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Whedon reportedly used 10% of Snyder's footage in the 2017 cut. Troublingly, many scenes with women in the Whedon version undermine their power, strength, and agency.
Now in 2021, Snyder has been able to make his version of the film. It's remarkable how a slight change in dialogue or shot can dramatically alter the meaning of a scene.
Changes to Wonder Woman's opening scene in 2017 diminished her power and strength as a demigod. The "Snyder cut" fixed that.
Some of the best shots showing Wonder Woman's strength were left on the cutting room floor in 2017.
Warner Bros., HBO Max
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The Amazons seemed afraid of the villain in the original cut. You're told these women have no fear in the "Snyder cut."
The 2017 film cut a powerful line from the Amazons: "We have no fear!"
Warner Bros./HBO Max
The original movie makes the Amazons who must "seal the cage" come off as nothing more than beautiful women swinging mallets. The "Snyder cut" fully allows you to appreciate their power.
The 2017 Steppenwolf (on the left) encourages the Amazon queen to flee. The one on the right is floundering under the weight of the warriors.
Warner Bros./HBO Max
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In the original movie, Steppenwolf tells the Amazon women that they'll love him when he conquers the world. This is completely cut from the new film.
A scene from the original 2017 version of "Justice League."
Warner Bros.
Every Amazon of color is almost completely scrapped in the original movie. Not so in the "Snyder cut."
The 2021 film gives an Amazon warrior a few more significant lines and moments than the theatrical cut.
Warner Bros., HBO Max
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The 2017 cut portrays a random woman as "crazy." This isn't even in the 2021 movie.
Even minor female characters are treated poorly in the 2017 film.
Warner Bros.
In the theatrical cut, Lois Lane is stripped of her duties as an investigative reporter and put on puff-piece duty. In the new version, she's still processing her loss and hasn't returned to work.
Does anything sound more demeaning for Lois Lane?
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Martha Kent accidentally tells Lois Lane that Clark always said she was the "thirstiest young woman he ever met." This entire scene doesn't appear in Snyder's version.
I'm not even sure what this dialogue was trying to accomplish other than a cheap laugh.
Warner Bros.
Whedon's cut doesn't acknowledge that Wonder Woman is smart enough to disarm Bruce Wayne's security system. With a simple line, Snyder's fixes that.
Diana gets extra dialogue in this scene in the "Snyder cut."
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Another one of Wonder Woman's lines is changed when she goes head-to-head with Steppenwolf. In the 2017 film, the line removes the character's agency.
The 2017 movie got rid of Wonder Woman's best moments. The 2021 version makes it clear she's a force to be reckoned with.
Warner Bros. / HBO Max
The Flash awkwardly falls onto Wonder Woman's breasts in the original film. The 2021 "Snyder cut" doesn't bother with this nonsense.
This is supposed to be funny.
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One of the first lines Lois Lane says to the love of her life, Superman, when he returns from the dead in the theatrical cut is, "You smell good."
This is arguably one of the worst lines of the 2017 movie.
Warner Bros. / HBO Max
The 2017 film added scenes where Wonder Woman's butt is front and center in the frame. The 2021 movie doesn't bother with these cheap shots.
The difference between the two movies.
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Wonder Woman is the only one who doesn't want to bring Superman back from the dead in the Whedon cut. In 2021, all the heroes are in agreement.
Honestly, Wonder Woman has some good points here. But no one wants to listen to her anyway. So what's the point?
Warner Bros.
Wonder Woman's lasso is used against her as a gag for Aquaman to call her gorgeous.
Even Bruce questions what Aquaman's doing. This isn't in the "Snyder cut."
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Whedon's cut grounds Wonder Woman on the sidelines for most of the final battle. In Snyder's version, she can fly.
Wonder Woman basically flies in the "Snyder cut."
HBO Max
Wonder Woman is denied her right to finish off the villain in the theatrical cut.
You can see how some of the similar shots were used differently in both cuts.
Warner Bros./HBO Max, composite by Kirsten Acuna/Insider