The verdict is obviously good.
Yes, I got exactly what I wanted, and since the end of last year, I've richly enjoyed the Sonos-Tidal combination.
I still listen to Sirius from time to time, and I added Amazon Music as part of an Amazon Prime subscription.
I also listen to music from my own library on my Apple devices. What I haven't yet done is pick up the Play:1's that I intend to position in my kitchen and my bedroom. And I haven't added the turntable. (I've also found that I rarely use Amazon Music.)
The ease of use is ridiculous. I have no prior experience with a system that works this well, sounds this good, and is such a breeze to set up. I can go back in time to assembling a multi-component stereo system, which could consume an hour or two to get right. But even the more modern options I've explored, while simple to use, don't deliver the same listening pleasures.
I'm well aware that Tidal has some possible business issues, but I like the service. I'm also aware that Sonos has been making some changes to address competition from Amazon on voice-controlled systems.
Overall, however, the Sonos package is superlative. Yes, there are objectively better-sounded systems, but they're more expensive — in the case of the Naim speakers I recently reviewed, much more expensive. Sonos speakers get the job done and get it done well, without blowing a hole in your finances.
Tidal streams its so-called "loss-less" FLAC files at 1,411 kbps via the $20-per-month hi-fi service, and to my ear, the quality is definitely there. The Sonos Play:5 emulates an old-school stereo, but what I think is really cool about it is the combination of volume, detail, and lack of distortion. It certainly does fill and room with sound — and then some. But it also creates a sort of dense core of rich tones about ten feet in front of the unit. What you lose in stereo separation you make up for with this animated block of sound.
Sonos plus Tidal has been a rewarding investment that's taken my 21st-century listening to a new level and enhanced my love of music.
... but I eventually put the Play:5 to the ultimate test.
... a new young musician named Ryley Walker was in the mix ...
I progressed through a variety of different styles of music: Pink Floyd ...
Then I gave Tidal co-owner Beyoncé a spin.
Time to listen to some tunes! First up was my favorite record of the moment, "HQ" from the English progressive folk-rock musician Roy Harper. I wasn't exploring sound quality yet. I wanted to connect emotionally with the Play:5 — in fact, to see if that would be possible.
Then I undertook an interesting process to tune my Play:5 to the room. I essentially used the Trueplay feature to walk around my living room while the system figured out to adjust the sound.
Sonos explains the Trueplay system here.
The speaker itself is a modest powerhouse. This is what you're getting, according to the Sonos specs:
•Six Class-D digital amplifiers "tuned to match the six dedicated speaker drivers and the acoustic architecture"
•Three tweeters that "create the crispest and clearest high-frequency response"
•Three mid-woofers that "ensure you’ll hear the faithful playback of mid-range vocal frequencies plus deep, rich bass — without distortion, even at high volumes"
•A phased speaker array: (three drivers on top and three on the bottom) to "create a wide stereo soundstage that directs the sound left, right, and center"
In my listening, I found all this to be valid — except the wide stereo soundstage. There is a soundstage, but it isn't wide. So if you really must have that, you'll need to either go with a true stereo hi-fi setup, or go with a pair of Play:1's or Play:5's.
Everything runs off the Sonos app, which I downloaded for my iPhone from the App Store (I later also downloaded it to an Android tablet that my mother gave me). It enables you to add your various streaming services by entering your personal login info. I started out with Tidal and Sirius.
The instructions are almost comically simple.
The Sonos system sets up a mesh wifi in your home, so that music can be streamed wirelessly through your broadband connection — and so that the Sonos app can coordinate all the speakers.
The system is highly scalable. Apart from the Play:1, Play:3, and Play:5 speakers, Sonos has a home-theater rig that includes a soundbar and a subwoofer, as well as streaming units that can be hooked up to an existing audio or speaker system.
You plug it in, push a button on the back, and it comes to life.
It's a nice, neat package.
You have to "unlock" the box ...
Anyway, I wound up getting a nice deal through Verizon Wireless to buy a discounted Play:5, and that cinched the deal. On to the unboxing and setup. Believe me, this won't take long! The Play:5 arrived a few days after I ordered it.
