Best printers for Home

Best Mixer Grinder

Best wired Earphones

Best 43 Inch TV in India

Best Wi Fi Routers

Best Home Theatre in India

Smart Watch under 5000

Best Laptops for Education

Best Laptop for Students

'Phone Bhoot' is moving over to the comic world to serve horror-comedy in 2D. The makers of the upcoming film, which stars <keyword id="6354850" type="General" weightage="50" keywordseo="katrina-kaif" source="Orion">Katrina Kaif</keyword>, Siddhant Chaturvedi, Ishaan Khatter and Jackie Shroff, have partnered with India's premier comic studio <keyword id="12225197" type="General" weightage="80" keywordseo="diamond-toons" source="Orion">Diamond Toons</keyword>, the iconic book publishers behind the classic comics '<keyword id="1040930" type="General" weightage="100" keywordseo="chacha-chaudhary" source="Orion">Chacha Chaudhary</keyword> and <keyword id="370818" type="General" weightage="50" keywordseo="sabu" source="Orion">Sabu</keyword>'. With this partnership, 'Phone Bhoot' will now feature in the 'Chacha Chaudhary' comic series created by Pran along with the horror-comedy's three key characters. The story takes the audience on a hilarious ride as two clueless ghostbusters team up with a ghost on an elaborate plan to take down an equally hilarious bad guy. Speaking on the launch of the comic, Manish Verma, Director of Diamond Toons said in a statement: "We are delighted to partner with Excel Entertainment for this exclusive edition of 'Chacha Chaudhary and Phone Bhoot'. Chacha Chaudhary, being an all-rounder, relevantly connects to almost all aspects of our lives. With fantastic satire and intelligence along with the characters of the movie 'Phone Bhoot', will help in making a strong connection with his massive fan following be it 8 or 80 years of age." The makers of the film, Excel Entertainment had first collaborated with Diamond Toons during 'Fukrey Returns' whose characters also featured in a previous 'Chacha Chaudhary' comic. With this association, Diamond Toons will now launch a comic in collaboration with 'Phone Bhoot' where the characters will now be part of the Chacha Chaudhary plot-line as he sets off on a new adventure with his sidekick Sabu. While details of the story remain unknown at this juncture, the series promises to be fun-filled and entertaining with equal doses of spook and laughter. Directed by Gurmmeet Singh and written by Ravi <keyword id="318028" type="General" weightage="50" keywordseo="shankaran" source="Orion">Shankaran</keyword> and Jasvinder Singh Bath, 'Phone Bhoot' is produced by Excel Entertainment, and is set to be released on November 4, 2022. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/international/news/how-power-corrupts-lessons-from-king-lear-and-three-more-shakespearen-plays/articleshow/95113874.cms">How power corrupts - lessons from King Lear and three more Shakespearen plays</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/sports/news/bcci-announces-equal-pay-for-centrally-contracted-male-and-female-players/articleshow/95117601.cms">BCCI bridges the gender pay gap, announces equal match fees to male and female players</a>

Katrina Kaif's yet-to-be-released Phone Bhoot makes it to Chacha Chaudhary comic book

