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<ul><li>While the <keyword id="1754604" type="PERSON" weightage="20" keywordseo="coronavirus">Coronavirus</keyword> outbreak has led to productions of films and daily soaps being stopped across the country, TV viewership is going up due to people staying at home.</li><li>However, the GECs re now faced with the challenge of coming up with fresh content for its viewers.</li><li>In such a scenario, how are these channels planning to tackle the situation?</li></ul>It’s been close to 2 weeks since India’s film and television bodies decided to suspend shootings from to avoid the spread of the novel Coronavirus. The Indian Film &amp; Television Directors' Association (IFTDA), Producers Guild of India and Federation of Western Indian Cine Employees (FWICE) had decided on March 17 to put production and shooting on hold till March 31. As the PM announced his 21-day complete lockdown, production will not start before April 14. The biggest impact of this will be on GEC channels that usually work with a content bank of about two weeks. However, with the lockdown, these channels will soon run out of fresh content to air. Considering most people are stuck at home, OTT and TV viewership saw a spike, according to Broadcast Audience Research Council (BARC) India data. The total TV consumption saw a spike of 8% across India in the week ended March 20 (<keyword id="8763838" type="UNKNOWN" weightage="20" keywordseo="covid-19">Covid-19</keyword> Week 1), while the total time spent per user on smartphones went increased by 6.2% to 25 hours a week. Moreover, the consumption growth in the Hindi speaking markets (HSM) was at around 10% in comparison to the South region that grew by 5%. The HSM region saw an increase in terms of both reach and time spent. While this opens up possibilities for advertisers to catch more eyeballs, GECs are now faced with the problem of running out of content. In such a scenario, what is the strategy they are employing to ensure that they do not lose their audience who can only stay engaged if they are offered something new to watch? Ensuring all-round entertainment for consumers While production has come to a complete halt, all the channels believe that the show mustn’t stop and are strategizing at how to make the best use of the content at their disposal currently. Speaking about how it is working around the current situation, <keyword id="3387826" type="PERSON" weightage="20" keywordseo="Prathyusha-Agarwal">Prathyusha Agarwal</keyword>, Chief Consumer Officer, <keyword id="174248" type="DOMAIN" weightage="20" keywordseo="Zee-Entertainment-Enterprises-Ltd">Zee Entertainment Enterprises Ltd</keyword> said, “Taking into consideration the explosion in TV consumption and the changing composition of audiences, there is a need to customize programming for this emerging trend. At ZEE, we have geared up to serve these emerging trends with content for everyone in the family. For instance, starting March 25, Zee TV introduced an exclusive band ‘PyaarVyaar Originals’ with three new finite series including Sakshi Tanwar and Ram Kapoor starrer ‘Karle Tu Bhi Mohabbat’, Sharman Joshi Starrer ‘Baarish’ and Ronit Roy Starrer ‘Kehne Ko Humsafar Hain’ for the first time on television between 9 pm and 11 pm every week night. Longer binge-worthy episodes of our popular fiction shows have also been lined up across most channels to provide an immersive experience to our viewers who are staying much longer in front of the television. &amp;tv has also lined up curated specials of their comedy hits along with inspirational and devotional content to bring in positivity into our viewers’ living rooms.” For <keyword id="1570722" type="PERSON" weightage="20" keywordseo="Manisha-Sharma">Manisha Sharma</keyword>, Chief Content Officer, Hindi Mass Entertainment, <keyword id="187712" type="COMPANY" weightage="20" keywordseo="Viacom18">Viacom18</keyword>, the need of the hour is for the channels to take care of every family’s all-round entertainment needs. Speaking about what their roadmap in terms of content is, Sharma said, “At a time like this, we want to give our viewers the best of the content mix which will keep them smiling and comforted and hopefully let this time go by smiling and watching with their families in the confines of their homes. We have an eclectic mix of current and popular erstwhile shows that will take care of all their entertainment needs ranging from comedy, drama, slice of life, and reality shows. We have dedicated blocks for comedy, drama, and romance to give the viewers the best of the best content. A healthy dose of comedy between 5-6 pm with reruns of Belan Wali Bahu, popular