All 9 Wes Anderson movies, ranked from worst to best

Anderson’s debut feature is understandably his least ambitious work, but the drive to be one of the most creative storytellers working today is there. You can see it in the entertaining dynamic between friends Anthony and Dignan (played by brothers Luke and Owen Wilson), and the execution of the movie’s great robbery scene.

Anderson kicked up his ambitious vision in regards to costumes and production design with this movie and has pretty much not looked back since. Looking at three gifted kids of a New York City family, and how they all grow up to have lives that never match their potential, the movie is a work that if you don’t fully love, at the very least you have respect for. It also possesses Gene Hackman’s last great performance before his retirement.

Regarded as Anderson’s most underappreciated movie, Bill Murray plays Jacques Cousteau-like oceanographer Steve Zissou who, with his team by his side, sets out to avenge his best friend who was eaten by a “jaguar shark.” But like any Anderson movie the story goes deeper than that as it explores — you guessed it — family. In this case, Ned (Owen Wilson) believes Zissou is his father.

Along with the masterful submarine set where a lot of the movie takes place, the soundtrack is a major highlight. It features everything from Devo to David Bowie, with many of the songs also done in Portuguese with an acoustic guitar by one of the movie’s actors, Seu Jorge. The movie also featured, for the first time in an Anderson movie, some stop-motion animation shots.

For Anderson’s latest, he returns to stop-motion animation to tell the story of a Japanese boy trying to find his dog on a remote island where all canines have been forced to live out their days following a “flu.” It’s an extremely entertaining tale though it lacks a little of that extra pull on the heartstrings we've come to expect from Anderson. But it’s still a heck of a lot of fun.

It’s the movie that proved Anderson could pull off the dazzling ideas in his head. His follow-up to “Bottle Rocket” marks the beginning of the director working with Bill Murray, and the actor delivers a perfect performance as a rich industrialist who befriends an eccentric teenager named Max (Jason Schwartzman). The two eventually become enemies when they fall for the same woman, Max’s teacher, which leads to the two hilariously trying to sabotage each other.

With the strong performances, beautiful cinematography, and a perfectly written story, Anderson was raised to auteur status with only two features under his belt.

The first time Anderson used stop-motion for an entire movie, he knocked it out of the park with this adaptation of the Roald Dahl children’s novel. The attention to detail is beyond most stop-motion work and then there’s the writing by Anderson and Noah Baumbach that is perfect for the material.

Though Anderson’s love of foreign film always shines through in his movies, it’s this one in particular that really gives out that vibe the strongest. A coming-of-age love story set at a summer camp in the 1960s, inspiration for the movie's tone range from François Truffaut to Jean-Luc Godard.

It’s a movie that features all of Anderson’s strengths as a storyteller working perfectly and executed by some of the best actors working today. From its stunning look to the perfectly told who-done-it plot, this is a flawless movie.