Cleaning up the ‘System’ might be <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword>’s latest passion, but it reverts to stereotypes all too soon and the art of conveying a pertinent message becomes an imperfect endeavour. The saga started with <a href="http://www.businessinsider.in/Box-Office-Queen-OutshinesGulaab-Gang-Total-Siyapaa-Tanks/articleshow/31848837.cms">Gulaab Gang</a>, continued through <a href="http://www.businessinsider.in/Box-Office-Youngistaan-Falls-FlatDishkiyaoon-O-Teri-Are-Clear-Flops/articleshow/33127458.cms">Youngistaan</a> and climaxed with superstar <keyword id="6357912" type="PERSON" weightage="100" keywordseo="amitabh-bachchan">Amitabh Bachchan</keyword> returning with the much-hyped <keyword id="828468" type="UNKNOWN" weightage="100" keywordseo="Supernatural">supernatural</keyword> comedy sequel, <keyword id="1906261" type="UNKNOWN" weightage="100" keywordseo="Bhoothnath-Returns">Bhoothnath Returns</keyword>. This time, we have an adorable 70-plus ghost trying to set things right for the <keyword id="6361831" type="COMPANY" weightage="100" keywordseo="dharavi">Dharavi</keyword> <keyword id="56930" type="UNKNOWN" weightage="100" keywordseo="slum-dwellers">slum dwellers</keyword> and rooting out corruption in the process. But unlike the 2008 prequel, <keyword id="14780" type="UNKNOWN" weightage="100" keywordseo="bhoothnath">Bhoothnath</keyword>, finger-snapping alone doesn’t do the trick. Instead, <keyword id="2217" type="ENTERTAINMENT" weightage="100" keywordseo="Big-B">Big B</keyword> (<keyword id="291868" type="PERSON" weightage="100" keywordseo="Kailash-Nath">Kailash Nath</keyword> aka Bhoothnath in the movie series) gets ready to contest polls, preaches people to go out &amp; vote, and does loads of good work in-between, amply helped by the street-smart brat <keyword id="2199671" type="UNKNOWN" weightage="100" keywordseo="Akhrot">Akhrot</keyword> (<keyword id="1068845" type="UNKNOWN" weightage="100" keywordseo="Parth-Bhalerao">Parth Bhalerao</keyword>). Undoubtedly a great gesture from a spirit who cares, but it carries too much baggage than is good for the <keyword id="678332" type="PERSON" weightage="80" keywordseo="Subtle">subtle</keyword> art of influencing, impacting and entertaining – all at the same time. 
 But that does not mean the fantasy-comedy won’t become a Bollywood hit. In spite of its many faults, Big B spins his magic on-screen and the movie has managed to shake off a slow start. Directed and co-written by <keyword id="368516" type="PERSON" weightage="100" keywordseo="Nitesh-Tiwari">Nitesh Tiwari</keyword> of <keyword id="248958" type="ORGANIZATION" weightage="80" keywordseo="Chillar-Party">Chillar Party</keyword> fame, Bhoothnath Returns hit around 1,300 theatres at home but had a dull opening on April 11. It netted around Rs 4.07 crore on the debut day and witnessed a low occupancy rate of 25-30%. But <keyword id="2199678" type="UNKNOWN" weightage="100" keywordseo="Weekend-business">weekend business</keyword> literally touched the sky and the movie netted a little over Rs 18 crore at the <keyword id="827271" type="UNKNOWN" weightage="100" keywordseo="Domestic-Box-Office">domestic box office</keyword> after the first three days. 
 
“BhoothnathReturns Fri 4.07 cr, Sat 5.85 cr, Sun 8.10 cr. Total: 18.02 cr nett. India biz… Excellent growth over the weekend,” tweeted film critic and trade analyst Taran Adarsh. 
 
