Best printers for Home

Best Mixer Grinder

Best wired Earphones

Best 43 Inch TV in India

Best Wi Fi Routers

Best Home Theatre in India

Smart Watch under 5000

Best Laptops for Education

Best Laptop for Students

<ul><li><keyword id="9067806" type="UNKNOWN" weightage="20" keywordseo="zee5-kids">ZEE5 Kids</keyword>’ content is a mix of acquired and exclusives by on-boarding the leading production house like Lionsgate and Cosmos Maya.</li><li>It will enable an environment for kids, parents and educators to consume, create, learn and contribute together as a family.</li><li>Exclusive digital shows - <keyword id="13630" type="PERSON" weightage="20" keywordseo="Gadget-Guru">Gadget Guru</keyword>, Guddu and Bapu to be launched concurrently.</li></ul>Today, kids are the epitome in the priority list for every parent. With e-learning to online games, kids are engaged with screens all the time. And entertainment for kids isn't any different. <keyword id="6245082" type="UNKNOWN" weightage="20" keywordseo="ZEE5">ZEE5</keyword> is expanding its digital ecosystem by the launch of ZEE5 Kids. It includes a repertoire of 4000+ hours of content. It encompasses varied genres, languages, formats and age-group based curations for kids. And what’s more, it’s free for all users. With a content line-up tailor made to cater to kids across ages, genres and languages, ZEE5 Kids will also be launching exclusive digitals like Gadget Guru, Guddu and Bapu which will be released over upcoming timelines. <div type="twitter" handle="ZEE5Shows" handlename="ZEE5 Shows" image="http://pbs.twimg.com/profile_images/1181860613921755137/4mSQ_DH5_normal.jpg" favoritecount="3" retweetcount="0" status="Cartoons ki zabardast masti ab karegi bachchon ko full-on entertain! Watch the best of kid shows, movies and DIYs w… https://t.co/macTFhLPa4" createdat="1586831400000" id="1249887600397017088"></div> With its latest addition, ZEE5 aims to become an entertainment destination for the entire family. Planned uniquely, ZEE5 Kids offers a library spread across multiple languages - Hindi, English, Marathi, Tamil, Kannada, Telugu, Bengali, Malayalam and Bhojpuri. Commenting on the launch, Aparna Acharekar, Programming Head, ZEE5 India said, “We are very excited to share our new offering, ZEE5 KIDS, a unique and smart confluence of entertainment that is designed to meet the learning needs in a child-safe environment. The product is deliberated to augment the intellectual abilities of children in a FUN learning way by providing bespoke content ranging from shows, movies, reality &amp; DIY shows to nursery rhymes in 9 languages and across genres. The framework has been securely curated keeping in perspective the use of devices and exposure to unlimited information that kids have these days with digital platforms. We are certain that through ZEE5 KIDS we will be able to inculcate the habit of #NonStopBachFUN amongst audiences across demographics.” ZEE5 Kids’ content is a mix of acquired and exclusives by onboarding the leading production house like Lionsgate and Cosmos Maya. The three digital originals to be featuring in the upcoming months will be: Gadget Guru: An animated TV show and movie series based on a superhero character that will take kids on his fun adventure trips. Guddu: A story about Guddu – the fun lion and his troupe of friends who fights Billori – the evil cat and her gang in the most passionate way. Bapu: A situational, light comedy &amp; educational series promises to take you on a trip to know all about Bapu aka Mohandas Karamchand Gandhi and his great deeds. ZEE5 has ensured that the interface of ZEE5 Kids product is safe, secure and a private environment that you can trust. In addition, the platform is kid-friendly in terms of being easy to use and its simple navigation. ZEE5 Kids will enable an environment for kids, parents and educators to consume, create, learn and contribute together as a family. As a part of community building initiative, ZEE5 Kids will be educating mothers on the diverse content line-up, safety measures and smart features through initiatives like blogs, stories, fun challenges, tutorials, etc. Additionally, the platform and its social handles will also host Live chats with mental health experts, nutritionists, coaches, <a href="http://etc.to/">etc.to</a> share tips and advice with Parents on overall well-being of their Kids. #NonStopBachFUN will allow mommy bloggers, influencers and mothers to share their BachFUN videos and moments with their kids and win exciting prizes. And to add on to the fun, the best videos and vlogs will get to feature on the platform as well as ZEE5's social media pages.

