Apple design legend Jony Ive curated a collection of future-facing work from emerging artists — check out his picks

Ive notes that the RCA's graduates will have had to contend with the pandemic, saying: "There is a clarity and boldness that perhaps speaks to the absence of familiar tools or the usual distractions."

He continues: "To reconsider fundamental approaches to their work at a time of complete chaos and uncertainty demonstrates a remarkable drive and resolve and is ultimately a victory for creativity in its many areas of practice. This is a particular body of work that I believe will be regarded as significant in the future."

Read on for a selection of artists and their work from the 'Optimistic, Singular and New' collection.

Architecture student Rosa Whiteley says her work "addresses the longstanding phenomena of pink death clouds that periodically dominate the arctic atmosphere."

Check out Whiteley's full project.

'Bang' is the Korean word for room. According to Park: "Bang-culture in Seoul, Korea has expanded and diversified due to a higher demand for housing and Korean gaming culture." Park's work explores alternative ways to design high-rises.

Check out Park's full project.

Garcia Kurland says of her project: "This project unravels a personal trajectory of online identity triggered by the discovery of unintentionally offering of all intimate data dating back to 2013.

"Through extraction of my own data the project investigates moments in my life which have been influenced by algorithms."

See the full project here.

Ryley says of his project: "Within 'The Urban Monastery', I have focussed on themes of reflection, of contemplation, and of peace, asking how someone can have an encounter of something bigger than themselves upon experiencing a space."

Check out Ryley's project.

Boyce describes his project: "Oljevegen: The Oil Road, is a critical examination and response to the relationship between landscape, traditional culture, and the emergence of infrastructure along Norway's western coast."

Check out the full project.

Ping Mu tried to capture the "cognitive alienation" of the pandemic, noting that the constant glow of screens has replaced the experience of going outside and being in nature. Ping Mu writes: "[I] projected my behaviour onto an ape. She wanders in a mixed space of reality, dreams and cyberspace. She is sometimes anxious, sometimes lonely, sometimes angry, like a trapped animal under house arrest in a modern prison."

Healthcare designer Blanca Rivera Fernandez conceived skin-like thimbles to be worn on the fingers. The idea is that surgeons wear the device, allow their movements to be monitored, and trainees can then learn from them.

"By using the thimbles, the trainee can mimic the surgeon's hands movements unlimited times while receiving real-time feedback," she says. "This fact allows the user to know where and how to improve the movements to avoid tissue damage, for instance."

Check out the full project here.

Pettit explores living with PTSD, using painting, textiles, and embroidery to explore trauma, the body, and mental illness.

"My work uses self portraiture to show the mirrored effect of looking into trauma, looking into yourself, and accepting the embrace of recovery," she writes.

Check out Pettit's work here.

Sterling's 'Colouring In' range is, she writes, "influenced by children's colouring books fused with infographic imagery in order to further bring emphasis to marginalisation and the absurdity of discrimination."

Check out Sterling's body of work here.

3D modeller and animator Marcela Baltarete says their work is a kind of therapy, a distancing from the experiences of gender dysphoria and illness.

They write: "They approach their work in a therapeutic way, while portraying the idea of rejection and acceptance of certain anatomical parts through animated extrusions that signify their own body's discomfort but also investigate the possibility for self-acceptance and reconciliation of mind and body."

Check out Baltarete's work here.

In his series, Mehigan pays homage to the photo book, presenting modern-day California in the context of the ravaging of wildfires.

He writes: "There is no single readable prose but rather a multiplicity of layers that intersect and overlap, representing and critiquing the State and it's ecological crisis as a complex catastrophe of systematic subtexts: insufficient governance; inappropriate policy; dangerous material culture and architectural indulgence."

See Mehigan's work here.