But the numbers dwindled on the crucial Day 4 and Day 5 (April 14 and 15). Although official figures are not available yet, the movie totalled a little more than Rs 7 crore on these two days, according to <keyword id="25892" type="ORGANIZATION" weightage="100" keywordseo="box-office">Box Office</keyword> Collection, thus reaching Rs 25 crore (approx) at home. Interestingly, the budget of this movie has not been disclosed yet, but some industry insiders put it at around Rs 30 crore. However, the initial numbers are definitely much better than Kangna Ranaut-starrer <a href="http://www.businessinsider.in/Box-Office-Queen-OutshinesGulaab-Gang-Total-Siyapaa-Tanks/articleshow/31848837.cms">Queen</a> (Rs 12 crore in first 4 days). Incidentally, <keyword id="6377522" type="POSITION" weightage="80" keywordseo="queen">Queen</keyword> has already netted more than Rs 60 crore at home, as per industry reports. We can’t really predict whether this Big B movie can get into that Big League or enter the Rs 100 crore club, but going by the current trend, it may overtake Bhoothnath’s earnings that managed to gross around Rs 68 crore worldwide. 
 And that brings us back to the basics. With the <keyword id="6355187" type="ORGANIZATION" weightage="80" keywordseo="Lok-Sabha">Lok Sabha</keyword> polls in full swing, Bhoothnath Returns was expected to do much better at the domestic box office, especially as it aims to blend some meaningful messages with fantasy to present a <keyword id="2199680" type="UNKNOWN" weightage="100" keywordseo="Socio-political-satire">socio-political satire</keyword>, loaded with <keyword id="1802565" type="UNKNOWN" weightage="100" keywordseo="tongue-in-cheek-humour">tongue-in-cheek humour</keyword> and sharp, <keyword id="2199682" type="UNKNOWN" weightage="100" keywordseo="Witty-one-liners">witty one-liners</keyword>. The movie follows that script, but only up to a point, and then loses its pace and crispiness as is the wont of traditional Bollywood flicks. 
 The first half of the movie is quite entertaining, though. Bhoothnath returns from the <keyword id="2199683" type="UNKNOWN" weightage="100" keywordseo="Bhoot-World">Bhoot World</keyword> as he is under pressure to prove his mettle as a ghost and must be able to scare a kid (his previous caper with Banku clearly hadn’t won the approval of fellow-ghosts). But this time, he has been won over by the slum kid Akhrot (Parth) and soon has a face-off with the <keyword id="2199670" type="POSITION" weightage="100" keywordseo="evil-politician">evil politician</keyword> <keyword id="602825" type="PERSON" weightage="100" keywordseo="Bhau">Bhau</keyword> (Boman Irani). The rest of the story gets painfully predictable and then downright preachy, dragging on eternally before reaching an over-the-top climax. As most critics have pointed out, the second half of this flick could have easily passed muster as an infotainment video on ‘<keyword id="2199685" type="UNKNOWN" weightage="100" keywordseo="Why-you-should-vote">why you should vote</keyword>’ and ‘<keyword id="924262" type="UNKNOWN" weightage="100" keywordseo="Vote-for-change">vote for change</keyword>.’ 
 
As the story gets stretched and execution gets lacklustre, Bhoothnath Returns loses its appeal of fantasy (something that never happens in a <keyword id="1837502" type="UNKNOWN" weightage="100" keywordseo="harry-potter-movie">Harry Potter movie</keyword> in spite of its markedly pronounced good-versus-evil theme), its appeal for kids (hardly a <keyword id="2199690" type="UNKNOWN" weightage="100" keywordseo="Fun-movie">fun movie</keyword>, compared to the earlier one) and its appeal for thinking adults (<keyword id="6354633" type="PERSON" weightage="100" keywordseo="Rajkumar-Hirani">Rajkumar Hirani</keyword>’s Munna Bhai series will impact you better). 
 
But Bhoothnath Returns has its special charms as well. The <keyword id="2199696" type="UNKNOWN" weightage="100" keywordseo="Bachchan-magic">Bachchan magic</keyword> and his easy frolic with kids are bound to win many hearts. But the star of the show is the <keyword id="5334" type="UNKNOWN" weightage="100" keywordseo="Bollywood-debutant">Bollywood debutant</keyword> Parth Bhalerao who is absolutely brilliant. Then there are the cameos – <keyword id="1671" type="PERSON" weightage="100" keywordseo="Shah-Rukh-Khan">Shah Rukh Khan</keyword>, <keyword id="6357861" type="PERSON" weightage="100" keywordseo="ranbir-kapoor">Ranbir Kapoor</keyword> and <keyword id="7929" type="PERSON" weightage="100" keywordseo="Anurag-Kashyap">Anurag Kashyap</keyword> all fall in line to support the message Bhoothnath is trying to convey. All in all, Bhoothnath Returns is a movie worth watching in spite of its none-too-impressive initial performance and execution flaws. Business may pick up further as the (release) timing has been perfect and Bachchan fans are known to form that <keyword id="828348" type="UNKNOWN" weightage="80" keywordseo="critical-mass">critical mass</keyword> of movie-goers that can always spell massive success, even if it is a bit late in the day.