ZEE5 gives kids content a push with the launch of ZEE5 Kids

<ul><li><keyword id="366712" type="General" weightage="20" keywordseo="tarun-katial" source="Orion">Tarun Katial</keyword> is currently working on the first-of-its-kind women-only social media platform Eve World.</li><li>There is an additional layer of blockchain technology added to the platform, which will allow the users to get rewarded for each action.</li><li>The platform will be launched in India, Middle East and Indonesia first, and then in other countries.</li></ul>Indian media executive and business professional Tarun Katial — who has previously led <keyword id="6245082" type="General" weightage="20" keywordseo="zee5" source="Orion">Zee5</keyword> and <keyword id="82551" type="General" weightage="20" keywordseo="big-fm" source="Orion">Big FM</keyword> as founder chief executive — is now on a journey to make social media safer for women with his latest offering Eve World. Katial has been working on the concept of Eve World, with Aparna Acharekar and Rajneel Kumar, since 2020 after he had an up-close experience of the harassment women face on the internet and traditional social media networks. “My wife [media veteran Monisha Singh Katial] is a really accomplished media person and she started getting trolled on WhatsApp, somebody got her number from somewhere. Me and another friend of mine recommended that we should go to the police station. Now the reason she gave me was that ‘even if I report, what real action would be taken even if they find the person?” he added. Forty six-year-old Tarun Katial has been in the media and entertainment industry for over two decades. He has retained top executive positions in brands like <keyword id="17943" type="General" weightage="20" keywordseo="star-india" source="Orion">Star India</keyword>, Sony Entertainment and Reliance Broadcast Network. Eve World became a reality in June 2021 as a first-of-its-kind women-only platform that aims to empower women to express their opinion, create content and form communities without worrying about the consequences. According to the National Commission for Women (NCW) chairperson Rekha Sharma, cases of online harassment grew nearly five fold in 2020. “While earlier, we would record 300 complaints of online harassment, this shot up to 1,500 post the COVID-19 pandmeic,” she<a href="https://indianexpress.com/article/cities/ahmedabad/after-covid-cases-of-online-harassment-spiked-by-5-times-7137386/"> said</a> in January 2021. In the USA, four in ten women admitted to have faced online harassment, according to a <a href="https://www.pewresearch.org/internet/2021/01/13/the-state-of-online-harassment/">report </a>published by Pew Research Center in January this year. However, it does raise questions whether creating a separate space for women would further isolate them from the general public. Commenting on the same, Katial highlighted that this is why they went with the tagline “We can’t change the world for you, but we can create a better one for you.” Pritam Baruah, Dean of School of Law at BML Munjal University, told Business Insider, “In the larger context, however, isolation will not be the lens through which they will be viewed. There is the freedom to form exclusive groups in the marketplace of platforms and each will serve its purpose and constituency." Eve World is trying to build more than just social media Eve World will use this capital to launch the platform in the January-March quarter of 2022. The company aims to launch worldwide, including countries like the US and UK, where female participation in the digital arena is higher. But it will start off with countries like India, Middle East and Indonesia, where the population is larger and the company believes that it can add some value by giving women their space. On the face of it, Eve World has been built on a creator partnership, something like Facebook, Instagram and Twitter, where the people on the platform are running the show. But there is an additional layer of blockchain technology added to the platform, which will allow Eve World’s users to get rewarded for each action on the platform. The reward can either be virtual tokens or points and can be used for a range of use cases — including consulting doctors and mental health professionals on the platform, shopping or even to buy non-fungible tokens (NFTs) at a discount on the platform. It will generate revenue by charging micro-entrepreneurs to promote their businesses. Eve World will set up a two-way authentication to ensure only women are using the platform. Katial claimed that 70% of its workforce at Eve World are going to be women as they understand these issues much better. The company has already raised capital from Singapore-based Jungle Ventures, one of the largest independent early and growth stage venture capital firms in Southeast Asia. The details of these transactions are undisclosed. “What used to happen on the street till a decade ago, in urban India, has now moved to the internet, under the garb of anonymity… Women were losing their freedom to express themselves because of the kinds of gender bias, the kind of trolling, the kind of abuse that they are facing...Women on the internet face much more [consequences] than any man would on the same comment that gets posted,” Katial said. SEE ALSO <a href="https://www.businessinsider.in/business/news/zoho-freshworks-and-top-indian-saas-companies-have-given-500-entrepreneurs-to-the-indian-startup-ecosystem/articleshow/88145310.cms" data-type="tilCustomLink">Zoho, Freshworks and top Indian SaaS companies have given 500 entrepreneurs to the Indian startup ecosystem</a> <a href="https://www.businessinsider.in/investment/news/humanoid-robot-sophia-is-entering-the-metaverse-with-intelligent-nfts/articleshow/88156738.cms" data-type="tilCustomLink">Humanoid robot Sophia is entering the metaverse with ‘intelligent’ NFTs</a> <a href="https://www.businessinsider.in/policy/news/here-is-what-to-expect-from-the-rbi-monetary-policy-today/slidelist/88150941.cms" data-type="tilCustomLink">Six charts explain what the market expects from the RBI’s monetary policy review</a>

