be house arrested and binge-watching content on <keyword id="5293670" type="UNKNOWN" weightage="20" keywordseo="OTT-platforms">OTT platforms</keyword>, it is also witnessing a 60% growth in subscriptions with an average of 17,000 subscriptions added per day post lockdown vs an average of 10,600 in March 2020 pre-lockdown. After completing three years on building a strong content library with 60 originals, Pantvaidya’s focus now will be to help ALTBalaji dominate the Hindi speaking markets. He further shared with us some key highlights the platform has seen in the past three years, what sets it apart from other players and his vision to take ALTBalaji to the next level. Nachiket Pantvaidya, CEO, ALTBalaji and Group COO, Balaji Telefilms: Q) Can you walk me through some of the key highlights that ALTBalaji has seen in its three-year-journey? Having set milestones and breaking new grounds for over three years, our journey has been fairly business-positive and will continue to do so. Since its inception, ALTBalaji has been on top of the consumer mind for its unique narratives and clutter-breaking original Hindi content and we have aggressively grown on the back of innovative business strategies. Moving from strength to strength, we’ve today become a major player in the Indian OTT industry and gained further encouragement by the massive increase in subscriber base. With a substantial bouquet of original content across genres that keeps viewers engaged, our app has consistently ranked amongst the top 3 Grossing Video Streaming Apps in the country across the app store (Source: App Annie). With content being ALTBalaji’s biggest differentiator, the platform has reached out to all kinds of audiences across the length and breadth of the country through a healthy mix of thriller, drama, romance, teenage drama, horror, comedy among others. ALTBalaji has also been a pioneer in starting the trend of original soundtracks in the web-series space. Laying impetus towards growing its regional subscriber base, we have a host of our Hindi offerings dubbed in Indian and International languages like Tamil, Telugu, Malayalam, Bahasa, Arabic, etc. amongst others. In their endeavour to engage the audience and offer them an immersive viewing experience, ALTBalaji is also working towards strengthening its UI/UX by focusing on aspects like language interface, voice search, targeted retention strategies, tailored recommendations, quick onboarding, and convenient payment gateways. Q) What does your current content library look like? How many originals have you launched thus far? Owing to our resounding mass appeal, we have emerged as the fastest-growing homegrown platform with more than 60 originals and we intend to leave no stone unturned in curating more in the coming future. With a plethora of diverse content spanning across multiple genres, our programming has something for everyone. While our recently-launched popular shows like ‘Mentalhood’, ‘Code M’, Mission Over Mars, ‘Class of 2020’, ‘Ragini MMS 2’, ‘Broken 2’, ‘Hum Tum and Them’ etc. have been loved by the audience, there is still a demand for the shows like ‘Haq Se’, ‘Apharan’, ‘Bose Dead/Alive’, ‘The Test Case’, ‘The Great Indian Dysfunctional Family’, ‘Home’ which were launched more than a year back. Q) What kind of growth have you seen in your subscriber base after the lockdown? Since audience retention is a challenge, how will you make sure that you continue seeing this growth after we resume normalcy? ALTBalaji is witnessing a strong uptake of digital subscriptions with an average of 17,000 subscriptions added per day post lockdown vs an average of 10,600 in March 2020 pre lockdown, a growth of 60%. As of date, the platform has over 1.7m active direct subscribers. OTT content consumption has witnessed steady growth throughout, and it will continue to do so, on its own. This situation, though an anomaly, will introduce a wider set of audiences to OTT, who we believe will continue the consumption, however, our focus remains on our long-term plan of creating unique narratives. It’s an obvious expression that once the pandemic is over, people will be juggling between work, social and personal commitments. Having said that, we are confident that having sampled our portfolio of exciting, original web series, to a wider audience that has a higher propensity and capacity to subscribe, we will continue as one of the top OTT platforms. Q) Your plan was to launch 30 originals this year. Do you still see that happening? So far, we are on track in terms of the show launches. We recently launched the highly-awaited web-series ‘Mentalhood’ that featured a stellar cast in the form of Karisma Kapoor, Dino Morea, Sandhya Mridul and Sanjay Suri, among others. The web-series has not only won accolades from critics but is also being consumed extensively by the audience. Apart from that, we also launched a very Delhi style comedy-drama ‘Who’s Your Daddy?’ featuring Rahul Dev and YouTuber Harsh Beniwal. Other big shows in the pipeline include ‘Baarish Season 2’, which features Sharman Joshi and Asha Negi in lead roles along with a cameo by legendary actor Jeetendra. Additionally, after two successful seasons, our show ‘Kehne Ko Humsafar Hain has Season 3’ on the cards along with ‘Beebaakee’ featuring Kushal Tandon, Karan Jotwani, Suchitra Pillai among others. Q) Where do you see your next set of subscribers coming from? How many do you aim to add to your kitty by the end of this year? India has become more digital-savvy with more and more people coming on the internet. According to a market research firm techARC, India had 502.2 million smartphone users as of December 2019. The time spent on phones has substantially increased especially during this phase. According to KPMG’s recent report titled ‘COVID-19: The many shades of a crisis’, the penetration of subscription-based digital models is set to accelerate. From a content segmentation and a subscription acquisition point of view, one needs to start looking at these newer people to acquire. What works for us is to concentrate on consumer segmentation behaviour, understanding how to retain the customers better and working on onboarding the new segment who have just been acquainted with the internet. Q) What are your revenue goals for this fiscal? Given the national lockdown, all content production has come to a standstill, we continue to monitor the situation closely. We are very confident that the demand for content will increase once the situation returns to normal and are well prepared to resume business and ramp up content sales once the lockdown is over. ALTBalaji has been working towards its goals and is the first OTT platform already on the road to profitability. With our costs getting controlled in the first half of fiscal 2020 and the loss margin further reducing at the end of the current fiscal, we are aiming to break even in 2020-2021. Q) What do you believe is ALTBalaji’s strength in the market? Our mindset towards reading the market early on and taking action at the earliest has helped us stay ahead of the industry curve. This can probably only happen when the organization is tight, sharp and quick to react. With content being our biggest differentiator, we have been catering to all kinds of audiences through our diverse content offerings spanning multiple languages. Additionally, with Indian originals picking up the pace as audiences are on the lookout for local relatable content, we have the biggest Hindi content library of originals and are creating desi shows across genres. Q) What will be your focus this year? Where do you see ALTBalaji growing from here? We, at ALTBalaji, are currently focusing on ensuring that we dominate the Hindi speaking markets and then move ahead. If you look at the geography and demography of the country, 70% of the content consumed is Hindi. As a platform, it makes sense to focus your efforts in one direction and win over the Hindi-speaking population. Hence, this year we are first going to focus on ensuring that we dominate the Hindi space. We will gradually move towards other regional markets as well in the coming years. A host of our Hindi offerings have also been dubbed in Indian and International languages like Tamil, Telugu, Malayalam, Bhasa, Arabic, etc. amongst others. We shall continue to focus on expanding our language content library in the coming years.