Box Office: Bhoothnath
Returns In Style In Spite Of Chinks In Armour And A Tepid Start

After two years of pandemic-induced lull, <keyword id="1484" type="General" weightage="80" keywordseo="feroz-abbas" source="Orion">Feroz Abbas</keyword> <keyword id="6355601" type="General" weightage="80" keywordseo="khan" source="Orion">Khan</keyword>'s Broadway-style opus 'Mughal-e-Azam: The Musical' opened to packed houses in Mumbai on October 21 this year. The musical has already amassed unanimous critical and popular acclaim around the world but this is the first time in the post-pandemic era that the 18th season of the show has been staged. Director Feroz Abbas says, "As a team, during the course of the last two years, we truly missed entertaining the audience and now it feels so reassuring that the fans of the show have missed it too! The response since the first show on October 21, has been unbelievable and more shows have had to be added to accommodate the overwhelming demand for tickets." Mumbai has embraced the musical extravaganza once again and says Khan, "The core appeal of the musical remains the same though as always we have worked hard to improve technical and production aspects. The audiences however come back again and for the music, the monumental scale, the costumes, the energy of a live performance and the nostalgia that this classic love story evokes. And very soon, hopefully, we will be on the road once again to travel with the play and regale audiences in different parts of the country and the world." Deepesh Salgia of Shapoorji Pallonji Producers of the musical says, "Mumbai has embraced the musical extravaganza once again. The core appeal of the musical remains the same though as always we have worked hard to improve technical and production aspects." 'Mughal-e-Azam: The Musical' has won seven trophies, including the Best Indian Play, at the Broadway World India Awards 2017. Feroz <keyword id="209157" type="General" weightage="80" keywordseo="abbas-khan" source="Orion">Abbas Khan</keyword> won the Best Director <keyword id="24" type="General" weightage="80" keywordseo="award" source="Orion">Award</keyword>, and celebrity fashion designer Manish Malhotra won the trophy for Best Original Costume Design. Mayuri Upadhya scored in the Best Original Choreography category, Neil Patel received recognition in the Best Original Set Design segment and David Lander won the Best Original Lighting Design award. The play also bagged the Best Ensemble Cast award. IANSlife speaks to director Feroz Abbas to get his views on the show: When was the first time that you saw 'Mughal-E-Azam' and what impact did the film have on you? Feroz: I saw 'Mughal-E-Azam' as a child on Eid with my family and it had an enormous emotional impact on me and I remember crying profusely because I thought a great injustice had been done to Anarkali! Decades later when I saw the coloured version with Farooque Sheikh and Shabana Azmi Azmi in Hyderabad, the film wove the same magic that I had experienced all those years ago and then the idea to adapt it to the stage came to me because I realised that the film had a very theatrical structure. Do you think a film like this can be made today? Feroz: I think films which are much bigger in scale and even in detailing and budget are being made today, especially in South India, but 'Mughal-E-Azam' was very unique at that particular period and time where epics were few and far between and these one, in particular, had cost the producers more than any previous Indian film. It took nearly 10 years to reach cinemas and that would be unthinkable today. Can you share with us a few things that are different about this season of 'Mughal-e-Azam: The Musical'? Feroz: It's the same play, with the same cast and the same scale. Practically everything is the same except that after COVID hit us, the intensity and the passion of the performers reached a new high. The years in which the play wasn't performed, have had a huge impact on them and it is almost as if their passion had been bottled up and now it is going to be unleashed on the stage. As I was watching the rehearsals, I saw things that the actors had never done before, so, there's a great intensity and a great purpose to deliver an outstanding performance for the audience. All these years that made them wait now will culminate in a magnificent outpouring of intensity, beauty and power on stage. What have been some of the most memorable responses to the musical from the audience? Feroz: There have been so many that it would be tough to encapsulate them all. All I can say is they are diverse and heartwarming and each generation has connected differently to the play. For some, it is a nostalgic experience to revisit this story. For others, it is a discovery. Every single time we perform, we are suffused with waves of energy and appreciation and that is what keeps us inspired and motivated to do better and better each time. How did you translate war scenes and the immersive opulence of the film for its stage version? Feroz: War scenes are very difficult to do on stage because we don't have the facilities that cinema has, to realistically recreate battlefields. So it boils down to presenting them in a more suggestive and symbolic way and we have been able to create, if not the scale and opulence of the original film but surely the impact of war on stage and in the minds of the audience. It's very difficult for me to describe that in words because it is something that you've got to be in the auditorium to experience. What was your brief to the actors who were going to play roles that have been immortalised by stalwarts like Prithviraj Kapoor, Madhubala and Dilip Kumar? Feroz: The brief was to not mimic or become caricatures of the stalwarts but to understand and interpret the characters in question. It is very easy to be intimidated by the legacy of these iconic actors but once you begin to connect organically with the characters, you start relating with them and slowly you become a part of them and they of you. You have often mentioned the role that progressive writers played in creating a very egalitarian perspective of love in the film. Do you think film writing today has the same passion to at least suggest if not create positive change? Feroz: Every writer responds to the time he/she lives in. They absorb all that's happening around them, and finally, they put that on paper. As far as the egalitarian aspect is concerned, which means basically asking for a more well-adjusted, just, equitable and compassionate society for the weak and the marginalised, I think regional cinema is doing a very good job. They seem to be much more in tune with what's happening around them. However, our Hindi cinema at this point in time is struggling to find a voice that speaks for the marginalised and the weak. They are struggling to understand what exactly the audience expects, wants and needs and what issues they identify with. Whatever is going on in the name of entertainment has an element of confusion. Makers are trying various things but we aren't finding any strong voices that speak up for social equity. Though there have been voices for gender equality, which is good, the egalitarian aspect has been absent from Indian cinema for quite some time. SEE ALSO: <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/international/news/how-power-corrupts-lessons-from-king-lear-and-three-more-shakespearen-plays/articleshow/95113874.cms">How power corrupts - lessons from King Lear and three more Shakespearen plays</a> <a target="_blank" class="c-link c-message_attachment__title_link" href="https://www.businessinsider.in/entertainment/news/katrina-kaifs-yet-to-be-released-phone-bhoot-makes-it-to-chacha-chaudhary-comic-book/articleshow/95117757.cms">Katrina Kaif's yet-to-be-released Phone Bhoot makes it to Chacha Chaudhary comic book</a>