An Indian media veteran is building a social media platform just for women after his wife got trolled on Whatsapp

<ul><li>Even after the record growth witnessed by streaming services in India, the question remains whether these platforms can retain the massive lockdown gains </li><li>With streaming services under pressure to provide new content frequently and producers trying to not lose money in films, web premiers might be another new normal. </li><li>Moreover, a KPMG report suggested that OTT platforms should look at gaming as an extension to their ecosystem offerings. </li></ul>Streaming services are the only bright spot for the millions who are isolating at home during lockdown. With ample leisure time and fewer options, usage of streaming platforms surged. Most of the 35 streaming giants in India — <keyword id="3960758" type="PERSON" weightage="20" keywordseo="Amazon-Prime-Videos">Amazon Prime Videos</keyword>, <keyword id="6245082" type="UNKNOWN" weightage="20" keywordseo="ZEE5">Zee5</keyword>. Voot, Hungama, AltBalaji, MX Player — witnessed a record growth fueled by quarantine. The Big Boost During the lockdown, there was a 265% increase in OTT traffic since February last week — in spite of the drop from HD to SD, according to Internet Exchange operator DE-CIX. The five services that gained the most are Amazon Prime Videos, Netflix, Youtube, Zee5 and Hotstar. Disney+ — which was launched soon after India locked itself down —<a href="https://techcrunch.com/2020/04/08/disney-has-more-than-50m-subscribers/"> added 8 million users </a>within a week. Whereas, Netflix India — which was earlier losing to the homegrown market — too <a href="https://www.businessinsider.in/finance/news/exclusive-app-tracking-data-for-netflix-reveals-the-countries-where-usage-spiked-in-march-and-suggests-strong-viewership-heading-into-q1-earnings/articleshow/75162782.cms">saw at least an 8% growth in Q1FY20 driven</a> by its cheapest mobile online plan at ₹199. Zee5, a homegrown OTT platform, saw 36% growth during the lockdown. Whereas its foreign arm, <keyword id="7124509" type="UNKNOWN" weightage="20" keywordseo="ZEE5-Global">Zee5 Global</keyword> saw a 60% surge in users across the world including the Middle East and Canada. Alt Balaji, yet another homegrown platform, saw a 60% growth in its subscription. <table style="border-width: initial; border-style: none; width: 468pt; table-layout: fixed;"></colgroup></colgroup><tbody><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">OTT services </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Change in viewership due to Covid-19 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Netflix India </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">+8% in Q1 </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Zee5 </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">+36% </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Hungama Play </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">+20% </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">Eros Now </td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">+70-100% </td></tr><tr><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">MX Player</td><td style="border-left:solid #000000 1pt;border-right:solid #000000 1pt;border-bottom:solid #000000 1pt;border-top:solid #000000 1pt;vertical-align:top;padding:5pt 5pt 5pt 5pt;overflow:hidden;overflow-wrap:break-word;">130% surge on engagement </td></tr></tbody></table> A short-term spike or a long-term gain A<a href="https://rollingstoneindia.com/how-the-coronavirus-is-impacting-audio-and-video-streaming-in-india/"> Nielsen report</a> predicted that lockdown can trigger a 60% rise in content consumption in India. Even after the record growth witnessed by streaming services in India, the question remains whether these platforms can retain the massive gains post lockdown. Hence, when Netflix recently said it added a record 15.8 million paid subscribers globally, it also added that it is treating it as “<a