ALTBalaji will break even this fiscal: Nachiket Pantvaidya, ALTBalaji

<keyword id="18941" type="PERSON" weightage="100" keywordseo="Divya-Dutta">Divya Dutta</keyword> is a name that guarantees influential screen presence. Whether she does a major role like she had in the last year’s <keyword id="127336" type="ENTERTAINMENT" weightage="100" keywordseo="Bhaag-Milkha-Bhaag">Bhaag Milkha Bhaag</keyword>, or a smaller role like the one she did in <keyword id="836746" type="UNKNOWN" weightage="100" keywordseo="Lootera">Lootera</keyword>, she always win hearts and gets applauded. 
 
Today, as she turns 37, we took a look at the journey of this beautiful and talented actress, and see what we’ve found: 15 facts about Divya Dutta. 
 
1. Divya was single-handedly raised by her mother after the unfortunate death of her father. She was only 7 at that time. 
 
2. Divya has bitter memories of the 1984 riots as she was in Punjab during the insurgency. In one of her interviews for the 2013 film Gippi, she recalled those times when she hid behind her mother's dupatta while praying for her safety. 
 
3. Before coming to Mumbai to follow her dreams, Divya tried her hands at modeling for regional television commercials in Punjab. 
 
4. Divya made her debut with the 1994 movie Ishq Mein Jeena Ishq Mein Marna. She was only 17 at that time. 
 
5. Her first major break was Veergati, a movie where she played the role of Salman Khan’s sister Sandhya. 
 
6. Although she is a Punjabi, her Punjabi cinema debut came years after her first Hindi movie. She played the lead role of Zainab in Shaheed-e-Mohabbat Boota Singh and her performance was well-received by audience and critics alike. 
 
7. Other than Hindi and Punjabi movies, she has also done a Nepali movie called Basanti and a Malayalam movie called Twinkle Twinkle Little Star. 
 
8. Divya dubbed for Lisa Ray in 2001 movie Kasoor as Ray was not comfortable with Hindi then. 
 
9. She has played important roles in television serials like Shanno Ki Shaadi, Kadam, and Samvidhaan. 
 
10. She has done various ads for prestigious brands like Aashirwad, Dabur, ICICI, Lehar, Sun Feast, and Vasmol. 
 
11. She also works as an anchor and in the past, has anchored several shows like Arey Deewano Mujhe Pehchano, Awaz Punjab Di, Cine Satrangi, and Hum Tum Ek Camare Me Band Hon. 
 
12. Her debut international film was The Last Lear in which she played the role of Ivy, a nurse. The movie also starred Amitabh Bachchan, Arjun Rampal, and Preity Zinta. 
 
13. She was briefly engaged to Sandeep Shergill, a Lieutenant Commander in Indian Army, but her engagement didn’t last long. 
 
14. For the role of Zaara’s maid and confidante Shabbo in the 2004 movie <keyword id="495554" type="PERSON" weightage="100" keywordseo="Veer-Zaara">Veer Zaara</keyword>, she won the Zee Cine Award for Best Actor in a Supporting Role – Female and GIFA Best Supporting Actress Award. This role is considered as her breakthrough in mainline cinema. 
 
15. For the role of Milkha Singh’s sister Ishrat Kaur in the 2013 movie Bhaag Milkha Bhaag, she won Zee Cine Award for Best Actor in a Supporting Role – Female, IIFA Award for Best Supporting Actress, and Apsara Award for Best Actress in a Supporting Role. 
 
We wish the talented actress a very happy birthday and a long and healthy life. 
 
Image courtesy Indiatimes

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