'Mughal-e-Azam: The Musical' gets extended on public demand

The summer vacation is right here and you must be thinking up some fun activities to keep your little devils engaged. How about a movie marathon as you watch together some of the best kids’ films ever made in <keyword id="143" type="CITY" weightage="40" keywordseo="Bollywood">Bollywood</keyword>? Here’s a look at the top 10 movies and what they offer. 
 
1. Bhoothnath Returns 
A sequel to 2008’s Bhoothnath, this film starts when Bhoothnath returns to the Bhoot World (the world of ghosts) after bidding adieu to Banku on Earth. But in the Bhoot World, he is taunted right and left for getting bullied by a child. So to redeem himself, Bhoothnath comes back to earth with the mission to scare kids. And this time, he meets Akhrot. Mind you, he’s the only person who can see Bhoothnath. But soon, they become <keyword id="343" type="ENTERTAINMENT" weightage="40" keywordseo="Friends">friends</keyword> and decide to fight against the country’s most powerful and corrupt <keyword id="6378412" type="POSITION" weightage="40" keywordseo="politician">politician</keyword>. Will a ghost win the humans’ battle against corruption? Find out as you watch this tale of good against evil. 
 
2. Stanley Ka Dabba 
This film will take you back to your school days. From sharing your lunch to making friends and ganging up against teachers, this movie has it all and never fails to please. Stanley is an orphan but he keeps it a secret and there is no one at home to pack his lunch. But what happens when his school teacher forbids him to attend school until he comes with a lunch box? What will he do now? Find out as you watch this heart-touching story. 
 