href="https://techcrunch.com/2020/04/21/neflix-q1-earnings/">a short-term spike” and the growth will gradually decline. </a> A KPMG report, however, believes that OTTs are likely to see continued accelerated growth. "While the same levels of consumption may not be achieved once we overcome this pandemic, there is definitely a new and higher normal that is likely to be established when it comes to time spent on OTT platforms," Girish Menon, Partner and Head, Media and Entertainment, KPMG in India told Business Insider. Moreover, Menon believes consumers are likely to develop a habit of consuming video online during lockdown which would later drive subscription growth. However, According to Karan Bedi, MX Player, OTT platforms might witness some immediate dip post lockdown, but the overall base and average time spent would continue the rise. With shooting of new TV series being delayed and movie theatres closed, services with large, legacy libraries and fresh content, have an inherent advantage. “A new normal has been witnessed as consumers adapt to the evolving situation of the pandemic. We feel this pattern will stay as it is in the post-COVID-19 era as well and perhaps there will be some incremental change in the overall user growth,” Aparna Acharekar, programming head of ZEE5 India. Ferzad Palia, who heads Voot Select in India too thinks the same. Rohit Paranjpe who heads SugarBox Networks believes new content will continue to enthuse people. The pressure on OTT services to release new content more frequently may also go up. Also, OTT players too should not be happy just retaining users and will have to engage them more. Apart from films, KPMG in a report suggested OTT platforms look at gaming as an extension to ecosystem offerings. “OTT will look to bring their consumer’s value in other areas: from aggregating other third party content providers who are not competing with them to promoting and pushing other adjacent services, like fitness and food delivery apps, and education platforms,” said Lior Friedman, VP - global partnerships and strategy at Amdocs Media. Directly onto OTT platforms With streaming services under pressure to provide new content frequently and producers trying to not lose money in films products, web premiers might be a new normal. Lakshmi Bomb featuring Akshay Kumar might release on Disney+Hotstar. MUBI is premiering Pablo Larrain’s film ‘Ema’ in India, UK and Ireland on May 2. Whereas, Zee5 is also considering premiering movies directly on its platform in the near future. AB Anni CD will be yet another film to be released directly on Amazon Prime Videos. Akshay Bardapur, the producer of the movie that stars Amitabh Bachchan said, “We didn’t want to keep audiences from watching two megastars. Also, it made sense to recover losses by selling content to the OTT.” But big-budget movies are preferring to hold back. Recently, the makers of Ranvir Singh starrer movie ‘83 said they will release the film in theatres first even <a href="https://mumbaimirror.indiatimes.com/entertainment/bollywood/ranveer-singhs-83-to-not-release-on-ott-platforms-makers-aim-for-theatrical-release/articleshow/75401861.cms">if they had to wait for six or nine months. </a> “While producers of movies that have a reasonable budget may experiment with releasing movies directly on OTT platforms or opt for a pay-per-view model, bigger films are unlikely to be released until later this year or next year,” says Neeraj Roy, founder and CEO of Hungama Digital Media. See also: <a href="https://www.businessinsider.in/entertainment/news/cinema-halls-may-not-open-in-india-until-june-end/articleshow/75407053.cms">Cinema halls may not open in India until June end</a> <a href="https://www.businessinsider.in/entertainment/news/lockdown-watchlist-want-to-binge-watch-a-show-that-lasts-a-week-try-these-long-running-shows-on-netflix-amazon-prime-disney-hotstar-and-others/articleshow/75173116.cms">Lockdown Watchlist: Want to binge-watch a show that lasts a week? Try these long-running shows on Netflix, Amazon Prime, Disney+ Hotstar and others</a>

