Every Lily James movie, ranked according to critics

Rotten Tomatoes score: 26%

"Wrath of the Titans," which is the sequel to "Clash of the Titans," focuses on Sam Worthington's character from Greek mythology, Perseus. James has a small part as Korrina, a female warrior from Argos.

"This feeble followup to 2010's godawful 'Clash of the Titans' sucketh the mighty big one," wrote Rolling Stone's Peter Travers.

Rotten Tomatoes score: 28%

"Burnt" focuses on Cooper's character Adam, who is trying to piece his life back together, and his budding relationship with Sienna Miller's character Helene, his former sous-chef. James has a small part as a character named Sara, the girlfriend of one of Adam's employees.

"'Burnt' is, to be clear, not a good movie. It is in fact a pretty terrible movie," wrote Megan Garber for The Atlantic.

Rotten Tomatoes score: 39%

"Rebecca" is originally based on the 1938 Daphne du Maurier novel of the same name, and it follows Rebecca (James) as she realizes her husband (Hammer) has a dark past, and might be too good to be true — and her life might be at risk.

"This is a melodramatic tale of class disparity and imposter syndrome and compulsive jealousy and explosive fury, and the execution here is just ... tepid. Lukewarm," wrote Pajiba's Roxana Hadadi.

Rotten Tomatoes score: 46%

Elizabeth Bennet is one of the iconic protagonists in literary — and cinematic — history. James got to explore a different version of the character in this 2016 adaptation of the beloved novel of the same name by Seth Grahame-Smith.

Basically, the film asks, "What if 'Pride and Prejudice' met the zombie apocalypse?"

"It's entertaining at first that our heroine and hero can slay zombies as expertly as they parry quips but the joke wears thin," wrote Charlotte O'Sullivan for the London Evening Standard.

Rotten Tomatoes score: 63%

James plays the adult version of the main character, Skunk, who is mostly played by Eloise Laurence. "Broken" follows 11-year-old Skunk whose life starts slowly spinning out of control after her best friend Rick is falsely accused of rape by her neighbors.

"The comic and tragic elements are nicely balanced, and the three families' stories neatly and economically knit together," wrote the Chicago Reader's J.R. Jones.

Rotten Tomatoes score: 64%

The film "Yesterday" imagines a world slightly different than ours — namely, one in which The Beatles never existed (nor Oasis, Coca-Cola, cigarettes, and "Harry Potter"). One man, Jack, played by Himesh Patel, remembers their music and tries to pass it off as his own. James plays Jack's best friend and secret crush, Ellie.

"Himesh Patel has a wide-eyed charisma; Lily James, although underused, is a delight, and the earnestly-covered songs ensure this is a magical mystery tour worth boarding," wrote Tara Brady for The Irish Times.

Rotten Tomatoes score: 69%

"Rare Beasts" is the story of Mandy, played by writer/director Piper, and her "love" story with Pete, a borderline incel. James plays Cressida, a woman whose wedding Mandy and Pete attend.

"These are all compelling ideas that Piper leaps wholeheartedly into — even if she, too, inevitably gets lost in the maze inside Mandy's head," wrote Clarisse Loughrey for The Independent.

Rotten Tomatoes score: 74%

James plays Mieke, a maid for the exiled German Kaiser Wilhelm II (Christopher Plummer). She falls in love with a German officer, played by Jai Courtney, all the while acting as a secret spy for the Allies.

"For all its late-in-the-game silliness, 'The Exception' is a solidly acted, well-told tale about how love of country holds up in the face of other, less nationalistic passions," wrote Stephanie Merry for the Washington Post.

Rotten Tomatoes score: 79%

The sequel to "Mamma Mia!" takes a "Godfather 2"-esque approach the sequel; part of the film is set after the first film and focuses on Amanda Seyfried's character Sophie as she navigates her impending motherhood, and the other part is a prequel about a young Donna making her way to Greece, with James taking over for Streep as Donna.