show Dil Se Dil Tak starring Sidharth Shukla and Rashami Desai will be back at 6pm. We will continue to air fresh episodes of Vidya, Choti Sarrdaarni, Shakti…Astitva Ke Ehsaas Kii, Barrister Babu, Shubharambh and Naati Pinky Ki Lambi Love Story at their respective timeslots.” Riding on the nostalgia wave Doordarshan played a masterstroke with the announcement of the re-launch of yesteryear classics including Ramayan, Mahabharat and Byomkesh Bakshi. A lot of people have been talking on various social media platforms about what are the shows they would want channels to bring back. And a lot of the channels are listening to what the audience wants. Zee is bringing back some of its old, popular shows from its library across its channels, like ‘Kasamh Se’ on Zee TV and ‘Sambhaji’ on Zee Marathi and ‘Goyenda Ginni’ on Zee Bangla amongst others. Similarly, Viacom18 will be bringing back its show Dil Se Dil Tak and Bigg Boss 13. Speaking about what viewers can expect from its stable, <keyword id="8986388" type="UNKNOWN" weightage="20" keywordseo="arpit-machhar">Arpit Machhar</keyword>, Head of Marketing, <keyword id="8986387" type="UNKNOWN" weightage="20" keywordseo="enterr10-television-network">Enterr10 Television Network</keyword> (<keyword id="7514645" type="UNKNOWN" weightage="20" keywordseo="Dangal-TV">Dangal TV</keyword>) said, “We go through a lot of historical data before acquiring the license of any show. Dangal TV ratings, undoubtedly, have also been helpful in successfully monetising already aired shows. In the past, shows like Bandini, Chandragupt Maurya, Bhagwaan Shree Krishna have done exceptionally well. Ramayana, too has a very strong connect with viewers across India beyond the Hindi speaking markets. Mythological and historical shows along with some well-produced thrillers and family dramas make it an interesting package for viewers. We are in tune with this, considering Dangal TV too has been airing Ramayana as well as similar mythological shows like Devi Adi Parashakti, Mahima Shani Dev Ki for a while now. Devi Adi Parashakti and Mahima Shani Dev Ki are among the top 2 shows across Hindi GEC, HSM(U+R) as per latest data by BARC India for Week 11. We are aware that such content always has an audience and therefore we will continue to keep our viewers engaged with such shows.” Covid-19’s business impact While many sectors like events and out-of-home have been badly hit due to the lockdown, broadcasters are hopeful that they will be impacted less. Considering viewership is on the rise too, it presents an opportunity for both broadcasters and advertisers to make something out of an adverse situation. Dangal TV has seen a spike in its viewership, like most other GECs and is not focusing on new ideas. “Despite the COVID-19 challenge, Dangal TV is experiencing a spike in the average time spent.We are witnessing the early signs of a consumption uptick with an increase in the viewership. At Enterr10 Television Network, we are strongly connected and engaged with our viewers. Our numbers have been ahead of us. We are readily willing at focusing on exploring new ideas, IPs, etc. We haven’t stepped back in terms of exploring what more is possible, even during this period. Even in this unprecedented situation, we will continue to invest in good library, innovative programming and in distribution that will further aid in consolidating our position in both rural and urban markets. While there is huge competition amongst TV channels, our first priority is to consolidate, maintain and further strengthen our leadership position on television.” Pointing towards the fact that a lot of advertising on TV comes from FMCG that have been relatively less impacted, Sharma shared her optimism about the future. “The lockdown has hit the manufacturing, supply chain and consumption of all brands and that will invariably have an effect on ad spends. However, TV and digital will have a marginal impact as compared to other mediums like print, outdoors and radio as TV viewership is expected to see an upswing due to the forced lockdown. Secondly, a large amount of advertising revenue for a GEC comes from FMCG brands that are relatively less impacted in the current situation. Also, since it is an industry phenomenon, all GEC channels will witness a drop in ad spends,” explained Sharma. Added Agarwal, “Over the next 3 weeks, we expect content consumption on TV to go up as people look to keep themselves entertained. Given the temporary nature of the lockdown, it would be imprudent to quote any implication as of now, but we are sure that TV has become an essential service providing the much needed companionship to families in the current times.”