Streaming platforms who are on a new high — are hosting web premiers and might even expand to gaming

Mumbai, Apr 12 () The transition from the magic of the big screen experience, complete with popcorn, candy and push back chairs, to the small screen has been rapid as audiences adapt to life under lockdown and filmmakers resize their offerings in keeping with the times. With the coronavirus pandemic sweeping the globe, cinemas have downed their shutters and digital platforms are stepping up to meet the growing entertainment demands of millions of people across the world and in India spending their days confined to their homes. The trend is clear. The fear of the pandemic, which has infected more than 8,000 people and claimed at least 273 lives in India, could stay for maybe months after it abates. And audiences are unlikely to get back to the theatre in a hurry.Reading the writing on the screen, production houses and distributors have already moved their big screen releases to digital platforms.Irrfan's much awaited "Angrezi Medium" released on March 13 but theatres were already closing everywhere by then and the film was in the theatres for just a day. The movie is now available on newly launched Disney+Hotstar.Similarly "Bamfaad", which marks the debut of Paresh Rawal's son Aditya is available on ZEE5.In India, home grown digital platforms are reaping the benefits of the transition."Voot Select is seeing a definite surge in the uptake of subscribers. It is about 2.5 to 3 times higher than what we had estimated. But this growth cannot be attributed to increased consumption alone. The fact of the matter is Voot Select is a very new service - only three-week-old," said Ferzad Palia, head - Voot Select, Youth, Music &amp; English Entertainment Viacom18.Aparna Acharekar, programming head, ZEE5 India, said the platform is diversifying its content and even making it free."Through our initiative of #BeCalmBeEntertained, we have made a host of content available free for viewers. We also launched our Original 'State of Siege: 26/11' which garnered a fantastic response from the audience as well as critics."Besides "Bamfaad", which released on April 10, it also has a Short Film Festival coming up on April 15. The world, added Nachiket Pantvaidya, group chief operating officer, Balaji Telefilms and CEO of ALTBalaji, is facing a humanitarian crisis with most countries under lockdown to ensure the safety of their citizens."In the current scenario, we are encouraging our viewers to stay safe in self-isolation for which we shall continue to serve quality entertainment at the most optimized data usage," Nachiket told .Nachiket, who did not divulge data on the increase in subscriber count, added that they are urging subscribers to make the switch to SD (Standard Definition) from HD (High Definition)."While we have witnessed an increase in viewership and the time they spend consuming our content, our main objective is to ensure uninterrupted entertainment to their screens."Will all this forever change the way people consume content?That's the question uppermost in the minds of industry insiders as people settle into a lockdown routine and prepare for an extension. India has been under a lockdown after Prime Minister Narendra Modi's announcement on March 24."Cinema is a habit, if you break a habit for four-six months, you'll get a lot of people dissuaded to come to cinemas. Even if there is a reduction of 15-20 per cent of the footfall, which is anyway on a decline, cinema is going to be badly hit," Bihar-based exhibitor Vishek Chauhan told . The shrinking gap between theatrical releases and their debut on streaming platform has left cinema hall owners and exhibitors worried about their future."With everyone quarantined, digital platforms are "taking us by the throat and pushing down their content every week", Chauhan said. According to him, the comfort of OTT platforms poses a threat to the theatrical viewing experience because it's an "antithesis to appointment cinema". "Theatrical viewing is fixed at a particular time, a location, which isn't the case with OTT. You can watch unlimited content online using free data. This is a huge crisis we will face. It's not like the gates will open and people will throng our premises." "Imagine if I were Netflix or Amazon and made an offer to the makers of 'Sooryavanshi' to release it digitally, paying whatever amount they think they could've earned in theatrical, How long will Karan Johar, Rohit Shetty hold back?"There has been a substantial investment in the film and it's costing the makers interest on a daily basis as we speak," Chauhan said. "Sooryavanshi" is the third film in Rohit's cop universe after Ajay Devgn's "Singham" and Ranveer Singh-starrer "Simmba". The film was supposed to release on March 24 but has been postponed indefinitely due to the pandemic. Raj Bansal, senior distributor and exhibitor, said China, where the pandemic began, recently opened theatres but not many turned up. "That's such a clear indicator of where we stand today. No one is coming to cinema halls. At least that won't be on people's mind right now," said Bansal, director of Entertainment Paradise, a three-screen multiplex in Jaipur. Internationally, too, Disney, which recently launched its streaming service in India with Hotstar, has put some of its movies directly on Disney+. The titles include "Frozen 2" and "Onward" which arrived for home viewing faster than they would have had the cinemas been open.In an interview with Barron's, Disney's executive chairman Bob Iger said they were considering putting a few of their movies on the streaming platform."There are some we've decided to put on Disney+. We already announced one, Artemis Fowl, that would have been released in theaters. Others we've simply delayed. In some cases we've moved things onto Disney+ faster than we would have. 'Frozen 2' was one of them, but 'Onward' would be the biggest example. It was in theatres when this happened," Iger said when asked about films already in production. Similarly, Universal put "The Hunt" on streaming while Focus Features' made "Emma" available for early streaming. Dispelling the gloom, PVR Cinemas CEO Gautam Dutta said he is not worried about the future of theatres and considers the lockdown due to pandemic a challenging but short term problem. In an interview to recently, Dutta said, "Out of home entertainment is not just about watching movies. It is about eating out, about socializing, holding hands and creating memories. Once the lockdown is over and the situation improves, people will return to cinemas," he said. KKP BK MIN MINMIN