A word (or two) about Sonos itself. The company, based on Santa Barbara, was started in 2002. It's become the pre-eminent multi-room wireless audio system because it uses your home wi-fi setup to create a "mesh" network that allows the different speakers to all play the same music at the same time.
Two Play:1's in stereo are actually quite sweet. But ultimately I realized that the more massed sound of the Play:5, with some separation, would be a better choice. I also thought I could add a subwoofer later, and unlike the Play:3, the Play:5 can handle a turntable as a plug-and-play option.
The only remaining question was whether I absolutely, positively had to have that stereo thing. So I went to the Sonos store in Soho and listened to their Play:1 dual speaker setup, configured in stereo, against the Play:5 and the Soundbar plus a subwoofer. I had already decided that the the Play:3 wasn't going to be enough for my main listening room.
Tidal is, to my ear, very good. I'll get to why I think so in a bit. In any case, I'll be subscribing monthly from here on out.
Why not just get some incredible headphones, you might ask? Well, as much as I'm a child of the stereo age, I'm not a child of the headphones age. I've used very good headphones, both professionally when I worked in radio and as an enthusiast, but the core experience for me is still sound waves in the open atmosphere.
Meanwhile, I started looking for a better-quality streaming service than Pandora, Spotify, or my personal fave, Sirius. This led me to Tidal, the Jay-Z owned service that offers "loss-less" audio. The service costs about $25 a month. I already pay for Sirius, Spotify Premium, and buy much of the music I genuinely like. So it didn't bother me too much to lay out the extra bills. Music has never really been a cheap hobby, if you're honest with yourself.
My wife and I decided that it was worth it to invest in some serious audio, given how much time we spend listening to music at home. But we didn't want to tear our living room apart to make it all work.
Sonos! I have some friends on the West Coast whose house is similar to mine. They had Sonos, and I remembered it sounded pretty good. I also have another West Coast friend who was using a new Sonos product, the Play:5 speaker, when I visited last November. I was impressed.
So I forgot about both true stereo separation and emulated separation (the B&W Zep puts some of the speakers far enough apart to fake it convincingly). But not before I drifted toward the system that I probably should have focused on all along.
Because I'm a child of the hi-fi stereo era, I like stereo separation, and of the Bluetooth all-in-one speakers, the B&W Zep has the best. But the thing about stereo setups that establish a beautiful "soundstage" in front of you is that it's hard to preserve that impression of you move around much. I would sit in one spot and listen to "Dark Side of the Moon" on vinyl in 1980. Now, not so much.
Enter the Bowers & Wilkins Zeppelin, a legendary speaker. I have a small Bose Sound Dock, so I was familiar with where B&W was coming from. Also, B&W has one of the best car audio offerings on the market. I had been routinely blown away.
Then I thought that I'd upgrade my existing Bluetooth setup, simply by buying one of the best Bluetooth speakers out there — one that I could also plug a turntable into at some point.
My first idea was to go for a decent compact, all-in-one hi-fi with Bluetooth. Teac makes one. But I rejected this idea.
It became obvious that I was going to have to balance several key concerns. I wanted an unobtrusive, room-filling system that could deliver high-quality digital audio with the option of an analog fallback.
I've never been a true audiophile, but I've been around plenty. So I have a strong sense of what the possibilities are when it comes to audio systems. For my own part, I played music quite a bit as a kid and a teen, and I still play music. So I gravitate toward natural, nuanced audio.
But my heart wasn't in it. I didn't want to re-spend years scouring used record bins. That said, I did want to preserve a vinyl option, so I made one of my criteria that what I eventually chose had to be vinyl scalable.
I used to own about 500 vinyl records. But I sold them and made the switch to digital, not always with great results, audio-wise. So I explored setting up a new, vinyl-centric system.
We had been making do with a group of Bluetooth speakers. We had some old component systems and some refugee speakers, but they weren't going to work as the main rig.
We have a kind of medium-sized, three-story house, with small and medium-sized rooms. Acoustically, the living room or family room is quite good, but it's also not an ideal place in which to locate an elaborate audio system.