"What's not to like? To some people, a summer film means car chases and super heroes. To me, it's a film like this: the cinematic equivalent of a juicy beach read," wrote Max Weiss for Baltimore Magazine.

Rotten Tomatoes score: 81%

In "Guernsey," James plays author Juliet Ashton who travels to the small British island off the coast of France in order to write about the Guernsey Literary and Potato Peel Pie Society, a secret society/book club. It's based on the epistolary novel of the same name by Mary Ann Shaffer and Annie Barrows.

"The movie is comfort food through and through, as wholesome and predictable as a Sunday roast and as sickly sweet as sticky toffee pudding," wrote Slate's Marissa Martinelli.

Rotten Tomatoes score: 83%

James plays protagonist Shania Andrews' main rival, Lisa. As Shania practices at a dilapidated track with a disgraced coach, Lisa has everything handed to her as her father is the leader of the UK's track-and-field oversight committee. Both must work together to win a relay race.

"Some of the girl power stuff is a bit wincing and it's never totally convincing, but with charm and buckets of energy, you'll forgive it," wrote Cath Clarke of Time Out.

Rotten Tomatoes score: 84%

Cinderella is arguably Disney's most famous princess, with her castle the centerpiece of Disney World and her dress transformation as Walt Disney's favorite piece of animation, which surely meant lots of pressure on James.

But you'd never know she was stressed at all watching her performance, which gives the stepdaughter turned servant turned princess more agency than she's ever had before.

"Directed by Kenneth Branagh with a sprinkling of stardust, dashes of good humor, and a respect for the corniest kinds of romance, 'Cinderella' is a winning re-do of Disney's 1950 animated classic," wrote the Philadelphia Inquirer's Steven Rea.

Rotten Tomatoes score: 84%

"Darkest Hour" saw James return to WWII yet again. This time she played a secretary to Churchill — played by Gary Oldman in an Oscar-winning performance — as he decides whether or not to engage in negotiations with the Germans.

"This isn't an uncritical celebration of British bulldog spirit but a nuanced portrait of Churchill at a key point early in the war," wrote Geoffrey Macnab for The Independent.

Rotten Tomatoes score: 88%

In "The Dig," James travels (at first) to a pre-WWII England in 1939. She plays real-life archaeologist Peggy Piggott, who arrives to help out with the discovery of many artifacts in the backyard of Edith Pretty's (Carey Mulligan) home.

"'The Dig' is a movie steeped in the inevitable passage of time, but it's also a reminder that the past lives on through the things we leave behind," wrote Time magazine's Stephanie Zacharek.

Rotten Tomatoes score: 92%

"Baby Driver" is the story of one getaway driver, Baby (Ansel Elgort), as he attempts to leave his life of crime behind after he falls in love with Debora (James).

"The joy of 'Baby Driver' is that, though you've seen versions of this story before, many times over, you've never seen it done quite like this," wrote K. Austin Collins for The Ringer.

Rotten Tomatoes score: 93%

In "Sorry to Bother You," Boots Riley's surrealist satire about capitalism, racism, and telemarketing, the film's Black characters are able to get ahead using their "white voices." The film's main character, Cash, is played by Lakeith Stanfield, while his white voice is actually David Cross.

Cash's girlfriend Detroit is played by Tessa Thompson, whose white voice is James.

"'Sorry to Bother You' is as much a character-driven story about the gentrification of Oakland — and the Bay Area writ large — as it is an absurdist anti-capitalist fable," wrote The Atlantic's Hannah Giorgis.

Rotten Tomatoes score: 95%

Years before James was providing Tessa Thompson's "white voice," the two co-starred in "Little Woods," a crime thriller about two sisters who are trying desperately to save their house, provide for their family, and are eventually forced back into drug dealing to get by.

"'Little Woods' is a neo-western film that serves as a full deconstruction of what ails the United States of America through the eyes of women," wrote Valerie Complex for HN Entertainment.