COVID-19 changes cinema game from big to small screen

It was released, it was watched and it delivered some frenzied results. That is good enough for many, especially those who judge a film’s merit by <keyword id="1839596" type="UNKNOWN" weightage="100" keywordseo="box-office-collections">box office collections</keyword>. Not that we have got anything against <keyword id="1987992" type="UNKNOWN" weightage="100" keywordseo="Big-moolah">big moolah</keyword> – the kind of money this <keyword id="1987996" type="UNKNOWN" weightage="100" keywordseo="Third-instalment">third instalment</keyword> of the Dhoom series has earned till Day 4, both in India and abroad. 
 Directed by Vijay Krishna Acharya and produced by <keyword id="6385240" type="PERSON" weightage="100" keywordseo="Aditya-Chopra">Aditya Chopra</keyword>, the high voltage <keyword id="6355304" type="PERSON" weightage="100" keywordseo="action">action</keyword> thriller (starring <keyword id="6355923" type="PERSON" weightage="100" keywordseo="Aamir-Khan">Aamir Khan</keyword>, <keyword id="499" type="PERSON" weightage="100" keywordseo="abhishek-bachchan">Abhishek Bachchan</keyword>, <keyword id="6354850" type="PERSON" weightage="100" keywordseo="Katrina-Kaif">Katrina Kaif</keyword> and <keyword id="36115" type="PERSON" weightage="100" keywordseo="uday-chopra">Uday Chopra</keyword>) has sailed into the <keyword id="925977" type="UNKNOWN" weightage="100" keywordseo="Rs-100-crore-club">Rs 100 crore club</keyword> just after the opening weekend and grossed around Rs 107 crore at home, according to industry estimates. That’s definitely better than Hrithik Roshan-Priyanka Chopra starrer <keyword id="500441" type="ENTERTAINMENT" weightage="100" keywordseo="Krrish-3">Krrish 3</keyword>, which could enter the coveted club after 4 days. Total collections during the first weekend stood at Rs 170 crore-plus, with nearly Rs 63 crore from <keyword id="116674" type="UNKNOWN" weightage="100" keywordseo="overseas-markets">overseas markets</keyword>. And that’s a record for any <keyword id="679" type="UNKNOWN" weightage="100" keywordseo="bollywood-movie">Bollywood movie</keyword>. Now it is only a matter of time before it surpasses the lifetime grossing of Krrish 3 (Rs 270 crore) or <keyword id="227940" type="COMPANY" weightage="100" keywordseo="Chennai-Express">Chennai Express</keyword> (Rs 409 crore). 
 