3. <keyword id="248958" type="ORGANIZATION" weightage="40" keywordseo="Chillar-Party">Chillar Party</keyword> 
A must-watch film for kids to give them a lesson or two about the power of unity. A group of happy-go-lucky kids decide to fight against a politician who has made a new rule to capture all stray dogs. Will they win? Find out as you watch this inspirational tale with your kids. 
 
4. Taare Zameen Par Ishaan is brilliant when it comes to painting. But his academic performance is a great cause of concern for his parents who send him to a boarding school. One of his teachers, played by <keyword id="6355923" type="PERSON" weightage="40" keywordseo="Aamir-Khan">Aamir Khan</keyword>, finds out that he is dyslexic and decides to help him overcome the disability. In addition to Aamir’s superlative direction, child actor <keyword id="15296" type="PERSON" weightage="40" keywordseo="Darsheel-Safary">Darsheel Safary</keyword>’s performance makes it one of the best kids’ movies ever made in Bollywood. 
 
5. Gattu 
Here’s a touching tale of faith and strong will power. Gattu is the story of a small town boy who has decided to defeat a black kite called <keyword id="84966" type="PERSON" weightage="40" keywordseo="Kali">Kali</keyword>, which is believed to be mysterious. Every kid wants to master the black kite but no one has done it. Will Gattu succeed? 
 
6. Blue Umbrella 
Based on Ruskin Bond’s story, this movie is directed by Visal Bhardwaj and tells the story of Biniya, a girl with an enchanting blue umbrella that she has got from a Japanese tourist. A shop-cum-restaurant-owner is jealous of Biniya’s umbrella and manages to steal it, and dyes it red. What will Biniya do now? 
 
7. Halo 
A motherless girl is in search of her lost dog, Halo. She meets a myriad of people and faces several tough situations while trying to find her dog, but Halo is nowhere to be found. Finally, she finds him but sets him free. Are you wondering why? Find out as you watch the movie. 
 
8. Makdee Makdee is the story of the twin sisters – Chunni and Munni. One fine day, the village witch, played by <keyword id="19" type="PERSON" weightage="40" keywordseo="Shabana-Azmi">Shabana Azmi</keyword>, traps them and tortures them. If they want to save their lives, they have to complete all sorts of weird tasks assigned by the witch. Will they be able to escape? Find out! 
 
9. Chota Chetan 
This is the Hindi remake of the Malayalam movie My Dear Kuttichathan (1984), which was India’s first 3D film. When re-released in 1998 as Chota Chetan, more scenes were added to the original to make it a visual delight. Moreover, new characters were also introduced in the later version, including those of <keyword id="1262" type="PERSON" weightage="40" keywordseo="Urmila-Matondkar">Urmila Matondkar</keyword> and <keyword id="2218" type="PERSON" weightage="40" keywordseo="Satish-Kaushik">Satish Kaushik</keyword>. The film is full of excitement and adventure, and your kids will simply love it. 
 
10. Anjali 
Yet another gem of a children’s movie! Directed by Mani Ratnam, this is the story of a two-year-old mentally challenged and terminally ill girl. Her father keeps her away from her mother and tells his spouse that she has given birth to a stillborn. However, the mother eventually finds out about her daughter. The two-year-old protagonist is exceptional in the role and Mani Ratnam has portrayed the day-to-day activities of the kids beautifully. 
 
Image: Indiatimes

You Searched For "Bhoot World" and got 4 results

Katrina Kaif's yet-to-be-released Phone Bhoot makes it to Chacha Chaudhary comic book

IANS

Box Office: Bhoothnath Returns In Style In Spite Of Chinks In Armour And A Tepid Start

Sanghamitra Mandal

'Mughal-e-Azam: The Musical' gets extended on public demand

IANS

Summer Fun: Check Out These 10 Must-watch Bollywood Movies For Kids

Charu

Popular Keywords

Buying Guides