Here are the revealing lyrics in Beyonce's 'Lemonade' that people speculate are about Jay Z cheating

Cowritten by Ezra Koenig of Vampire Weekend, who once tweeted one of the lines ("Hold up, they don't love you like I love you"), "Hold Up" rides a sunny reggae groove. But Beyoncé has harsh words for her man, telling him, "I smell your secret, and I'm not too perfect/To ever feel this worthless." Going through his "call list," she warns, "I'ma f--- me up a b----."

In the video for "Hold Up" from the "Lemonade" film, Beyoncé walks down a street causing destruction everywhere.

The refrain in "Hold Up" gets right to the point: Beyoncé would rather appear jealous than hide her emotions and feel like she's being used. She explored similar themes in "Jealous" from her 2013 self-titled album.

This is the most cutting lyric on the album, from "Hold Up," suggesting that Jay Z has accumulated wealth and power that have made him attractive to women. But without those things, she says, other women wouldn't pay him much mind.

But Beyoncé is still there for Jay Z: "Y'all know we were made for each other," she sings, "so I find you and hold you down."

Beyoncé doesn't let up on the aggression in "Don't Hurt Yourself," which features a Led Zeppelin loop and was recorded with Jack White. "Keep your money, I got my own," she says. The song argues that her man's mistakes will only come back at him. "When you diss me, you diss yourself."

Beyoncé delivers an ultimatum at the end of "Don't Hurt Yourself," saying she's ready to walk away.

The "Lemonade" film also includes home-video footage of the couple together.

Another seemingly clear reference to Jay Z, this lyric on "Sorry" turns his verse on Kanye West's "So Appalled" back on himself. Beyoncé is using his own insults to let him know she should give him pause.

Beyoncé makes not-so-veiled references to possible infidelity on "Sorry," saying that her man always has "excuses."

She also makes allusions to a breakup, which leads one to wonder how autobiographical the album really is, since she and Jay Z are still publicly together. "I left a note in the hallway/By the time you read it, I'll be far away/I'm far away," she sings.

The lyric heard 'round the internet, about who a man suspected to be Jay Z is spending his time with, has been the most dissected on the album. Amateur sleuths have come up with theories about who "Becky with the good hair" is.

Fans immediately picked out designer Rachel Roy, who denies she's the person referenced, though she first posted a message on Instagram that seemed to be a response to the song.

People are also speculating the "Becky" could be singer Rita Ora, who has been linked to Jay Z. This has resulted in a lot of Beyoncé fan backlash against the women, which Roy called a form of "cyber bullying."

Apparently the fact that neither woman is named Becky doesn't matter to fans.

"Daddy Lessons" is the closest Beyoncé has come to making a country song, and the violent lesson in the title is directed at a man in her life. The father of the song told Beyoncé when "men like me come around," she should "shoot."

In the latter part of the album, Beyoncé's tone softens, and she seems to want to make amends. "Lemonade" comes off like a breakup album, one of the oldest models there is, but with a twist. "You and me could move a mountain," she tells a man in the chorus of "Love Drought," reaffirming their love.

Beyoncé alludes to a breakup that didn't fully happen on "Sandcastles," whose video features Jay Z. She says, "What is it about you that I can't erase, baby?" Though the fighting is still fresh in her mind, she's willing to resolve it: "Show me your scars and I won't walk away."

Beyoncé suggests that career ambition is getting in the way of her relationship, but she's willing to put that aside if it can save the love. The song "Forward" repeats the word like a mantra, for herself and everyone else who wants progress.

"Freedom," Beyoncé's collaboration with rapper Kendrick Lamar, gestures to much larger ideas about black unity and the fight against oppression and racism, though you could read into it as a relationship that's holding her down.

At the end of "Freedom," Beyoncé includes this clip of Jay Z's grandmother Hattie White giving a speech about forgiveness. The quote could serve to heal the relationship wounds explored throughout the album.

On "All Night," Beyoncé is letting herself drift back into the "true love" she remembers. "My love's too pure to watch it chip away," she concludes.