<keyword id="24705" type="ENTERTAINMENT" weightage="100" keywordseo="Dhoom-3">Dhoom 3</keyword> has also raced past the <keyword id="1988004" type="UNKNOWN" weightage="100" keywordseo="Opening-day-record">opening day record</keyword> of Chennai Express, a <keyword id="1988005" type="UNKNOWN" weightage="100" keywordseo="Shah-Rukh-Khan-Deepika-Padukone-starrer">Shah Rukh Khan-Deepika Padukone starrer</keyword> that bagged around Rs 33.12 crore on the first day. In contrast, Aamir’s flick has collected a little more than Rs 36 crore. Its performance is equally impressive after Day 4 (December 23, 2013) and the movie has grossed an estimated total of Rs 127 crore in the <keyword id="6382118" type="UNKNOWN" weightage="100" keywordseo="Domestic-Market">domestic market</keyword>. 
 In <keyword id="6378080" type="COUNTRY" weightage="80" keywordseo="North-America">North America</keyword>, too, Dhoom 3 has debuted to a record-breaking opening weekend, collecting Rs 21.26 crore nett ($3.4 million) across 236 theatres – the biggest opening of all time for a <keyword id="143" type="CITY" weightage="100" keywordseo="Bollywood">Bollywood</keyword> movie. In contrast, Chennai Express collected Rs 14.82 crore ($2.4 million) from 196 screens in America and <keyword id="6356687" type="COUNTRY" weightage="100" keywordseo="canada">Canada</keyword> in its opening weekend. So Dhoom 3 has beaten its both records in <keyword id="1988011" type="UNKNOWN" weightage="100" keywordseo="Screen-count">screen count</keyword> and collection. 
 
It has an impressive performance in other overseas markets as well. The movie has collected Rs 9.18 crore nett (£906,875) from 97 screens (fewer number of screens than Chennai Express) in the UK and Rs 3.85 crore nett (A$695,782) from 30 screens in <keyword id="6355478" type="COUNTRY" weightage="80" keywordseo="Australia">Australia</keyword> in the first weekend. While Dhoom 3 has collected Rs 1.11 crore nett (NZ$ 217,923) from 19 screens in <keyword id="22501" type="COUNTRY" weightage="80" keywordseo="New-Zealand">New Zealand</keyword> and Rs 3.9 crore nett in <keyword id="3001" type="COUNTRY" weightage="100" keywordseo="Pakistan">Pakistan</keyword> the first weekend, Chennai Express gathered Rs 60.05 lakh (NZ$1,23,478) from 10 screens in NZ and Rs 1.84 crore in Pakistan for that span. 
 