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Who doesn’t know <keyword id="6359288" type="PERSON" weightage="20" keywordseo="Shakespeare">Shakespeare</keyword>? The genius playwright’s plays have been performed in theatres across the globe since time immemorial. Veteran Indian actor <keyword id="6354338" type="PERSON" weightage="20" keywordseo="Naseeruddin-Shah">Naseeruddin Shah</keyword> had once said, “The roots may look lost, but every big story in the Hindi film industry is from Shakespeare." 
 In <keyword id="143" type="CITY" weightage="20" keywordseo="Bollywood">Bollywood</keyword> Shakespeare has found many admirers, who have turned his plays and stories into Bollywood blockbusters. The latest being Vishal Bhardwaj’s Haider, which is based on the 17th century tragedy Hamlet and is getting released this 2nd October. Let’s take a look at some of the other Bollywood movies based on the writing genius’ plays. 
 
The Tragedy Of Macbeth 
Written in April 1611, this tragedy play was the inspiration of Maqbool. The movie had some of the biggest Indian parallel cinestars like Pankaj Kapoor, Irrfan, Tabu, Naseeruddin Shah, Om Puri and Piyush Mishra. Released in the year 2003, the movie was produced by Bobby Bedi and directed by Vishal Bhardwaj, who also composed the background score of the movie. Though it failed to perform much at the BO, the movie is considered a landmark in terms of acting and direction. 
 
The Tragedy of Othello, the Moor of Venice 
Written approximately in 1603, this tragedy play inspired Omkara, starring Ajay Devgn, Kareena Kapoor, Konkona Sen Sharma, Saif Ali Khan, Vivek Oberoi, Naseeruddin Shah and Bipasha Basu. The 2006 movie was produced by Kumar Mangat and directed by Vishal Bhardwaj, thus becoming the second Shakespeare work adapted into a movie by Bhardwaj. The movie was a critical and commercial success, and won three National Awards. 
 
The Comedy Of Errors 
Believed to be written in 1594, the comedy play has inspired six Indian movies, viz. Do Dooni Char (1968) starring Kishore Kumar and Asit Sen; Angoor (1982) starring Sanjeev Kumar and Deven Verma; Bhrantibilas (1963 Bengali film) starring Uttam Kumar and Bhanu Bandopadhyay; Ulta Palta (1997 Kannada film) starring Ramesh Aravind and Karibasavaiah; Aamait Asal Eemait Kusal (2012 Tulu film) starring Naveen D Padil and Jyotish Shetty; and Double Di Trouble (2014 Punjabi film) starring Dharmendra and Gippy Grewal. 
 
Romeo And Juliet 
Written in 1597, the tragedy play has inspired many Bollywood movies till date. Some of the movies inspired by Romeo and Juliet are: Bobby (1973) starring Rishi Kapoor and Dimple Kapadia; Ek Duuje Ke Liye (1981) starring Kamal Haasan and Rati Agniohotri; Sanam Teri Kasam (1982) starring Kamal Haasan and Reena Roy; Qayamat Se Qayamat Tak (1988) starring Amir khan and Juhi Chawla; Saudagar (1991) starring Manisha Koirala and Vivek Mushran; Ishaqzaade (2012) starring Parineeti Chopra and Arjun Kapoor; Issaq (2013) starring Prateik and Amyra Dastur; and Goliyon Ki Raasleela: Ram-Leela (2013) starring Deepika Padukone and Ranveer Singh. 
 
The Tragedy of Hamlet, Prince of Denmark 
Written in 1603, the tragedy has inspired Haider, starring Shahid Kapoor, Shraddha Kapoor, Tabbu, Kay Kay Menon, and Irrfan Khan. The movie is produced by Vishal Bhardwaj and Siddharth Roy Kapur, and is directed by Vishal Bhardwaj. This is the third film that Bhardwaj has adapted from Shakespeare’s plays. The movie is all set to release on 2nd October 2014. 
 
Image: indiatimes

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