"The objective of the original 8-bit video game was to, while controlling one of three giant monsters (a gorilla, dinosaur or werewolf), reduce a city to rubble. Naturally, a story of such pathos and originality brought Hollywood rushing with a check for millions."
"This should be a 'Hold on!' sort of movie, where the most complicated line of dialogue is simply: 'Hold on!' (Johnson says it, and it’s very satisfying). Instead, 'Rampage' periodically stops dead for tedious scientific explanations."
"I admit that 'Rampage' is a neat excuse to supersize. Animals. A crumbling Midwest city. Johnson’s muscles. Even the actors play to the rafters, with a special nod to Jeffrey Dean Morgan’s deliciously wily Black Ops character."
"It sure isn’t [drama], but sometimes it tries to be, giving Johnson and [Naomie] Harris back-to-back scenes where they tediously explain why they're the way they are. As if people seeing a creature feature called 'Rampage' wanted to see anything except creatures, you know, rampaging."
"[Jeffrey Dean Morgan is] the only person on screen who seems to a.) be having any fun, and b.) understand exactly what kind of ludicrous trash he’s in. I would have gladly watched a movie just following his character."
"Director Brad Peyton hits all the expected beats: You can set your watch by the fight scenes. Sometimes, he hits them too often ... Peyton has clearly studied mediocre action movies, and it shows."
"The setup could hardly be more bland (or stupid): An experiment in genetic editing is taking place in space (because why not?). It goes wrong (because why wouldn't it?). Capsules containing the experiment crash land on Earth (because where else?)."