There is yet another record associated with Dhoom 3. It has reportedly grabbed the <keyword id="1988018" type="UNKNOWN" weightage="100" keywordseo="Biggest-number-of-screens">biggest number of screens</keyword> this time – around 4,500 in India and 750 screens overseas. The previous record was held by Chennai Express (3,700 screens at home and 700 screens abroad). 
 If all these numbers have numbed you a bit, let’s look at the storyline for a change. One can easily see it’s loaded with populist fare – <keyword id="24462" type="ORGANIZATION" weightage="100" keywordseo="bikes">bikes</keyword>, <keyword id="28817" type="UNKNOWN" weightage="100" keywordseo="babes">babes</keyword> (who can forget Katrina’s high-flying <keyword id="729495" type="UNKNOWN" weightage="100" keywordseo="Acrobatics">acrobatics</keyword> and tantalising <keyword id="16156" type="UNKNOWN" weightage="100" keywordseo="dances">dances</keyword>), exotic <keyword id="6542811" type="UNKNOWN" weightage="100" keywordseo="locations">locations</keyword>, great action and fascinating <keyword id="2902" type="UNKNOWN" weightage="100" keywordseo="Stunts">stunts</keyword>. To top it all, there’s the muscle-flexing Aamir playing <keyword id="1841797" type="PERSON" weightage="100" keywordseo="Sahir">Sahir</keyword> the baddie and looting <keyword id="6354604" type="COMPANY" weightage="100" keywordseo="Chicago">Chicago</keyword> banks without leaving any clue except a smiling clown face and a Hindi message (with help from Katrina or <keyword id="260889" type="PERSON" weightage="100" keywordseo="Aaliya">Aaliya</keyword>, of course) while no-nonsense cop ACP Jai Dixit (Abhishek) and his bumbling sidekick <keyword id="208896" type="PERSON" weightage="100" keywordseo="Ali-Akbar">Ali Akbar</keyword> (Uday Chopra) are back in action to <keyword id="1988025" type="UNKNOWN" weightage="100" keywordseo="Catch-a-thief">catch a thief</keyword>. 
 We are also impressed by the superb <keyword id="42054" type="PERSON" weightage="100" keywordseo="Cinematography">cinematography</keyword> and great technical specs, but in spite of the <keyword id="3909943" type="UNKNOWN" weightage="100" keywordseo="star-power">star power</keyword> and the <keyword id="1988030" type="UNKNOWN" weightage="100" keywordseo="Sleek-treatment">sleek treatment</keyword>, this movie is painfully <keyword id="794224" type="UNKNOWN" weightage="100" keywordseo="predictable">predictable</keyword> and incredibly <keyword id="1311050" type="UNKNOWN" weightage="100" keywordseo="unimaginative">unimaginative</keyword>. One actually misses the subtle fun and the intriguing crime-tracking mechanisms of <keyword id="3894" type="ENTERTAINMENT" weightage="100" keywordseo="Dhoom-2">Dhoom 2</keyword> here but then, this is the age-old Bollywood wine of betrayal-revenge-retribution, served in a <keyword id="99968" type="UNKNOWN" weightage="100" keywordseo="new-avatar">new avatar</keyword>. As Aparna Mudi of Zee News says – Dhoom 3 manages to deliver a typically <keyword id="1988026" type="UNKNOWN" weightage="100" keywordseo="Bollywood-revenge-saga">Bollywood revenge saga</keyword> in a modern way. 
 
Sarita A Tanwar of Daily News and Analysis gives it 4 stars and says, “Welcome to the world of jaw-dropping action and stunts never seen before on Hindi screen. Dhoom 3 redefines the word ‘<keyword id="4578" type="COMPANY" weightage="100" keywordseo="entertainment">entertainment</keyword>’ in the grandest way possible.” 
 
That is true, in a way, but the flick has drawn flak for its many shortcomings. Rajeev Masand of CNN-IBN has given the film 2.5 out of 5 stars and stated, “Dhoom 3 is let down by a <keyword id="1988035" type="UNKNOWN" weightage="100" keywordseo="Convenient-script">convenient script</keyword> and its inability to deliver solid entertainment.” However, it’s Raja Sen of Rediff.com who drives the point home. He has given it 1.5 out of 5 stars and written, “Dhoom 3 is a children’s film made for children who’ve never seen a film.” And we cannot agree more. You will find loads of fascinating things in Dhoom 3, but just one thing is lacking – good cinema. 
 
With input from Agencies. 
Image: Indiatimes

You Searched For "Aparna Acharekar zee5 india" and got 5 results

ZEE5 gives kids content a push with the launch of ZEE5 Kids

BI India Partner

An Indian media veteran is building a social media platform just for women after his wife got trolled on Whatsapp

Kritti Bhalla

Streaming platforms who are on a new high — are hosting web premiers and might even expand to gaming

Preeti Soni

COVID-19 changes cinema game from big to small screen

PTI

Dhoom 3 Breaks All Bollywood Movie Records, Gives You Some Dumb Entertainment

Sanghamitra Mandal

Popular Keywords

Buying Guides